Liz Larin

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Liz Larin (born Mary Elizabeth Larin) is a Detroit-born, internationally recognized musician, composer and music producer. Liz Larin is also the founder of Bona Dea Music, an independent label focused on electronic pop/rock, world and ambient music, and American City Media, a digital media company specializing in video and interactive publishing. Liz Larin has risen to become one of the most celebrated artists out of the Detroit music scene. In 2003, when readers of Jam Rag Magazine voted her No. 1 out of 80 Detroit acts, Jam Rag featured her on the cover as Detroit's Goddess of Rock," a title that celebrated her musically adventurous live shows in Detroit. In 2004 she swept the Detroit Music Awards with her album The Story of O-Miz, beating out better known Detroit-area artists such as Eminem, White Stripes and The Funk Brothers for album of the year. In 2006 she dominated the Detroit Music Awards again with her release, Wake Up, Start Dreaming, garnering top awards including "Outstanding Rock Artist/Group," "Outstanding Rock/Pop Recording," "Outstanding Rock/Pop Songwriter," "Outstanding Rock Instrumentalist (guitarist)," and "Outstanding Rock/Pop Vocalist." In 2008 she won top honors "Outstanding Electronic Music Producer," and "Outstanding World Music Instrumentalist" when Bona Dea Music released LusterKraft - The Transmitter, Stella 13 - When Soul Becomes Symphony, and Liz Larin - Blue Circus Life, three different CD's on the same day. In 2013 AOR Magazine in the UK voted Liz Larin No. 15 of the top 50 women in rock music history. In 2014 Bona Dea Music released Liz Larin's "Hurricane," which includes a multi-media concert with self produced computer graphics, video and photography. Currently Liz Larin composes music for film and television splitting her time between Montreal and New Orleans, and releasing music under LusterKraft, Stella 13 and Arcello.

Larin is known for her soul-searching lyrics, her eclectic tracks, her award-winning electric guitar work, and her powerful and evocative vocals. Liz Larin's music has paved the way for strong female artists such as Ellie Goulding, Florence & The Machine, Lorde and Lana Del Rey. The Metro Times writes "Although sometimes compared to, Sarah McLachlan, Sheryl Crow, Avril Lavigne, Liz Larin has style all her own."[1] RockWorld says of Larin, "Her music is in the realm of say, Bonnie Raitt but with an electronic edge and much, much better."[2]

Background[edit]

A self-taught guitarist and pianist from the age of ten, by the age of 15 she was asked to teach guitar at the local music store. In the store she made connections with musicians of many styles and was soon playing jam sessions across the city. When Liz announced to her parents she was going to join a rock band, her parents objected. Liz left home at age 16, supporting herself by teaching guitar and playing gigs.

Rebel Heels, Atlantic Records, and her solo debut[edit]

Along with guitarist and songwriter Michael King, Larin formed Press. The band later added Danny Cox as drummer/percussionist. The band changed its name to Rebel Heels and signed with Atlantic Records in 1987.

Rebel Heels' first album, One by One by One (1988), produced by Rupert Hine, served to establish her fan base in the US, UK, Australia, Germany, Belgium and the Netherlands.

Rebel Heels folded after only one album but Atlantic Records retained Liz Larin as a solo artist. Her debut album, Test Your Faith, was released in 1993.

Los Angeles: Can You Give Us More Sexy?[edit]

Larin became disillusioned with life in the music business of Los Angeles. In an interview with Liz Hill of Strut Magazine, Larin says, "It wasn't about listening to the music. It was all about what I looked like."[3] Hill continues, "Label executives and publicity folks wanted Larin, whose songs are tough, independent pop-rock anthems, to sex up her image."

Return to Detroit[edit]

According to Larin, "My life had become surreal and I wanted to return to playing music. Detroit is a real music town and its reputation for great musicians is right on. I found myself wanting to write and play, more than ever, for the sheer joy of it."[4]

Liz Larin ended her contract with Atlantic and came home to Detroit. She formed her own record label in 2000, Bona Dea Music, and went indie (cf. Bona Dea, a figure from Roman mythology).

Merry Wicked[edit]

Merry Wicked, her first independent album, was released in 1999. Lacking the support of a major label, it went nowhere on the national charts, but it opened doors in Detroit where audiences could directly experience her powerful ballads and rock anthems themselves. Liz also returned to her family and her musical roots, and her life no longer felt "surreal." The focus on music, and not on image, opened up a creative well-spring that would catapult her to the top of the Detroit music scene over the next five years.

The Story of O-Miz[edit]

The Story of O-Miz (2002) broke it open for Liz Larin. With the LA publicity types now in her past, Larin focused on working with the top musicians in the Detroit area. Her sound became even more emotionally intense. The album took advantage of the skills of Robert Tye on guitar, James Simonson and Chuck Bartels on bass guitar, and Todd Glass and Dave Taylor on drums. Vinnie Dombroski of Sponge lent drums and vocals to the track "Pretty Is."

Liz Larin won six categories in the 2003 Detroit Music Awards, including "Outstanding Pop Artist Group," "Outstanding Rock/Pop Instrumentalist," and "Outstanding Rock/Pop Vocalist."

Discography[edit]

References[edit]

External links[edit]

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