Lone Star (1996 film)
Theatrical release poster
|Directed by||John Sayles|
|Produced by||R. Paul Miller
|Written by||John Sayles|
|Music by||Mason Daring|
|Edited by||John Sayles|
|Distributed by||Columbia Pictures|
Lone Star is a 1996 American mystery film written and directed by John Sayles and set in a small town in Texas. The ensemble cast features Chris Cooper, Kris Kristofferson, Matthew McConaughey and Elizabeth Peña and deals with a sheriff's investigation into the murder of one of his predecessors. The movie was filmed in Del Rio, Eagle Pass and Laredo, Texas.
Sheriff Sam Deeds is the county sheriff in Frontera, Texas, a fictional border town. Sam has little enthusiasm for his job and the local politics that go with the job. Sam's late father had been the legendary Sheriff Buddy Deeds, who is remembered as fair and just. Sam had problems with his father and the pair routinely fought.
Sam is particularly disapproving of efforts by Mayor Hollis Pogue, Buddy's chief deputy and best friend, and business leader Mercedes Cruz, to rename the local courthouse in Buddy's honor. As a teenager, Sam had been in love with Mercedes' daughter Pilar, but the courtship was opposed by both of their parents. After a chance meeting, Sam and the now-widowed Pilar slowly resume their courtship.
Colonel Delmore Payne has recently arrived in town as the new base commander of the local U.S. Army base. Delmore is the son of Otis "Big O" Payne, a local nightclub owner and leading figure in the area's African-American community. The two are estranged because of Otis' serial infidelity and abandonment of Delmore's mother when Delmore was a child. Delmore's men discover a human skeleton on an old shooting range along with a Masonic ring, a Rio County sheriff's badge, and a bullet not used by the military. Sam brings in Texas Ranger Ben Wetzel to help with the case. Wetzel tells Sam that the forensics identify the skeleton as that of Charlie Wade, the corrupt sheriff who preceded Buddy. Sam and Wetzel recall the story known throughout the region in 1957 Charlie Wade mysteriously disappeared with $10,000 in county funds and Buddy took over as sheriff.
As Sam investigates the events leading up to Wade's apparent murder he learns how Wade terrorized the local African-American and Mexican community, including murdering Mercedes Cruz' husband Eladio, whom he shot after catching Eladio smuggling illegal Mexican immigrants. Sam learns from the widow of Roderick Bledsoe, the former owner of Otis Payne's club, that Wade extorted money from them and other local businesses. A young Otis had a run in with Wade, who nearly shot Otis but was saved by Roderick. Buddy was also corrupt and used political patronage to help enrich his friends and political allies to ensure his reelection as sheriff. Sam later meets an Indian tourist salesman who reveals that Buddy settled down after serving in the Korean War due to becoming a deputy sheriff and marrying Sam's mother. Buddy had a mistress, but Sam's mother refused to leave Buddy. Sam travels to San Antonio, where he visits his ex-wife Bunny and searches through his father's things, where he discovers love letters to Buddy's mistress.
Sam returns to Frontera and confronts Hollis and Otis about the murder of Charlie Wade. Wade discovered that Otis was running an illegal gambling operation in the bar. Buddy arrived just as Wade was about to murder Otis but was shot by Hollis. Otis, Hollis, and Buddy buried Wade's body on the U.S. Army shooting range and took the $10,000 from the county and gave it to Mercedes Cruz, who Hollis reveals was Buddy's mistress, to buy her restaurant. Sam declines to press charges against Hollis and Otis, saying it will remain an unsolved mystery, but when Hollis voices concern that Buddy's reputation will be tarnished if the skeleton is revealed to be Charlie Wade, Sam states Buddy's legend can handle it.
Pilar meets Sam at an abandoned drive-in movie, where he reveals that her alleged father, Eladio Cruz, was killed one year and a half before Pilar's birth. Sam shows Pilar an old photo of Buddy and Pilar's mother, revealing that her real father is Buddy. Both are hurt over the deception of their parents but decide that they want to continue their romantic relationship, despite the knowledge that they are half-siblings.
The film received highly positive reviews, with Rotten Tomatoes reporting that 43 out of 46 reviews were positive for a score of 93% and a certification of "fresh". Two years after release, Jack Mathews of the Los Angeles Times declared it "critically acclaimed and darn near commercial". In retrospect from 2004, William Arnold of the Seattle Post-Intelligencer said that the film was "widely regarded as Sayles' masterpiece", declaring that it had "captured the zeitgeist of the '90s as successfully as "Chinatown" did the '70s".
Writing at the time of release, Janet Maslin of The New York Times said, "This long, spare, contemplatively paced film, scored with a wide range of musical styles and given a sun-baked clarity by Stuart Dryburgh's cinematography, is loaded with brief, meaningful encounters... And it features a great deal of fine, thoughtful acting, which can always be counted on in a film by Mr. Sayles". "All the film's characters are flesh and blood", Maslin added, pointing particularly to the portrayals by Kristofferson, Canada, James, Morton and Colon. Film critics Dennis West and Joan M. West of Cineaste praised the psychological aspects of the film, writing, "Lone Star strikingly depicts the personal psychological boundaries that confront many citizens of Frontera as a result of living in such close proximity to the border". Ann Hornaday for the Austin American-Statesman declared it "a work of awesome sweep and acute perception", judging it "the most accomplished film of [Sayles'] 17-year career".
However, not all contemporary critics were completely positive. While The Washington Post writer Hal Hinson characterized it as "a carefully crafted, unapologetically literary accomplishment", he said that Sayles' "directing style hasn't grown much beyond that of a first-year film student", declaring the director was "stagnant".
- Lone Star Film & Television Awards: Best Actor, Chris Cooper; Best Director, John Sayles; Best Film; Best Screenplay, John Sayles; Best Supporting Actor, Ron Canada; Best Supporting Actress, Frances McDormand; 1996.
- Belgian Syndicate of Cinema Critics; Grand Prix
- Independent Spirit Awards: Independent Spirit Award; Best Supporting Female, Elizabeth Peña ; 1997.
- Bravo Awards: NCLR Bravo Award Outstanding Actress in a Feature Film, Elizabeth Peña; Special Achievement Award Outstanding Feature Film; 1997.
- Satellite Awards: Golden Satellite Award; Best Motion Picture Screenplay - Original, John Sayles; 1997.
- Society of Texas Film Critics Awards: Best Director, John Sayles; Best Screenplay, John Sayles.
- Southeastern Film Critics Association Awards: SEFCA Award; Best Director, John Sayles; 1997.
- Academy Awards: Oscar; Best Writing, Screenplay Written Directly for the Screen, John Sayles; 1997.
- Bravo Awards: NCLR Bravo Award; Outstanding Actor in a Feature Film, Tony Plana; 1996.
- British Academy of Film and Television Arts: BAFTA Film Award; Best Screenplay - Original, John Sayles; 1997.
- Broadcast Film Critics Association Awards: BFCA Award Best Picture; 1997.
- Casting Society of America: Artios; Best Casting for Feature Film, Drama, Avy Kaufman; 1997.
- Golden Globes: Golden Globe; Best Screenplay - Motion Picture, John Sayles; 1997.
- Independent Spirit Awards: Independent Spirit Award; Best Feature, R. Paul Miller and Maggie Renzil; Best Male Lead, Chris Cooper; Best Screenplay, John Sayles; 1997.
- Satellite Awards: Golden Satellite Award; Best Motion Picture - Drama, R. Paul Miller and Maggie Renzi; 1997.
- Writers Guild of America: WGA Award (Screen); Best Screenplay Written Directly for the Screen, John Sayles; 1997.
- Molyneaux, Gerry (19 May 2000). John Sayles: An Unauthorized Biography of the Pioneer Indy Filmmaker. St. Martin's Press. p. 232. ISBN 978-1-58063-125-9.
- Lone Star at the Internet Movie Database.
- Lone Star at Rotten Tomatoes
- Mathews, Jack (13 March 1998). "Sayles Again Goes His Own Way With Effective 'Guns'". Los Angeles Times. p. F14. Retrieved 2014-08-19.
- Arnold, William (16 September 2004). "John Sayles' timely political lampoon aims squarely at George W. Bush". Seattle Post-Intelligencer. Retrieved 2014-08-19.
- Maslin, Janet (21 June 1996). "Sleepy Texas Town With an Epic Story". The New York Times. Retrieved 2014-08-19.
- West, Dennis; West, Joan M. (Summer 1996). Cineaste. Vol. 22 no. 3. p. 34. Missing or empty
- Hornaday, Ann (28 June 1996). "'Lone Star' shines brightly". Austin American-Statesman. p. E1.
- "'Lone Star': Stagnant Sayles". The Washington Post. 12 July 1996. p. F6. Retrieved 2014-08-19.
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