|Directed by||Frank Capra|
|Produced by||Harry Langdon|
|Written by||Robert Eddy
|Story by||Arthur Ripley|
|Edited by||Harry Langdon|
Harry Langdon Corporation
|Distributed by||First National Pictures
Kino Video (Home video release)
|Language||Silent (English intertitles)|
Long Pants (also known as Johnny Newcomer) is a 1927 American silent comedy film directed by Frank Capra and starring Harry Langdon. Additional cast members include Gladys Brockwell, Alan Roscoe, and Priscilla Bonner.
The silent tells the story of Harry Shelby (Langdon) who has been kept in knee-pants for years by his mother. One day, however, Harry finally gets his first pair of long pants.
Immediately, his family expects him to marry his childhood sweetheart Priscilla (Priscilla Bonner). Yet, Harry soon falls for Bebe Blair (Alma Bennett), a femme fatale from the big city who has a boyfriend in the mob.
Harry thinks that Bebe is interested in him as well, so he risks everything when Bebe ends up in jail. This leads to a lot of trouble for Harry. Throughout the whole ordeal Priscilla waits for Harry to face reality.
- Harry Langdon as Harry Shelby
- Gladys Brockwell as His Mother
- Alan Roscoe as His Father
- Priscilla Bonner as Priscilla, His Bride
- Alma Bennett as Bebe Blair, His Downfall
- Betty Francisco as His Finish
- Glenn Tryon as Glenn Tryon
When it was released, film critic Mordaunt Hall gave the film a positive review. He wrote, "Some hilarious passages enliven Harry Langdon's latest film oddity, Long' Pants...Although these incidents are acted with consummate skill, except for an occasional repetition, it is quite obvious to any male who has made the decisive change from short to long trousers that the idea offers possibilities far greater and more genuine than those that greet the eye. The answer is that Mr. Langdon has once again capitulated to his omnipotent band of gag-men. It may be all very well for Harold Lloyd to rely on mechanical twists, but Langdon possesses a cherubic countenance, which offers him a chance in other directions...Mr. Langdon is still Charles Spencer Chaplin's sincerest flatterer. His short coat reminds one of Chaplin, and now and again his footwork is like that of the great screen comedian."
Film historian David Kalat reports that Buster Keaton, a long-time fan of Langdon's known for his own morbid jokes about death and killings, criticized a scene in which Langdon's character tries to kill Priscilla as "going too far" in making light of murder.
More recently, critic Maria Schneider reviewed Langdon's work and wrote, "Long Pants (1927), also directed by Capra, was a peculiar change of pace for Langdon, and possibly an attempt to poke fun at his baby-faced image by casting him as a would-be lady-killer; sporting little of the ingenuity of The Strong Man, it was a box-office failure that set off the comedian's quick decline into obscurity. An acquired taste, Harry Langdon's gentle absurdities and slow rhythms take some getting used to, but patient viewers will be rewarded."
Film critic Hal Erikson wrote of the film, "Few comedies of the 1920s were as bizarre and surreal as Harry Langdon's Long Pants... Written by future director Arthur Ripley, Long Pants is as kinky as any of Ripley's film noirs of the 1940s. Long Pants represents the second and final collaboration between star Harry Langdon and director Frank Capra, who was fired when Langdon wrong-headedly decided to become his own director, resulting in a series of career-destroying flops."
- Long Pants on IMDb.
- Hall, Mordaunt. The New York Times, film review March 29, 1927. Last accessed: February 19, 2008.
- David Kalat (2011). Dreaming of The Love Next. Kino Lorber.
- Schneider, Maria. AV Club, DVD/film review, March 29, 2002. Last accessed: February 19, 2008.
- Erikson, Hal. Long Pants at AllMovie.
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