Cover of the 1st edition
|Cover artist||Fred Marcellino|
|Media type||Print (Hardback)|
The narrator, Cartwright, had made with his friend Dagger a fairly pointless art film/documentary using loaned professional equipment, with scenes set in Stonehenge, Hyde Park, and other locations in England, plus one scene in Ajaccio, Corsica. But someone destroyed it, and when acquaintances in New York press Cartwright for information about an alleged second print, the sound track, and even his personal diary, he finds himself trying to find out what really happened. Doing so involves multiple trips between New York and England, including a visit to the Hebrides and the Stones of Callanish, and increasing danger and death.
The separate scenes are:
- Bonfire in Wales - Supposedly come upon spontaneously, Cartwright's discovery that Dagger had planned it ahead of time is his first proof that there has been something sinister going on.
- Unplaced Room - Starring an anonymous US AWOL who arrived via remote Scottish islands.
- Suitcase Slowly Packing
- Hawaiian Hippie aka Hawaiian in the Underground - Bill Liliuokalani
- Hyde Park Softball
- Corsican Montage
- Marvelous Country House - With Apollo 15 on the television set being ignored.
- USAF Base
The language of film, computer technology, information theory, and liquid crystals permeate the novel.
McElroy tried to make the novel as "cinematic" as possible, filled with information. The sentences were made deliberately labyrinthine, meant to be on the edge of incomprehensibility, yet to always feel as if significant clues had to be present.
In the 1985 Carroll and Graf paperback reprint, McElroy wrote an introduction "One Reader to Another". He starts by stating that he recalls some French writer "arguing that fiction can't compete with film in visual immediacy." He recalls that his reaction then and in 1985 is that, "by magic ink-sign crypto-telepathy, words in the right sequence can transmit between remote minds the mind's motion pictures."
For its technical brilliance, its unremitting intelligence, for the rich complexity of the homologies and analogies between its systems and the fearful times we live in, Lookout Cartridge is the rarest kind of achievement.— George Stade, The New York Times Book Review
Spectacular, richly imagined . . . an excruciatingly difficult book to put down.— ?, The Cleveland Plain Dealer
... a hypnagogic blowup of the metaphor of survival even if ... survival no longer seems very important.— ?, Kirkus Reviews
Very hard to read, and very much worth the effort.— Bruce Allen, Library Journal, 2/1/1975
- "Lookout Cartridge". Kirkus Reviews. 1975.
- Harris, Michael (March 9, 1975). "Metaphor Man". The Washington Post Book World. p. 3.
- Holmes, Carol (May 1975). "Books in Brief". Harper's Magazine: 55.
- McFadden, Cyra (May 12, 1975). "More Mystification Than Mystery". The New Leader. LVIII (10): 21–22.
- Nordell, Roderick (April 30, 1975). "Shuttling until time becomes a riddle". Christian Science Monitor. p. 25.
- Stade, George (February 2, 1975). "Harmonies and dissonances". The New York Times Book Review. p. BR1.
- Thamon, W. T., Jr (May 3, 1975). "Current, Notable Fiction: Lookout Cartridge". The New Republic. 172 (18): 28.
- Johnston, John (1989). "Representation and Multiplicity in Four Postmodern American Novels". Texas Review. 10: 23–36.
The following articles appeared in the Joseph McElroy issue of The Review of Contemporary Fiction. X. 1990:
- Johnston, John. ""The Dimensionless Space Between": Narrative Immanence in Joseph McElroy's Lookout Cartridge": 95–111.
- Campbell, Gregor. "Processing Lookout Cartridge": 112–18.
- Buckeye, Robert. "Lookout Cartridge, Plans, Maps, Programs, Designs, Outlines": 119–26.
- Stonehill, Brian. "Intimations of Human Divinity in Joseph McElroy's Lookout Cartridge": 127–32.
- Siemion, Piotr. "Chasing the Cartridge: On Translating McElroy": 133–39.
In addition, see these general works on McElroy's fiction.