2003 Decca combined cast recordings release
|Lyrics||Adolph Green and Betty Comden|
|Book||Kenny Solms and Gail Parent|
|Basis||Gentlemen Prefer Blondes|
Lorelei is a musical with a book by Kenny Solms and Gail Parent, lyrics by Betty Comden and Adolph Green, and music by Jule Styne. It is a revision of the Joseph Fields-Anita Loos book for the 1949 production Gentlemen Prefer Blondes and includes many of the Jule Styne-Leo Robin songs written for the original.
Subtitled Gentlemen Still Prefer Blondes, it opens with the title character, a heavily-bejeweled, very wealthy widow, about to set sail on the SS Ile de France. The moment reminds her of a past voyage she took with her best friend and fellow showgirl Dorothy Shaw, and in a flashback we relive their madcap adventures after Lorelei's plans to marry Gus Esmond are derailed by his father and the two women sail from New York City to Paris and settle in at the Hôtel Ritz.
In 1973 Carol Channing, who had originated the role of Lorelei Lee in 1949, reprised her role when Lorelei premiered in Oklahoma City at the (6000 seat) Civic Center Music Hall and broke boxoffice records after six straight days of performances sold out within 24 hours. Lorelei then toured the country for nearly a year and had already earned a tidy profit before opening on Broadway at the Palace Theatre on January 27, 1974, following 11 previews.
Carol Channing was nominated for the Tony Award for Best Actress in a Musical. Also in the cast were Tamara Long as Dorothy and Peter Palmer as Gus, with Brandon Maggart, Dody Goodman, and Lee Roy Reams in supporting roles.
In her review in Time, Martha Duffy described the show as "a particularly tawdry retread . . . The book, which always had the flaw of seeming more heartless than its heroine, now seems just plain crass." Of its star, she noted, "Channing, who is now 51, looks much too old for the part . . . Instead of throwing herself into the proceedings, Carol seems to expend her energy with utmost calculation . . . she remains almost stationary and is offstage altogether for the strenuous tap-dance sequences."
The show's cast album was recorded on February 18, 1973 , prior to the tryout tour. During eleven months on the road, songs were discarded and new ones added, so when the show reached New York City, it was decided to make a new recording on March 1, 1974 . In 2003, Decca Broadway combined the two recordings, resulting in a definitive cast recording that includes all the songs from both .