Lou Christie in 1966
|Birth name||Lugee Alfredo Giovanni Sacco|
|Born||February 19, 1943|
|Associated acts||The Tammys|
Lugee Alfredo Giovanni Sacco (born February 19, 1943), known professionally as Lou Christie, is an American singer-songwriter best known for three separate strings of pop hits in the 1960s, including his 1966 hit, "Lightnin' Strikes", and his three-octave vocal range.
Lou Christie was born as Lugee Alfredo Giovanni Sacco in Glen Willard, PA in 1943. He studied music and voice at Moon Township High School., where he was the student conductor of the choir. He sang solos with the choir at the holiday concerts. His teacher and mentor Frank Cummings wanted him to pursue a career in classical music, but Lugee wanted to cut a record to get on American Bandstand. He performed with several vocal groups, worked as a session singer, and recorded songs on small Pittsburgh labels between 1959 and 1962. He released "The Jury" by "Lugee & The Lions" on the Pittsburgh-based Robbee label obtaining local airplay and sales. In 1962, a young singer named Lugge Alfredo Giovanni Sacco approached Nick Cenci with some demo tapes. Nick liked Lugge’s falsetto voice and suggested that he listen to the Four Season’s recent hit Sherry. Lugge and his writing partner Twyla Herbert used the song as a model to write their original song called “The Gypsy Cried”. Nick produced a recording of the song at Gateway Studio in Pittsburgh paying the band with wine and $500. Nick’s boss at Fenway, Herb Cohen, provided financial backing for the recording. Luggee had released several Doo-Wop singles on Robee Records under the name of Lugee & the Lions, a group comprised Lou, his sister Amy Sacco, Kay Chick and Bill Fabec. They had a regional hit with the Doo Wop song “The Jury” and had backed Marcy Jo on her national hit “Ronnie”. Wanting to create a new image for Lugge Sacco Nick changed the singer’s name to Lou Christie. Nick and Herb Cohen formed the CO&CE label and released the single in 1963. Within two weeks Nick broke the record on Pittsburgh radio stations. It became a hit selling 30,000 copies in Pittsburgh.
Nick contacted Morris Levy of Roulette Records saying that he had a hit that needed national distribution. Levy published the single on his label but nothing was happening. Nick called a DJ at WABC in New York who had worked in Pittsburgh asking him to play Gyspy Cried as it was a proven hit. The DJ said our station isn’t playing music from Roulette but I’ll put it on for you. The DJ started playing the single on a Friday. The following Tuesday Morris Levy called Nick to tell him that New York was going crazy for Gyspy Cried. Airplay spread across the country and the song became a smash hit at number 24 on the Billboard charts. Selling over one million copies of the song Lou Christie was awarded a gold record. Cenci produced additional recording sessions for Christie in 1963 that generated two more hits. "Two Faces Have I" reached number 6 on the charts in March 1963. “How Many Tear Drops” reached number 46. Roulette released on album of 12 Lou Christy / Tylwa Herbert songs in 1963 that reached 124 on the Billboard 200 album charts. With those hits Christie joined Dick Clark's Caravan of Stars Tour.
During this pre-Army phase of his career, the female vocalists featured on Christie's records were The Tammys, a trio from Pleasantville, PA. Christie and Herbert wrote the single "Egyptian Shumba" for the group, and although it wasn't a hit, it became a cult favorite in the Northern Soul scene in the early 1970s. In 2002, The Tammys' singles plus several Christie hits on which they sang were released on a CD called "Egyptian Shumba - The Singles and Rare Recordings: 1962-1964." "Egyptian Shumba" was also included in the Grammy nominated box set "One Kiss Can Lead To Another: Girl Group Sounds, Lost and Found."
Christie's third Roulette release, "How Many Teardrops" (written by Milan), stalled at #46 as Christie's career was temporarily derailed by his induction into the US Army. Christie would not have another charting single for two and a half years.
Re-establishment and "Rhapsody In The Rain": 1965-1966
Christie's career was quickly re-established after his discharge from the military, when he signed with the MGM label. MGM reportedly disliked Christie's first single for the label, with MGM's president reportedly throwing the tape into a wastepaper basket. But Christie's new management promoted the record in California, and when it gained some traction (eventually reaching #2 on KHJ the last two weeks of 1965), MGM released it. "Lightnin' Strikes" reached #1 in the U.S. on Christie's 23rd birthday on February 19, 1966; entered the UK Top 20, becoming his first hit in that country; and peaked at #1 in Canada. The song featured his signature falsetto and included a female chorus (Bernadette Carroll, Denise Ferri, and Peggy Santiglia) shouting "Stop!" in counterpoint to the lead vocal:
- When I see lips begging to be kissed (Stop!)
- I can't stop, (Stop!) no I can't stop myself! (Stop! Stop!)
Christie's next release ignited a firestorm of controversy and censorship. Released in the spring of 1966, "Rhapsody in the Rain" featured a haunting melody inspired by Tchaikovsky's "Romeo and Juliet", telling of a teenager's memory of his sexual experience in the back seat of a car during a rainstorm as the windshield wipers made a rhythmic sound of "together, together". Later after the romance ends, the wipers seem to say "never, never". Many radio stations banned the song after hearing the opening lyrics:
- Baby, the raindrops play for me
- Our lovely rhapsody, 'cause on our first date
- We were makin' out in the rain.
- And in this car, our love went much too far
- It was exciting as thunder
- Tonight I wonder, where you are?
MGM insisted on a re-recorded version that toned down the lyrical content. The third and fourth lines were changed to:
- We fell in love in the rain
- And in this car, love came like a falling star
Despite the edited version, many radio stations instead played two older songs re-released by other labels Christie had once recorded for: "Outside the Gates of Heaven" (A side of "The Gypsy Cried", but in 1966 on Co & Ce Records, successor to C & C) peaked at #45, while "Big Time" (on Colpix Records) managed to hit #95. All three singles hit nationally within three weeks of one another, in March 1966, while "Lightnin' Strikes" was falling off.
Whether it was the controversial lyrics or competition from the other singles released simultaneously, "Rhapsody" stalled at #16 in the US and #37 in the UK. Christie's career seemed to be derailed once again as his followup for MGM, "Painter", which also borrowed a melody from classical music - this time from Puccini's opera Madame Butterfly - stalled at #81. Two further MGM releases (produced by Jack Nitzsche) from 1966 missed the Billboard Hot 100 entirely, even though "If My Car Could Only Talk" (peaking at #118) seemingly revisits the ill-fated lovers from "Rhapsody".
Resurgence and Romeo: 1969-1970
After being dropped by MGM and an unfruitful stint with Columbia Records in the late 1960s, Christie teamed up with Buddah Records (a move prompted by his business manager Stan Polley) and bubblegum music record producer Tony Romeo and had a surprise Wall of Sound constant uptempo hit "I'm Gonna Make You Mine" (which Romeo wrote) in the early autumn of 1969. Helped by backing vocalist Linda Scott and by two promotional videos distinctly different from each other, the song peaked at #10 in the US but climbed to #2 on the UK Singles Chart and thus became his biggest hit there.
A follow up, "She Sold Me Magic" charted only in the UK, peaking at #25, and was later covered by Elton John. Conversely, "Are You Getting Any Sunshine?" only charted in America, where it reached #73.
Remakes: 1971 to present
Christie spent the early 1970s between London and New York. In 1971 he released a concept album called Paint America Love, regarded by some as his best LP, and married former UK beauty queen Francesca Winfield in London. In 1974, Christie would try another new musical style, going country on his Beyond The Blue Horizon album. The title track, a remake of a hit song from 1930, written for the film Monte Carlo, featured one of Christie's strongest non-falsetto vocal performances. The song missed the Country charts and only made #80 on the pop chart but managed #12 on the Adult Contemporary chart. The song has been used in several film soundtracks, including 1988's Rain Man. In the spring of 1978 Christie returned home to Pittsburgh to head the upstart record Label 2001 records, a branch of the 2001 and VIP nightclubs nationwide. While visiting local Friends at the Staircase Lounge, Christie heard a local group, Sweet Breeze, and loved the band's harmonies and music. Christie signed the band Sweet Breeze to their first recording contract and the band recorded a song written by Christie and Herbert called Summer in Malibu that was a regional hit for the band.
Christie became active on the oldies circuit starting in the early 1980s, scoring a final US chart hit, credited as "Summer '81 Medley" by The Cantina Band (featuring Lou Christie), in 1981, performing a medley of Beach Boys classics.
In 1986, Lou recorded a duet with Lesley Gore of a medley of "Since I Don't Have You"/"It's Only Make Believe" for Manhattan Records, a division of EMI-America. Both singers, who each debuted on the Hot 100 in 1963, were touring together at the time, and the song was released only as a one-off single.
In 1997, Christie recorded his first all-new album since the 1970s entitled Pledging My Love, produced by Alan Grossman & Jimm Mosher of Hit Music Studio in Spencer, North Carolina. Billboard labeled this new album "Most Impressive Comeback" album. Most of it was penned by Christie, presented in a contemporary manner, and included the songs "What Happened to the Nights", "Techno Pop" (a diatribe about the loss of communication in our lives), and "I Sure Fell in Love" and covers of the Critters' "Mr. Dieingly Sad" and Johnny Ace's title tune. Cub Koda said it was "loaded with AOR hits".
In 2004, Christie released his first concert album, Greatest Hits Live From The Bottom Line, which featured studio recording "Christmas In New York" as a bonus track. In addition to the occasional new release, Christie remains a concert act on the oldies circuit in the US and UK. He has also hosted a series of programs on SiriusXM radio for the 1960s channel. Lou Christie in 2015 will debut his first new recording in several years entitled Drive In Dreams, written by Gregory Scharpf a former member of Sweet Breeze, the Pittsburgh based band that Lou signed to their first recording contract. The song is reminiscent of the great summer songs that Lou has penned in the past, the next release is scheduled shortly thereafter and is called When You Were Young and is written by Scharpf as well. The New songs are scheduled for release in the spring of 2015.
|Year||Title||Peak chart positions||Record Label||B-side
From same album as A-side except where indicated
|1963||"The Gypsy Cried"||24||–||–||–||–||–||Roulette Records||"Red Sails in the Sunset" (Non-LP track)||Lou Christie|
|"Two Faces Have I"||6||–||11||–||–||20||"All That Glitters Isn't Gold"|
|"How Many Teardrops"||46||–||–||–||–||79||"You and I (Have a Right to Cry)"|
|"Shy Boy"||119||–||–||–||–||–||"It Can Happen"||Non-LP tracks|
|1964||"Stay"||–||–||–||–||–||–||"There They Go" (Non-LP track)||Lou Christie|
|"Guitars and Bongos"||123||–||–||–||–||–||Colpix Records||"Merry-Go-Round" (Non-LP track)||Lou Christie Strikes Again|
|"Have I Sinned"||–||–||–||–||–||–||"Pot of Gold"|
|1965||"Why Did You Do It Baby"||–||–||–||–||–||–||"Make Summer Last Forever"|
|"A Teenager in Love"||–||–||–||–||–||–||"Back Track"|
|"Lightnin' Strikes"||1||–||–||11||1||9||MGM Records||"Cryin' in the Streets"||Lightnin' Strikes|
|1966||"Outside the Gates of Heaven"||45||–||–||–||32||–||Co & Ce Records||"All That Glitters Isn't Gold"||Non-LP tracks|
|"Big Time"||95||–||–||–||–||–||Colpix Records||"Cryin' on My Knees"||Lou Christie Strikes Again|
|"Rhapsody in the Rain"||16||–||–||37||10||40||MGM Records||"Trapeze" (from Lightnin' Strikes)||Painter of Hits|
|"If My Car Could Only Talk"||118||–||–||–||–||–||"Song of Lita"||Non-LP tracks|
|"Since I Don't Have You"||118||–||–||–||71||–||"Wild Life's In Season"||Painter of Hits|
|1967||"Shake Hands and Walk Away Cryin'"||95||–||–||–||–||–||Columbia Records||"Escape"||Non-LP tracks|
|"Self Expression (The Kids on the Street Will Never Give In)"||–||–||–||–||–||–||"Back to the Days of the Romans"|
|"Don't Stop Me (Jump Off the Edge of Love)"||–||–||–||–||–||–||"Back to the Days of the Romans"|
|1968||"Genesis and the Third Verse"||–||–||–||–||–||–||Buddah Records||"Rake Up the Leaves"|
|"Canterbury Road"||–||–||–||–||–||–||"Saints of Aquarius"|
|1969||"I'm Gonna Make You Mine"||10||–||–||2||9||32||"I'm Gonna Get Married"||I'm Gonna Make You Mine|
|"Are You Getting Any Sunshine?"||73||–||–||–||56||–||"It'll Take Time"|
|1970||"Love is Over"||–||–||–||–||–||–||"She Sold Me Magic" (from I'm Gonna Make You Mine) (#25 UK)||Non-LP tracks|
|"Indian Lady"||106||39||–||–||–||89||"Glory River"|
|1971||"Lighthouse"||–||–||–||–||–||–||"Waco"||Paint America Love|
|1973||"Beyond the Blue Horizon"||80||12||–||–||57||–||Three Brothers Records||"Saddle the Wind"||Lou Christie|
|1974||"Good Mornin'/Zip-a-Dee-Doo-Dah"||–||–||–||–||–||–||"You Were the One"|
|1975||"Summer Days"||–||–||–||–||–||–||Slipped Disc Records||"The One and Only Original Sunshine Kid"||Non-LP tracks|
|1976||"Riding in My Van"||–||–||–||–||–||–||Epic Records||"Summer in Malibu"|
|"You're Gonna Make Love to Me"||–||–||–||–||–||–||Midland International Records||"Fantasies"|
|1977||"Spanish Wine"||–||–||–||–||–||–||"Dancing in the Sand"|
- "Biography by Jason Ankeny". Allmusic.com. Retrieved 20 January 2009.
- "Rhapsody In The Rain (lyrics)". Retrieved 2012-09-10.
- "Lou Christie Sacco "Paint America Love" 1971 | Rising Storm Review". Therisingstorm.net. Retrieved 2013-02-13.
- Pgh. Post Gazette.
- Official website
- Lou Christie & The Tammys Egyptian Shumba Home Page
- Bio at Yahoo! Music
- Bio at ClassicBands.com
- Lou Christie: Lightning is Still Striking, author - Linda Alexander