Louis Gruenberg

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Louis Gruenberg (/ˈɡrənbɜrɡ/;[1] August 3 1884 [O.S. July 22] – June 9, 1964) was a Russian-born American pianist and composer.

Life and career[edit]

He was born near Brest-Litovsk (now in Belarus but then in Russia), to Abe Gruenberg and Klara Kantarovitch. His family emigrated to the United States when he was a few months old. His father worked as a violinist in New York City. Young Louis had a talent for the piano, and by the age of eight Gruenberg was taking piano lessons with Adele Margulies at the National Conservatory in New York (then headed by Antonín Dvořák).

Gruenberg played both solo concerts and in ensembles from the beginning, and in his early twenties he went to study in Europe with Ferruccio Busoni at the Vienna Conservatory. Before World War I, Gruenberg taught students and toured, both as an accompanist and soloist.

In 1919, Gruenberg wrote The Hill of Dreams for orchestra, which gained him the highly acclaimed Flagler Prize and enabled him to devote himself more completely to composition. As Gruenberg began to make his mark as a composer, he showed his fascination with jazz, composing works with strong jazz and ragtime influences.

On February 4, 1923, Gruenberg conducted the American premiere of Pierrot Lunaire by Arnold Schoenberg as a member of the International Composers' Guild (founded by Edgard Varèse and Carlos Salzedo in 1921).[2] Shortly after this performance, he and other members of the league left over disagreements with Varèse and formed the League of Composers.[3]

In 1933 and 1934 the Metropolitan Opera produced his expressionistic opera The Emperor Jones, based on the play by Eugene O'Neill. The title role was created by Lawrence Tibbett. It was performed there for two seasons, and featured on the cover of Time Magazine receiving much critical acclaim. Between 1933 and 1936, Gruenberg headed the composition department of Chicago Musical College (now part of Roosevelt University). After Chicago he moved with his family to Beverly Hills, California. There he worked at merging music with visual media and film. Collaborating with Pare Lorentz to create The Fight for Life (a documentary about childbirth in Chicago slums), Gruenberg was nominated for the Academy Award for Best Original Score.

In 1944, Jascha Heifetz commissioned and premiered the Violin Concerto, Op. 47 with Eugene Ormandy and the Philadelphia Orchestra, and recorded it with Pierre Monteux and the San Francisco Symphony Orchestra in 1945. It is a lively work in three movements (Rhapsodie - With simplicity and warmth - Lively and with good humour), and lasts 38 minutes (in Heifetz's performance).

The violinist Koh Gabriel Kameda reintroduced the almost forgotten concerto to the public with a premiere of the work in Japan in 2002 with the New Japan Philharmonic under the direction of Gerard Schwarz. He was the first violinist who has ever played the concerto after Heifetz. In 2009 Kameda made another premiere of the concerto in Mexico with the Philharmonic Orchestra of Mexico City under Edwin Outwater.

During the last twenty years of his life, Gruenberg became increasingly isolated from the concert music world. He maintained a close friendship with Arnold Schoenberg until the latter's death in 1951.

Louis Gruenberg composed continually until his death in 1964 in Beverly Hills. Besides other works, he wrote five symphonies, four full length operas (Volpone, Jack and the Beanstalk, Antony and Cleopatra and The Dumb Wife) and the lengthy oratorio A Song of Faith.



  • The Bride of the Gods, libretto by Busoni, translated by C. H. Meltzer (1913)
  • The Dumb Wife, libretto after The Man Who Married a Dumb Wife by Anatole France after Rabelais (1923)
  • Jack and the Beanstalk, libretto by John Erskine (1931)
  • The Emperor Jones, libretto by the composer (working alone), after a play by Eugene O'Neill (1931)
  • Queen Helen (1936)
  • Green Mansions (radio opera), libretto after a novel by William Henry Hudson (1937)
  • Helena's Husband, libretto by P. Moeller (1938)
  • Volpone, libretto by the composer after Ben Jonson (1945)
  • One Night of Cleopatra, libretto by the composer after T. Gautier
  • The Delicate King, libretto by the composer after Alexandre Dumas, père (1955)
  • Antony and Cleopatra, libretto by the composer after Shakespeare (1955)


  • The Hill of Dreams, 1919
  • The Daniel Jazz, 1925
  • Concerto for Violin and Orchestra, Op. 47, 1944
  • 5 symphonies


  • Quick Sand, 1950
  • All the King's Men (1949 film), 1949
  • Smart Woman, 1948
  • Arc of Triumph, 1948
  • The Gangster, 1947
  • Counter-Attack, 1945
  • An American Romance, 1944
  • The Nazi-Strike Documentary Short, 1943
  • Commandos Strike at Dawn, 1942
  • So Ends Our Night, 1941
  • The Fight for Life, 1940

External links[edit]


  1. ^ US dict: grū′·ən·bûrg
  2. ^ Mundy, Rachel (2013). "The 'League of Jewish Composers' and American Music.". Musical Quarterly 96: 50–99. doi:10.1093/musqtl/gdt003. 
  3. ^ ibid