|Born||Louis Marie Malle
30 October 1932
Thumeries, Nord, France
|Died||23 November 1995
Beverly Hills, California, U.S.
|Spouse(s)||Anne-Marie Deschodt (1965–67)
Candice Bergen (1980–95)
|Children||Manuel Cuotomec Malle, (b. 1971) (with Gila von Weitershausen)
Justine Malle, (b. 1974) (with Alexandra Stewart)
Chloe Malle, (b. 1985) (with Candice Bergen)
Louis Marie Malle (French: [mal]; 30 October 1932 – 23 November 1995) was a French film director, screenwriter, and producer. His film Le Monde du silence won the Palme d'Or and Academy Award for Best Documentary in 1956. He was also nominated multiple times for Academy Awards later in his career. Malle is one of the few directors to have won the Golden Lion multiple times.
Malle worked in both French cinema and Hollywood, and he produced both French and English language films. His most famous films include the crime film Ascenseur pour l'échafaud (1958), the World War II drama Lacombe Lucien (1974), the romantic crime film Atlantic City (1980), the comedy-drama My Dinner with Andre (1981), and the autobiographical film Au revoir les enfants (1987).
Malle was born into a wealthy industrialist family in Thumeries, Nord, France, the son of Francoise (Béghin) and Pierre Malle. He initially studied political science at Sciences Po before turning to film studies at IDHEC instead.
He worked as the co-director and cameraman to Jacques Cousteau on the Oscar and Palme d'Or-winning (at the 1956 Academy Awards and Cannes Film Festival respectively) documentary The Silent World (1956) and assisted Robert Bresson on A Man Escaped (French title: Un condamné à mort s'est échappé ou Le vent souffle où il veut, 1956) before making his first feature, Ascenseur pour l'échafaud (released in the U.K. as Lift to the Scaffold and in the U.S. originally as Frantic, later as Elevator to the Gallows) in 1957. A taut thriller featuring an original score by Miles Davis, the film made an international film star of Jeanne Moreau, at the time a leading stage actress of the state Comédie-Française. Malle was 24 years old.
Malle's The Lovers (Les Amants, 1958), which also starred Moreau, caused major controversy due to its sexual content, leading to a landmark U.S. Supreme Court case regarding the legal definition of obscenity. In Jacobellis v. Ohio, a theater owner was fined $2,500 for obscenity. The decision was eventually reversed by the higher court, which found that the film was not obscene and hence constitutionally protected. However, the court could not agree on the definition of "obscene," which caused Justice Potter Stewart to utter his "I know it when I see it" opinion, perhaps the most famous single line associated with the court.
Malle is sometimes associated with the nouvelle vague - though his work does not directly fit in or correspond to the auteurist theories that apply to the work of Godard, Truffaut, Chabrol, Rohmer, and others, and he had nothing whatsoever to do with Cahiers du cinéma, he did exemplify many of the characteristics of the movement, including using natural light, and shooting on location. His film Zazie dans le métro ("Zazie in the Metro," 1960, an adaptation of the Raymond Queneau novel) did inspire Truffaut to write an enthusiastic letter to Malle.
Other films also tackled taboo subjects: The Fire Within (Le Feu follet, 1963) centres on a man about to commit suicide, Murmur of the Heart (1971) deals with an incestuous relationship between mother and son and Lacombe Lucien (1974), co-written with Patrick Modiano, is about collaboration with the Nazis in Vichy France in World War II. The second film earned Malle his first (of three) Academy Award nominations for "Best Writing, Story and Screenplay Based on Factual Material or Material Not Previously Published or Produced."
Documentary on India
In 1968 Malle visited India and made a seven part documentary series L'Inde fantôme: Reflexions sur un voyage and a documentary film Calcutta, which was released in cinemas. Concentrating on real India, its rituals and festivities, Malle fell afoul of the Indian government, which disliked his portrayal of the country, in its fascination with the pre-modern, and consequently banned the BBC from filming in India for several years. Malle later claimed his documentary on India was his favorite film.
Move to America
Malle later moved to the United States and continued to direct there. His later films include Pretty Baby (1978), Atlantic City (1981), My Dinner with Andre (1981), Crackers (1984), Alamo Bay (1985), Damage (1992) and Vanya on 42nd Street (1994, an adaptation of Anton Chekhov's play Uncle Vanya) in English; Au revoir les enfants (1987) and Milou en Mai (May Fools in the U.S., 1990) in French. Just as his earlier films such as The Lovers helped popularize French films in the United States, My Dinner with Andre was at the forefront of the rise of American independent cinema in the 1980s.
Towards the end of his life, Malle was interviewed extensively for The Times by cultural correspondent Melinda Camber Porter. In 1993, the interviews were included in Camber Porter's book Through Parisian Eyes: Reflections On Contemporary French Arts And Culture.
Malle was married to Anne-Marie Deschodt from 1965 to 1967. He had a son, Manuel Cuotemoc Malle (born 1971), with German actress Gila von Weitershausen and a daughter, filmmaker Justine Malle (born 1974), with Canadian actress Alexandra Stewart.
Awards and nominations
- Le Monde du silence (1956)
- Le Feu follet (1963)
- Murmur of the Heart (1971)
- Atlantic City (1981)
- Goodbye, Children (1987)
- Elevator to the Gallows (1958) (aka Ascenseur pour l'échafaud, aka Lift to the Scaffold)
- The Lovers (1958) (aka Les Amants)
- Zazie in the Metro (1960) (aka Zazie dans le métro)
- A Very Private Affair (1962) (aka Vie privée)
- The Fire Within (1963) (aka Le feu follet)
- Viva Maria! (1965)
- The Thief of Paris (1967) (aka Le voleur)
- Murmur of the Heart (1971) (aka Le souffle au cœur)
- Lacombe, Lucien (1974)
- Black Moon (1975)
- Pretty Baby (1978)
- Atlantic City (1981)
- My Dinner with Andre (1981)
- Crackers (1984)
- Alamo Bay (1985)
- Au revoir les enfants (1987)
- Milou en Mai (1989) (aka May Fools)
- Damage (1992)
- Vanya on 42nd Street (1994)
- Crazeologie (1953)
- Station 307 (1954)
- Histoires extraordinaires (1968) (segment "William Wilson")
- The Silent World (1956) (aka Le Monde du silence), co-director
- Vive le Tour (1962)
- Calcutta (1969)
- Humain, trop humain (1974)
- Place de la république (1974)
- Close Up (1976), short film
- And the Pursuit of Happiness (1986)
- Bons baisers de Bangkok (1964), documentary short
- Phantom India (1969) (aka L'Inde Fantôme)
- Dominique Sanda ou Le rêve éveillé (1977), documentary short
- God's Country (1986), documentary
- Matsen, Brad (October 5, 2010). Jacques Cousteau: The Sea King. New York: Vintage Books. p. 129. ISBN 0-307-27542-6.
- Peter Hourigan: The Documentaries of Louis Malle Criterion box set: Review at Senses of Cinema: March 2009
- BBC Storyville - Nick Fraser 2002
- "Louis Malle - Films & Bio". newwavefilm.com. Retrieved 22 July 2015.
- Bergen, Candice (7 April 2015). A Fine Romance. New York: Simon & Schuster. p. 5. ISBN 0-684-80827-7.
- Severo, Richard (25 November 1995). "Louis Malle, Film Director Equally at Home in France and America, IsDead at 63". The New York Times (The New York Times Company). Retrieved 19 July 2015.
- "5th Moscow International Film Festival (1967)". MIFF. Retrieved 9 December 2012.
- "The 47th Academy Awards (1975) Nominees and Winners". oscars.org. Retrieved 10 December 2011.
- "Berlinale: 1984 Programme". berlinale.de. Retrieved 26 November 2010.
- Billard, Pierre (2003). Louis Malle: Le rebel solitaire. Paris: Plon. ISBN 2-259-19243-2.
- French, Philip, ed. (1992). Malle on Malle. London: Faber and Faber. ISBN 0-571-16237-1.
- Frey, Hugo (2004). Louis Malle. Manchester: Manchester University Press. ISBN 0-719-06456-2.
- Southern, Nathan; Weissgerber, Jacques (2005). The Films of Louis Malle: A Critical Analysis. Jefferson, North Carolina: McFarland. ISBN 0-786-42300-5.