Louis Stettner (born November 7, 1922) is an American photographer of the 20th century whose work includes streetscapes, portraits and architectural images of New York and Paris. His work has been highly regarded because of its humanity and capturing the life and reality of the people and streets of both cities. Since 1947, Stettner has photographed the changes in the people, culture, and architecture of both cities. Now in his 90s, he continues to photograph New York and Paris.
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Louis Stettner was born in Brooklyn, New York where he was raised as one of four children. His father was a cabinet maker and Louis learned the trade when young, using the money to support his growing love of photography. He was given a box camera as a child and his love affair with photography began. His family went on trips to Manhattan and visited museums including the Metropolitan Museum of Art where he began his love of art.
At 18, in 1940, Stettner enlisted in the army and became a combat photographer in Europe for the Signal Corps. After a brief stint in Europe he was sent to New Guinea, the Philippines, and Japan. Back from the war he joined the Photo League in New York. Stettner visited Paris in 1946 and in 1947 moved there. From 1947 to 1949 he studied at the "Institut des Hautes Études Cinématographiques" in Paris and received a Bachelor of Arts in Photography & Cinema. He went back and forth between New York and Paris for almost two decades and finally settled permanently in Saint-Ouen, near Paris, in 1990. Stettner still frequently returns to New York.
Stettner's professional work in Paris began with capturing life in the post-war recovery. He captured the everyday lives of his subjects. In the tradition of the Photo League, he wanted to investigate the bonds that connected people regardless of class. In 1947 he was asked by the same Photo League to organize an exhibition of French photographers in New York. He gathered the works of some of the greatest photographers of the era, including Doisneau, Brassaï, Boubat, Izis, and Ronis. The show was a big success and was largely reviewed in the annual issue of U.S. Camera. Stettner had begun a series of regular meetings with Brassaï who was a great mentor and had significant influence on his work. In 1949, Stettner had his first exhibition at the “Salon des Indépendants" at the Bibliothèque Nationale, Paris.
In 1951 his work was included in the famous Subjektive Fotografie exhibition in Germany. During the 1950s he free-lanced for Time, Life, Fortune, and Du (Germany). While in Paris he reconnected with Paul Strand who had also left New York because of political intolerance of the McCarthy era–Strand had been a founder of the Photo League that would be blacklisted then banned during those years.
In the 1970s Stettner spent more time in New york City where he taught at Brooklyn College, Queens College, and Cooper Union.
In his own work, Stettner focused on documenting the lives of the working class in both Paris and New York. He felt and still believes that the cities belong to the people that live there, not the tourists and visitors. His upbringing caused him to take great care in capturing the simple human dignity of the working class. He also captured great architectural images of both cities including bridges, buildings and monuments.
The subjects and series included:
- New York 1946 to present
- The Penn Station Series
- The Subways Series
- Wall Street Series
- Brooklyn Bridge
- The Seine Series
- The Bowery
- The Workers Series
- Early Paris
His work has produced well-known images including: Aubervilliers, Brooklyn Promenade, Twin Towers with Sea Gull, Penn Station, and the Statue of Liberty, Battery Park.
Stettner has received numerous honors and in 1950 he was named Life’s top new photographer. In 1975 he won First Prize in the Pravda World Contest.
Museums containing work by Stettner
- Addison Gallery of American Art, Phillips Academy, Andover, MA
- Art Institute of Chicago, Chicago
- Bibliothèque historique de la ville de Paris
- Bibliothèque Nationale de France, Paris
- Brooklyn Museum of Art, Brooklyn
- Cleveland Museum of Art, Cleveland
- International Center of Photography, New York
- Jewish Museum Berlin
- Los Angeles County Museum of Art - LACMA, Los Angeles
- Maison Européenne de la Photographie, Paris
- Merrill Lynch Art Collection, New York
- Metropolitan Museum of Art, New York
- Microsoft Art Collection, Seattle
- Montana Museum of Art and Culture, Missoula, MT
- Carnavalet Museum, Paris
- Museum of Fine Arts, Boston
- Musée de l'Élysée, Lausanne
- Musée de l’Elysee, Paris
- Museum of Modern Art, New York
- Museum of the City of New York
- New Britain Museum of American Art New Britain, Connecticut
- New York Public Library, New York
- San Francisco Museum of Art, San Francisco
- San Francisco Museum of Modern Art, San Francisco
- Smithsonian Institution, Washington, DC
- Victoria and Albert Museum, London
- Whitney Museum of Art, New York
- What's New: Recent Acquisitions in Photography. Whitney Museum of American Art, New York, 2001
- Star Spangled Spirit. Bonni Benrubi Gallery, New York, 2002
- City Streets. Samuel P. Harn Museum of Art, Gainesville, Fla, 2003
- Photographies récentes par Louis Stettner. Galerie Marion Meyer, Paris, 2003
- Full House: Views from the Whitney's Collection at 75. Whitney Museum of American Art, New York, 2006
- Bonni Benrubi Gallery, New York, 2006
- Louis Stettner: Photographien. Camera Work, Berlin, 2006
- Louis Stettner: Streetwise. Bonni Benrubi Gallery, New York, 2006
- Fotografía Contemporánea. Museo Nacional de Bellas Artes, Santiago, 2006
- "Louis Stettner. Photographien". Johanna Breede PHOTOKUNST 2009
- "The First Ninety Years", Johanna Breede PHOTOKUNST 2012/2013
Selected books and portfolios
- Paris-New York. Paris, New York: Two Cities Publications, 1949. Portfolio of 10 photographs, introduction by Brassaï.
- Workers: Twenty-Four Photographs. New York: Stettner Studio, 1974. Portfolio.
- Women. New York: Stettner Studio, 1976. Portfolio of 22 photographs.
- Sur le Tas. Paris: Cercle d’Art, 1979. ISBN 2-7022-0129-6. Book of 156 photographs, introduction by François Cavanna. (French)
- Early Joys: Photographs from 1947-1972. New York: Janet Iffland, 1987. ISBN 0-9618482-0-0. Introduction by Brassaï.
- Louis Stettner: New York, 1994. Kempen, New York: Te Neues; Paris, Flammarion, 1993. ISBN 3-8238-1443-5.
- Sous le ciel de Paris. Paris: Parigramme, 1994. ISBN 2-84096-193-8. Introduction by François Cavanna. (French)
- Louis Stettner's New York, 1950s–1990s. New York: Rizzoli, 1997. ISBN 0-8478-2004-1.
- Louis Stettner: American photographer, Paris: Suermondt-Ludwig-Museum Aachen, 11. Januar-9. März 1997. Aachen: Museum der Stadt Aachen, Suermondt-Ludwig Museum, 1997. ISBN 3-929203-15-4. (German)
- Louis Stettner. Collection Photo Poche. Paris: Nathan, 1998. ISBN 2-09-754126-7. Introduction by François Bernheim. (French)
- Louis Stettner: Wisdom Cries Out in the Streets. Paris: Flammarion, 1999. ISBN 2-08-013673-9.
- Louis Stettner: Sophisme, photographies 1990–1999. Neuchâtel: Ides et Callendes, 1999. Text by Michèle Auer. (French)
- Chile en el corazón. Santiago: LOM, 2001. ISBN 956-282-394-6. (Spanish)
Selected essays and books by Louis Stettner
- De "l'objectivité nouvelle" à la "photographie subjective". Antwerp: Gevaert, 1953. (French)
- 35 mm Photography, editor. U.S. Camera Co., 1956.
- History of the Nude in American Photography, editor. New York: Fawcett, 1966.
- Weegee the Famous, editor. New York: Knopf, 1978.
- “Cézanne’s Apple and the Photo League,” Aperture, no. 112 (Fall 1988), pp. 14–35
- Blaustein, Jonathan. "Louis Stettner and the Glories of Penn Station". New York Times.
- Gopnik, Adam. "Louis Stettner: 'it felt like living in a better world'". The Telegraph.
- Louis Stettner: Wisdom Cries out in the Streets, p.299.
- Stettner's site with over 250 images