Lourett Russell Grant

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Lourett Russell Grant
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Websitelourettrussellgrant.com

Lourett Russell Grant (/ˈlɔːrɛt/) is a singer, model, and dancer. She co-wrote and performed the disco hit Hot to Trot and was a fixture in the dance music scene throughout the 1980s.

Early life[edit]

Grant was born in New York to a family of Greek lineage dating back to Philippides of Paiania, an aristocratic statesman of ancient Athens.[1] Grant's mother was a beauty queen who won the national pageant[1] sponsored by the Greek-American Progressive Association (GAPA).[2]

Career[edit]

Grant's career as a singer solidified once she met Silvio Tancredi in New York City in 1978. The son of the consular agent at the Italian consulate in New York City,[3] Tancredi was a musician-turned-record producer who had been contracted to Atlantic Records by Ahmet Ertegün, the company's co-founder. Tancredi had produced Yellow Fever[4] by Herbie Mann and Stairway to Love by the disco group Wonder Band.[5]

Tancredi championed Grant's music career, wanting to make her the "Dance Music Star for the 80s."[6] Together, they wrote and produced Grant's hit electro-rock-disco[7] twelve-inch single, Hot to Trot, co-written by Jeffrey (Jeff) Schoen.[8] Grant and Tancredi co-founded Northcott Productions Ltd.[9] and the custom record label Alverez Records Ltd.[10] to produce, manufacture, and distribute the recording. Later, the recording would be picked up by WEA International and Quality Records for international distribution.[11]

Grant's vocal performance was described as "impassioned," "hot," and "emotionally plaintive."[6][12] The vocals were accompanied by "Italo bleeps and spare rhodes chords,"[13] driven by a digital Synclavier rhythm along with a pulsating bass guitar riff and an overlay of hard-hitting percussion that builds into a powerful crescendo.[11] The mix on the A-side enhanced the dance club experience, featuring the sound of gallops that panned across the dance floor.[14] The mix on the B-side was distinctly different;[12] it omitted the gallops and was intensified on the high and low ends to make for more memorable radio play.[11] To underscore the image, Grant dressed in black leather jeans, a cowboy hat, and gun holsters when she performed to promote the recording.[14][15]

The recording was played in heavy rotation on the radio and in diverse dance clubs throughout the United States;[16][17] John "Jellybean" Benitez, disc jockey at Xenon and other New York City clubs (and remixer of artists like Madonna), was an early supporter. The record debuted at number 70 on Billboard's Top 100 Disco chart, placing higher than On the Radio by Donna Summer and Rock with You / Don't Stop Til You Get Enough by Michael Jackson.[18] The record remained on the chart for fifteen weeks.[19] Major labels Quality Records and WEA International capitalized on the recording's domestic success by picking up the recording for distribution in the Canadian and European markets, respectively.[11] In 2010, the recording was released on the second album of Horse Meat Disco,[20] a London collective of four disc jockeys who curate disco compilations to continue to bring the genre to public attention.[21] The recording is a collectors' item.

After the success of her recording, Grant gained access to elite Italian social circles, aided by Tancredi's social connections;[14] she was photographed by Vogue photographer Marco Glaviano.[22] Grant also modeled for photographer Michael Keller[23] and modeled in rock videos such as Rick Derringer's Shake Me, written and produced by Jake Hooker (who was married to Lorna Luft at the time).[22]

Grant remained a fixture in the dance club scene.[24] Grant and Tancredi's Northcott company ran a handful of dance labels, managing its own publishing, production, manufacturing, and distribution.[25] Club disc jockey Tommy Musto joined as head of production and A&R–"Artists and Repertoire," responsible for talent scouting and artist development–and ushered the company into becoming an essential outlet for New York City garage house dance music.[25]

After her time with Tancredi, Grant continued working in the music business. She sang with the Long Island-based rock band Loose Endz, which also featured a female bass player and a female drummer; the group performed at such venues as The Limelight in New York City.[26] In 1990, Grant was signed by Warren Schatz, former senior executive with RCA and BMG's Ariola America. While signed with Schatz's Perfect Sound Studios, Inc., Grant wrote I Know (What You Need).

As tastes in New York City's music scene drifted towards the rap and hip-hip genres, Grant shifted her focus. She earned a scholarship from the Goethe Institute in New York to study German in Germany in exchange for developing a promotional song for the Institute. Grant later recorded the classic Ich bin von Kopf bis fuss and wrote and recorded an original German pop song, Lass mich oder lieb mich baby. Later, she followed through on early training in dance and became a professional dancer.[22]

Personal life[edit]

Grant married a German-born member of the Baltic nobility. The wedding took place in Spyker Castle in Vorpommern-Rügen; the couple settled in Germany but later divorced.[22]

Grant researches and disseminates information about her aristocratic Philippides of Paiania lineage.[27] She participates as a member of the Guild of One-Name Studies, a registered charity in the United Kingdom.[28]

External link[edit]

References[edit]

  1. ^ a b "Our Philippides Family", Royalhouseofphilippides.com, retrieved May 6, 2019
  2. ^ "Greek-American Progressive Association", Flps.newberry.org, retrieved May 6, 2019
  3. ^ United States Department of State, Foreign Consular Offices in the United States September 1991, Washington, D.C.: U.S. Government Printing Office, retrieved March 31, 2019
  4. ^ "Jazz Album Picks" (PDF), Cash Box, p. 17, October 20, 1979, retrieved April 5, 2019
  5. ^ "Wonder Band's 'Stairway to Love'" (PDF), Cash Box, p. 42, February 24, 1979, retrieved April 5, 2019
  6. ^ a b Dawidjan, Wresch (1980), "'Hot to Trot' Hard to Find—But Worth the Effort", Out, 3 (25)
  7. ^ "Disco Music released during 1979", Discosavvy.com, retrieved April 2, 2019
  8. ^ "Lourett Russell Grant Hot To Trot", Youtube.com, retrieved April 1, 2019
  9. ^ "Silvio Tancredi", Discogs.com, retrieved April 1, 2019
  10. ^ "Entity Information", Appext20.dos.ny.gov, retrieved April 1, 2019
  11. ^ a b c d Lederer; Barry (February 2, 1980), "Disco Mix" (PDF), Billboard, p. 41, retrieved April 3, 2019
  12. ^ a b "Dance Music: Hot to Trot", Dance Music, 2 (47), December 7, 1979
  13. ^ Meggit, Joshua, "Various–Horse Meat Disco II (Strut/Intertia)", Cyclicdefrost.com, retrieved April 7, 2019
  14. ^ a b c "Lourett Russell Grant", Discogs.com, retrieved April 5, 2019
  15. ^ "Hot to Trot by Lourett Russell Grant", Youtube.com, retrieved April 7, 2019
  16. ^ "Programmers Picks", Cash Box, p. 25, March 8, 1980
  17. ^ "Programmers Picks", Cash Box, p. 49, March 15, 1980
  18. ^ "Billboard Disco Top 100" (PDF), Billboard, February 23, 1980, retrieved April 5, 2019
  19. ^ "Billboard Disco Top 100" (PDF), Billboard, p. 55, May 31, 1980, retrieved April 3, 2019
  20. ^ "Horse Meat Disco – Horse Meat Disco II", Residentadvisor.net, retrieved April 7, 2019
  21. ^ "Horse Meat Disco", Crackmagazine.net, retrieved April 7, 2019
  22. ^ a b c d Lourett Russell Grant, retrieved April 3, 2019
  23. ^ Try This Bag of Tricks: One flash unit with two-way bounce, 88 (6), June 1981, p. 104, retrieved April 5, 2019
  24. ^ Nemy, Enid (August 31, 1979), "The Last Word at Discos Belongs to the Doormen", The New York Times, p. A14
  25. ^ a b Freundlich, Matthew (November 7, 2016), "Tommy Musto on '80s and '90s New York Dance Music", Redbullmusicacademy.com, retrieved April 3, 2019
  26. ^ "Manhattan Highlights", The Music Paper, p. 7, June 1987
  27. ^ "Philippides One-name Study", Royalhouseofphilippides.com, retrieved April 1, 2019
  28. ^ "Philippides One-name Study", One-name.org, retrieved April 1, 2019