Love in Vain
|"Love in Vain"|
|Single by Robert Johnson|
|Format||78 rpm record|
|Recorded||Dallas, Texas, June 20, 1937|
"Love in Vain" (originally "Love in Vain Blues") is a blues song written by American musician Robert Johnson. He sings of unrequited love, using a departing train as a metaphor for his loss. Johnson's performance – vocal accompanied by his finger-style acoustic guitar playing – has been described as "devastatingly bleak". He recorded the song in 1937 during his last recording session and in 1939 it was issued as the last of his original 78 rpm records.
"Love in Vain" has elements of earlier Delta blues songs and for a while it was believed to be in the public domain. In 1969, the Rolling Stones recorded an updated rendition featuring an electric slide guitar solo. The popularity of their adaptation led to a lawsuit over the copyright, which was eventually resolved in favor of Johnson's estate. Various artists have recorded the song.
In the late 1920s, Johnson began playing the guitar along with a rack-mounted harmonica. One of his influences was Leroy Carr, whose "How Long–How Long Blues" (1928) was an early favorite. Johnson later used the melody from Carr's "When the Sun Goes Down" (1935) as the basis for "Love in Vain". Both songs express a yearning and sorrow for the loss of a lover. Johnson also used some lyrics from "Flying Crow Blues" (1932) by the Shreveport Home Wreckers (a duo of Oscar "Buddy" Woods and Ed Schaffer) for the final verse of "Love in Vain". Sonny Boy Williamson II recorded a song with a similar title, "All My Love in Vain", but different lyrics.
Lyrics and composition
The songs [sic] opening verse is worth quoting in full, it's arguably the finest few lines that Johnson ever wrote – "And I followed her to the station/with a suitcase in my hand/Well I followed her to the station/with a suitcase in my hand/Well it's hard to tell, it's hard to tell/When all your love's in vain". Never has Johnson's guitar been so subtle, so much in the background – the song's success is from the artist's longing vocal, and as such it's devastatingly bleak.
In 1939, Vocalion Records issued "Love in Vain Blues", backed by "Preachin' Blues (Up Jumped the Devil)", on a ten-inch 78 rpm record. It was released after Johnson's death and was the last of his original singles. After the release of Johnson's first compilation album, King of the Delta Blues Singers (1961), bootleg albums containing more of Johnson's 1930s singles were circulated. This was the first appearance of the song since its original release. Columbia Records responded by issuing King of the Delta Blues Singers, Vol. II (1970), which included an alternate take of "Love in Vain". The original single version was finally reissued (along with the alternate) by Columbia on the box set The Complete Recordings (1990). A remastered version of the alternate take is also included on King of the Delta Blues: The Complete Recordings (1996).
Rolling Stones adaptation
|"Love in Vain"|
|Song by the Rolling Stones|
|from the album Let It Bleed|
|Released||December 5, 1969|
The Rolling Stones recorded "Love in Vain" for their 1969 album, Let It Bleed. Critic Richie Unterberger describes it as "as close to the roots of acoustic down-home blues as the Stones ever got." Rolling Stones guitarist Keith Richards recalled:
For a time we thought the songs that were on that first album [King of the Delta Blues] were the only recordings (Robert Johnson had) made, and then suddenly around '67 or '68 up comes this second (bootleg) collection that included Love in Vain. Love in Vain was such a beautiful song. Mick and I both loved it, and at the time I was working and playing around with Gram Parsons, and I started searching around for a different way to present it, because if we were going to record it there was no point in trying to copy the Robert Johnson style or ways and styles. We took it a little bit more country, a little bit more formalized, and Mick felt comfortable with that.
We changed the arrangement quite a lot from Robert Johnson's. We put in extra chords that aren't there on the Robert Johnson version. Made it more country. And that's another strange song, because it's very poignant. Robert Johnson was a wonderful lyric writer, and his songs are quite often about love, but they're desolate.
Lawsuit over copyright
"Love in Vain" (along with "Stop Breakin' Down Blues") was the subject of a lawsuit regarding the copyright for the song. In 2000, the court held that the songs were not in the public domain and that legal title belonged to the Estate of Robert Johnson and its successors.
Recognition and influence
Eric Clapton recorded the song for Me and Mr. Johnson (2004), his album devoted to Johnson's songs. Clapton quotes one of Johnson's verses for the Derek and the Dominos' song "Layla": "Please don't say we'll never find a way, and tell me all my love's in vain". Jazz singer Madeleine Peyroux adapted it for her 2011 album Standing on the Rooftop. An album review in The Guardian noted, "A major highlight is the echoing, gothic account of Johnson's Love in Vain." Walter Trout recorded it for Prisoner of a Dream (1990) and Keb' Mo' for Slow Down (1998). Todd Rundgren included the song on his Johnson tribute album, Todd Rundgren's Johnson (2011).
Love in Vain: A Vision of Robert Johnson is the title of a 2012 screenplay by Alan Greenberg. In it, he explores both the known facts and the myth surrounding Johnson. Keith Richards commented, "Finally someone has captured the central feel of this master musician and his times, and that man is Alan Greenberg. Take my word for it." Bob Dylan added, "It's about time."
- The liner notes to King of the Delta Blues Singers, Vol. II (1970) (the first release of "Love in Vain" since the 1939 78 rpm record) include "The selections are in the public domain".
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