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|Birth name||Lowell Thomas George|
April 13, 1945|
Hollywood, California, United States
|Died||June 29, 1979
Arlington, Virginia, United States
|Genres||Blues rock, rock and roll, boogie rock, southern rock, country rock, R&B, blues, funk, blue-eyed soul, swamp rock|
|Occupation(s)||Musician, songwriter, producer, actor|
|Instruments||Guitar, vocals, harmonica, flute, saxophone, sitar|
|Associated acts||Little Feat, The Mothers of Invention|
|Website||Little Feat Website|
Lowell Thomas George (April 13, 1945 – June 29, 1979) was an American songwriter, multi-instrumentalist, and producer, who was the primary guitarist, vocalist, and songwriter for the rock band Little Feat.
George's first instrument was the harmonica. At the age of six he appeared on Ted Mack's Original Amateur Hour performing a duet with his older brother, Hampton. As a student at Hollywood High School (where he befriended Paul Barrere and future wife Elizabeth), he took up the flute in the school marching band and orchestra. He had already started to play Hampton's acoustic guitar at age 11, progressed to the electric guitar by his high school years, and later learned to play the saxophone, shakuhachi and sitar. During this period, George viewed the teen idol-oriented rock and roll of the era in a contemptuous light, instead favoring West Coast jazz and the soul jazz of Les McCann & Mose Allison. Following graduation in 1963, he briefly worked at a gas station (an experience that inspired such later songs as "Willin'") to support himself while studying art and art history at Los Angeles Valley College for two years.
Initially funded by the sale of his grandfather's stock, George's first band The Factory formed in 1965 and released at least one single on the Uni Records label, "Smile, Let Your Life Begin" (co-written by George). Members included future Little Feat drummer Richie Hayward (who replaced Dallas Taylor in September 1966), Martin Kibbee (a.k.a. Fred Martin) who would later co-write several Little Feat songs with George (including "Dixie Chicken" and "Rock and Roll Doctor"), and Warren Klein on guitar. Frank Zappa produced two tracks for the band, but they were not released until 1993 on the album Lightning-Rod Man, credited to Lowell George and The Factory. The band made an appearance on the 1960s sitcom F Troop as "The Bed Bugs". They were also featured in an episode of Gomer Pyle, U.S.M.C., "Lost, the Colonel's Daughter" (season 3, episode 27). They appeared in the scene inside the A-Go-Go club, with their music heard playing loudly. They received credits at the end of the episode as "'The Factory' Lowell-Warren-Martin-Rich, Courtesy of Universal Records".
Following the disbanding of The Factory, George briefly joined The Standells. In November 1968, George joined Zappa's Mothers of Invention as rhythm guitarist and nominal lead vocalist; he can be heard on both Weasels Ripped My Flesh and the first disc of You Can't Do That on Stage Anymore, Vol. 5. During this period, he absorbed Zappa's autocratic leadership style and avant garde-influenced conceptual/procedural-oriented compositional methods. He earned his first production credit (in conjunction with Zappa and Russ Titelman) on Permanent Damage, an album recorded by "groupie group" The GTOs. George later asserted that "he performed no real function in the band" and left the group in May 1969 under nebulous circumstances. GTOs member Pamela Des Barres has claimed that George was fired by the abstemious Zappa for smoking marijuana, while he claimed at a 1975 Little Feat concert that he was fired because he "wrote a song ["Willin'"] about dope." On the contrary, biographer Mark Brend asserts that Zappa "liked the song" but "thought there was no place for it in the Mothers' set"; George himself alternatively claimed that "it was decided that I should leave and form a band" by mutual agreement.
George's electric slide guitar skills are also featured on Bonnie Raitt's Takin' My Time (Warner Bros. 1973) album on tracks, "I Feel the Same" and "Guilty".
After leaving the Mothers of Invention, George invited fellow musicians to form a new band, which they named Little Feat. George usually (but not always) played lead guitar and focused on slide guitar. Ry Cooder played the slide on the debut Little Feat album after George badly injured his hand while working on a powered model airplane, although George re-recorded some of his material. Mark Brend wrote that George's "use of compression defined his sound and gave him the means to play his extended melodic lines."
When not working with Little Feat, George lent his talents as a session player. George played guitar on John Cale's 1973 album Paris 1919, Harry Nilsson's Son of Schmilsson album (Take 54) and (uncredited but verified by Leo Nocentelli) the Meters' Just Kissed My Baby in 1974, and on John Sebastian's Tarzana Kid. In 1976 he played on Jackson Browne's The Pretender. Also with the Meters, George's slide work features prominently on Robert Palmer's first solo studio album, Sneakin' Sally Through the Alley recorded in New Orleans in 1974. Palmers's follow up record, 1975's "Pressure Drop" was produced by Steve Smith, with Lowell, and Little Feat as the core band on the sessions. The previous information displayed here, that Robert Palmer kept the producer's credit because of a dispute between his label, Island, and Warners, is totally incorrect. This reporter personally asked Lowell George who produced "Pressure Drop" in November 1975 and he replied it was Steve Smith. So any later information that calls into question this fact, i.e: "Later CDs list Steve Smith as producer (Joe Smith was chairman of WB)" are simply incorrect after the fact. Upon the record's release, the band and Palmer embarked on the tour that resulted in the recordings that made Feat famous. While, however great the Pressure Drop LP is, Palmer's career languished. By the spring of 1976, Little Feat were touring North America opening for The Who.
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In the 1970s, Little Feat released a stream of studio albums: Little Feat, Sailin' Shoes, Dixie Chicken, Feats Don't Fail Me Now, The Last Record Album, and Time Loves a Hero. The group's 1978 live album Waiting for Columbus became their best-selling album.
Tensions within the group, especially between George and Payne and, to a lesser extent, Barrère, regarding musical direction and leadership led to Payne and Barrère's departure from the group in 1979 and the group's subsequent disbandment. In an interview with Bill Flanagan conducted eleven days before his death, George stated that he was keen to re-form Little Feat without Payne and Barrère in order to reassert his full control over the group.
George was also a producer, and produced the Grateful Dead's 1978 album Shakedown Street, as well as Little Feat's records and his own 1979 solo album Thanks, I'll Eat It Here; he also co-produced a couple of tracks on Valerie Carter's 1977 release Just A Stone's Throw Away.
On June 15, 1979, George began a tour in support of his solo album. On June 29, 1979, the morning after an appearance at Washington, D.C.'s Lisner Auditorium where the bulk of Waiting for Columbus had been recorded, George collapsed and died of a heroin overdose in his Arlington, Virginia, hotel room at the Twin Bridges Marriott. George's body was cremated in Washington, D.C., on August 2. His ashes were flown back to Los Angeles, where they were scattered from his fishing boat into the Pacific Ocean. 
Posthumous tributes and cover songs
- A benefit concert for George's family was held shortly after his death at the Forum in Los Angeles on August 4, 1979, featuring Little Feat, Jackson Browne, Linda Ronstadt, Emmylou Harris, Bonnie Raitt, Nicolette Larson and others.
- The song "Ride Like the Wind" on the 1980 self-titled album by Christopher Cross was dedicated to Lowell George.
- Jackson Browne memorialized George in his song "Of Missing Persons", on his 1980 Hold Out album. The song was dedicated to George's daughter, Inara George who is part of the musical duo The Bird and the Bee. Browne famously described George as "the Orson Welles of rock".
- In 1983 the British poet Sean O'Brien included a poem "For Lowell George" in his collection, The Indoor Park.
- In 1988 American rock band Van Halen covered "A Apolitical Blues" as the closing track for their album OU812.
- In 1997 the CD Rock-n-Roll Doctor – A Tribute To Lowell George was released featuring various artists performing versions of George's songs, including Jackson Browne, J. D. Souther, Bonnie Raitt, Eddie Money, Randy Newman, Keisuke Kuwata, and Inara George.
- Chris and Rich Robinson covered "Roll Um Easy" on their 2007 album Brothers of a Feather: Live at the Roxy.
- American jam band Phish played all the songs from Little Feat's double album Waiting for Columbus during their annual and traditional Halloween "Musical Costume" on October 31, 2010 in Atlantic City, New Jersey.
- Tobler, John (1992). NME Rock 'N' Roll Years (1st ed.). London: Reed International Books Ltd. p. 283. CN 5585.
- "Lowell George & The Factory – Lightning-Rod Man". Globalia.net. Retrieved 2014-08-23.
- "Willin'". Little Feet Live at Auditorium Theatre. The Internet Archive. October 18, 1975. Retrieved December 22, 2012.
- Rock and Roll Doctor—Lowell George: Guitarist, Songwriter and Founder of Little Feat, by Mark Brend, Backbeat Books, Oct. 2002, p.75,
- Strong, Martin C. (2000). The Great Rock Discography (5th ed.). Edinburgh: Mojo Books. ISBN 1-84195-017-3.
- 'Written in My Soul' by Bill Flanagan ISBN 0.7119.2224.1 p.353-63
- "Remembering Lowell George". www.amoeba.com. 29 June 2009. Retrieved 2014-08-06.
- "Little Feat: Waiting for Columbus". Allaboutjazz.com. Retrieved 2015-06-20.
- "One Giant Step for Little Feat," Richard Harrington, Washington Post 7 August 1988
- Tobler, John (1992). NME Rock 'N' Roll Years (1st ed.). London: Reed International Books Ltd. p. 329. CN 5585.
- "Deleted/Forwarding Page". Jrp-graphics.com. Retrieved 2014-08-23.
- Adam Sweeting (August 30, 2000). "The late, great Lowell George". The Guardian. Retrieved 2014-03-03.
- Little Feat website
- Lowell George at the Internet Movie Database
- Lowell George at Find a Grave
- Lowell George interview, Guitar Player magazine 1976
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