Thelma Lucille Sayles
June 27, 1936
Depew, New York, US
|Died||February 13, 2010 (aged 73)|
Baltimore, Maryland, US
|Spouse(s)||Fred James Clifton (d. 1984)|
Lucille Clifton (June 27, 1936 – February 13, 2010) was an American poet, writer, and educator from Buffalo, New York. From 1979 to 1985 she was Poet Laureate of Maryland. Clifton was a finalist twice for the Pulitzer Prize for poetry.
Life and career
Lucille Clifton (born Thelma Lucille Sayles, in Depew, New York) grew up in Buffalo, New York, and graduated from Fosdick-Masten Park High School in 1953. She attended Howard University with a scholarship from 1953 to 1955, leaving to study at the State University of New York at Fredonia (near Buffalo).
In 1958, Lucille Sayles married Fred James Clifton, a professor of philosophy at the University at Buffalo, and a sculptor whose carvings depicted African faces. Lucille and her husband had six children together, and she worked as a claims clerk in the New York State Division of Employment, Buffalo (1958–60), and then as literature assistant in the Office of Education in Washington, D.C. (1960–71). Writer Ishmael Reed introduced Lucille to Clifton while he was organizing the Buffalo Community Drama Workshop. Fred and Lucille Clifton starred in the group's version of The Glass Menagerie, which was called "poetic and sensitive" by the Buffalo Evening News.
In 1966, Reed took some of Clifton's poems to Langston Hughes, who included them in his anthology The Poetry of the Negro. In 1967, the Cliftons moved to Baltimore, Maryland. Her first poetry collection, Good Times, was published in 1969, and listed by The New York Times as one of the year's ten best books. From 1971 to 1974, Clifton was poet-in-residence at Coppin State College in Baltimore. From 1979 to 1985, she was Poet Laureate of the state of Maryland. From 1982 to 1983, she was visiting writer at the Columbia University School of the Arts and at George Washington University. In 1984, her husband died of cancer.
From 1985 to 1989, Clifton was a professor of literature and creative writing at the University of California, Santa Cruz. She was Distinguished Professor of Humanities at St. Mary's College of Maryland. From 1995 to 1999, she was a visiting professor at Columbia University. In 2006, she was a fellow at Dartmouth College. She died in Baltimore on February 13, 2010.
In 2019, daughter Sidney Clifton reacquired the family's home near Baltimore, aiming to establish the Clifton House as a place to support young artists and writers through in-person and virtual workshops, classes, seminars, residencies, and a gallery. The Clifton House received preservation funding through the National Trust for Historic Preservation’s African American Cultural Heritage Action Fund.
Lucille Clifton traced her family's roots to the West African Kingdom of Dahomey, now the Republic of Benin. Growing up she was told by her mother, "Be proud, you're from Dahomey women!" She cites as one of her ancestors the first black woman to be "legally hanged" for manslaughter in the state of Kentucky during the time of Slavery in the United States. Girls in her family are born with an extra finger on each hand, a genetic trait known as polydactyly. Lucille's two extra fingers were amputated surgically when she was a small child, a common practice at that time for reasons of superstition and social stigma. Her "two ghost fingers" and their activities became a theme in her poetry and other writings. Health problems in her later years included painful gout which gave her some difficulty in walking.
Her poetry "examine[d] the inner world of her own body", used the body as a "theatre for her poetry". After her uterus was removed, for example, she spoke of her body "as a home without a kitchen".
Her series of children's books about a young black boy began with 1970's Some of the Days of Everett Anderson. Everett Anderson, a recurring character in many of her books, spoke in African American English and dealt with real life social problems. Her work features in anthologies such as My Black Me: A Beginning Book of Black Poetry (ed. Arnold Adoff), A Poem of Her Own: Voices of American Women Yesterday and Today (ed. Catherine Clinton), Black Stars: African American Women Writers (ed. Brenda Scott Wilkinson), Daughters of Africa (ed. Margaret Busby), and Bedrock: Writers on the Wonders of Geology (eds Lauret E. Savoy, Eldridge M. Moores, and Judith E. Moores (Trinity University Press). Studies about Clifton's life and writings include Wild Blessings: The Poetry of Lucille Clifton (LSU Press, 2004) by Hilary Holladay, and Lucille Clifton: Her Life and Letters (Praeger, 2006) by Mary Jane Lupton.
Two-Headed Woman: "homage to my hips"
In 1980 Clifton published "homage to my hips" in her book of poems, Two-Headed Woman. Two-Headed Woman won the 1980 Juniper Prize and was characterized by its "dramatic tautness, simple language … tributes to blackness, [and] celebrations of women", which are all traits reflected in the poem "homage to my hips". This particular collection of poetry also marks the beginning of Clifton's interest in depicting the "transgressive black body." "homage to my hips" was preceded by the poem "homage to my hair" – and acts as a complementary work that explores the relationship between African-American women and men and aimed to reinvent the negative stereotypes associated with the black female body. "Homage to my hips" and "homage to my hair" both relate the African-American body to mythological powers – a literary technique common among many literary works by African American women. Jane Campbell poses the idea that "the specific effect of mythmaking upon race relations … constitutes a radical act, inviting the audience to subvert the racist mythology that thwarts and defeats Afro-Americans, and to replace it with a new mythology rooted in the black perspective." Therefore, Clifton utilizes "homage to my hips" to celebrate the African-American female body as a source of power, sexuality, pride, and freedom.
Lucille Clifton received a Creative Writing Fellowships from the National Endowment for the Arts in 1970 and 1973, and a grant from the Academy of American Poets. She received the Charity Randall prize, the Jerome J. Shestack Prize from the American Poetry Review, and an Emmy Award. Her children's book Everett Anderson's Good-bye won the 1984 Coretta Scott King Award. In 1988, Clifton became the first author to have two books of poetry named finalists for one year's Pulitzer Prize. (The award dates from 1918, the announcement of finalists from 1980.) She won the 1991/1992 Shelley Memorial Award, the 1996 Lannan Literary Award for Poetry, and for Blessing the Boats: New and Collected Poems 1988–2000 the 2000 National Book Award for Poetry. From 1999 to 2005, she served on the Board of Chancellors of the Academy of American Poets. In 2007, she won the Ruth Lilly Poetry Prize; the $100,000 prize honors a living U.S. poet whose "lifetime accomplishments warrant extraordinary recognition." Clifton received the Robert Frost Medal for lifetime achievement from the Poetry Society of America.
- Good Times, New York: Random House, 1969
- Good News About the Earth, New York: Random House, 1972
- An Ordinary Woman, New York: Random House, 1974)
- Two-Headed Woman, University of Massachusetts Press, Amherst, 1980
- Good Woman: Poems and a Memoir: 1969–1980, Brockport: BOA Editions, 1987 — finalist for the 1988 Pulitzer Prize
- Next: New Poems, Brockport: BOA Editions, Ltd., 1987 —finalist for the 1988 Pulitzer Prize
- Ten Oxherding Pictures, Santa Cruz: Moving Parts Press, 1988
- Quilting: Poems 1987–1990, Brockport: BOA Editions, 1991, ISBN 978-0-918526-81-6
- The Book of Light, Port Townsend: Copper Canyon Press, 1993
- The Terrible Stories, Brockport: BOA Editions, 1996
- Blessing The Boats: New and Collected Poems 1988–2000, Rochester: BOA Editions, 2000, ISBN 978-1-880238-88-2; Paw Prints, 2008, ISBN 978-1-4395-0356-0 —winner of the National Book Award
- Mercy, Rochester: BOA Editions, 2004, ISBN 978-1-929918-55-3
- Voices, Rochester: BOA Editions, 2008, ISBN 978-1-934414-12-5
- The Collected Poems of Lucille Clifton, Rochester, BOA Editions, 2012 ISBN 978-1-934414-90-3
- Three Wishes (Doubleday)
- The Boy Who Didn't Believe In Spring (Penguin)
- The Lucky Stone. Delacorte Press. 1979. ISBN 978-0-440-05122-0.; Reprint Yearling Books, ISBN 978-0-307-53795-9
- The Times They Used To Be (Henry Holt & Co)
- All Us Come Cross the Water ( Henry Holt)
- My Friend Jacob (Dutton)
- Amifika (Dutton)
- Sonora the Beautiful (Dutton)
- The Black B C's (Dutton)
- The Palm of My Heart: Poetry by African American Children. Introduction by Lucille Clifton (San Val)
The Everett Anderson series
- Everett Anderson's Goodbye (Henry Holt)
- One of the Problems of Everett Anderson (Henry Holt)
- Everett Anderson's Friend (Henry Holt)
- Everett Anderson's Christmas Coming (Henry Holt)
- Everett Anderson's 1-2-3 (Henry Holt)
- Everett Anderson's Year (Henry Holt)
- Some of the Days of Everett Anderson (Henry Holt)
- Everett Anderson's Nine Month Long (Henry Holt)
- Rey, Jay (February 13, 2010). "Clifton, honored poet from Buffalo, dies". The Buffalo News. Retrieved February 14, 2010.
- Obituary The New York Times, February 17, 2010.
- Obituary Washington Post, February 21, 2010.
- Obituary Los Angeles Times, February 21, 2010.
- David Gura, "Poet Lucille Clifton: 'Everything Is Connected'", NPR, February 28, 2010.
- Elizabeth Alexander, "Remembering Lucille Clifton", The New Yorker, February 17, 2010.
- Hilary Holladay, 73 Poems for 73 Years, James Madison University, September 21, 2010, p. 48.
- "Maryland Poets Laureate", webpage of Maryland State Archives. Retrieved May 27, 2007.
- Maryland State Archives and Maryland Commission for Women. "Lucille Clifton", Maryland Women's Hall of Fame. Retrieved May 28, 2007.
- Amy Stolls and Jessica Flynn, "The Clifton House: A Labor of Love and Legacy", National Endowment for the Arts blog, July 30, 2020. Retrieved May 7, 2021.
- Lupton (2006), p. 60.
- Fay, Blue (February 4, 2021). "Late poet Lucille Clifton still speaks to the COVID era". The Daily Californian. Retrieved February 13, 2021.
- Jessie Carney Smith, Notable Black American Women, Book 2 (Detroit, MI: Gale Research Inc., 1996), 110.
- Michael Bennett, Vanessa D. Dickerson, Recovering the Black Female Body: Self-representations by African American Women (New Brunswick, New Jersey, and London: Rutgers University Press, 2001), 127.
- Bennett & Dickerson, Recovering the Black Female Body (2001), 126.
- "Fiction". Past winners & finalists by category. The Pulitzer Prizes. Retrieved 2012-04-08.
- "National Book Awards – 20000". National Book Foundation. Retrieved April 8, 2012. (With acceptance speech by Clifton and essay by Megan Snyder-Kamp from the Awards 60-year anniversary blog.)
- "Lucille Clifton, Winner of the 2010 Frost Medal".
- Holladay, Hilary, Wild Blessings: The Poetry of Lucille Clifton, Louisiana State University Press, 2004 ISBN 978-0-8071-2987-6
- Lupton, Mary Jane, Lucille Clifton: her life and letters, Greenwood Publishing Group, 2006, ISBN 0-275-98469-9
- Howard, Carol, "Lucille Clifton," "World Poets," Vol. 1. Scribner Writer Series, 2000. ISBN 0-684-80591-X (set)
|Wikiquote has quotations related to: Lucille Clifton|
- Clifton's Page at BOA Editions
- Biography and critical appreciation of her work, and links to poems at the Poetry Foundation.
- "'Since you asked..,' with Lucille Clifton" for the WGBH series, New Television Workshop
- Lucille Clifton reads "Turning" for the WGBH series, New Television Workshop
- "Jean Toomer's Cane and the Rise of the Harlem Renaissance". Essay by Lucille Clifton.
- "Lucille Clifton Reads A Poem About the Days Surrounding Sept. 11", PBS,September 8, 2006. (Audio)
- Recorded in Los Angeles, CA, on May 21, 1996. From Lannan (Video 45 mins).
- Profile at Modern American Poetry, University of Illinois
- Profile from Academy of American Poets
- Lucille Clifton at Library of Congress Authorities, with 51 catalog records
- FBI file on Lucille Clifton