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|Written by||Richard Brinsley Sheridan|
|Characters||Sir Anthony Absolute
Sir Lucius O'Trigger
Errand boy servants
|Date premiered||17 January 1775|
|Place premiered||Covent Garden Theatre|
|Genre||Comedy of manners|
|Setting||Bath, 'within one day'|
The Rivals was Sheridan's first play. At the time, he was a young newlywed living in Bath. At Sheridan's insistence, upon marriage his wife Eliza (born Elizabeth Linley) had given up her career as a singer. This was proper for the wife of a "gentleman", but it was difficult because Eliza would have earned a substantial income as a performer. Instead, the Sheridans lived beyond their means as they entertained the gentry and nobility with Eliza's singing (in private parties) and Richard's wit. Finally, in need of funds, Richard turned to the only craft that could gain him the remuneration he desired in a short time: he began writing a play. He had over the years written and published essays and poems, and among his papers were numerous unfinished plays, essays and political tracts, but never had he undertaken such an ambitious project as this. In a short time, however, he completed The Rivals.
The Rivals was first performed at Covent Garden, London, on 17 January 1775. It was roundly vilified by both the public and the critics for its length, for its bawdiness and for the character of Sir Lucius O'Trigger being a meanly written role played very badly. The actor, Lee, after being hit with an apple during the performance, stopped and addressed the audience, asking "By the pow'rs, is it personal? — is it me, or the matter?" Apparently, it was both. Sheridan immediately withdrew the play and in the next 11 days, rewrote the original (the Larpent manuscript) extensively, including a new preface in which he allowed:
For my own part, I see no reason why the author of a play should not regard a first night's audience as a candid and judicious friend attending, in behalf of the public, at his last rehearsal. If he can dispense with flattery, he is sure at least of sincerity, and even though the annotation be rude, he may rely upon the justness of the comment.
Sheridan also apologised for any impression that O'Trigger was intended as an insult to Ireland. Rewritten and with a new actor, Clinch, in the role of O'Trigger, the play reopened on 28 January to significant acclaim. Indeed, it became a favourite of the royal family, receiving five command performances in ten years, and also in the Colonies (it was George Washington's favourite play). It became a standard show in the repertoires of 19th-century companies in England and the US.
- Sir Anthony Absolute, a wealthy baronet
- Captain Jack Absolute, his son, disguised as Ensign Beverley
- Faulkland, friend of Jack Absolute
- Bob Acres, friend of Jack Absolute
- Sir Lucius O'Trigger, an Irish baronet
- Fag, Captain Absolute's servant
- David, Bob Acres' servant
- Thomas, Sir Anthony's servant
- Lydia Languish, a wealthy teenaged heiress, in love with "Ensign Beverley"
- Mrs. Malaprop, Lydia's middle-aged guardian
- Julia Melville, a young relation of the Absolutes, in love with Faulkland
- Lucy, Lydia's conniving maid
The play is set in Bath in the 18th century, a town that was legendary for conspicuous consumption and fashion at the time. Wealthy, fashionable people went there to "take the waters", which were believed to have healing properties. Bath was much less exclusive than London, and hence it provides an ideal setting for the characters.
The plot centres on the two young lovers, Lydia and Jack. Lydia, who reads a lot of popular novels of the time, wants a purely romantic love affair. To court her, Jack pretends to be "Ensign Beverley", a poor officer. Lydia is enthralled with the idea of eloping with a poor soldier in spite of the objections of her guardian, Mrs. Malaprop, a moralistic widow. Mrs. Malaprop is the chief comic figure of the play, thanks to her continual misuse of words that sound like the words she intends to use, but mean something completely different. (The term malapropism was coined in reference to the character.)
Lydia has two other suitors: Bob Acres (a somewhat buffoonish country gentleman), and Sir Lucius O'Trigger, an impoverished and combative Irish gentleman. Sir Lucius pays Lucy to carry love notes between him and Lydia (who uses the name "Delia"), but Lucy is swindling him: "Delia" is actually Mrs. Malaprop.
As the play opens, Sir Anthony arrives suddenly in Bath. He has arranged a marriage for Jack, but Jack demurs, saying he is in love already. They quarrel violently. But Jack soon learns through the gossip of Lucy and Fag that the marriage arranged by Sir Anthony is, in fact, with Lydia. He makes a great show of submission to his father, and is presented to Lydia with Mrs. Malaprop's blessing. Jack confides to Lydia that he is only posing as Sir Anthony's son. She annoys Mrs. Malaprop by loudly professing her eternal devotion to "Beverley" while rejecting "Jack Absolute".
Jack's friend Faulkland is in love with Julia, but he suffers from jealous suspicion. He is constantly fretting himself about her fidelity. Faulkland and Julia quarrel foolishly, making elaborate and high-flown speeches about true love that satirise the romantic dramas of the period.
Bob Acres tells Sir Lucius that another man ("Beverley") is courting the lady of Acres' choice (Lydia, though Sir Lucius does not know this). Sir Lucius immediately declares that Acres must challenge "Beverley" to a duel and kill him. Acres goes along, and writes out a challenge note – despite his own rather more pacifist feelings, and the profound misgivings of his servant David. Sir Lucius leaves, Jack arrives, and Acres tells him of his intent. Jack agrees to deliver the note to "Beverley", but declines to be Acres' second.
Mrs. Malaprop again presents Jack to Lydia, but this time with Sir Anthony present, exposing Jack's pose as "Beverley". Lydia is enraged by the puncturing of her romantic dreams, and spurns Jack contemptuously.
Sir Lucius has also learned of the proposed marriage of Jack and Lydia, and determines to challenge Jack. He meets Jack, who, smarting from Lydia's rejection, agrees to fight him without even knowing the reason. They will meet at the same time as Acres is scheduled to fight "Beverley".
At the duelling ground, Acres is very reluctant to fight, but Sir Lucius will have no shirking. Jack and Faulkland arrive. Acres learns that "Beverley" is actually his friend Jack, and begs off from their duel. However, Jack is quite willing to fight Sir Lucius, and they cross swords.
David informs Mrs. Malaprop, Lydia, Julia, and Sir Anthony of the dueling, and they all rush off to stop it. Sir Lucius explains the cause of his challenge, but Lydia denies any connection to him, and admits her love for Jack. Mrs. Malaprop announces that she is Delia, but Sir Lucius recoils in horror, realising that he has been hoaxed. Sir Anthony consoles Mrs. Malaprop, Julia is reconciled to Faulkland, and Acres invites everyone to a party.
A successful musical production of The Rivals with songs by Herbert Hughes and lyrics by John Robert Monsell was staged by Vladimir Rosing at London's Novelty Theatre in September 1935. The Novelty Theatre had a few other names but was demolished in 1941 as Kingsway Theatre. Queen Mary attended one of the performances.
"Maverick" adaptation (1958)
The play was rewritten as a 1958 episode of the television series Maverick, starring James Garner and Roger Moore, and was the only episode of the series in which Garner and Moore appeared together (Moore did not play "Beau Maverick," Bret Maverick's cousin, until after Garner had left the series). Patricia "Pat" Crowley portrays the leading lady. The episode was called "The Rivals" and the original playwright was given due credit.
The play was adapted for Australian television in 1961.
- Richard Brinsley Sheridan, The Rivals (New Mermaids 1979, Elizabeth Duthie, Ed.).
- Linda Kelly, Richard Brinsley Sheridan, A Life (Sinclair-Stevenson 1997).
- Brooke Allen, The Scholar of Scandal, a review of Fintan O’Toole, The Traitor's Kiss: The Life of Richard Brinsley Sheridan, 1751–1816 (Farrar, Straus & Giroux 1998), at New Criterion.
- Richard Brinsley Sheridan (1751–1816) at Theatre History.
- Dramatis Personæ
- The Dramatic Works of Richard Brinsley Sheridan at the Internet Archive. Oxford University Press 1930. Introduction by Joseph Knight p10. Retrieved 28 June 2013.
- Rosing, Ruth Glean. Val Rosing: Musical Genius. pg. 123, Manhattan: Sunflower University Press (1993).
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