M.I.U. Album

From Wikipedia, the free encyclopedia
Jump to navigation Jump to search
M.I.U. Album
Studio album by
ReleasedOctober 2, 1978
  • October 1976
  • November 1977–June 1978
ProducerAl Jardine, Ron Altbach
The Beach Boys chronology
The Beach Boys Love You
M.I.U. Album
L.A. (Light Album)
Singles from M.I.U. Album
  1. "Peggy Sue" / "Hey Little Tomboy"
    Released: August 28, 1978
  2. "Come Go with Me"
    Released: November 2, 1981

M.I.U. Album is the 22nd studio album by The Beach Boys, released on October 2, 1978 on Brother/Reprise. Recorded during a fraught time for the band, only Mike Love, Al Jardine, and Brian Wilson appear consistently throughout the album, with Carl and Dennis Wilson audible on only a few tracks. Produced by Al Jardine and songwriter Ron Altbach, the album's title stems from Maharishi International University in Fairfield, Iowa, where the majority of the album was recorded.


After the release of The Beach Boys Love You, the band fell into dispute over their musical direction, and were close to breaking up. Brian Wilson began regressing back into drug use and mental illness. Dennis was readying his debut solo album, Pacific Ocean Blue. Intended as a follow-up to The Beach Boys Love You, sessions and mixing for a new album called Adult/Child were completed by the Beach Boys with Brian Wilson as producer, and it would have included "Hey Little Tomboy", which can be found on M.I.U. Album (in revised form). The album was subsequently rejected by Reprise Records for not being commercially viable, although some of its tracks would reappear on later archival releases.[citation needed]


Dennis was largely unavailable for the new project, of which he and brother Carl were not in favor. The idea, by staunch Transcendental Meditation follower Mike Love, was to record another new album—initially intended as a Christmas release—at the Maharishi International University in Fairfield, Iowa, (hence the M.I.U. title). Consequently, when it was time to record the album in September 1977, only Love, Jardine and Brian Wilson showed up.

The original intention was for Brian Wilson to produce the album, but it soon became clear he was unable to function in that role.[citation needed] The production credit on the album was given to Al Jardine and songwriting partner Ron Altbach, with Brian billed as "executive producer", though the exact nature of this role was never clarified.[citation needed]

The group submitted the Christmas-themed Merry Christmas from the Beach Boys in late 1977, but it was rejected by the record company, which demanded the band submit a regular studio album instead. New lyrics were overdubbed on to some of the original Christmas tracks the following spring, which, together with quickly penned new material, formed the basis of a new album entitled California Feeling, named after an original song recorded in 1975 which Brian refused to include on the album. The track listing was revised a final time in 1978, when the LP was now called M. I. U. Album, the band's last for Reprise Records before embarking on their CBS Records (now Sony Music) contract.[1]

A Brian Wilson produced cover of Buddy Holly's "Peggy Sue", originally recorded on April 15, 1976, for potential inclusion on 15 Big Ones, was tweaked by Al Jardine in 1978 for M.I.U. Album. Released as a single it charted at No. 59 in the United States. The original Brian Wilson version was accidentally issued in place of the Jardine version when M.I.U. Album was briefly re-issued by Sony Music in 1991, but was soon discontinued.[citation needed]


Professional ratings
Review scores
AllMusic2/5 stars[2]
Blender2/5 stars[3]
Robert ChristgauC[4]
Encyclopedia of Popular Music1/5 stars[5]
The Rolling Stone Album Guide1/5 stars[7]

Although M.I.U. Album peaked at No. 151 in the US and became their first since 1964 to miss the UK chart completely, "Come Go with Me" would become a top 20 hit in late 1981 when it was released as a single from the Ten Years of Harmony compilation.

Music critic Nick Kent called the album "dreadful". He said that its "pitiful content" was ignored by critics.[8] Upon its initial release, Rolling Stone stated, "M.I.U. Album seems contrived and artificial right from the start. The tracks strive to recapture the dreamy, adolescent innocence of the Beach Boys' earliest hits, and fail not so much because the concepts are dated but because the group can't infuse the new material with the same sense of grandeur that made the old songs such archetypal triumphs. [...] Throughout, the lackluster playing and singing has a melancholy edge, almost as if the Beach Boys are fully aware that they've outgrown this kind of teen fantasy, but can't think of anyplace else to go."[9]

Paired with L.A. (Light Album), M.I.U. Album was reissued on CD in 2002. Upon the album's re-release, The A.V. Club stated, "M.I.U. is competent enough, but it's also the sound of a group buying into its own mythology, a retrograde salute to the pinstripes and sunshine image it had abandoned years before."[10] AllMusic issued a more negative review, stating, "The mainstream late-'70s production techniques are predictable and frequently cloying. M.I.U. Album also included several of the worst Beach Boys songs ever to make it to vinyl. [...] Compared with what had come before, M.I.U. Album was a pathetic attempt at music making; compared with what was to come however, this was a highlight."[2]

When asked about M.I.U. Album in the British press, Dennis Wilson said that he "[doesn't] believe in that album" and that it was "an embarrassment to my life. It should self-destruct... I hope that the karma will fuck up Mike Love's meditation forever."[11] Reflecting on the album in 1992, Mike Love noted, "It was too democratic. Everybody coming into it with their song, which is okay. It's like if you have an album and have a hit song on it, and it's very commercially viable. Doesn't it make sense to have another song that would also be commercially viable? And a third and a fourth."[12][better source needed] In 1995, Brian said that he could not remember making the album, claiming that he had gone through a "mental blank-out" during this period.[13]

Track listing[edit]

Track details per 2000 CD liner notes.[14]

Side one
No.TitleWriter(s)Lead vocalsLength
1."She's Got Rhythm"Brian Wilson, Mike Love, Ron AltbachB. Wilson2:27
2."Come Go With Me"C.E. QuickAl Jardine2:06
3."Hey Little Tomboy"B. WilsonLove, C. Wilson, B. Wilson2:25
4."Kona Coast"Al Jardine, LoveLove and Jardine2:33
5."Peggy Sue"Buddy Holly, Jerry Allison, Norman PettyJardine2:15
6."Wontcha Come Out Tonight"B. Wilson, LoveB. Wilson and Love2:30
Side two
No.TitleWriter(s)Lead VocalsLength
1."Sweet Sunday Kinda Love"B. Wilson, LoveC. Wilson2:42
2."Belles of Paris"B. Wilson, Love, AltbachLove2:27
3."Pitter Patter"B. Wilson, Love, JardineLove and Jardine3:14
4."My Diane"B. WilsonDennis Wilson2:37
5."Match Point of Our Love"B. Wilson, LoveB. Wilson3:29
6."Winds of Change"Altbach, Ed TulejaJardine and Love3:14


Per 2000 CD liner notes.[14]

The Beach Boys
Additional musicians
  • Ron Altbach – piano, electric piano, organ, percussion, synthesizer, horns
  • Gary Griffin – piano, electric piano, organ, synthesizer, string arrangements
  • Ed Carter – guitar, bass guitar
  • Billy Hinsche – guitar
  • Mike Kowalski – drums, percussion
  • Chris Midaugh – steel pedal guitar
  • Michael Andreas – saxophone, horn arrangements
  • Charles Lloyd – saxophone
  • Lance Buller – trumpet
  • John Foss – trumpet
  • Rod Novak – saxophone
  • Charlie McCarthy – saxophone
  • Bob Williams – saxophone
  • Roberleigh Barnhardt – string arrangements
Recording engineering personnel & assistants
  • Alan Jardine – producer
  • Ron Altbach – producer
  • Brian Wilson – executive producer
  • Diane Rovell – music coordinator
  • John Hanlon – recording engineer
  • Earle Mankey – recording engineer
  • Stephen Moffitt – recording engineer
  • Jeff Peters – recording engineer, final mixdown producer
  • Bob Rose – recording engineer


  1. ^ Doe, Andrew Grayham. "Unreleased Albums". Endless Summer Quarterly. Retrieved July 13, 2014.
  2. ^ a b Bush, John. "M.I.U. Album". AllMusic.
  3. ^ Wolk, Douglas (October 2004). "The Beach Boys M.I.U. Album/L.A. (Light Album) ". Blender. Archived from the original on June 30, 2006. Retrieved June 2, 2017.
  4. ^ "Robert Christgau: CG: beach boys". Missing or empty |url= (help)
  5. ^ Larkin, Colin, ed. (2006). The Encyclopedia of Popular Music (4th ed.). London: Oxford University Press. p. 479. ISBN 978-0-19-531373-4.
  6. ^ Graff, Gary; Durchholz, Daniel (eds) (1999). MusicHound Rock: The Essential Album Guide. Farmington Hills, MI: Visible Ink Press. p. 84. ISBN 1-57859-061-2.
  7. ^ Brackett, Nathan; with Hoard, Christian, eds. (2004). The New Rolling Stone Album Guide (4th ed.). New York, NY: Fireside/Simon & Schuster. p. 46. ISBN 0-7432-0169-8.
  8. ^ Gaines, Steven S. (1995-08-21). Heroes and villains: the true story of the Beach Boys. Basic Books. p. 305. ISBN 978-0-306-80647-6.
  9. ^ Carson, Tom (November 16, 1978). "M.I.U. Album". Rolling Stone.
  10. ^ Phipps, Keith (Mar 29, 2002). "The Beach Boys: M.I.U. Album/L.A. (Light Album)". The A.V. Club.
  11. ^ Adam, Webb (December 14, 2003). "A Profile of Dennis Wilson – The Lonely One". The Guardian.
  12. ^ http://troun.tripod.com/mikelove.html
  13. ^ Benci, Jacopo (January 1995). "Brian Wilson interview". Record Collector. UK (185).
  14. ^ a b Tamarkin, Jeff (2000). M.I.U./L.A. Light Album (booklet). The Beach Boys. California: Capitol Records.
  15. ^ http://smileysmile.net/board/index.php/topic,21772.25.html