Macbeth is an opera in three acts, with music by Ernest Bloch to a libretto by Edmond Fleg, after the eponymous play of William Shakespeare. Bloch composed the opera between 1904 and 1906, but it did not receive its first performance until 30 November 1910 by the Opéra-Comique in Paris with Henri Albers in the title role. Alex Cohen has written of quarrels within the cast that contributed to the opera's poorly received premiere.
Guido Gatti has compared elements of Bloch's opera to the music of Modest Mussorgsky. He has also written of the different treatments of the Macbeth story by Giuseppe Verdi and Bloch in their respective operas on the subject, with Verdi being more "realistic" and Bloch being more in keeping with the symbolist era in art at his time.
After the premiere production, the opera was staged in 1938 in Naples, but was then banned on orders of the Fascist government. Subsequently, the opera was produced in Rome in 1953, and in Trieste.
The opera was staged, in English, at the Juilliard School of Music in New York under the direction of John Houseman, in May 1973. P. H. Adler conducted; singers included L. Carlson, H. Barnsley, R. Termine, F. Burchinal, M. Li-Paz and W. White. 
The US premiere by a professional opera company was given by the Long Beach Opera in June 2013 in a production by Andreas Mitisek with Benjamin Makino conducting.  That same production was staged by the Chicago Opera Theater in September 2014 with Francesco Milioto conducting. 
|Role Type||Character||Voice type|
|Major||Lady Macbeth||Dramatic Soprano/ Mezzo-Soprano|
|Minor||Son of Macduff||Mezzo-Soprano|
|mute||Eight Kings in Macbeth's vision|
|Chorus||Lords, ladies (several solo exclamations)
soldiers, peasants, ghosts.
The story is essentially that of the Shakespeare play, with the five acts compressed to three. The opera contains seven tableaux, with the prelude comprising the first tableau, and each of the three acts containing two tableaux.
Portions of the opera have been recorded with Heinz Rehfuss and Lucienne Devallier, with Ernest Ansermet conducting, and in another recording, with Inge Borkh. More recently, complete recordings conducted by Alexander Rumpf and Friedemann Layer have been produced.
- Musicales Actes Sud OMA34100: Jean-Philippe Lafont, Markella Hatzian, Jean-Philippe Marlière, Jacque Trussel, Christer Bladin, Philippe Georges, Marcel Vanaud, Sophie Fournier, Hanna Schaer, Ariane Stamboulides, Wojtek Smilek, Annie Varville, Franck Bard, Ferijs Millers, Andris Gailis; Orchestre Philharmonique de Montpellier Languedoc-Roussillon; Choeur de la Radio lettone; Friedemann Layer, conductor
Complete opera edition La Coruna 1997 Portions of the opera sono stati recorded with Heinz Rehfuss and Lucienne Devallier, with Ernest Ansermet conducting, Conducted by Alexander Rumpf and Friedemann Layer Maison de La Lirique
- Cohen, Alex, "Ernest Bloch's Macbeth" (April 1938). Music & Letters, 19 (2): pp. 143-148.
- Brody, Elaine (January 1982). "Romain Rolland and Ernest Bloch" (PDF). The Musical Quarterly 68 (1): 60–79. doi:10.1093/mq/lxviii.1.60.
- Gatti, Guido M.; Translated by Theodore Baker (January 1921). "Ernest Bloch" (PDF). The Musical Quarterly VII (1): 20–38. doi:10.1093/mq/VII.1.20.
- Gatti, Guido M.; Translated by Theodore Baker (January 1926). "Two Macbeths: Verdi-Bloch" (PDF). The Musical Quarterly XII (1): 22–31. doi:10.1093/mq/xii.1.22. Retrieved 22 April 2011.
- Chapman, Ernest, "Ernest Bloch at 75" (Spring 1955). Tempo (New Ser.), 35: pp. 6-9, 11-12.
- Schonberg, Harold C. (11 May 1973). "Macbeth, Bloch's 1909 Opera, Has a Premiere Here". The New York Times.
- UCL News
- Ginell, Richard S. (17 June 2013). "Review: Ernest Bloch's Macbeth a welcome treat by Long Beach Opera". The Los Angeles Times.
- von Rhein, John (14 September 2014). "OPERA REVIEW: Macbeth at the Harris Theater". The Chicago Tribune.
- Tommasini, Anthony (11 December 2014). "Dark and Deep Desires: Macbeth, Bloch’s Only Opera, at Manhattan School of Music". The New York Times.
- Fregosi, William (2001). "Macbeth. Ernest Bloch". The Opera Quarterly 17 (2): 340–342. doi:10.1093/oq/17.2.340. Retrieved 26 September 2007.