Macedonian art (Byzantine)

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The 11th-century monastery of Hosios Lukas, representative of the Macedonian Renaissance.
David et Goliath, from the Paris Psalter.
David playing the harp, from the Paris Psalter.

Macedonian art is the art of the Macedonian Renaissance in Byzantine art. The period followed the end of the Byzantine iconoclasm and lasted until the fall of the Macedonian dynasty, which ruled the Byzantine Empire from 867 to 1056, having originated in Macedonia in the Balkans. It coincided with the Ottonian Renaissance in Western Europe. In the 9th and 10th centuries, the Byzantine Empire's military situation improved, and art and architecture revived.

Painting and mosaic[edit]

New churches were again commissioned, and the Byzantine church mosaic style became standardised. The best preserved examples are at the Hosios Lukas Monastery in mainland Greece and the Nea Moni Katholikon in the island of Chios. The very freely painted frescos at Castelseprio in Italy are linked by many art historians to the art of Constantinople of the period also.

There was a revival of interest in classical Greco-Roman styles and subjects, of which the Paris Psalter is an important testimony, and more sophisticated techniques were used to depict human figures. There was also a naturalistic style and more complex techniques from ancient Greek and Roman art mixed with Christian themes used in art.

Sculpture[edit]

Although monumental sculpture is extremely rare in Byzantine art, the Macedonian period saw the unprecedented flourishing of the art of ivory sculpture. Many ornate ivory triptychs and diptychs survive, with the central panel often representing either deesis (as in the Harbaville Triptych) or the Theotokos (as in a triptych at Luton Hoo, dating from the reign of Nicephorus Phocas). On the other hand, ivory caskets (notably the Veroli Casket from Victoria and Albert Museum) often feature secular motifs true to the Hellenistic tradition, thus testifying to an undercurrent of classical taste in Byzantine art.

There are few important surviving buildings from the period. It is presumed that Basil I's votive church of the Theotokos of Phoros (no longer extant) served as a model for most cross-in-square sanctuaries of the period, including the monastery church of Hosios Lukas in Greece (ca. 1000), the Nea Moni of Chios (a pet project of Constantine IX), and the Daphni Monastery near Athens (ca. 1050).

Byzantine Armenian Renaissance

The Armenian Renaissance was a period in Byzantine art which began with the reign of the Emperor Basil I of the Macedonian dynasty in 867.

See also[edit]

References[edit]

  • J. Durand, L'art byzantin, Terrail, Paris, 2001
  • J-M. Spieser, "L'art de Byzance", in C. Heck (dir.) Moyen âge, chrétienté et Islam, flammarion, Paris, 1996

[1] [2]

Further reading[edit]

External links[edit]


  1. ^ "Gods Regents on Earth: A Thousand Years of Byzantine Imperial Seals The Macedonian Dynasty (862-1056)". Dumbarton Oaks. Retrieved 2014-10-28. 
  2. ^ "Imperial Recovery Under the Macedonian Dynasty". Boundless. Retrieved 2014-10-28.