The primary knots of macramé are the square (or reef knot) and forms of "hitching": various combinations of half hitches. It was long crafted by sailors, especially in elaborate or ornamental knotting forms, to cover anything from knife handles to bottles to parts of ships.
Cavandoli macramé is one variety that is used to form geometric and free-form patterns like weaving. The Cavandoli style is done mainly in a single knot, the double half-hitch knot. Reverse half hitches are sometimes used to maintain balance when working left and right halves of a balanced piece.
Leather or fabric belts are another accessory often created via macramé techniques. Most friendship bracelets exchanged among schoolchildren and teens are created using this method. Vendors at theme parks, malls, seasonal fairs and other public places may sell macramé jewellery or decoration as well.
One of the earliest recorded uses of macramé-style knots as decoration appeared in the carvings of the Babylonians and Assyrians. Fringe-like plaiting and braiding adorned the costumes of the time and were captured in their stone statuary.
Arab weavers knotted excess thread along the edges of hand-loomed fabrics such as towels, shawls, and veils into decorative fringes. The word macramé is derived from the Arabic miqramah (مقرمة), believed to mean "striped towel", "ornamental fringe" or "embroidered veil". Another school of thought indicates that it comes from Turkish makrama, "napkin" or "towel". The decorative fringes also helped to keep flies off camels and horses in northern Africa.
The Moorish conquest took the craft to Spain, then Italy, especially in the region of Liguria, then it spread through Europe. In England, it was introduced at the court of Mary II in the late 17th century. Queen Mary taught it to her ladies-in-waiting.
Macramé was most popular in the Victorian era. It adorned most homes in items such as tablecloths, bedspreads and curtains. The popular Sylvia's Book of Macramé Lace (1882) showed how "to work rich trimmings for black and coloured costumes, both for home wear, garden parties, seaside ramblings, and balls—fairylike adornments for household and underlinens ...".
Sailors made macramé objects while not busy at sea, and sold or bartered them when they landed, thus spreading the art to places like China and the New World. Nineteenth-century British and American sailors made hammocks, bell fringes, and belts from macramé. They called the process "square knotting" after the knot they used most often. Sailors also called macramé "McNamara's lace".
Macramé's popularity faded, but resurged in the 1970s for making wall hangings, clothing accessories, small jean shorts, bedspreads, tablecloths, draperies, plant hangers and other furnishings. Macramé jewelry became popular in America. Using mainly square knots and granny knots, this jewelry often features handmade glass beads and natural elements such as bone and shell. Necklaces, anklets and bracelets have become popular forms of macramé jewelry. By the early 1980s, macramé again began to fall out of fashion, only to have it revived by millennials.
Materials used in macramé include cords made of cotton twine, linen, hemp, jute, leather or yarn. Cords are identified by construction, such as a 3-ply cord, made of three lengths of fibre twisted together. Jewelry is often made in combination of both the knots and various beads (of glass, wood, and so on), pendants or shells. Sometimes 'found' focal points are used for necklaces, such as rings or gemstones, either wire-wrapped to allow for securing or captured in a net-like array of intertwining overhand knots. A knotting board is often used to mount the cords for macramé work. Cords may be held in place using a C-clamp, straight pins, T-pins, U-pins, or upholstery pins.
For larger decorative pieces, such as wall hangings or window coverings, a work of macramé might be started out on a wooden or metal dowel, allowing for a spread of dozens of cords that are easy to manipulate. For smaller projects, push-pin boards are available specifically for macramé, although a simple corkboard works adequately. Many craft stores offer beginners' kits, work boards, beads and materials ranging in price for the casual hobbyist or ambitious craftsperson.
- Harvey, Virginia (1967). Macrame : the art of creative knotting. Van Nostrand Reinhold. pp. 9–30. ISBN 0-442-23191-1. OCLC 948758577.
- Turner, John C. (30 May 1996). History and science of knots. World Scientific Publishing Company. p. 336-337. ISBN 981-02-2469-9.
- Leslie, Catherine A. (30 April 2007). Needlework through history: an encyclopedia. Greenwood Press. p. 117-118. ISBN 978-0-313-33548-8.
- Virginia Colton, ed. (1979). Complete Guide to Needlework. Montreal: The Reader's Digest Association Canada. pp. 445. ISBN 0-88850-085-8.
- "Album - Google+". plus.google.com.
- Chace, Susan; Pennant, Lilla; Warde, John Maury; Wright, David (1981), Crafts & Hobbies, Reader's Digest, p. 28, ISBN 0-89577-063-6, retrieved 2009-09-20
- Buck, Stephanie (Sep 19, 2017). "Macramé is the knotty trend millennials Instagrammed back from the dead". Timeline.
- Fox-Leonard, Boudicca (18 February 2018). "Macramé: it's knot like the Seventies". The Telegraph.
|Wikimedia Commons has media related to Macrame.|
- Sylvia's Book of Macramé Lace by Sylvia (pseudonym), 1882.
- "Macrame knots". Retrieved April 14, 2017. Illustrations of various knots.