Madam C. J. Walker

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Madam C. J. Walker
Madame CJ Walker.gif
Walker in the early 1900s
Born Sarah Breedlove
(1867-12-23)December 23, 1867
Delta, Louisiana, United States
Died May 25, 1919(1919-05-25) (aged 51)
Irvington-on-Hudson, New York, United States
Cause of death Hypertension
Resting place Woodlawn Cemetery (Bronx, New York)
Residence Villa Lewaro, Irvington-on-Hudson, New York
Nationality American
Ethnicity African American[1]
Occupation Businesswoman, hair-care entrepreneur,
Philanthropist, and
Activist
Denomination Protestant (African Methodist Episcopal Church)[2]
Spouse(s) Moses McWilliams (married 1882–1887)
John Davis (married 1894–ca. 1903)
Charles Joseph Walker (married 1906–1912)
Children A'Lelia Walker
Parent(s) Owen and Minerva Breedlove
Website www.madamcjwalker.com
Madam Walker and several friends in her automobile
C. J. Walker Manufacturing Company, Indianapolis, 1911

Sarah Breedlove (December 23, 1867 – May 25, 1919), known as Madam C. J. Walker, was an African American entrepreneur, philanthropist, and a political and social activist. Eulogized as the first female self-made millionaire in America,[3] she became one of the wealthiest African American women in the country. Walker made her fortune by developing and marketing a line of beauty and hair products for black women through Madame C.J. Walker Manufacturing Company, the successful business she founded. Walker was also known for her philanthropy and activism. She made financial donations to numerous organizations and became a patron of the arts. Villa Lewaro, Walker’s lavish estate in Irvington-on-Hudson, New York, served as a social gathering place for the African American community. The Madame Walker Theatre Center opened in Indianapolis in 1927 to continue her legacy. Both of these properties are listed on the National Register of Historic Places.

Early life[edit]

Breedlove was born on December 23, 1867, near Delta, Louisiana, to Owen and Minerva (Anderson) Breedlove.[4][5] Sarah was one of six children, which included an older sister, Louvenia, and four brothers: Alexander, James, Solomon, and Owen Jr. Breedlove's parents and her older siblings were enslaved on Robert W. Burney's Madison Parish plantation, but Sarah was the first child in her family born into freedom after the Emancipation Proclamation was signed. Her mother died, possibly from cholera, in 1872; her father remarried, but he died within a few years.[citation needed] Orphaned at the age of seven, Sarah moved to Vicksburg, Mississippi, at the age of ten and worked as a domestic. Prior to her first marriage, she lived with her older sister, Louvenia, and brother-in-law, Jesse Powell.[4][6]

Marriage and family[edit]

In 1882, at the age of fourteen, Sarah married Moses McWilliams, possibly to escape mistreatment from her brother-in-law.[4] Sarah and Moses had one daughter, Lelia McWilliams, born on June 6, 1885. When Moses died in 1887, Sarah was twenty; Lelia was two years old.[6][7] Sarah remarried in 1894, but left her second husband, John Davis, around 1903 and moved to Denver, Colorado, in 1905.[2][8]

In January 1906, Sarah married Charles Joseph Walker, a newspaper advertising salesman she had known in Missouri. Through this marriage, she became known as Madam C. J. Walker. The couple divorced in 1912; Charles died in 1926. Lelia McWilliams adopted her stepfather's surname and became known as A'Lelia Walker.[6][9][10]

Career[edit]

In 1888 Sarah and her daughter moved to Saint Louis, Missouri, where three of her brothers lived. Sarah found work as a laundress, barely earning more than a dollar a day, but she was determined to make enough money to provide her daughter with a formal education.[11][12] During the 1880s, Breedlove lived in a community where ragtime music was developed—she sang at the St. Paul African Methodist Episcopal Church and started to yearn for an educated life as she watched the community of women at her church.[3] As was common among black women of her era, Sarah experienced severe dandruff and other scalp ailments, including baldness, due to skin disorders and the application of harsh products such as lye that were included in soaps to cleanse hair and wash clothes. Other contributing factors to her hair loss included poor diet, illnesses, and infrequent bathing and hair washing during a time when most Americans lacked indoor plumbing, central heating and electricity.[10][13][14]

A container of Madame C.J. Walker's Wonderful Hair Grower is held in the permanent collection of The Children's Museum of Indianapolis.
Madame C.J. Walker's Wonderful Hair Grower in the permanent collection of The Children's Museum of Indianapolis.[15]

Initially, Sarah learned about hair care from her brothers, who were barbers in Saint Louis.[13] Around the time of the Louisiana Purchase Exposition (World's Fair at St. Louis in 1904), she became a commission agent selling products for Annie Turnbo Malone, an African American hair-care entrepreneur and owner of the Poro Company.[4] While working for Malone, who would later become Walker’s largest rival in the hair-care industry,[3] Sarah began to adapt her knowledge of hair and hair products to develop her own product line.[9]

In July 1905, when she was thirty-seven years old, Sarah and her daughter moved to Denver, Colorado, where she continued to sell products for Malone and develop her own hair-care business. Following her marriage to Charles Walker in 1906, she became known as Madam C. J. Walker and marketed herself as an independent hairdresser and retailer of cosmetic creams. (“Madam” was adopted from women pioneers of the French beauty industry.[16]) Her husband, who was also her business partner, provided advice on advertising and promotion; Sarah sold her products door to door, teaching other black women how to groom and style their hair.[6][9]

In 1906 Walker put her daughter in charge of the mail order operation in Denver while she and her husband traveled throughout the southern and eastern United States to expand the business.[11][13][14][17] In 1908 Walker and her husband relocated to Pittsburgh, Pennsylvania, where they opened a beauty parlor and established Lelia College to train "hair culturists." After closing the business in Denver in 1907, A'lelia ran the day-to-day operations from Pittsburgh, while Walker established a new base in Indianapolis in 1910.[18] A'lelia also persuaded her mother to establish an office and beauty salon in New York City's Harlem neighborhood in 1913.[16]

In 1910 Walker relocated her business to Indianapolis, where she established the headquarters for the Madame C. J. Walker Manufacturing Company. She initially purchased a house and factory at 640 North West Street.[19] Walker later built a factory, hair salon, and beauty school to train her sales agents, and added a laboratory to help with research.[14] She also assembled a competent staff that included Freeman Ransom, Robert Lee Brokenburr, Alice Kelly, and Marjorie Stewart Joyner, among others, to assist in managing the growing company.[9] Many of her company's employees, including those in key management and staff positions, were women.[16]

To increase her company's sales force, Walker trained other women to become "beauty culturists" using "The Walker System", her method of grooming that was designed to promote hair growth and to condition the scalp through the use of her products.[9] Walker's system included a shampoo, a pomade stated to help hair grow, strenuous brushing, and applying iron combs to hair. This method claimed to make lackluster and brittle hair become soft and luxurious.[11][13] Walker's product line had several competitors. Similar products were produced in Europe and manufactured by other companies in the United States, which included her major rivals, Annie Turnbo Malone's Poro System and later, Sarah Spencer Washington's Apex System.[20]

Between 1911 and 1919, during the height of her career, Walker and her company employed several thousand women as sales agents for its products.[6] By 1917 the company claimed to have trained nearly 20,000 women.[19] Dressed in a characteristic uniform of white shirts and black skirts and carrying black satchels, they visited houses around the United States and in the Caribbean offering Walker's hair pomade and other products packaged in tin containers carrying her image. Walker understood the power of advertising and brand awareness. Heavy advertising, primarily in African American newspapers and magazines, in addition to Walker's frequent travels to promote her products, helped make Walker and her products well known in the United States. Walker became even more widely by the 1920s as her business market expanded beyond the United States to Cuba, Jamaica, Haiti, Panama, and Costa Rica.[11][13][16][20]

In addition to training in sales and grooming, Walker showed other black women how to budget, build their own businesses, and encouraged them to become financially independent. In 1917, inspired by the model of the National Association of Colored Women, Walker began organizing her sales agents into state and local clubs. The result was the establishment of the National Beauty Culturists and Benevolent Association of Madam C. J. Walker Agents (predecessor to the Madam C. J. Walker Beauty Culturists Union of America).[6] Its first annual conference convened in Philadelphia during the summer of 1917 with 200 attendees. The conference is believed to have been among the first national gatherings of women entrepreneurs to discuss business and commerce.[10][11] During the convention Walker gave prizes to women who had sold the most products and brought in the most new sales agents. She also rewarded those who made the largest contributions to charities in their communities.[11]

Activism and philanthropy[edit]

As Walker's wealth and notoriety increased, she became more vocal about her views. In 1912 Walker addressed an annual gathering of the National Negro Business League (NNBL) from the convention floor, where she declared: "I am a woman who came for the cotton fields of the South. From there I was promoted to the washtub. From there, I was promoted to the cook kitchen. And from there, I promoted myself into the business of manufacturing hair goods and preparations. I have built my own factory on my own ground.[19]" The following year she addressed convention-goers from the podium as a keynote speaker.[11][13]

Walker helped raise funds to establish a branch of the Young Men’s Christian Association (YMCA) in Indianapolis's black community, pledging $1,000 to the building fund for the Senate Avenue YMCA. Walker also contributed scholarship funds to the Tuskegee Institute. Other beneficiaries included Indianapolis's Flanner House and Bethel African Methodist Episcopal Church; Mary McLeod Bethune's Daytona Education and Industrial School for Negro Girls (which later became Bethune-Cookman University) in Daytona Beach, Florida; the Palmer Memorial Institute in North Carolina; and the Haines Normal and Industrial Institute in Georgia. Walker was also a patron of the arts.[6][11]

About 1913 Walker's daughter, A'Lelia, moved to a new townhouse in Harlem, and in 1916 Walker joined her in New York, leaving the day-to-day operation of her company to her management team in Indianapolis.[5][19] In 1917 Walker commissioned Vertner Tandy, the first licensed black architect in New York and a founding member of Alpha Phi Alpha fraternity, to design a her house in Irvington-on-Hudson, New York. Walker intended for Villa Lewaro, which cost $250,000 to build, to become a gathering place for community leaders and to inspire other African Americans to purse their dreams.[20][21][22] She moved into the house in May 1918 and hosted an opening event to honor Emmett Jay Scott, at that time the Assistant Secretary for Negro Affairs of the U.S. Department of War.[13]

Walker became more involved in political matters after her move to New York. She delivered lectures on political, economic, and social issues at conventions sponsored by powerful black institutions. Her friends and associates included Booker T. Washington, Mary McLeod Bethune, and W. E. B. Du Bois, among others.[6] During World War I Walker was a leader in the Circle For Negro War Relief and advocated for the establishment of a training camp for black army officers.[19] In 1917 she joined the executive committee of New York chapter of the National Association for the Advancement of Colored People (NAACP), which organized the Silent Protest Parade on New York City's Fifth Avenue. The public demonstration drew more than 8,000 African Americans to protest a riot in East Saint Louis that killed thirty-nine African Americans.[11]

Profits from her business significantly impacted Walker's contributions to her political and philanthropic interests. In 1918 the National Association of Colored Women's Clubs (NACWC) honored Walker for making the largest individual contribution to help preserve Frederick Douglass’s Anacostia house.[23] Prior to her death in 1919, Walker pledged $5,000 (the equivalent of about $65,000 in 2012) to the NAACP's antilynching fund. At the time it was the largest gift from an individual that the NAACP had ever received. Walker bequeathed nearly $100,000 to orphanages, institutions, and individuals; her will directed two-thirds of future net profits of her estate to charity.[3][11][16]

The grave of Madam C. J. Walker

Death and legacy[edit]

Walker died on May 25, 1919, from kidney failure and complications of hypertension at the age of fifty-one.[6][19][22] Walker's remains are interred in Woodlawn Cemetery in The Bronx, New York City.[24][25]

At the time of her death Walker was considered to be the wealthiest African American woman in America. She was eulogized as the first female self-made millionaire in America, but Walker's estate was only worth an estimated $600,000 (approximately $8 million in present-day dollars) upon her death.[3] According to Walker's New York Times obituary, "she said herself two years ago [in 1917] that she was not yet a millionaire, but hoped to be some time."[22] Her daughter, A'Lelia Walker, became the president of the Madame C.J. Walker Manufacturing Company.[13]

Walker's personal papers are preserved at the Indiana Historical Society in Indianapolis.[10] Her legacy also continues through two properties listed on the National Register of Historic Places: Villa Lewaro in Irvington, New York, and the Madame Walker Theatre Center in Indianapolis. Villa Lewaro was sold following A'Lelia Walker's death to a fraternal organization called the Companions of the Forest in America in 1932. The house was listed on the National Register of Historic Places in 1979. The National Trust for Historic Preservation has designated the privately-owned property a National Treasure.[26][27] Indianapolis's Walker Manufacturing Company headquarters building, renamed the Madame Walker Theatre Center, opened in December 1927; it included the company's offices and factory as well as a theater, beauty school, hair salon and barbershop, restaurant, drugstore, and a ballroom for the community. The building was listed on the National Register of Historic Places in 1980.[16][28]

In 2006, playwright and director Regina Taylor wrote The Dreams of Sarah Breedlove, recounting the history of Walker’s struggles and success.[29] The play premiered at the Goodman Theater in Chicago.[30] Actress L. Scott Caldwell played the role of Walker.[29]

On March 4, 2016, skincare and haircare company Sundial Brands launched a collaboration with Sephora in honor of Walker’s legacy. The launch, titled “Madam C.J. Walker Beauty Culture”, comprised four collections and focused on the use of natural ingredients to care for different types of hair.[31]

Tributes[edit]

Various scholarships and awards have been named in Walker's honor:

  • The Madam C. J Walker Business and Community Recognition Awards are sponsored by the National Coalition of 100 Black Women, Oakland/Bay Area chapter. An annual luncheon honors Walker and awards outstanding women in the community with scholarships.[32]
  • Spirit Awards are sponsored the Madame Walker Theatre Center in Indianapolis. Established as a tribute to Walker, the annual awards have honored national leaders in entrepreneurship, philanthropy, civic engagement, and the arts since 2006. Awards presented to individuals include the Madame C. J Walker Heritage Award as well as young entrepreneur and legacy prizes.[33]

Walker was inducted into the National Women's Hall of Fame in Seneca, New York, in 1993.[34] In 1998 the U.S. Postal Service issued a Madam Walker commemorative stamp as part of its Black Heritage Series.[19][35]

References[edit]

  1. ^ A'Lelia Bundles, "Madam C J (Sarah Breedlove) Walker, 1867–1919" in Darlene Clark Hines; Elsa Barkley Brown; and Rosalyn Terborg-Penn, eds. (1993). Black Women in America: An Historical Encyclopedia II. Bloomington: Carlson Publishers. pp. 1209–14. ISBN 978-0-92601-961-4. 
  2. ^ a b Linda C. Gugin and James E. St. Clair, eds. (2015). Indiana's 200: The People Who Shaped the Hoosier State. Indianapolis: Indiana Historical Society Press. p. 360. ISBN 978-0-87195-387-2. 
  3. ^ a b c d e "Madam C. J. Walker". The Philanthropy Hall of Fame. Philanthropy Roundtable. Retrieved 1 March 2015. 
  4. ^ a b c d Bundles, "Madam C J (Sarah Breedlove) Walker, 1867–1919" in Black Women in America, v. II, p. 1209.
  5. ^ a b Bundles, A’Lelia. "Madam C.J. Walker". Madame C.J. Walker. Retrieved 25 February 2015. 
  6. ^ a b c d e f g h i "Madam C. J. Walker". Indiana Historical Society. Retrieved 2015-02-28. 
  7. ^ A'lelia Bundles (2014). "Biography of Madam C. J. Walker". National Coalition of 100 Black Women, Inc., Oakland/Bay Area Chapter. Retrieved 2016-02-05. 
  8. ^ "The Philanthropy Hall of Fame: Madam C. J. Walker". Philanthropy Roundtable. Retrieved 2015-03-01. 
  9. ^ a b c d e Bundles, "Madam C J (Sarah Breedlove) Walker, 1867–1919" in Black Women in America, v. II, pp. 1210–11.
  10. ^ a b c d Andrea Riquier (2015-02-24). "Madam Walker Went from Laundress to Success". Investor's Business Daily. Retrieved 2016-02-08. 
  11. ^ a b c d e f g h i j A'Lelia Bundles (February 2012). "Madam C.J. Walker: Business Savvy to Philanthropy" (PDF). eJournal USA (U.S. Department of State) 16 (6): 3–5. Retrieved 2015-03-01. 
  12. ^ Editors. "Madam C.J. Walker Biography". Biography.com. A&E Television Networks. Retrieved 2016-02-15. 
  13. ^ a b c d e f g h A'Lelia Bundles (2001). On Her Own Ground: The Life and Times of Madam C. J. Walker. New York: Scribner. ISBN 0-7434-3172-3. 
  14. ^ a b c John N. Ingham (February 2000). "Madame C. J. Walker". American National Biography Online.  (subscription required)
  15. ^ "Madam C.J. Walker's Wonderful Hair Grower product container". The Indianapolis Public Library. Retrieved 2 March 2015. 
  16. ^ a b c d e f A'Lelia Bundles. "Madam C. J. Walker’s Secrets to Success". Biography.com. Retrieved 2016-02-09. 
  17. ^ Harold Evans; Gail Buckland & David Lefer (2004). They Made America: From the Steam Engine to the Search Engine: Two Centuries of Innovators. New York: Little, Brown. ISBN 9780316277662. 
  18. ^ Nancy F. Koehn; Anne E. Dwojeski; William Grundy; Erica Helms; Katherine Miller (2007). Madam C. J. Walker: Entrepreneur, Leader, and Philanthropist. 9-807-145. Boston: Harvard Business School Publishing. p. 12. OCLC 154317207. 
  19. ^ a b c d e f g Gugin and Saint Clair, p. 361.
  20. ^ a b c "Madame C. J. Walker (Sarah Breedlove McWilliams Walker): Inventor, Businesswoman". The Faces of Science: African Americans in the Sciences. Retrieved 2015-05-22. 
  21. ^ Bundles, "Madam C J (Sarah Breedlove) Walker, 1867–1919" in Black Women in America, v. II, p. 1213.
  22. ^ a b c "Wealthiest Negress Dead". New York Times. May 26, 1919. Retrieved 2015-03-01. 
  23. ^ Bundles, "Madam C J (Sarah Breedlove) Walker, 1867–1919" in Black Women in America, v. II, p. 1212.
  24. ^ "Woodlawn Cemetery–Madam Walker’s Burial Place–Named National Historic Landmark". Retrieved 2016-02-02. 
  25. ^ "Sarah Breedlove "Madam C. J." Walker". findagrave.com. 2000-11-03. Retrieved 2016-02-08. 
  26. ^ Jessica Pumphrey (2014-10-24). "Sign the Pledge to Protect Villa Lewaro – And Learn How You Can Tour It". National Trust for Historic Preservation. Retrieved 2016-02-05. 
  27. ^ Brent Leggs (2014). "Envisioning Villa Lewaro's Future" (PDF). National Trust for Historic Preservation. Retrieved 2016-02-19. 
  28. ^ "National Register Digital Assets: Madame C. J. Walker Building". National Park Service, U.S. Department of the Interior. 
  29. ^ a b "Regina Taylor Brings the Story of Madam C.J. Walker to the Stage." Jet Jul 10 2006: 62-3. ProQuest. 6 Mar. 2016 .
  30. ^ "The Dreams of Sarah Breedlove | Goodman Theater | Chicago". www.goodmantheatre.org. Retrieved 2016-03-06. 
  31. ^ "Sundial Brands Enters Prestige Hair Category with Historic Launch of Madam C.J. Walker Beauty Culture Exclusively at Sephora." PR Newswire Feb 23 2016ProQuest. 6 Mar. 2016 .
  32. ^ "17th Annual Madam C. J. Walker 2015 Luncheon". National Coalition of 100 Black Women, Inc., Oakland/Bay Area Chapter. Retrieved 2016-02-05. 
  33. ^ "About the Spirit Awards". Madame Walker Theatre Center. 2016. Retrieved 2016-02-04. 
  34. ^ "Madam C. J. Walker". National Women’s Hall of Fame. Retrieved 2016-02-10. 
  35. ^ US Stamp Gallery

Further reading[edit]

Nonfiction biographies (based on primary source documents)

  • Bundles, A'Lelia Perry (2013). Madam Walker Theatre Center: An Indianapolis Treasure. Images of America. Charleston, SC: Arcadia Publishing. ISBN 1-4671-1087-6. 
  • Bundles, A'Lelia Perry (2008). Madam C. J. Walker: Entrepreneur. Black Americans of Achievement (Legacy ed.). New York: Chelsea House. ISBN 978-1-60413-072-0. 
  • Colman, Penny (1994). Madam C. J. Walker: Building a Business Empire. Gateway Biography. Brookfield, CT: The Millbrook Press. ISBN 9781562943387. 

Fiction/novels

  • Due, Tananarive (2000). The Black Rose: The Dramatic Story of Madam C. J. Walker, America's First Black Female Millionaire. Ballantine Books. ISBN 0-345-44156-7. 

Video links[edit]