Made in Japan (Deep Purple album)
|Made in Japan|
|Live album by Deep Purple|
|Released||December, 1972 (UK)
April, 1973 (US)
|Recorded||Festival Hall, Osaka, 15 and 16 August 1972
Nippon Budokan, Tokyo, 17 August 1972
|Genre||Hard rock, heavy metal, progressive rock|
|Length||76:44 (Original 2LP)
98:06 (1998 2CD edition)
|Label||Purple (UK and Europe)
Warner Bros. (US, Canada and Japan)
|Deep Purple live albums chronology|
Made in Japan is a double live album by English rock band Deep Purple, recorded during their first tour of Japan in August 1972. It was originally released in December 1972, with a U.S. release in April 1973, and became a commercial and critical success.
The band were well known for their strong stage act, and had privately recorded several shows, or broadcast them on radio, but were unenthusiastic about recording a live album until their Japanese record company decided it would be good for publicity. They insisted on supervising the live production, including using Martin Birch, who had previously collaborated with the band, as engineer, and were not particularly interested in the album's release, even after recording. The tour was successful, with strong media interest and a positive response from fans.
The album was an immediate commercial success, particularly in the US, where it was accompanied by the top five hit, "Smoke on the Water", and became a steady seller throughout the 1970s. A 3-CD set of most of the tour's shows was released in 1993, while a remastered edition of the album with a CD of extra tracks was released in 1998. In 2014, a deluxe edition was announced with further bonus material.
Background and live bootlegs
Deep Purple "Mk II" had come together in July 1969 when founder members, guitarist Ritchie Blackmore, organist Jon Lord and drummer Ian Paice, recruited singer Ian Gillan and bassist Roger Glover in order to progress from their earlier pop and psychedelic rock sound towards hard rock. They began touring extensively, becoming a well received live band, and had recorded several live shows for radio broadcast, and to listen to privately. However, they had rejected the idea of releasing a live album commercially as they believed it would be impossible to reproduce the quality and experience of their stage act on an LP.
Consequently, there was a demand for bootleg recordings of the band. The most notable of these was an LP entitled H Bomb, recorded at Aachen in 1970, which led to a subsequent court case when Virgin Records' Richard Branson was prosecuted for selling it. The success of the bootleg, however, along with albums from other artists such as the Who's Live At Leeds and the Rolling Stones' Get Yer Ya-Ya's Out convinced the band that an official live album would be commercially successful. At the time, Glover told Sounds magazine that "there are so many bootlegs of us going around, if we put out or own live set, it should kill their market."
The tour and recording
By 1972, Deep Purple had achieved considerable commercial success in Japan, including several hit singles, so it made sense to tour there. Three dates were booked; the Festival Hall, Osaka on 11 and 12 May, and the Budokan, Tokyo on 16 August, though these were later changed to the 15 and 16 August, and 17 August respectively due to an earlier US tour being rescheduled. The dates sold out almost immediately, and consequently the Japanese arm of the band's label, Warner Bros. Records, wanted to record the tour for a live album to be released in the country. The band eventually agreed to the idea, but insisted if it was going to be released, they wanted it to be done properly. Gillan recalled, "we said we would have to OK the equipment, we wanted to use our own engineer and we would have the last say on whether the tapes were released". The band enlisted producer Martin Birch, who had worked on previous studio albums to record the shows onto an 8-track multitrack recorder so they could subsequently be mixed.
The band's live setlist had been revamped at the start of the year, immediately after recording Machine Head, and that album made up a substantial proportion of new material. Although it remained the same for most of the year, opening with "Highway Star" and closing with "Lazy" and "Space Truckin'", the band's musical skill and structure meant there was sufficient improvisation within the songs to keep things fresh. The original intention was the stage act would be used for about a year before being dropped; this eventually happened, but due to the fact that Gillan and Glover resigned from the band the following year. When this lineup reformed in 1984, the 1972 setlist made up a significant amount of material performed in concert.
The band arrived in Japan on 9 August, a week before the tour started, to a strong reception, and were greeted with gifts and flowers. Birch was not confident that the recording quality would be satisfactory, since the equipment supplied by Warner Bros. did not have any balance control and that it was too small. The band were uninterested in the end result, concentrating on simply being able to deliver a good show. Lord later noticed however that he felt this attitude meant the spontaneity of the performances and interplay between the band members was captured well.
The second gig in Osaka was considered to be the stronger of the two, and indeed this show made up the bulk of the released LP. Only one song, "Smoke on the Water" from the 15 August show was used, and this may simply have been because it was the only gig that Blackmore played the song's opening riff correctly.
The band considered the gig at Tokyo on 17 August to be the best of the tour. Glover remembered "twelve or thirteen thousand Japanese kids were singing along to "Child in Time"" and considers it a career highlight. Gillan also considered it to be his favourite show. At the venue, a row of bodyguards manned the front of the stage. When Blackmore smashed his guitar during the end of "Space Truckin'" and threw it into the audience, several of them clambered past fans to try and retrieve it. Blackmore was annoyed, but the rest of the band found the incident amusing. The gig was not as well recorded as the Osaka shows, though "The Mule" and "Lazy" were considered of sufficient quality to make the final release.
There were no overdubs on the album. Lord claimed once in a magazine interview that a line from "Strange Kind of Woman" had to redubbed from a different show after Gillan had tripped over his microphone cable, but no direct evidence of this was found when the multitrack tapes were examined. According to Lord, the total budget for the recording was only $3,000.
Because the band did not consider the album to be important, only Glover and Paice showed up to mix it. According to Birch, Gillan and Blackmore have never heard the finished album. The band did not want the album to be released outside of Japan, and wanted full rights to the tapes, but the album was released worldwide anyway.
The album was released in the UK in December 1972, with a special offer price of £3.10, the same as a typical single LP from that period. It reached number 16 in the charts. The cover was designed by Glover and featured a colour photo of the band on the front and rear covers, and black and white photos in the inside gatefold. The release in the US was delayed, until April 1973, because Warner Bros. wanted to release Who Do We Think We Are first. They were motivated into releasing it due to a steady flow of UK imports being purchased, and it was an immediate commercial success, reaching number 6 in the charts. Warners also released "Smoke on the Water" as a single, coupling the live recording on Made in Japan with the studio version on Machine Head, and it reached number 4 in the Billboard charts. A recording of "Black Night" from the Tokyo gig, one of the encores that was not on the album, was released as the b-side to the single "Woman from Tokyo" in Europe, and as a single in its own right in Japan.
The Japanese release was titled Live in Japan and featured a unique sleeve design, with an overhead stage shot of the band, a selection of photographs from a gig at the Rainbow Theatre in London, and an insert with lyrics and a hand-written message from each band member. The first pressing came with a 35mm film negative with photos of the band which buyers could develop into their own prints. The sleeve notes claimed that the recording only contained the Tokyo gig, though in fact it was musically identical to the version released in the rest of the world. Phil Collen, later to play in Def Leppard, was in the audience for the Rainbow gig as captured on the sleeve, and claims he can be seen on the cover.
In Uruguay, the album was released in 1974 as a single LP (with just the first two sides) on Odeon Records. It used a simplistic sleeve design unlike any other release, with a rising sun on the cover.
The band as a whole had mixed feelings on the album. Gillan was self-critical of his performance, yet was still impressed with the quality of the live recording. Paice gave a very positive impression, suggesting that the shows were some of the best the group had performed, and the album captured the spirit of them well.
The response from critics was favourable. John Tiven, writing in Rolling Stone said "Made In Japan is Purple's definitive metal monster, a spark-filled execution ... Deep Purple can still cut the mustard in concert". Recent reviews have been equally positive. Allmusic's William Ruhlmann considered the album to be "a definitive treatment of the band's catalog and its most impressive album". Rock author Daniel Bukszpan claimed the album is "widely acknowledged as one of the greatest live albums of all time". Goldmine magazine said the album "defined Deep Purple even as it redefined the concept of the live album." Deep Purple author Dave Thompson wrote "the standing of Deep Purple's first (and finest) live album had scarcely diminished in the quarter-century since its release".
The original LP was a steady seller throughout the 1970s and remained in print. The first reissue on CD was in 1988, which was a straight transcription of the vinyl, though the running time was short enough to fit on a single disc.
The 8 track tapes to the three shows were carefully put in storage by Warner Bros. Japan for future use. For the album's 21st anniversary in 1993, Deep Purple author and archivist Simon Robinson decided to enquire via the band's management if the tapes could be located. He discovered the entire show had been recorded well, including all the encores. In July, Robinson and Darron Goodwin remixed the tapes at Abbey Road Studios for an expanded edition, that was then mastered by Peter Mew in September. To compromise between including as much of the shows as possible and setting a realistic price that most fans would accept, they decided to release a 3-CD box set. This included all of the three main shows except for two tracks already available on the original album. In their place were two previously unreleased encores.
Robinson subsequently oversaw a new reissue of the original album in 1998 on CD, that was also remastered by Mew. This version contained an extra CD with three extra tracks that had been left off the 1993 set. The color scheme of the cover was reversed to show gold text on a black background. The remastered Made in Japan has further edits to make a contiguous performance, making it shorter than the original release. At the same time, a limited edition of 4,000 double LPs was released on purple vinyl, while in Spain, EMI added the studio versions of the tracks making up the original album, aside from "Strange Kind of Woman", to the second CD.
In 2014, Universal Music announced that the album would be reissued in a number of formats in May. The deluxe option will be a set of four CDs or 9 LPs containing a new remix of the three concerts in full, a DVD containing previously unseen video footage, a hardback book and other memorabilia. The original LP will also be reissued in 180g vinyl as per the original release with the original 1972 mix, and the audio will be available for digital download through popular providers.
On 13 January 2006, progressive metal band Dream Theater played the original album in its entirety at Kokusai Forum in Tokyo, and also on the 15th at NHK Hall in Osaka. Both performances were recorded, and the latter of the two shows has been released through the band's YtseJam Records label. It was mixed for release by Glover.
Original release on vinyl (2 LP)
|No.||Title||Recording date and location||Length|
|1.||"Highway Star"||Osaka on 16 August||6:50|
|2.||"Child in Time"||Osaka on 16 August||12:24|
|3.||"Smoke on the Water"||Osaka on 15 August||7:31|
|4.||"The Mule"||Tokyo on 17 August||9:49|
|5.||"Strange Kind of Woman"||Osaka on 16 August||9:35|
|6.||"Lazy"||Tokyo on 17 August||10:50|
|7.||"Space Truckin'"||Osaka on 16 August||19:41|
The remastered edition (2CD)
- Disc One
- Made in Japan
|2.||"Child in Time"||12:17|
|3.||"Smoke on the Water"||7:36|
|5.||"Strange Kind of Woman"||9:52|
- Disc Two
- The Encores
|No.||Title||Recording date and location||Length|
|1.||"Black Night" (An edited version had previously appeared on single B-sides.)||Tokyo on 17 August||6:17|
|2.||"Speed King" (Previously unreleased.)||Tokyo on 17 August||7:25|
|3.||"Lucille" (Albert Collins, Richard Penniman; Previously unreleased.)||Osaka on 16 August||8:03|
Taken from the sleeve notes:
- Deep Purple
- Ritchie Blackmore – Lead guitar
- Ian Gillan – Vocals, harmonica (uncredited), percussion (uncredited)
- Roger Glover – Bass
- Jon Lord – Organ, piano
- Ian Paice – Drums
- Co-ordination - Warner Pioneer
- Recording Unit
- Engineering - Martin Birch
- Equipment – Ian Hansford, Rob Cooksey, Colin Hart, Ron Quinton
- Marshall Engineer - K Flegg
- Promoters - Universal Orient Promotions
- Produced by Deep Purple
- Mixed by Roger Glover, Ian Paice
- Cover Design – Roger Glover
- Photography - Fin Costello
- Remastered by Peter Mew
|Kerrang!||United Kingdom||"100 Greatest Heavy Metal Albums Of All Time"||1989||75|
|New Musical Express||United Kingdom||"50 Best Live Albums"||2011||13|
(*) designates unordered lists.
- Allmusic review
- Tiven, John (24 May 1973). "Deep Purple : Made in Japan". Rolling Stone. Retrieved 28 February 2014.
- van der Lee, Matthijs. "Deep Purple : Made in Japan". Sputnik Music. Retrieved 28 February 2014.
- Truemetal review
- Rockline review
- "Readers' Poll: The 10 Best Live Albums of All Time". Rolling Stone. Retrieved 22 November 2012
- Robinson 1991, p. 3.
- Robinson 1991, p. 2.
- Robinson 1993, p. 6.
- "International News Reports". Billboard: 66. 29 January 1972. Retrieved 26 February 2014.
- Heylin 1994, p. 400.
- Thompson 2004, p. 137.
- Thompson 2004, p. 138.
- Jon Lord's Purple Reign. Modern Keyboard. January 1989. Retrieved 27 February 2014.
- Thompson 2004, p. 136.
- Robinson 1993, p. 3.
- Robinson 1993, p. 7.
- Bloom 2007, p. 161.
- Robinson 1993, p. 8.
- Robinson 1993, p. 15.
- Thompson 2004, p. 145.
- Robinson, Simon (1992). In Concert (Media notes). In Concert. EMI. CDEM 1434.
- Robinson 1993, p. 2.
- Robinson 1993, p. 10.
- Thompson 2004, p. 139.
- Thompson, p. 138.
- Robinson 1993, p. 14.
- Dimery & Lydon 2011, p. 727.
- Robinson 1993, p. 14-15.
- "Made in Japan". Classic Rock Magazine. September 2012. Retrieved 28 February 2014.
- Robinson 1993, p. 17.
- Robinson 1993, p. 8,10.
- Bukszpan, Daniel (2003). The Encyclopedia of Heavy Metal. Barnes & Noble Publishing. p. 46. ISBN 978-0-7607-4218-1.
- Thompson 2004, p. 294.
- "Made in Japan (1988 CD)". Allmusic. Retrieved 28 February 2014.
- Robinson 1993, p. 4.
- Robinson 1993, p. 19.
- "Made in Japan (1998 CD)". Allmusic. Retrieved 28 February 2014.
- "Made in Japan". Deep Purple Appreciation Society. Retrieved 28 February 2014.
- "Deep Purple To Issue Deluxe Editions Of 'Made In Japan'". Classic Rock Magazine. 27 February 2014. Retrieved 28 February 2014.
- "Universal Announce Deep Purple 'Made In Japan' Live Album In Multiple Formats Out 19th May 2014". Contact Music. 27 February 2014. Retrieved 28 February 2014.
- "Dream Theater - Made in Japan". The Highway Star. Retrieved 28 February 2014.
- "Dream Theater Official Bootleg: Made in Japan". Allmusic. Retrieved 28 February 2014.
- Made In Japan (Media notes). Purple / EMI. 1972. TPS 351.
- Austrian chart archive Made in Japan 1973
- German Album Charts 1973
- Library and Archives Canada. Retrieved 2012-02-24
- Billboard Albums Chart
- Norwegian record chart 1973
- UK Album Chart 1973(Link redirected to OCC website)
- "Argentinian album certifications – Deep Purple – Made in Japan". Argentine Chamber of Phonograms and Videograms Producers.
- "Austrian album certifications – Deep Purple – Made in Japan" (in German). IFPI Austria. Enter Deep Purple in the field Interpret. Enter Made in Japan in the field Titel. Select album in the field Format. Click Suchen
- "French album certifications – Deep Purple – Made in Japan" (in French). InfoDisc. Select DEEP PURPLE and click OK
- "Gold-/Platin-Datenbank (Deep Purple; 'Made in Japan')" (in German). Bundesverband Musikindustrie.
- "Italian album certifications – Deep Purple – Made in Japan" (in Italian). Federation of the Italian Music Industry. Select Album e Compilation in the field Scegli la sezione. Select Week -- and Year ----. Enter Deep Purple in the field Artista. Click Avvia la ricerca
- "British album certifications – Deep Purple – Made in Japan". British Phonographic Industry. Enter Made in Japan in the field Search. Select Title in the field Search by. Select album in the field By Format. Click Go
- "American album certifications – Deep Purple – Made in Japan". Recording Industry Association of America. If necessary, click Advanced, then click Format, then select Album, then click SEARCH
- "Kerrang – 100 Greatest Heavy Metal Albums Of All Time - January 1989". Kerrang. Retrieved 10 February 2009.
- British Albums "New Musical Express – 50 Best Live Albums – March 2011". New Musical Express. Retrieved 10 February 2009.
- Bloom, Jerry (2007). Black Night : Ritchie Blackmore. Music Sales Group. ISBN 978-0-85712-053-3.
- Lydon, Michael (2011). 1001 Albums: You Must Hear Before You Die. Hachette UK. ISBN 978-1-84403-714-8.
- Heylin, Clinton (1994). The Great White Wonders - A History of Rock Bootlegs. Penguin Books. ISBN 0-670-85777-7.
- Robinson, Simon (1991). Deep Purple Anthology (Media notes). Deep Purple. EMI. 152 Y 79 6130.
- Robinson, Simon (1993). Live in Japan (Media notes). Deep Purple. EMI. CDEM 1510.
- Thompson, Dave (2004). Smoke on the Water: The Deep Purple Story. ECW Press. ISBN 978-1-55022-618-8.