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Maestoso (Italian pronunciation: [ma.eˈstoːzo]) is an Italian musical term and is used to direct performers to play a certain passage of music in a stately, dignified and majestic fashion (sometimes march-like) or, it is used to describe music as such.[1] Maestoso also is associated with the advent of Classicism, Romanticism, and the newer forms of Neo-Classicism and Neo-Romanticism. The interpretation of "Maestoso" is varied by the conductor depending upon the overall style in which the piece is written. Used as more of an interpretive choice, this term is not always associated with a specific tempo or tempo range. The term is commonly used in relatively slow pieces, but there are many examples - such as the first movement of Mozart's Flute Concerto no. 1 - in which a faster tempo can be played in such maestoso. Common examples of maestoso tempo include Elgar's Land of Hope and Glory, the first movement of Mozart's Piano Concerto No. 21, the first movement of both Anton Bruckner's Symphony No. 6 and Beethoven's Symphony No. 9, as well as Chopin's Polonaise in A flat major, Op. 53.[2] The 1st movement of Brahms first Piano Concerto is another example.


Maestoso is also used very often for parts of pieces meant to sound large, triumphant and heroic, like the Olympic Fanfare and Theme by John Williams. Chopin's first movement of the 2nd concerto is called "Allegro Maestoso". Liszt's first movement of his 1st Piano Concerto is also called "Allegro Maestoso." Yet another example of this tempo marking is the opening of the musical Wicked by Steven Schwartz.


  1. ^ "Maestoso". Free Merriam-Webster Online Dictionary. Merriam-Webster. Retrieved 27 February 2012. 
  2. ^ "Maestoso". Webster's Online Dictionary. Webster's. Retrieved 27 February 2012.