Maine Pyar Kiya
|Maine Pyar Kiya|
|Directed by||Sooraj R. Barjatya|
|Produced by||Tarachand Barjatya|
|Written by||S. M. Ahale |
Sooraj R. Barjatya
|Music by||Raamlaxman (composer) |
Asad Bhopali (lyrics)
Dev Kohli (lyrics)
|Edited by||Mukhtar Ahmed|
|Distributed by||Rajshri Productions|
|Box office||₹50 crore|
Maine Pyar Kiya (English: I fell in Love), also known as MPK, is a 1989 Indian musical romance film, directed by Sooraj R. Barjatya and written by Barjatya with S. M. Ahale. Starring Salman Khan and Bhagyashree in the lead roles, it was produced by Rajshri Productions. It was Barjatya's directorial debut, Khan's first leading role (after a supporting role in the previous year's Biwi Ho To Aisi). It became an All Time Blockbuster in the Hindi film industry.
Rajshri Productions was on the verge of closing down, before it was saved by the film's success. It was the top-grossing Bollywood film of the year, and the highest-grossing Indian film of the 1980s. The film is counted among the top 10 successful films of Indian cinema. The film's soundtrack album sold over 10 million units, making it the best-selling Bollywood music album of the 1980s. At the 35th Filmfare Awards, the film won six awards, including Best Film.
Karan (Alok Nath) is a poor mechanic who lives in the countryside with his one and only daughter, the beautiful Suman (Bhagyashree). He decides to venture out and try his luck in business - travel overseas in Dubai so that he can accumulate enough wealth to get his daughter married. Thus, he decides to leave his daughter with his family friend Kishan (Rajeev Verma). Kishan, a wealthy businessman, lets Karan's daughter Suman stay at his house temporarily while the father is away as he cannot turn down his old friend's request, and Suman comes to live with his family. Suman is befriended by Kishan's son Prem (Salman Khan), who assures that a boy and a girl can be platonic friends.
Prem takes Suman to a party organised by Seema (Pervin Dastur), who is the only daughter of Kishan's business-partner, Ranjeet (Ajit Vachani).
Jeevan (Mohnish Behl), nephew of Ranjeet, is proud and arrogant and humiliates Suman and Prem (accusing them of falsely claiming to be "just friends"). This is the turning point in the story. Suman leaves the party sadly in tears and distances herself from Prem. At that point, Prem and Suman both realise that they have fallen in love with each other, which is by now quite apparent.
Kaushalya (Reema Lagoo) probes deeper into Prem and Suman's relationship and approves of Suman as her daughter-in-law, but Kishan is quite unhappy with the relationship and asks her to get out of his house and his life. He feels that she has taken advantage of his hospitality and kindness. Karan returns from abroad and is enraged at Kishan's behaviour and Kishan accuses him of plotting to set up Prem and Suman. Karan and Kishan quarrel, and eventually Karan and Suman return to their village, deeply humiliated and confused at the turn of events.
Prem refuses to accept the separation, goes to Suman's village and begs to be allowed to marry her. Karan, angered by Kishan's accusations, says that he will allow the marriage on one condition: Prem must prove that he can support his wife by his own effort and live separately. Prem then works as a truck driver and laborer in the nearby quarry. At the end of the month, Prem has earned the required money. On the way to Karan's house, he is ambushed by Jeevan at the head of a group of ruffians who attempt to kill him. He survives, but his wages are ruined in the fight while the ruffians get lost somewhere in the jungle, unable to find their way back.
Karan harshly dismisses Prem's effort and cannot believe Prem's story about the ruffians' attack, but Prem begs for another chance to prove himself. This stoic determination melts Karan's heart and he agrees to allow his daughter Suman marry Prem. Both are overjoyed, start making merry and prepare for the wedding.
Meanwhile, Ranjeet goes to Kishan (Prem's father) and tells him that Karan has killed his son. Unable to believe this, Kishan goes himself to the village to verify and arrives at Karan's village, surprised to find Prem alive, well, happy and rejoicing.
When Prem confronts Jeevan, Ranjeet and his supporters bash up both Kishan and Karan, while Jeevan (now free) abducts Suman. In the end, Prem, Karan, and Kishan join hands to defeat a common enemy – Ranjeet, his son Jeevan and Ranjeet's supporters, and then they save Suman. The estrangement and misunderstanding between Karan and Kishan come to an end - Prem and Suman marry and live happily ever after.
- Salman Khan as Prem Choudhary
- Bhagyashree Patwardhan as Suman
- Alok Nath as Karan
- Rajeev Verma as Kishan Kumar Choudhary
- Reema Lagoo as Kaushalya Choudhary
- Laxmikant Berde as Manohar
- Ajit Vachani as Ranjeet
- Pervin Dastur as Seema
- Mohnish Bahl as Jeevan
- Dilip Joshi as Ramu
- Raju Shrivastava as Driver
- "Handsome" the Pigeon as Kabootar
- Harish Patel as Rahim Chacha
- Huma Khan as Gulabiya
Prior to the film's production, Rajshri Productions was struggling financially, and was on the verge of closing down. Director/writer Sooraj Barjatya's father Rajkumar Barjatya suggested the story of Maine Pyar Kiya. Barjatya devoted ten months to write Maine Pyar Kiya screenplay. He took six months to write the first half and four months to write the second half.
The casting of the lead actor became complex. Barjatya tested Shabina Dutt for the lead actress role. Dutt failed the screen test and Barjatya asked her if she could suggest any actor for the lead. She suggested Salman Khan, with whom she had done an ad film. Salman Khan was not really interested because of the soft nature of the film. Barjatya eventually convinced him to do it, and Khan has since then expressed his gratitude to Barjatya for making him a star. Barjatya then cast Bhagyashree to star opposite Salman Khan. Barjatya picked Perveen from English stage to play the negative role.
The first sequence filmed was of the office scene where Rajiv Verma tells Salman that he has to go. Barjatya had huge sets in film city, Mumbai where filming took place continuously over 5–6 months. Outdoor session of the film was done in Ooty. Additional production credits include: Jay Borade – dance choreographer, Art – Bijon Das Gupta, Action – Shamim Azim and Editor – Mukhtar Ahmed.
The film had a production budget of ₹2 crore (equivalent to ₹16 crore or US$2.3 million in 2018). Salman Khan was paid ₹31,000 (equivalent to ₹250,000 or US$3,600 in 2018) for the film. In addition to the production budget, another ₹10 lakh (equivalent to ₹80 lakh or US$120,000 in 2018) was spent on the soundtrack's radio publicity.
Maine Pyar Kiya premiered on 29 December 1989 across India. The film initially saw a very limited release, with only 29 prints, before later going on to add a thousand more as the film picked up. Footfalls of this film is more than dilwale dulhania le jayenge.
Maine Pyar Kiya was dubbed in English as When Love Calls. A 125-minute version was the biggest hit in the Caribbean market at Guyana and also dominated the box-office collections at Trinidad and Tobago. The Telugu version Prema Paavuraalu ran for 25 weeks at Visakhapatnam and had 100 plus day run at six centres in Andhra Pradesh. It was dubbed in Tamil language as Kaadhal Oru Kavithai and in Malayalam as Ina Praavukal. Maine Pyar Kiya had also been dubbed in Spanish as Te Amo. The film also proved its universal appeal with a glorious 10-week premiere run at Lima.
The film was the biggest grosser of 1989 and one of India's highest-grossing films. Made on a budget of around ₹2 crore, it went on to earn a profit of over ₹20 crore by 1990, saving Rajshri from closing down.
Maine Pyar Kiya grossed ₹28 crore ($17 million), equivalent to ₹500 crore ($77 million) adjusted for inflation in 2017.[b] It became the highest-grossing Indian film of the 1980s. In terms of footfalls, the film is estimated to have sold at least 30 million tickets in India.
Box Office India described it as an "all time blockbuster". The film's success drew comparisons to Sholay, with Manmohan Desai even calling Maine Pyar Kiya "the biggest hit since Alam Ara" (1931). Maine Pyar Kiya was immensely popular, becoming one of the highest-earning films made up to that point and is considered to be a film of global significance and a trendsetter and one of the most successful film of Indian cinema.
The soundtrack album and musical score were composed by Raamlaxman, while the lyrics were written by Dev Kohli and Asad Bhopali. It was produced under the Sa Re Ga Ma label and featured eminent singers such as Lata Mangeshkar, S. P. Balasubrahmanyam and Sharda Sinha. The soundtrack consists of 11 songs including the "Antakshri" (excerpts from different Bollywood songs), that was used when the characters play a game. The soundtrack was very successful upon release, becoming the best-selling Bollywood soundtrack of the decade. The film's soundtrack album sold over 10 million units. It was listed by Planet Bollywood as number 5 on their list of 100 Greatest Bollywood Soundtracks.
Priyankee Saikia of MensXP.com described several songs as "heavily influenced by western hits", noting that "Aate Jaate Hanste Gaate" was derivative of Stevie Wonder's "I Just Called to Say I Love You" and "Aaya Mausam Dosti Ka" featured parts similar to "Tarzan Boy" by Baltimora, specifically the latter's millennial whoop. The song "Mere Rang Mein Rangne Wali" is based on "The Final Countdown" by the Swedish band Europe and Theme from Love Story.
|Maine Pyar Kiya track listing|
|1.||"Aate Jaate Hanste Gaate"||Dev Kohli||S. P. Balasubrahmanyam, Lata Mangeshkar||03:29|
|2.||"Kabootar Ja Ja Ja"||Dev Kohli||S. P. Balasubrahmanyam, Lata Mangeshkar, Chorus||08:24|
|3.||"Aaja Shaam Hone Aayee"||Dev Kohli||S. P. Balasubrahmanyam, Lata Mangeshkar||05:14|
|4.||"Antakshari"||(excerpts from different Bollywood songs)||Lata Mangeshkar, S. P. Balasubrahmanyam, Usha Mangeshkar, Shailendra Singh, Chorus||09:08|
|5.||"Dil Deewana (Female)"||Asad Bhopali||Lata Mangeshkar, Chorus||05:55|
|6.||"Mere Rang Mein Rangne Waali"||Dev Kohli||S. P. Balasubrahmanyam||06:46|
|7.||"Dil Deewana (Male)"||Asad Bhopali||S. P. Balasubrahmanyam||05:22|
|8.||"Maine Pyar Kiya"||Dev Kohli||S. P. Balasubrahmanyam, Lata Mangeshkar, Chorus||06:55|
|9.||"Kahe Toh Se Sajna"||Dev Kohli||Sharda Sinha||05:28|
|10.||"Dil Deewaana (Duet)"||Asad Bhopali||S. P. Balasubrahmanyam, Lata Mangeshkar||01:03|
|11.||"Aaya Mausam Dosti Ka"||Asad Bhopali||S.P. Balasubrahmanyam, Lata Mangeshkar, Usha Mangeshkar, Shailendra Singh||06:47|
Telugu soundtrack (dubbed)
The film was dubbed into Telugu with the title Prema Paavuraalu which ran successfully. The soundtrack was also released in Telugu, which received positive reviews. The track list featured eminent singers of Telugu Film Industry like S. P. Balasubrahmanyam, K. S. Chitra and Mano. The music was composed by Raamlaxman. The Track list featured 09 songs from the original and 2 songs were cut off. All the lyrics were penned by Rajashri.
|Prema Paavuraalu track listing|
|1.||"Naalo Nenu Rayee Pagalu"||Rajashri||S. P. Balasubrahmanyam, K.S.Chitra||03:29|
|2.||"Pavurama He He"||Rajashri||S. P. Balasubrahmanyam, K.S.Chitra, Chorus||08:24|
|3.||"Saayam Sandhya Veela"||Rajashri||S. P. Balasubrahmanyam, K.S.Chitra||04:42|
|4.||"Premincha Premincha"||Rajashri||S. P. Balasubrahmanyam, K.S.Chitra||06:00|
|5.||"Nee Jataleka (Female)"||Rajashri||K.S.Chitra||05:30|
|6.||"Mallika Rangavalliva"||Rajashri||S. P. Balasubrahmanyam||06:41|
|7.||"Nee Jataleka (Duet)"||Rajashri||S. P. Balasubrahmanyam, K.S.Chitra||04:55|
|8.||"Sneha Bandham"||Rajashri||S. P. Balasubrahmanyam, K.S.Chitra, Mano||06:55|
|9.||"Nuvve Naaku Lokam"||Rajashri||S. P. Balasubrahmanyam, K.S.Chitra||06:47|
Tamil soundtrack (dubbed)
The film was dubbed into Tamil with the title Kadhal Oru Kavithai, which ran successfully. The soundtrack was also released in Tamil. The track list featured eminent singers of Tamil Film Industry like S. P. Balasubrahmanyam, K. S. Chitra and Mano. The music was composed by Raamlaxman. The Track list featured 9 songs from the original and 2 songs were cut off. All the lyrics were penned by Vaali.
|Kadhal Oru Kavithai track listing|
|1.||"Kaalam Thorum Kadhal Seiga"||Vaali||S. P. Balasubrahmanyam, K. S. Chitra||03:29|
|2.||"En Thoothu Sel Sel"||Vaali||S. P. Balasubrahmanyam, K. S. Chitra, Chorus||08:24|
|3.||"Kanne Kaaman"||Vaali||S. P. Balasubrahmanyam, K. S. Chitra||04:42|
|4.||"Ezhunthada Naaththu"||Vaali||S. P. Balasubrahmanyam, K. S. Chitra||05:56|
|5.||"Kaadal Piththu Pidithathu"||Vaali||S. P. Balasubrahmanyam, K. S. Chitra||04:55|
|6.||"Manjal Thangame"||Vaali||S. P. Balasubrahmanyam, K. S. Chitra||06:45|
|7.||"Poonkili Neeyo"||Vaali||S. P. Balasubrahmanyam, K. S. Chitra||06:41|
Awards and nominations
|35th Filmfare Awards||Best Film||Rajshri Productions||Won|
|Best Music Director||Raamlaxman||Won|
|Best Lyricist||Asad Bhopali for "Dil Deewana"||Won|
|Best Male Playback Singer||S. P. Balasubrahmanyam for "Dil Deewana"||Won|
|Best Male Debut||Salman Khan||Won|
|Best Female Debut||Bhagyashree||Won|
|Best Director||Sooraj R. Barjatya||Nominated|
|Best Actor||Salman Khan||Nominated|
|Best Supporting Actress||Reema Lagoo||Nominated|
|Best Performance in a Comic Role||Laxmikant Berde||Nominated|
|Best Lyricist||Dev Kholi for "Aate Jaate Hanste Gaate"||Nominated|
- "Maine Pyar Kiya". Bollywood Life. Retrieved 15 November 2017.
- "Maine Pyar Kiya (1989)". British Board of Film Classification. Retrieved 26 August 2014.
- Bamzai, Kaveree (7 July 2003). "Sooraj Barjatya: Bollywood's most profitable filmmaker steps out of the comfort zone". India Today. India Today Group. Retrieved 24 August 2014.
- "Box Office 1989". Box Office India. 15 January 2013. Archived from the original on 15 January 2013.CS1 maint: BOT: original-url status unknown (link)
- "Sooraj Bhajatya's superhit film Maine Pyar Kiya saves Rajshri Productions". India Today. 15 May 1990. Retrieved 6 October 2013.
- "Top Earners 1980–1989". Box Office India. Archived from the original on 3 May 2012. Retrieved 24 August 2014.CS1 maint: BOT: original-url status unknown (link)
- Tejaswini Ganti (5 March 2013). Bollywood: A Guidebook to Popular Hindi Cinema. Routledge. p. 227. ISBN 978-1-136-84929-9.
- "Audio tape producers ride crest of Bollywoods music boom, composers become stars". India Today. 30 November 1993.
- Cite error: The named reference
music80swas invoked but never defined (see the help page).
- "'Maine Pyaar Kiya': 22 years and counting". CNN-IBN. CNN. Network18. 16 May 2011. Retrieved 19 August 2014.
- "Salman Khan and Sooraj Barjatya in a conversation". YouTube. Retrieved 25 August 2014.
- "Salman Khan & Sooraj Barjatya interview". YouTube. Retrieved 25 August 2014.
- "Cast & Crew". Bollywood Hungama. Retrieved 19 August 2014.
- "Salman reveals the meagre amount he received as first salary for dancing at hotel". Deccan Chronicle. 28 September 2017.
- "Barjatya explores a brave new world". Hindustan Times. 23 December 2010. Archived from the original on 21 September 2014. Retrieved 25 August 2014.
- "When Love Calls". YouTube. Retrieved 24 August 2014.
- "About Salman Khan". MTV India. Retrieved 24 August 2014.
- "Top films of Bollywood". India Today. India Today Group. Retrieved 24 August 2014.
- "Birthday Special: The Rise AND Rise Of Salman Khan". Sukanya Verma. Rediff. Retrieved 27 December 2012.
- Jain, Madhu (15 May 1990). "Hindi cinema makes an emphatic return to romance". India Today. Archived from the original on 6 February 2019. Retrieved 6 February 2019.
- "Official exchange rate (LCU per US$, period average)". World Bank. Retrieved 5 February 2019.
- "Darr". Box Office India. Retrieved 5 February 2019.
- "Dhadak Grows Well On Second Saturday". Box Office India. 29 July 2018. Retrieved 3 February 2019.
- "Music Hits 1980–1989". Box Office India. Archived from the original on 15 February 2008. Retrieved 25 August 2014.
- "100 Greatest Bollywood Soundtracks Ever". Planet Bollywood. Retrieved 28 August 2014.
- "10 Bollywood Movies With Blockbuster Soundtracks". MensXP.com. Archived from the original on 7 March 2015. Retrieved 2 February 2017.
- Metzger, Patrick (20 August 2016). "The Millennial Whoop: A glorious obsession with the melodic alternation between the fifth and the third". The Patterning. Retrieved 19 September 2016.
- Gregory D. Booth, Bradley Shope (2014). More Than Bollywood: Studies in Indian Popular Music. Oxford University Press. pp. 106–108.