Malèna

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Malèna
Malena 101.jpg
US theatrical release poster
Directed byGiuseppe Tornatore
Produced by
Screenplay byGiuseppe Tornatore
Story byLuciano Vincenzoni
Starring
Music byEnnio Morricone
CinematographyLajos Koltai
Edited byMassimo Quaglia
Production
company
  • Medusa Film
  • Miramax
  • Pacific Pictures
  • Tele+
Distributed by
  • Medusa Distribuzione (Italy)
  • Miramax (United States)
Release date
  • 27 October 2000 (2000-10-27) (Italy)
  • 2 February 2001 (2001-02-02) (United States)
Running time
  • 109 minutes
  • 92 minutes (United States cut)
Country
  • Italy
  • United States
LanguageItalian
Box office$14.4 million[1]

Malèna is a 2000 romantic drama film starring Monica Bellucci and Giuseppe Sulfaro. It was directed and written by Giuseppe Tornatore from a story by Luciano Vincenzoni.[2] It won the Grand Prix at the 2001 Cabourg Film Festival.[3]

Plot[edit]

In 1940 in a little Sicilian town on the day 12-year-old Renato experiences three major events: Italy enters World War II; he gets a new bike; and he first sees the beautiful young woman known as Malèna. Her husband is in the forces in Africa, fighting the British, and she lives alone. Because of her looks and her solitary state, she is an object of lust for all the town's men and of hatred for its women. She keeps an eye on her infirm old father who lives alone, until he gets an anonymous note slandering her, upon which he rejects her.

Renato becomes obsessed with Malèna, spying on her in her house and stalking her when she leaves it. To fuel his erotic fantasies, he steals some of her underwear from her clothes line. When his parents find it in his bedroom, they go wild and try to break his fixation.

Malèna gets the news that her husband is killed, adding grief to her isolation. Rumours grow around her, which she unwisely helps by allowing an unmarried air force officer to visit her after dark. When she is denounced and put on trial, the officer sends testimony that he was nothing more than an occasional friend. The betrayal hurts, but Malèna says nothing to condemn him. After her acquittal, her advocate calls round and rapes her.

Renato decides to be Malèna's protector, asking God and his saints to watch over her and performing little acts of vengeance against her detractors. He does not realise that his views of her are little better than those of the townspeople, and has no idea how Malèna herself feels.

Meanwhile, the war reaches Sicily and the town is bombed by the Allies, killing her father. Now penniless and universally scorned, with nobody willing to give her work, she sinks into prostitution. The townsfolk are happy to see her as a whore rather than a dangerous widow. When Nazi forces occupy the town and Renato encounters his idol with two German soldiers, he faints. His mother decides it is demonic possession, taking him to a priest for exorcism, but his more practical father takes the lad to the town brothel. There he fantasises that the prostitute initiating him is Malèna.

The Germans leave, and to ecstatic cheers American troops enter the town. The women storm the hotel and drag out Malèna, ripping off her clothes, beating her and cutting off her hair. To escape further persecution, she leaves the hostile town. A few days later, her husband Nino, who has survived as a prisoner of war but lost an arm, comes back looking for her. His house has been taken over by displaced people and nobody want to tell him how to find his wife. Renato leaves him an anonymous note saying that she still loves him but has suffered misfortunes and gone to the city of Messina.

A year later, Nino and Malèna are strolling through the town. Women notice she now looks more matronly and plain, even if she's still beautuful isn't no longer a threat. So people begin speaking of her with more respect: when she goes to the market, the women who beat her say good morning and call her madam. Walking home, some fruit falls from her bag and Renato rushes to pick it up. He wishes her good luck and she gives him an enigmatic half-smile, the only time either has ever spoken to or looked openly at the other.

The aged Renato reflects that he has known and loved many women and has forgotten all of them. The only one he can never forget is Malèna.

Cast[edit]

  • Monica Bellucci as Maddalena Scordia, known as Malèna
  • Giuseppe Sulfaro as Renato Amoroso
  • Luciano Federico as Renato's father
  • Matilde Piana as Renato's mother
  • Pietro Notarianni as Bonsignore, the teacher
  • Gaetano Aronica as Nino Scordia
  • Gilberto Idonea as Centorbi, the advocate
  • Angelo Pellegrino as the Fascist party boss

Critical reception[edit]

The film has a 54% rating on Rotten Tomatoes, based on reviews by 78 critics, with an average of 5.6/10. The website's critics consensus reads, "Malena ends up objectifying the character of the movie's title. Also, the young boy's emotional investment with Malena is never convincing, as she doesn't feel like a three-dimensional person."[4] On Metacritic, which uses a weighted score, the film is rated 54/100.[5]

When first released, Variety wrote: "Considerably scaled down in scope and size from his English-language existential epic, The Legend of 1900, Giuseppe Tornatore's Malena is a beautifully crafted but slight period drama that chronicles a 13-year-old boy's obsession with a small-town siren in World War II Sicily. Combining a coming-of-age story with the sad odyssey of a woman punished for her beauty, the film ultimately has too little depth, subtlety, thematic consequence or contemporary relevance to make it a strong contender for arthouse crossover. But its erotic elements and nostalgic evocation of the same vanished Italy that made international hits of Cinema Paradiso and Il Postino could supply commercial leverage."[6]

Film critic Roger Ebert compared the film to Federico Fellini's work, writing: "Fellini's films often involve adolescents inflamed by women who embody their carnal desires (e.g. Amarcord and ). But Fellini sees the humor that underlies sexual obsession, except (usually but not always) in the eyes of the participants. Malena is a simpler story, in which a young man grows up transfixed by a woman and essentially marries himself to the idea of her. It doesn't help that the movie's action grows steadily gloomier, leading to a public humiliation that seems wildly out of scale with what has gone before and to an ending that is intended to move us much more deeply, alas, than it can."[7]

Music[edit]

The soundtrack was nominated for the Academy Award for Best Original Score and the Golden Globe Award for Best Original Score.

Awards[edit]

Italian film poster
Award Category Recipient Result
Academy Awards Best Cinematography Lajos Koltai Nominated
Best Original Score Ennio Morricone Nominated
Golden Globe Awards Best Foreign Language Film Nominated
Best Original Score Ennio Morricone Nominated
BAFTA Awards Best Film Not in the English Language Nominated
Italian National Syndicate of Film Journalists Best Score Ennio Morricone Won
Best Editing Massimo Quaglia Nominated
Best Costume Design Maurizio Millenotti Nominated
Best Production Design Francesco Frigeri Nominated
Berlin International Film Festival Golden Bear Giuseppe Tornatore Nominated
David di Donatello Awards Best Cinematography Lajos Koltai Won
Best Music Ennio Morricone Nominated
Best Production Design Francesco Frigeri Nominated
Best Costume Design Maurizio Millenotti Nominated
Cabourg Film Festival Grand Prix Giuseppe Tornatore Won
European Film Awards Best Director Nominated
Best Actress Monica Bellucci Nominated
Las Vegas Film Critics Society Awards Best Foreign Film Nominated
Phoenix Film Critics Society Awards Best Foreign Language Film Nominated
Satellite Awards Best Foreign Language Film Nominated
Best Original Score Ennio Morricone Nominated

References[edit]

  1. ^ Malèna at Box Office Mojo
  2. ^ Malèna on IMDb .
  3. ^ "PALMARÈS 2001" (PDF). festival-cabourg.com. 2001. Archived from the original (PDF) on 2 February 2012. Retrieved 20 February 2015.
  4. ^ "Malena - Rotten Tomatoes". Flixter. Retrieved 4 September 2018.
  5. ^ "Malena (2000)". Metacritic. Retrieved 5 September 2018.
  6. ^ Rooney, David. Variety, 30 October 2000. Retrieved: 1 March 2008.
  7. ^ Roger Ebert. Chicago Sun-Times, film review, 22 December 2000. Retrieved: 1 March 2008.

External links[edit]