Sinha in 2013
1936 (age 81–82)
Calcutta, Bengal Presidency, British India
|Spouse(s)||Chidambar Prasad Lohani|
Mala Sinha (born 1936) is a former Bollywood actress who has worked in Hindi, Bengali and Nepali films. Recognised for her talent and beauty, she went on to become a top leading actress in Hindi Cinema in the 1950s, 1960s and early 1970s. Sinha has starred in over a hundred film productions: popular ones include Pyaasa (1957), Anpadh (1962), Dil Tera Deewana (1962), Gumrah (1963), Bahurani (1963), Gehra Daag, Apne Huye Paraye, Jahan Ara, Himalaya Ki God Mein (1965), Nai Roshni (1967 film), Aankhen (1968), Maryada (1971) and Babu (1985 film).
She was constantly paired in roles opposite Dharmendra, Raaj Kumar, Rajendra Kumar, Biswajit, Kishore Kumar, Manoj Kumar and Rajesh Khanna. She was the highest paid actress from 1958-65 with Vyjanthimala, and second with Vyjanthimala from 1966–67, and then shared the second spot with Sharmila Tagore from 1968-1971, and third position with Sadhana and Nanda in 1972-73.
Mala Sinha was born into a family of Nepali origin. Her father's name was Albert Sinha and was a Nepali Christian. (Since she was born and brought up in Calcutta and Sinha is also a Bengali surname, it is wrongly assumed[by whom?] that her father is Bengali and mother is of Nepali origin.) Mala's initial name was Alda and her friends at school in Calcutta (now Kolkata) used to tease her by calling her Dalda (a brand of vegetable oil), so she changed her name to Baby Nazma on getting her first assignment as a child artiste. Later on, as an adult actor, she changed her name to Mala Sinha. A a child she learnt dancing and singing. Although she was an approved singer of All India Radio, she has never done playback singing in films. But as a singer she has done stage shows in many languages from 1947 to 1975.
Sinha started her career as child artist in Bengali films; Jai Vaishno Devi followed by Shri Krishan Leela, Jog Biyog and Dhooli. Noted Bengali director Ardhendu Bose saw her acting in a school play and took permission from her father to cast her as a heroine in his Bengali film Roshanara (1952), her cinematic debut.
After acting in a couple of films in Calcutta, Sinha went to Bombay for a Bengali film. There she met Geeta Bali, a noted Bollywood actress, who was charmed by her and introduced her to director Kidar Sharma. Sharma cast her as a heroine in his Rangeen Ratein. Her first Hindi film was Badshah opposite Pradeep Kumar, then came Ekadashi, a mythological film. Both films did not do well, but her lead role in Kishore Sahu's Hamlet, paired opposite Pradeep Kumar, fetched her rave reviews in spite of it failing at the box office. Films such as Lai Batti (actor Balraj Sahni’s only directorial venture), Nausherwan-E-Adil where she starred as the fair maiden Marcia in Sohrab Modi’s romance about forbidden love and Phir Subah Hogi, which was director Ramesh Saigal’s adaptation of Dosteovsky’s Crime and Punishment established Mala Sinha's reputation as a versatile actress who took the maximum career risks by accepting unconventional roles.
She used to sing for All India Radio; she was not allowed to sing playback (even for herself) in the movies with the lone exception being 1972's Lalkar. In the 1950s, she had string of hits opposite Pradeep Kumar such as Fashion (1957), Detective (1958) and Duniya Na Mane (1959). The films she did with Pradeep Kumar were men-oriented. In 1957, noted Bollywood actor and director Guru Dutt (the husband of Geeta Dutt) cast Mala in his film Pyaasa (1957) in a role originally intended for Madhubala. Sinha performed in the relatively unsympathetic part of an ambitious woman who chooses to marry a rich man (played by actor Rehman) and have a loveless marriage, rather than a poor, unsuccessful poet; her impoverished lover (played by Guru Dutt) whom she ditches. Pyaasa remains to this day a classic in the history of Indian cinema and a turning point for Sinha.
After Pyaasa, her major successes were Phir Subah Hogi (1958) and Yash Chopra's directorial debut Dhool Ka Phool, (1959) that elevated her into a major dramatic star. She was part of many successful movies from 1958 to the early '60s such as Parvarish (1958), Ujala, Main Nashe Main Hoon, Duniya Na Mane, Love Marriage (1959), Bewaqoof (1960), Maya (1961), Hariyali Aur Rasta, Dil Tera Deewana (1962), Anpadh and Bombay Ka Chor (1962).
She consistently did lead roles in Bengali films throughout 1950's to 1970's. Her performance in films like Lookochoori (1958) opposite Kishore Kumar and Kelaghar (1959),Saathihaara and Shohorer Itikotha.
Critics[who?] believe her career's best performances were in Bahurani (1963), Gumrah, Gehra Daag, Apne Huye Paraye, Nayi Roshni and Jahan Ara. Apart from pairing with Pradeep Kumar, her pairings opposite Raaj Kumar, Rajendra Kumar, Biswajit and Manoj Kumar in woman-oriented films were appreciated by audiences, with her work opposite Biswajit being the most popular. With Raaj Kumar, she gave box office hits like Phool Bane Angaare, Maryada and Karmayogi and opposite Manoj Kumar, gave commercial successes like Hariyali Aur Rasta, Apne Huye Paraye and Himalaya Ki God Mein. The hits with Rajendra Kumar were Devar Bhabhi, Dhool Ka Phool, Patang, Geet and Lalkar.
With Biswajit her popular movies include Aasra, Night in London, Do Kaliyaan, Tamanna, Nai Roshni and critically acclaimed films Pyar Ka Sapna, Paisa Ya Pyaar, Jaal and Phir Kab Milogi. She did ten films with Biswajit. In 2007, they won the Star Screen Lifetime Achievement Award, calling them on stage together giving due respect to their popularity as a pair who have tasted box office success.
In her successful 1960s and 1970s roles she was cast opposite her seniors like Raj Kapoor, Dev Anand, Kishore Kumar and Pradeep Kumar, and the emerging stars from late 1950s like Shammi Kapoor, Rajendra Kumar and Raaj Kumar. She worked with many newcomers of her era including Manoj Kumar, Dharmendra, Rajesh Khanna, Sunil Dutt, Sanjay Khan, Jeetendra and Amitabh Bachchan.Her character's power was as much as the heroes and most of the time her roles were more powerful than the hero. In most of her films from the 1960s, she got first billing in the credits, even before the heroes, with the exceptions being those with Guru Dutt, Raj Kapoor, Dev Anand, Pradeep Kumar and Kishore Kumar. Her career's most commercially success film was Maryada, opposite Rajesh Khanna released in 1971.
In 1966, Sinha went to Nepal to act in a Nepali film called Maitighar when the Nepali film industry was still in its infancy. This was the only Nepali film she did in her career. The hero was an estate owner called Chidambar Prasad Lohani.
Soon after, she married C. P. Lohani with the blessings of her parents. From the beginning theirs was a long-distance marriage with Lohani based in Kathmandu to look after his business and Sinha living in Bombay with their daughter Pratibha. She continued acting after her marriage.
She has been a heroine in many Bengali films. In Bengali films she has acted with Uttam Kumar and Kishore Kumar. Her last Bengali work as a female lead was Kabita (1977) which featured Ranjit Mullick and Kamal Hassan; it was a super-hit at the box office. She is noted for her strong women-oriented roles in films such as Dhool Ka Phool, Suhag Sindoor,Anpadh, Phir Subah Hogi, Hariyali Aur Rasta, Bahurani, Aasra, Do Kaliyaan, Gumrah, Aankhen, Baharen Phir Bhi Aayengi, Himalaya Ki God Mein, Do Kaliyaan, Holi Aayi Re, Nai Roshni, Mere Huzoor, Kangan, Archana, Maryada amongst others.
"Meena-ji turned down the role saying that she would not look the part whereas I would. Given my ignorance of Urdu, I was rather sceptical, but Meena-ji was convinced that I could do justice to the role. Playing Mumtaz Mahal's eldest daughter entailed gruelling Urdu classes and learning royal tehzeeb. It was hot on the grand sets erected at Ranjit Studio and the film had Madan Mohan's haunting music. It was a film replete with lyrical moments."
From 1974, she cut down on her assignments as the lead actress in Hindi films. She accepted strong character roles in films like 36 Ghante (1974), Zindagi (1976), Karmayogi (1978), Be-Reham (1980), Harjaee (1981), Yeh Rishta Na Tootay, Babu (film) and Khel, which were popular.
In the early 1990s Madhuri Dixit was promoted as the "new Mala Sinha" in magazines. But, after 1994, she completely withdrew from the industry and has given very few public appearances. In Dhool Ka Phool and B.R. Chopra's Gumrah, she played the first unwed mother and adulterous wife respectively in Hindi cinema. As she grew older, she gracefully moved on to doing character roles that befitted her age. She was last seen in Zid (1994). Though Mala evinced as much interest in her daughter Pratibha's career as her father did in her career, she was unable to achieve the same success for her daughter.
Mala Sinha was born to Madhesi parents after they immigrated to West Bengal, India from the Madhesh plains. Sinha married Nepali actor Chidambar Prasad Lohani of Kumain Brahmin ethnicity in 1966. The couple met when they worked together in the Nepali film Maitighar (1966). Lohani had an estate agency business. After her marriage, she used to come and stay in Mumbai to shoot films while her husband stayed in Nepal running his business. She has one daughter from the marriage: Pratibha Sinha, who is a former Bollywood actress. From the late 1990s, the couple and their daughter have been residing in a bungalow in Bandra, Mumbai. Her mother lived in her house till her death in April 2017. Her daughter takes care of stray dogs and cats at Sinha's home.
- BFJA Award for Best Actress (1965) — Jahan Ara
- BFJA Award for Best Actress (1966) — Himalaya Ki God Mein
- Sikkim Samman Award by Government of Sikkim (2004)
- Felicitation by Government of Nepal (2005)
- Star Screen Lifetime Achievement Award (2007)
- Kelvinator GR8! Women Awards: Lifetime Achievement Award (2013)
- Dadasaheb Phalke Academy Awards: Phalke Icon Cine Artiste Award (2013)
- Filmfare Lifetime Achievement Award (2018)
- Filmfare Award for Best Actress — Dhool Ka Phool (1960)
- Filmfare Award for Best Actress — Bahurani (1964)
- Filmfare Award for Best Actress — Jahan Ara (1965)
- Filmfare Award for Best Actress — Himalaya Ki God Mein (1966)
|Radha Ka Sangam||1992||Thakurain||Govinda|
|Khel||1992||Sulakshna Devi||Anil Kapoor|
|Dil Tujhko Diya||1987||Savitri||Kumar Gaurav|
|Babu (film)||1985||Pinky's mother||Navin Nishchal|
|Yeh Rishta Na Toote||1985||Madhu||Rajendra Kumar|
|Nek Parveen||1982||Rakesh Pandey/Satish Kaul|
|Harjai||1981||Sharda Nath||Shammi Kapoor|
|Dhan Daulat||1980||Vasudha||Rajendra Kumar|
|Prayashchit||1977||Ajay Sahni (Parikshit Sahni)|
|Do Ladkiyan||1976||Sanjeev Kumar|
|Mazdoor Zindabaad||1976||Sita Singh||Rajendra Kumar|
|Sunehra Sansar||1975||Laxmi||Rajendra Kumar|
|Kora Badan||1974||(Guest Appearance)|
|36 Ghante||1974||Deepa Roy||Raaj Kumar|
|Phir Kab Milogi||1974||Sapna Seth/ Paro||Biswajeet|
|Kahani Hum Sab Ki||1973||Sandhya||Vinod Mehra|
|Lalkaar||1972||Usha Choudhury||Rajendra Kumar|
|Sanjog||1972||Asha Devi||Amitabh Bachchan|
|Maryada||1971||Lakshmi/ Lalita||Rajkumar/Rajesh Khanna|
|Holi Ayee Re||1970||Suhagi/ Hemlata||Prakash Thapa|
|Paisa Ya Pyaar||1969||Shanti||Biswajeet|
|Pyar Ka Sapna||1969||Sudha/ Sushma||Biswajeet|
|Humsaya||1968||Sin Tan||Joy Mukherjee|
|Night in London||1967||Renu Sinha/ Princess Vijay Nagar||Biswajeet|
|Jab Yaad Kisi Ki Aati Hai||1967||Dharmendra|
|Mere Lal||1966||Dev Kumar|
|Baharen Phir Bhi Aayengi||1966||Amita Sinha||Dharmendra/Rehman|
|Himalaya Ki God Mein||1965||Phulwa||Manoj Kumar||Nominated: Filmfare Best Actress Award|
|Bahu Beti||1965||Shanta||Joy Mukherjee|
|Main Suhagan Hoon||1964||Shanti||Ajit Khan|
|Jahan Ara||1964||Jahan Ara||Bharat Bhushan||Nominated: Filmfare Best Actress Award|
|Apne Huye Paraye||1964||Rekha||Manoj Kumar|
|Suhagan||1964||Sharda Dubey||Guru Dutt|
|Pooja Ke Phool||1964||Shanti Rai||Dharmendra|
|Phool Bane Angaarey||1963||Usha||Raajkumar|
|Gumraah||1963||Meena||Sunil Dutt/ Ashok Kumar|
|Bahu Rani||1963||Padma||Guru Dutt||Nominated: Filmfare Best Actress Award|
|Gehra Daag||1963||Shobha||Rajendra Kumar|
|Hariyali Aur Rasta||1962||Shibhna/ Kamla||Manoj Kumar|
|Bombay Ka Chor||1962||Kishore Kumar|
|Aankh Micholi||1962||Mala/ Nayantara||Shekhar|
|Gyarah Hazaar Ladkiyan||1962||Asha||Bharat Bhushan|
|Dil Tera Diwana||1962||Meena||Shammi Kapoor|
|Suhag Sindoor||1961||Ratna/ Chanda||Manoj Kumar|
|Main Nashe Mein Hoon||1960||Shanta||Raj Kapoor|
|Mitti Mein Sona||1960||Pradeep Kumar|
|Dhool Ka Phool||1959||Meena Khosla||Ashok Kumar / Rajendra Kumar||Nominated: Filmfare Best Actress Award|
|Love Marriage||1959||Geeta||Dev Anand|
|Duniya Na Mane||1959||Geeta||Pradeep Kumar|
|Devar Bhabhi||1958||Rajendra Kumar|
|Parvarish||1958||Asha H.Singh||Raj Kapoor|
|Phir Subah Hogi||1958||Sohni||Raj Kapoor|
|Detective||1958||Mashin Loonpe||Pradeep Kumar|
|Ek Gaon Ki Kahani||1957||Jaya||Abhi Bhattacharya/Talat Mehmood|
|Apradhi Kaun||1957||Shobha||Abhi Bhattacharya|
|Laal Batti||1957||Balraj Sahni|
|Naya Zamana||1957||Pradeep Kumar|
|Rangin Raaten||1956||Mala||Shammi Kapoor|
|Ek Shola||1956||Pradeep Kumar|
|Paisa Hi Paisa||1956||Mala||Kishore Kumar|
|Jhanshi Ki Rani||1956||Sohrab Modi|
|Hamlet||1954||Ophelia||Pradeep Kumar/Kishore Sahu|
- Kabita (1977)
- Shohorer Itikotha (Uttam Kumar )
- Saathihaara (Uttam Kumar)
- Abhaya O Srikanta (1961)
- Kelaghar (1959) (Uttam Kumar)
- Lookochoori (1958)(Kishore Kumar)
- Louha Kapat (1958)
- Surer Parashay (1957)
- Prithibi Amare Chaay (1957)
- Putrabadhu (1956)
- Dhuli (1954)
- Chitrangadha (1954)
- Jog Biyog (1953)
- Roshanara (1952)
- Maitighar (1966)
- Ashish Rajadhyaksha, Paul Willemen, ed. (1999). Encyclopedia of Indian Cinema. Routledge. p. 217. ISBN 9781579581466.
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