Man Enters the Cosmos
|Man Enters the Cosmos|
The sculpture as seen with Lake Michigan in the background
|Dimensions||396 cm (156 in)|
|Location||Adler Planetarium (outdoor), Chicago, Illinois|
Man Enters the Cosmos is a cast bronze sculpture by Henry Moore located on the Lake Michigan lakefront outside the Adler Planetarium in the Museum Campus area of downtown Chicago in Cook County, Illinois, United States. The planetarium, which is both a National Historic Landmark and listed on the National Register of Historic Places, is located in the Near South Side community area of Chicago. Moore's sculpture is a functional bowstring equatorial sundial created in 1980 measuring approximately 13 feet (4.0 m). The sundial was formerly located slightly further south at the steps of the main entry plaza to the Planetarium, but it now sits directly on the lakefront. The work is a later copy of a composition first created in the 1960s for the offices of The Times newspaper at Printing House Square in London, and according to the Henry Moore Foundation is titled Sundial 1965–66.
The sundial has two plaques on its base. The one on the left is a commemorative one discussing the benefactor and purpose of the sculpture. The benefactor of the sculpture was the B.F. Ferguson Monument fund, which has commissioned several works of art throughout Chicago. Many of the Ferguson fund's commissioned works, such as the Fountain of the Great Lakes, are housed in and on the grounds of the Art Institute of Chicago or elsewhere in Grant Park. The purpose of the commission was to recognize the space exploration program. The plaque on the right is an equation of time table to correct for the time differences caused by the axial tilt of the Earth as well as its orbital eccentricity. As the plaque indicates with an additional correction, the equation of time table does not correct for daylight saving time.
Like most of Moore's work completed after 1954, this was a modeled sculpture instead of a direct carving. The sculpture is composed of two bronze semicircles, one set inside and at right angles to the other and a slim bronze rod that extends from one end of the outer semicircle to the other that serves as the gnomon (indicator). The bowstring equatorial sundial derives its name from the appearance of the shadow-casting gnomon, which resembles a bow string. The shadow of the rod projects onto the inner semicircle, which serves as the dial face (or dial plate), to mark the time of day when there is sufficient sunlight to produce shadows.
Over the course of the year different sections of the rod serve as the style, which is the part of the gnomon that indicates the time by casting its shadow on the dial face. At the summer solstice, when the Sun is highest (farthest above the equatorial plane), the style is closest to the top of the rod, and at the winter solstice, when the Sun is lowest, it is closest to the bottom. At the equinoxes, when the Sun is on the equatorial plane, the style is exactly in the center of the length of the rod. The style of the equatorial sundial is parallel to the Earth's axis of rotation.
This type of sundial is known as an equatorial sundial because the plane of the dial face is parallel to the Earth's equatorial plane. Two primary examples of modified equatorial sundials are bowstring equatorial and armillary dials. Both of these modified equatorial sundials can be read year-round on the same surface, regardless of whether the Sun is above or below the equatorial plane whereas a standard equatorial sundial changes sides with each equinox and is virtually unreadable near the equinoxes when the Sun is located on the equatorial plane.
Between 1997 and 1999, The Adler Planetarium added a sky pavilion to the original 1930 architecture. When it did so, the roads were moved and the sundial was moved to its current location. The move was performed by contractors of the Adler Planetarium in two phases. First, the sculpture was removed and placed in storage to make way for the current roadway. It was later moved to its current position after the new roadway was built and the old roadway was replaced with a walkway. Now, a u-turn in Solidarity Drive runs through the original location of the sundial, and the sundial is located on the walkway that replaced the previous roadway that went around the planetarium. The new location and the u-turn can be seen on a Museum Campus map. This construction was contemporaneous with the $100 million project that reconfigured of traffic around the Museum Campus and caused Lake Shore Drive to be moved during the mid-1990s.
Moore in Chicago
When Moore was alive, he took pride in viewing his sculptures in the open-air environment. He once said he would prefer to see his sculptures in any open landscape than in even the most beautiful buildings he knew. Including this sculpture, Moore has a total of four public sculptures that are listed in the Smithsonian Institution's Research Information System (SIRIS) on display outdoors, in Chicago. All of them are bronze. His Nuclear Energy is situated on the campus of the University of Chicago at the site of the first self-sustaining nuclear reaction, which is listed in the National Register of Historic Places. The site is also listed as a National Historic Landmark, and Chicago Landmark. Other Chicago works include Large Interior Form, which is located in the north garden at the Art Institute of Chicago, and Reclining Figure, which is on loan to the University of Chicago and which is located in the Cochrane-Woods Art Center courtyard. The Henry Moore Foundation lists several other indoor Chicago works at locations such as the Art Institute of Chicago and The Smart Museum.
Notes and references
- City of Chicago Department of Public Affairs (April 2005). "The Chicago Public Art Guide" (PDF). Retrieved September 29, 2007.
- "Art Inventories Catalogue (Man Enters the Cosmos)". Smithsonian Institution. 2004. Retrieved September 29, 2007.
- Meyer, Graham (July 2006). "The Annotated: Adler". Chicago Magazine. Retrieved September 30, 2007.
- McHugh, Rich (2006). South Loop and Near South. The Rough Guide to Chicago. New York: Rough Guides. p. 81. ISBN 978-1-84353-615-4. Retrieved October 22, 2007.
- "Henry Moore Works in Public". Henry Moore Foundation. Retrieved February 26, 2010.
- "Equatorial Sundials". Iowa State University. Retrieved October 19, 2007.
- "Henry Moore". Retrieved November 1, 2007.
- "Equatorial". North American Sundial Society. Archived from the original on July 11, 2007. Retrieved September 30, 2007.
- "Equatorial Sundials". Walter Sanford – Sandburg Center for Sky Awareness. 2007. Retrieved September 30, 2007.
- "Equatorial sundial". The Everything Development Company. April 23, 2002. Retrieved September 30, 2007.
- "Welcome to the Museum Campus" (PDF). Adler Planetarium & Astronomy Museum. 2007. Archived from the original (PDF) on February 27, 2007. Retrieved November 1, 2007.
- Macaluso, Tony, Julia S. Bachrach, and Neal Samors (2009). Sounds of Chicago's Lakefront: A Celebration Of The Grant Park Music Festival. Chicago's Book Press. p. 46. ISBN 978-0-9797892-6-7.
- Russell, John (June 5, 1989). "Review/Art; Moore Sculptures in a Kansas City Garden". The New York Times Company. Retrieved June 7, 2007.
- "Bronze glory amid the trees". Economist.com (from The Economist print edition). The Economist Newspaper Limited. September 20, 2007. Retrieved October 4, 2007.
- "Art Inventories Catalogue (Nuclear Energy)". Smithsonian Institution. 2004. Retrieved September 27, 2007.
- "Art Inventories Catalogue (Large Interior Form)". Smithsonian Institution. 2004. Retrieved September 29, 2007.
- "Art Inventories Catalogue (Reclining Figure)". Smithsonian Institution. 2004. Retrieved September 27, 2007.
- "Sundial 1965–66 (LH 528)". Henry Moore Foundation. Retrieved January 14, 2013.