Man in a Suitcase
|Man in a Suitcase|
|Created by||Dennis Spooner
|Opening theme||Ron Grainer|
|Country of origin||United Kingdom|
|No. of series||1|
|No. of episodes||30 (list of episodes)|
|Running time||49 mins|
|Production company(s)||ITC Entertainment|
|Picture format||35 mm film 4:3|
|Original release||27 September 1967 – 17 April 1968|
Man in a Suitcase is a 1967–1968 British television series produced by Lew Grade's ITC Entertainment. It originally aired in the United Kingdom on ITV from 27 September 1967, to 17 April 1968. ABC broadcast episodes of Man in a Suitcase in the United States from 3 May 1968, to 20 September 1968.
Origins and overview
Man in a Suitcase was effectively a replacement for Danger Man, whose production had been curtailed when its star Patrick McGoohan had decided to create his own series, The Prisoner. Many of the Danger Man production crew moved over to the new series, which was initially to be titled McGill after its lead character. Like several ITC productions, the series would use an American star in an attempt to boost the show's sales in the US. An early choice was Jack Lord, but the part of McGill eventually went to Richard Bradford, a method actor who was spotted after appearing opposite Marlon Brando in the 1966 movie The Chase. The series was created by Richard Harris and Dennis Spooner. Neither writer had any further involvement with the series – Spooner was mostly involved with producing his own series, The Champions – and the lead character changed somewhat from their original conception of a hard-boiled, wise-cracking detective.
McGill was a former US Intelligence agent, who had been forced to resign from the service six years before the opening episode, practically accused of treason. Unable to clear his name or return to the USA, McGill makes ends meet by working as a travelling private detective and bounty hunter based in Britain, living out of his suitcase (hence the title). His cases generally took him to different parts of Europe, and on a couple of occasions to Africa.
A distinctive feature of the show was the theme tune composed by Ron Grainer, a catchy, jazzy number. Chris Evans later used it as the theme for his entertainment show TFI Friday. The incidental music was supplied by Albert Elms.
Story and style
In the pilot episode, 'Man from the Dead', we discover the reason for McGill's disgrace. During an assignment six years previously, he discovered that a top western scientist called LeFarbe was preparing to defect to the USSR. Though he planned to intercept the defector, he was ordered to stand down by his superior Harry Thyssen. Shortly afterwards, LeFarbe went over to the Russians. Accused of complicity in the defection, McGill was unable to call on Thyssen to clear his name, as his superior had been drowned in a sailing accident, and he was forced to resign from the service amid much negative publicity. Six years on, McGill discovers that Thyssen is still alive, his death having been faked. He is now working as a sailor on a Russian freighter, in which capacity he acts as a courier of secret information from LeFarbe. The scientist is in fact a double agent, now highly placed in the soviet scientific community to provide valuable intelligence. As McGill's diligence nearly blew open this important operation, his superiors had no choice but to make him a very public scapegoat, to maintain the illusion of the LeFarbe defection as genuine. On the series first broadcast on ATV Midlands 'Man From The Dead' was screened as the sixth episode, 'Brainwash' thought to be a stronger tale was in fact broadcast first.
Building on this foundation, Man in a Suitcase was a series very much about betrayal, mistrust and deceit. Because of his unofficial, semi-legal status, McGill often found himself being hired by unscrupulous clients and unwittingly used for criminal ends, or set up as a fall guy. On several occasions, characters from his past with US Intelligence drew him into dangerous situations; and he could also be blackmailed or tricked into participating in espionage missions, as he was the perfect deniable operative. A number of the series writers were new to ITC, and this resulted in a show that was markedly different from the usual light-hearted adventure and espionage fantasy of such series. It highlighted character-based drama grounded in a cynical view of the real world, making it more akin to the spy novels of John le Carré and Len Deighton.
As developed by Bradford, the characterisation of McGill was complex. As a man who felt betrayed by life and his country, he could appear outwardly as surly, moody and uncommunicative. But this masked a sensitive interior. McGill felt compassion for those who were the victims in his cases, and would try to help them, often to his own cost.
The level of violence portrayed in the show was unprecedented for an ITC series. This was partly because of Bradford's concerns that the stories and characters should remain real. Unlike most TV action heroes of the time, McGill would not get cleanly knocked unconscious and then recover without effect – Bradford took great pains to depict the character as wounded and concussed. In addition to beatings, McGill is several times shot and stabbed, and ends more than one episode recovering in hospital.
As with the other ITC series of the era, although the plots took McGill far and wide around the world, in reality the majority of filming was done in and around Pinewood Studios. The series was unusual in its use of night-time filming (as opposed to the day for night approach common at the time). Actual locations included London's South Bank and White City Stadium from "Man from the Dead", Albert Bridge from "The Bridge" and Kingston upon Thames from "Day of Execution", the latter a setting for a remarkable (for its time) night-time car chase.
Richard Bradford is the only regular actor in the series. Guest stars include some ITC stalwarts such as Stuart Damon, Jane Merrow, Basil Dignam, Ed Bishop, Anton Rodgers, George Sewell, Philip Madoc and John Gregson; and such actors as Barbara Shelley, Rodney Bewes, Felicity Kendal, Rupert Davies, Colin Blakely, Ray McAnally, Bernard Lee, Jacqueline Pearce and Donald Sutherland.
|Ep #||Prod #||Title||Directed by||Written by||Original airdate|
|1||106||"Brainwash"||Charles Crichton||Francis Megahy and Bernie Cooper||27 September 1967|
|2||115||"The Sitting Pigeon"||Gerry O'Hara||Edmund Ward||4 October 1967|
|3||110||"Day of Execution"||Charles Crichton||Phillip Broadley||11 October 1967|
|4||108||"Variation on a Million Bucks" — Part one||Pat Jackson||Stanley R. Greenberg||18 October 1967|
|5||109||"Variation on a Million Bucks" — Part two||Robert Tronson||Stanley R. Greenberg||25 October 1967|
|6||101||"Man from the Dead"||Pat Jackson||Stanley R. Greenberg||1 November 1967|
|7||103||"Sweet Sue"||Robert Tronson||Phillip Broadley||8 November 1967|
|8||120||"Essay in Evil"||Freddie Francis||Kevin B. Laffan||15 November 1967|
|9||107||"The Girl Who Never Was"||Robert Tronson||Donald Jonson||22 November 1967|
|10||102||"All That Glitters"||Herbert Wise||Stanley R. Greenberg||29 November 1967|
|11||118||"Dead Man's Shoes"||Peter Duffell||Edmund Ward||6 December 1967|
|12||105||"Find the Lady"||Robert Tronson||Phillip Broadley||13 December 1967|
|13||104||"The Bridge"||Pat Jackson||Robert Muller||20 December 1967|
|14||116||"The Man Who Stood Still"||Peter Duffell||Raymond Bowers||27 December 1967|
|15||122||"Burden of Proof"||Peter Duffell||Edmund Ward||3 January 1968|
|16||119||"The Whisper"||Charles Crichton||Morris Farhi||10 January 1968|
|17||121||"Why They Killed Nolan"||Charles Crichton||Donald Jonson||17 January 1968|
|18||113||"The Boston Square"||Don Chaffey||Wilfred Greatorex||24 January 1968|
|19||117||"Somebody Loses, Somebody...Wins?"||John Glen||Jan Read||31 January 1968|
|20||112||"Blind Spot"||Jeremy Summers||Victor Canning||7 February 1968|
|21||125||"No Friend of Mine"||Charles Crichton||John Stanton||14 February 1968|
|22||114||"Jigsaw Man"||Charles Frend||Stanley R. Greenberg and Reed De Rouen||21 February 1968|
|23||111||"Web with Four Spiders"||Robert Tronson||Edmund Ward||28 February 1968|
|24||126||"Which Way Did He Go, McGill?"||Freddie Francis||Francis Megahy and Bernie Cooper||6 March 1968|
|25||124||"Property of a Gentleman"||Peter Duffell||Wilfred Greatorex||13 March 1968|
|26||127||"The Revolutionaries"||Peter Duffell||Jan Read
Story by Kevin B. Laffan
|20 March 1968|
|27||123||"Who's Mad Now?"||Freddie Francis||Roger Parkes||27 March 1968|
|28||128||"Three Blinks of the Eyes"||Charles Crichton||Vincent Tilsley||3 April 1968|
|29||129||"Castle in the Clouds"||Peter Duffell||Jan Read||10 April 1968|
|30||130||"Night Flight to Andorra"||Freddie Francis||Jan Read and Reed De Rouen||17 April 1968|
The two-part story Variation on a Million Bucks was edited into a feature film for theatrical release in Europe, entitled To Chase a Million.
The entire series has been released on DVD in Britain as a digitally re-mastered box set by Network DVD. There are 8 discs (Region 2 UK) Extras consist of commercial bumpers both US and UK a music only track on one or two episodes and an interview with series star Richard Bradford where he sometimes vehemently describes the working conditions and former producers of the show.
Prior to this, Carlton Video had released a single disc with the first two episodes.
The series is also available in Australia from Umbrella Entertainment in a box set.
Acorn Media released both seasons in two 4 disc, Region 1 box sets in 2010.
The Police include a song of the same title on their 1980 album Zenyatta Mondatta.
British "alternative" comedian Ted Chippington's 1986 debut album on Birmingham's Vindaloo record label was also entitled "Man in a Suitcase".
Writer Rodney Marshall and television historian Matthew Lee produced the first critical guide to the series in 2015.
- Man in a Suitcase at the Internet Movie Database
- Full cast list at the Internet Movie Database
- Man in a Suitcase at BFI Screen Online