Sculptor Manuel Neri in his Carrara, Italy studio, 1983, photo by Sally Larsen
|Born||John Manuel Neri
April 12, 1930
|Education||California College of Arts and Crafts (1951–1956),
California School of Fine Arts (1956-1958)
|Known for||Sculpture, also painting and printmaking|
|Movement||Bay Area Figurative Movement|
|Awards||American Academy and Institute of Arts and Letters – Award in Art (1982)
San Francisco Arts Commission – Outstanding Achievement in Sculpture (1985)
San Francisco Art Institute – Honorary Doctorate (1990)
California College of Arts and Crafts – Honorary Doctorate (1992)
Corcoran School of Art – Honorary Doctorate (1995)
International Sculpture Center - Lifetime Achievement in Contemporary Sculpture Award (2006)
Neri was born in Sanger, California, to immigrant parents who fled Mexico during political unrest following the Mexican Revolution. He began attending college at San Francisco City College in 1950, initially studying to be an electrical engineer. After taking a class in ceramics, he was inspired to become an artist. He continued his education at California College of Arts and Crafts and at California School of Fine Arts (now the San Francisco Art Institute). Neri studied under Richard Diebenkorn and Elmer Bischoff, taking up abstract expressionism under their influence, but later turning toward figurative art along with them.
In the late 1950s, he was a member of the artist-run cooperative gallery, the Six Gallery, along with Joan Brown, Bruce Conner, and Jay DeFeo. In 1959, Neri became an original member of Bruce Conner's Rat Bastard Protective Association.
Although Neri's work includes many paintings, drawings, and prints, his primary medium is sculpture, typically using plaster, but sometimes marble or bronze. He is noted for his life-size sculptures, which though clearly figurative in nature, are abstracted figures rather than realist representations. His sculptures primarily focus on the gesture, and the surfaces of his sculptures are often, sanded, chipped, or painted to emphasize textures.  His approach to sculpture is often described as "painterly," and his approach to drawing and painting is correspondingly described as "sculptural".
Work in collections
The following are among the public art collections holding works by Manuel Neri: Corcoran Gallery of Art (Washington, D. C.), the Denver Art Museum, the El Paso Museum of Art (El Paso, Texas), Grounds for Sculpture (Hamilton, New Jersey), the Honolulu Museum of Art, Laumier Sculpture Park and Museum (St. Louis, Missouri), the Neuberger Museum of Art (State University of New York, Purchase, New York), the Nora Eccles Harrison Museum of Art (Utah State University, Logan, Utah), the Oakland Museum of California (Oakland, California), the Palm Springs Desert Museum (Palm Springs, California), the San Diego Museum of Art (San Diego, California), the San Francisco Museum of Modern Art, diRosa (Napa, California), The Mexican Museum (San Francisco, California), and the Whitney Museum of American Art (New York City). Portland Art Museum (Portland, Oregon)
Neri was married to Bay Area Figurative painter Joan Brown from 1962–1966. (Their relationship and artistic collaboration date back several years prior to this, however.) Three of his children, Noel Neri, Ruby Neri, and Julia Leonard are also artists. Ruby Neri is noted for her graffiti work (under the name "Reminisce") and as part of the first generation of Mission School artists.  Neri currently resides in Benicia, California, which was halfway between Davis, California where taught in the art department and his gallery in San Francisco, currently the Hackett Mills Gallery.
- Artist Forum. 'Manuel Neri'. Retrieved 24 January 2010.
- Its members included Jay de Feo, Michael McClure, Manuel Neri and Joan Brown. See Rebecca Solnit, ‘Heretical Constellations: Notes on California, 1946–61’, in Sussman, ed., Beat Culture and the New America, 69–122, especially 71.
- International Sculpture Center website. 'Lifetime Achievement in Contemporary Sculpture Award page'. Retrieved 24 January 2010.
- Kramer, H. (27 February 1981). 'Art: First solo show for Manuel Neri', New York Times. Retrieved 24 January 2010.
- Cowart, Jack (editor). 1996. Manuel Neri: Early Works, 1953–1978. Washington, DC: The Corcoran Gallery of Art. ISBN 0-88675-046-6 (hardcover), ISBN 0-88675-047-4 (paperback)
- Cowart, Jack, and Amerson, Price. 1994. Manuel Neri: A Sculptor’s Drawings. Washington, DC: The Corcoran Gallery of Art. ISBN 0-88675-041-5
- Nixon, Bruce. 2005. Manuel Neri: The Collaborative Process. Manchester, VT: Hudson Hills Press. ISBN 1-55595-259-3
- Marika Herskovic, Abstract and Figurative Expressionism: Style is Timely Art is Timeless (New York School Press, 2009.) ISBN 978-0-9677994-2-1. p. 180-183
- Ventana al Pacifico (1989), Portland, Oregon
- Artist's Forum: Manuel Neri
- Artnet: Manuel Neri
- Manuel Neri at Hackett-Freedman Gallery
- Manuel Neri at Gallery Paule Anglim
- Manuel Neri at Charles Cowels Gallery.
- "Manuel Neri: Palpable Tensions" at Fresno Museum of Art
- "Manuel Neri" by Roberta Carasso, ArtScene, March 1998.
- "Art: First Solo Show For Manuel Neri" by Hilton Kramer, New York Times, February 27, 1981.
- "Figuration's mainstay has found a niche since illuminating his model's poetry" by Kenneth Baker, San Francisco Chronicle, August 24, 2005.
- "Manuel Neri", Artworks Magazine, Winter 2006 (posted on web May 18, 2008).