Mariano Akerman

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Born in Buenos Aires in 1963, Mariano Akerman is a painter, architect and art historian.[1] Working as a researcher and a lecturer, Akerman also develops educational activities that encourage free expression and communitarian involvement of participants while considering their cultural background.[2]

Akerman studied at the School of Architecture of Universidad de Belgrano (Argentina), completing his formation with a prized graduation project on modern architecture boundaries and space (1987).[3] Abroad from 1991 onwards, he received a British Council Grant to research the artwork of Francis Bacon at Marlborough Fine Art and the Tate Gallery in London. Akerman is author of The Grotesque in Francis Bacon’s Paintings (1999) and "Bacon, Painter with a Double-Edged Sword" (2012).[4]

In Asia, Mariano Akerman developed the educational series of conferences The Belgian Contribution to the Visual Arts (2005),[5] In the Spirit of Linnaeus (2007),[6] Discovering Belgian Art (2008-9),[7] Raisons d’être: Art, Freedom and Modernity (2010),[8] German Art (2010),[9] and The Gestalt Educational Program (2011).[10]

In the American continent, the series of lectures Art and Identity (2013) includes a conference devoted to Bacon's idiosyncratic imagery—"To be and not to be."[11]

Specializing in Visual Communication, Akerman lectures on modern art at institutions such as the Museo Nacional de Bellas Artes in Buenos Aires,[12] the National Museum of the Philippines in Manila,[13] the Star of Hope School in Taytay,[14] the National College of Arts in Lahore,[15] the Quaid-i-Azam University in Islamabad,[16] UNIRIO and the Pontifical Catholic University of Rio de Janeiro.[17]

Exhibitions[edit]

Remarks[edit]

  • "I don't paint what one sees, I paint what I feel. Rather than being a camera. I prefer to be myself. A camera reproduces appearances, which are just an aspect of the reality that surrounds us. Instead of looking outwards, I look inwards. My pictures are inner constellations and they involve one's associative imagination" (2005).[26]
  • "The artist needs to create a new reality and not merely mimic the existing. [...] Sometimes talking about art is as necessary as it is dancing to architecture" (2008).[27]
  • "I think of myself as a bridge between various cultures and traditions. [...] Imagine a world which is uniform. Would you like to live in a place where all people look identical, speak the same language, do the same things and think the very same way? Such a world would be a terribly poor world. It would also be terribly boring. I am for cultural diversity. God has created a world based on diversity, not uniformity. You only have to contemplate nature for a while. There is diversity everywhere" (2008).[28]

Lectures and Educational Activities[edit]

  • The Belgian Contribution to the Visual Arts, Manila and Quezon City, 2005.[29]
  • Argentinean Art, Manila, 2006.[30]
  • In the Spirit of Linnaeus: The Tercentenary Lectures on Science and Art, Manila and Taytay, 2007.[31]
  • Discovering Belgian Art, Karachi and Islamabad, 2008, and Lahore, 2009.[32]
  • Raisons d'Être: Art, Freedom, and Modernity, Islambad and Lahore, 2010.[33]
  • German Art: Its Peculiarities and Transformations, Islamabad and Rawalpindi, 2010.[34]
  • Shape and Meaning: The German Contribution to the Visual Arts, Islamabad, 2010.[35]
  • Tradition and Innovation: Art and Architecture as Structures of Consciousness, Islamabad, 2011.[36]
  • Gestalt Educational Program: Theory and Design in the Age of New Objectivity, Islamabad and Rawalpindi, 2011.[37]
  • Art and Identity, Buenos Aires, 2013.[38]
  • Cultural Heritage and Identity, Rio de Janeiro, 2014.[39]
  • Vesalius Rio Program: Anatomy of Art, Rio de Janeiro, 2015.[40]

Visual Imagery and Design[edit]

References[edit]

  1. ^ "Mariano Akerman", ArteFe, Santa Fe, Argentina, 22 de abril de 2010; Jahsonic (Jan Geerinck), "Mariano Akerman", The Art and Popular Culture Encyclopedia, Antwerp, 21 August 2011 (accessed 3 February 2014); Hannyia Abid, "A Passion for Hope through Imagination", Blue Chip Magazine, ed. Mashaal Gauhar, Vol. 8, N° 89, Islamabad, March–April 2012, p. 18.
  2. ^ Sara Mahmood, "Mariano Akerman: Bridging Cultures", Blue Chip Magazine, Vol. 8, N° 87, Islamabad, January–February 2012, pp. 20-24; Igor G. Barbero, "Un pintor argentino educa a través del arte en Pakistan", Ideal, Granada, 20 April 2010 (accessed 25 July 2013).
  3. ^ Alfonso Corona Martínez, The Architectural Project (1990), ed. Malcolm Quantrill, Texas: Texas University Press, 2003, p. 50.
  4. ^ Mariano Akerman, "Bacon: Painter with a Double-Edged Sword", Blue Chip Magazine, Vol. 8, N° 88, Islamabad, February–March 2012, pp. 29-33; original version, with comparative plates by the author, 1 May 2012; abbreviated version, Blue Chip Magazine Online, 14 May 2013 (both accessed 27 January 2014).
  5. ^ "The Museum features Belgian Art Lecture," DLSU Newsletter, De La Salle University, Vol. 37, No. 4, Manila, 13 June 2005; F.C. Garcia, "Istilo ng sining Belgium, tinalakay sa exhibit" (Masterpieces of Belgian Art), The Varsitarian, University of Santo Tomas, Vol. LXXVII, No 3, Manila, 6 August 2005, in tagalog (accessed 29 July 2013); and Carmencita H. Acosta, "An Appointment with Art", What’s On & Expat, Vol. XXIII, N° 32, 7 August 2005, p. 12.
  6. ^ Manila, Embassy of Sweden, In the Spirit of Linnaeus: The Tercentenary Lectures on Science and Art, 2007 (accessed 25 July 2013); Annika Markovic, "Events: Linnaeus 2007," Embassy of Sweden, Manila, 15 December 2006; "In the Spirit of Linnaeus," EU News Philippines, Vol. 4, N° 4, December 2006, p. 13; Inger Ultvedt, "60 Years of Diplomatic Relations between Philippines and Sweden and the 300th Anniversary of the Birth of Carl Linnaeus," Scandasia, 11 January 2007; Rapeepat Jumnongjit, "Linnaeus's Series of Events To Be Continued", Scandasia, 1 February 2007; Xavier Banès, "Linnaeus 2007", EIS Letter (European International School Newsletter), February 2007, p. 4 (accessed 28 July 2013); Beth Day Romulo, "Win a Trip o Sweden," Philippine Panorama: Weekly Magazine of The Manila Bulletin, 18 February 2007, pp. 16-17; and Twink Macaraig, "Interview with Friedrik Agerhem and Mariano Akerman," ABS-CBN News, TV channel 27, Philippines, 23 February 2007, "Take One".
  7. ^ Shahid Hussain, "The Discovery of Belgian Art," Doodh Patti, 13 June 2008; Mylene Soriano, "June 26: Discovering Belgian Art," United Nations Community Bulletin, Islamabad, Vol. 12, N° 13, June 2008, p. 1; Hasnat Malik, "Lecture on Belgian Artwork," The Post, Islamabad, 27 June 2008, p. 2, col. 3; Peerzada Salman, "Karachi: Between Reality and Fantasy", Dawn News, Karachi, 14–15 June 2008 (accessed 29 July 2013); Jonaid Iqbal, "Art Historian highlights Cultural Diversity Genesis", Business Recorder, Islamabad-Lahore-Karachi, 27 June 2008, p. 8; Anwar Abbas, "Artist endevours to promote Art and Culture", The Post, Pakistan, 2 July 2008, sect. B, p. 2; "Argentinean Painter Who is a Dab Hand with Brush", The Post, 6 July 2008, Islamabad News, B-2; "Art Appreciation Lecture by Mariano Akerman: Discovering Belgian Art", Alliance Française d'Islamabad, June 2008-March 2010, Cultural Activities; "Discovering Belgian Art, by Mariano Akerman", Alliance Française de Lahore, 11 April 2009, Cultural Events; "Lahore: Discovering Belgian Art, A Lecture by Mariano Akerman," Daily Times, 11 April 2009, "Time Out", p. 10; Qudsia Rahim, "Mariano Akerman: Discovering Belgian Art at the NCA Auditorium", Danka, Lahore, 11 April de 2009 (accessed 29 July 2013).
  8. ^ Ishrat Hyatt, "Art Historian delivers Lecture at IFWA Fundraiser", International The News, 30 March 2010, p. 20, reproduced at PakStudy (accessed 27 July 2013); Issam Ahmed, "A Widow fights with Embroidery", The Christian Science Monitor, 2 April 2010 (accessed 30 July 2013); Sophie Ali Kahn, "Lecture by Mariano Akerman", ICAS (Islamabad College of Arts & Sciences), Islamabad, 23 April 2010 (accessed 29 July 2013); Igor Barbero, "Un pintor argentino educa a través del arte en Pakistán", ABC, Madrid, 20 April 2010 (accessed 30 July 2013); "Xornadas de Akerman en Paquistán: Entrega de premios ó mellor collage en Islamabad", Galicia Hoxe, 20 de abril de 2010; and "Manifestarse en Pakistán a través del arte", MSN Video, U.S.A., 20 April 2010 (accessed 30 July 2013).
  9. ^ German Art: Its Peculiarities and Transformations, Embassy of Germany, Islamabad, May 2010 (accessed 25 July 2013); Ishrat Hyatt, "Lectures Series on German Art", International The News, Pakistan, 14 May 2010, City News, p. 20; "Pak-German Visual Arts Discussed," Daily Times, Pakistan, 27 May 2010.
  10. ^ Gestalt Educational Program, Embassy of Germany, Islamabad, 2011 (accessed 25 July 2013); Ishrat Hyatt, "Gestalt Programme Launching Event", International The News, 22 October 2011, City News, p. 19; Almas Haider Naqvi, "Other is the Same Side of the Picture", Dataline Islamabad, 22 October 2011, p. 4; Maqbool Malik, "Tradition meets Modernisation", The Nation, 24 October 2011; Mariano Akerman interviewed by Faisal Kahn, Dawn TV, broadcast on 25 October de 2011; Gauhar Zahid Malik, "Embassies of Switzerland and Germany present 'Gestalt': Theory and Design in the Age of New Objectivity, Fifteen Educational Lectures by Mariano Akerman, Architect and Art Historian", Pakistan Observer, 3 November 2011, p. 9; Ilona Yusuf, "Enhancing Perception: The Gestalt Lectures and Collage Competition", Blue Chip Magazine, Vol. 8, N° 87, Islamabad, January–February 2012, pp. 16-19; and "Gestalt Educational Program", SBC News, Swiss Business Council of Pakistan Newsletter, № 6, January 2012, p. 13 (accessed 20 February 2015).
  11. ^ "Ser y no ser: identidad en el arte de Francis Bacon", News BAC Online, Buenos Aires: British Arts Centre & Asociación Argentina de Cultura Inglesa, September 2013 (accessed 20 September 2013).
  12. ^ Buenos Aires, Museo Nacional de Bellas Artes, "Conferencias - Ciclo sobre arte belga: pintura, música y arquitectura - Akerman, Bardin y Grementieri", Programación MNBA, April 2005
  13. ^ Rosalinda L. Orosa, "Significant Up-Dates", The Philippine Starweek: Sunday Magazine of The Philippine Star, Vol. XIX, N° 26, 7 August 2005, p. 15
  14. ^ Maria Presson, "Linné i Taytay", Star of Hope (Hoppets Stjärna), Scandinavia, 6 March 2007, 169.
  15. ^ "Mariano Akerman: Discovering Belgian Art at the NCA Auditorium", Danka, Lahore, 11 April 2009 (accessed 30 July 2013); "Lahore: Discovering Belgian Art, A Lecture by Mariano Akerman", Daily Times, Pakistan, 11 April 2009, "Time Out" supplement, p. 10.
  16. ^ "Director’s Report: 2007-2010", National Institute of Pakistan Studies, Islamabad: Quaid-i-Azam University, December 2010, p. 33, item 4.29 (accessed 13 August 2015)
  17. ^ VI Jornada de Estudos Medievais da UNIRIO, 2 September 2015; PUC-Rio: Em Diálogo, 16 November 2015 (both accessed 28 July 2016).
  18. ^ Cartelera de galerías de arte, N° 9, Buenos Aires, 1986; La Nación, Buenos Aires, 3/5/1986, sect. 2, p. 7: "Galería RG en Arte"; Monique Sasegur, "Mariano Akerman: un mensaje vital", La actualidad en el arte, Buenos Aires, May–June 1986, p. 58.
  19. ^ Ciudad de Belgrano, Buenos Aires, 1988: "Muestras de Arte UB"; Silvia Liebermann, "Homini en la ciudad", Ámbito Financiero, 16 September 1988; Clarín, 16 September 1988: "Muestras"; La Nación, 16 September 1988, sect. 3, p. 12.
  20. ^ J.N., "Art", The Buenos Aires Herald, September 1989; Teresita Pociello, "Mariano Akerman", Óleo y Mármol, Buenos Aires, 12–23 September 1989, p. 3; "Artes Plásticas", Diario del Viajero, Buenos Aires, 11 October 1989, 1; "Arte Crítica", Somos, 18 October 1989, p. 22.
  21. ^ Hilda Chanca, "Un joven pintor", Clubs & Countries, N° 15, September 1990; La Nación, Buenos Aires, 6 October 1990, sect. 3, p. 14: "Bellas Artes".
  22. ^ Carmencita H. Acosta, "An Appointment with Art," What's On & Expat, XXIII/32, 7 August 2005, p. 12.
  23. ^ "Compass", 24/7 Nocturnal Navigator, Vol. 3, No. 4, Manila, November 2005; "'Les Constellations Interieures' exhibit by Mariano Akerman", The Daily Tribune, Manila, 6 November 2005; "Les Constellations Intérieures", Circuit, Manila, November 2005, p. 8; Ramon E.S. Lerma, "Arts: Mariano Akerman", The Philippine Star, Manila, 7 November 2005, p. F3; "Les Constellations Intérieures: Mariano Akerman", Wins News, Philippines, 8 November 2005, 3; Machelle Ramos, "Interview with Mariano Akerman", National Broadcast Net, Philippines, TV channel 4, 18 November 2005; Maryvonne Salvan, "À la découverte d’un artiste !", EIS Newsletter, N⁰5, Manila, 15 December 2005, p. 5 (accessed 28 July 2013).
  24. ^ Ishrat Hyatt, "Art Historian delivers Lecture at IFWA Fundraiser," International The News, Pakistan, 30 March 2010, City News, p. 20; Issam Ahmed, "A Widow fights with Embroidery", The Christian Science Monitor, 2 April 2010 (accessed 30 July 2013).
  25. ^ Rio de Janeiro, Espaço Alcazar, Expressões em Copacabana: Mariano Akerman, June-July 2016. "Mariano Akerman: Alegria de Viver em Copacabana" (6 May 2016), introductory text by Márcia dos Santos; catalogue.
  26. ^ Akerman, quoted by Jean-Paul Girault, "Les constellations intérieures", Alliance Française Program, Manila, October–December 2005, p. 3; Manila, Alliance Française, Mariano Akerman: The Inner Constellations, 2005; and "CV", Wooloo, Copenhagen, 2005 (accessed 17 September 2013); Asterisk (accessed 2 December 2014) .
  27. ^ Akerman, interviewed by Anwar Abbas, "Argentinean painter Who is a Dab Hand with Brush", The Post, Islamabad, 6 July 2008, B-2 (accessed 5 October 2015).
  28. ^ Akerman, interviewed by por Anwer Abbas, "Artist’s Endeavours to promote Cultural Diversity", The Post, Islamabad, 2 July 2008, sect. B, p. 2 (accessed 5 October 2015).
  29. ^ Rosalinda L. Orosa, "Sundry Strokes", The Philippine Star, Manila, 18 May 2005; Philippine Star Online (accessed 1 September 2014); Joel de Leon, "Lectures, Workshops and Events This Week: Suggestive Paradoxes", Ateneo de Manila University, 29 June 2005; Jocelyn Tullao, "The Museum features Belgian Art Lecture," DLSU Newsletter, De La Salle University, Vol. 37, No. 4, Manila, 13 June 2005; F.C. Garcia, "Istilo ng sining Belgium, tinalakay sa exhibit" (Belgian Art Masterpieces, in Tagalog), The Varsitarian, University of Santo Tomas, Vol. LXXVII, N° 3, Manila, 6 August 2005 (accessed 29 July 2013); Carmencita H. Acosta, "An Appointment with Art", What’s On & Expat, Vol. XXIII, N° 32, 7 August 2005, p. 12; and L. de Guia, "Thomasians win in Essay Tilt", The Varsitarian, Vol. LXXVII, N° 4, 9 September 2005.
  30. ^ Ateneo de Manila University, 15 February 2006 ("Arte argentino", Wooloo, Copenhaguen, 2006: "Written Works", 6 (image); essay available via Asterisk).
  31. ^ Brochure; Annika Markovic, "Events: Linnaeus 2007", Embassy of Sweden, Manila, 15 December de 2006; "In the Spirit of Linnaeus," EU News, Vol. 4, N° 4, December 2006, p. 13; Inger Ultvedt, "60 Years of Diplomatic Relations between Philippines and Sweden and the 300th Anniversary of the Birth of Carl Linnaeus", Scandasia, Thailand, 11 January 2007; Rapeepat Jumnongjit, "Linnaeus's Series of Events To Be Continued", Scandasia, Thailand, 1 February 2007; Xavier Banès, "Linnaeus 2007", EIS Letter (European International School Newsletter), February 2007, p. 4 (accessed 28 July 2013), Beth Day Romulo, "Win a Trip o Sweden", Philippine Panorama: Weekly Magazine of The Manila Bulletin, 18 February 2007, pp. 16-17; Maria Presson, "Linné i Taytay", Hoppets Stjärna, Scandinavia, 6 March 2007; Twink Macaraig, "Interview with Friedrik Agerhem and Mariano Akerman", ABS-CBN News, TV channel 27, Philippines, 23 February 2007, "Take One".
  32. ^ Shahid Hussain, "The Discovery of Belgian Art", Doodh Patti, 13 de June 2008; Mylene Soriano, "June 26: Discovering Belgian Art", United Nations Community Bulletin, Islamabad, Vol. 12, N° 13, junio de 2008, p. 1; Hasnat Malik, "Lecture on Belgian Artwork," The Post, Islamabad, 27 June 2008, p. 2, col. 3; Peerzada Salman, "Karachi: Between Reality and Fantasy", Dawn News, Karachi, 14–15 June 2008 (accessed 29 de July 2013); "Engagements: Belgian Art", Dawn Metropolitan, 26 de junio de 2008, p. 19; "Arte visual belga con Mariano Akerman en el IFWA Center, Islamabad", Danka, 26 June 2008 (accessed 7 October 2014); "Art-Appreciation Lecture by Mariano Akerman: Discovering Belgian Art", Aliance Française d'Islamabad, 18 June 2008; Jonaid Iqbal, "Art Historian highlights Cultural Diversity Genesis," Business Recorder, Islamabad-Lahore-Karachi, 27 June 2008, p. 8; Anwar Abbas, "Artist endevours to promote Art and Culture", The Post, Pakistán, 2 July 2008, sect. B, p. 2 (also "Argentinean Painter Who is a Dab Hand with Brush", The Post, 6 July 2008, Islamabad News, B-2); "Art Appreciation Lecture by Mariano Akerman: Discovering Belgian Art", Alliance Française d'Islamabad, June 2008 - March 2010, Cultural Activities; "Discovering Belgian Art, by Mariano Akerman", Alliance Française, Lahore, 11 April 2009, Cultural Events; "Lahore: Discovering Belgian Art, A Lecture by Mariano Akerman", Daily Times, 11 April 2009, "Time Out", p. 10; Qudsia Rahim, "Mariano Akerman: Discovering Belgian Art at the NCA Auditorium", Danka, Lahore, 11 April 2009 (accessed 29 July 2013).
  33. ^ "El día en imágenes: las mejores fotos del día", RTVE.ES, 20 April 2010, photo 2: Igor Barbero, Noticias EFE, España (accessed 20 May 2014); Issam Ahmed, The Christian Science Monitor, 2 April de 2010: « An art exhibit in Islamabad by Argentinean Mariano Akerman this week showcased some of the best designs »; "Art Historian delivers Lecture IFWA", PakStudy, 30 March 2010 (accessed 27 July 2013); In Sun Choi, "Art from Belgium, An art-appreciation conference by Mariano Akerman," IFWA (International Foreign Women's Association), 8 de abril de 2010; Ishrat Hyatt, "Art Historian delivers Lecture at IFWA Fundraiser", International The News, 30 March 2010, p. 20; Sophie Ali Kahn, "Lecture by Mariano Akerman", ICAS (Islamabad College of Arts & Sciences), Islamabad, 23 April 2010 (accessed 29 July 2013); Igor Barbero, "Manifestarse en Pakistán a través del arte", Noticias EFE, Islamabad, 20 April 2010; "Un pintor argentino educa a través del arte en Pakistán", ABC, Madrid (accessed 27 July 2013); "Xornadas de Akerman en Paquistán: Entrega de premios ó mellor collage en Islamabad", Galicia Hoxe, 20 April 2010; "Un pintor argentí educa a través del'art," Periòdic d'Andorra, 21 April 2010.
  34. ^ Brochure; "German Art: Its Peculiarities and Transformations - A Series of Lectures by Mariano Akerman," German Missions in Pakistan, May 2010 (accessed 1 December 2014); Ishrat Hyatt, "Lectures Series on German Art", International The News, Pakistan, 14 May 2010, City News, p. 20 (digital version, accessed 27 September 2013); "Pak-German Visual Arts Discussed," Daily Times, Pakistan, 27 May 2010 (repr. digital version; accessed 18 April 2014); and Director's Report, 2007-2010, National Institute of Pakistan Studies, Quaid-i-Azam University, Islamabad, December 2010, p. 33, 4.29 (accessed 28 July 2013).
  35. ^ "Shape and Meaning: The German Contribution to the Visual Arts - Five Educational Lectures by Mariano Akerman", German Missions in Pakistan, November 2010 (accessed 1 December 2014); "Shape and Meaning", Asterisk, 10 October 2010.
  36. ^ "Tradition and Innovation", Asterisk, 28 May 2011.
  37. ^ Brochure; "Gestalt: Theory and Design in the Age of New Objectivity", German Missions in Pakistan, December 2011 (accessed 1 December 2014); Gauhar Zahid Malik, "Embassies of Switzerland and Germany present 'Gestalt': Theory and Design in the Age of New Objectivity — Fifteen Educational Lectures by Mariano Akerman, Architect and Art Historian", Pakistan Observer, 3 November 2011, p. 9 (accessed 6 August 2013); "The Gestalt Program", Swisspak.com, Islamabad: CIIT, November 2011 (accessed 15 April 2014); Ishrat Hyatt, "Gestalt Programme Launching Event", International The News, 22 October 2011, City News, p. 19; Maqbool Malik, "Tradition meets Modernisation", The Nation, 24 October 2011; Almas Haider Naqvi, "Other is the Same Side of the Picture", Dataline Islamabad, 22 October 2011, p. 4; Ilona Yusuf, "Enhancing Perception: The Gestalt Lectures and Collage Competition", Blue Chip Magazine, Vol. 8, N° 87, Islamabad, January–February 2012, pp. 16-19; and "Gestalt Educational Program", SBC News, Swiss Business Council of Pakistan Newsletter, № 6, January 2012, p. 13 (accessed 20 February 2015).
  38. ^ Developed in collaboration with Mónica Ottino and Jorge Bozzano, Art and Identity comprises a lecture on the art of painter Francis Bacon (British Arts Centre, 2 October 2013) and an educational conference entitled "The Hurva Case" (Universidad de Belgrano, 26 September 2013); the latter encompasses an architectural criticism contest and several prizes. "Especiales: Conferencia 'Ser y no ser: identidad en el arte de Francis Bacon'", News BAC Online, Buenos Aires: British Arts Centre, 20 September 2013 (digital set); Liliana Bonvecchi, "Conferencia", Universidad de Belgrano, 23 September 2013 (accessed 9 October 2013); "Conferencia con Mariano Akerman", Agenda UB, Buenos Aires: Universidad de Belgrano, 26 September 2013 (Universidad de Belgrano; accessed 30 September 2013); Universidad de Belgrano: Anuario de actividades 2013, Buenos Aires: UB, February 2014, p. 16 (accessed 14 June 2015).
  39. ^ Seminar in Portuguese, presented at the Center of Biblical Studies as O Resgate da Memória e a Formulação da Identidade, September–October 2014 (RJ-News; Documenta, 17 October 2014, accessed 22 November 2014); Rio de Janeiro, Consulate of Belgium, Programa Estimulo Vesalius, July 2015.
  40. ^ Rio de Janeiro, Consulate of Belgium, Programa Estimulo Vesalius: Anatomia da Arte — A Obra da Arte como Estrutura Interdisciplinar Expressiva, July 2015; Rio de Janeiro, Universidade Federal do Estado do Rio de Janeiro, Escola da História, VI Jornada de Estudos Medievais: A Cultura Medieval para além da Cristandade Latina, ed. Paulo André Leira Parente and Miriam Cabral Coser, August–September 2015; "VI Jornada de Estudos Medievais da UNIRIO", Unirio História, Rio de Janeiro: School of History, 2 September 2015; Fernanda Míguez Bastos, "O legado sefaradita nas artes visuais", Instituto Cervantes, Rio de Janeiro, 21 September 2015; Iván Augusto Briceño Linares, "Educación: Llegar al hueso del asunto", A puerta cerrada, Bogotá, 25 September 2015; Mauro Band, "Ciclo Acervo e Memória", Informativo ASA, 1 October 2015; Giovanni Maria Ponta di Colnago, "Vesalius: O Homem no Centro", Instituto Italiano de Cultura do Rio de Janeiro, 5 October 2015; "Ciclo Acervo e Memória", Boletim ASA, 26 October 2015: Novidades; Sebastián D'Alessio, Palestra "Sonhos de Pintores e Configurações do Imaginário" de Mariano Akerman, Consulado General de la República Argentina, Rio de Janeiro, November 2015; Rio de Janeiro, Pontificia Universidade Católica, Em Diálogo: 50 Anos da Declaração Nostra Aetate, 3 November 2015; "Em Diálogo", Notícias PUC-Rio, 6 November de 2015; "PUC-Rio realiza seminário Em Diálogo", Assesoria de Comunicação Social PUC-Rio, 8 November 2015; "Em Diálogo", PUC Urgente, № 1281, Rio de Janeiro, 9-15 November 2015, p. 7; Olívia Nielebock and Dayane Barbosa, "Campus: Diálogo", Jornal da PUC, Rio de Janeiro, 11 November 2015 (accessed 12 November 2015).
  41. ^ In a site entitled "Imaginarium", Akerman researches the topic of the Grotesque in detail (Jahsonic, "Mariano Akerman", The Art and Popular Culture Encyclopedia, Antwerp, 21 August 2011; accessed 3 February 2014).

External links[edit]