Photo of Hedman, published in 1915
September 11, 1883
|Died||June 20, 1974 (aged 90)|
DeLand, Florida, United States
|Spouse(s)||Henry Arthur House|
|Parent(s)||Johan Hedman (father) and Ingrid Kempe (mother)|
|Relatives||Marguerite Leslie (sister)|
Martha Hedman (August 12, 1883 – June 20, 1974) was a Swedish-American stage actress popular on the Broadway stage.
She was born to Johan Hedman and Ingrid Kempe in Östersund, in Jämtland County, Sweden. She studied for the stage under the tutelage of Siri von Essen the wife of playwright and novelist, August Strindberg. She first appeared on the stage in February 1905 in Helsinki, Finland in a Hans Christian Andersen fairy tale. For the next six years appeared in Sweden, Finland and Germany in plays by William Shakespeare, Leo Tolstoy, Gerhart Hauptmann and Ludwig Fulda.
In 1912 theatrical producer Charles Frohman brought Hedman to America and she acted with such luminaries as John Drew. She appears in several of Charles Frohman's productions. In 1915, she appeared in The Trap produced by Arthur Hammerstein. One of her more notable performance was in the 1915-1916 comedy The Boomerang, produced by David Belasco. In 1921 she appeared in a big Shakespearean pageant on Broadway with several other top actresses of the period. She retired from the theater in 1922 but came back in 1942 for one play The First Crocus.
She appeared in one film The Cub directed by Maurice Tourneur in 1915. Most likely she cared not for the experience and did not return to pictures. Hedman in her youth however was famous on the stage. This is more the reason modern audiences have never heard of her in contrast to fellow Swedish born actresses like Anna Q. Nilsson and Greta Garbo (whom she met in 1956) who both had lengthy film careers.
During the first year of her career as an actress, she had toured with German-born actor Emile von der Osten (1848–1905). She had a daughter with von der Osten, Ella Alfrida (born on August 30, 1904 in Stockholm, Sweden - died January 17, 2000 Georgetown, South Carolina). Hedman was later married to Henry Arthur House with whom she co-wrote a play What's the Big Idea in 1926.
Martha Hedman wrote a book Uncle, Aunt and Jezabel (Charles Scribner's Sons, New York: 1949). The dedication reads: "To Henry Arthur -the winter of our discontent was turned into glorious summer". She subsequently wrote Mathias and Mathilda (Chapman & Hall. 1951) written under the name, Martha Hedman House.
- Hans J. Wollstein (1994). Strangers in Hollywood: the history of Scandinavian actors in American films from 1910 to World War II. Scarecrow Press. pp. 156–7. ISBN 978-0-8108-2938-1. Retrieved 27 July 2010.
- Frohman Bringing Martha Hedman Here to Play In "The Attack." (new York Times. May 10, 1912)
- Who Was Who in the Theatre 1912–1976 compiled from John Parker's original records published annually; 1976 version compiled by Gale Research
- Pictorial History of the American Theatre 1860–1970 by Daniel Blum; c.1970 updated edition
- Martha Hedman Internet Movie Database (IMDb.com)
- The Theatre: New Plays: What's The Big Idea? (New York Times. Apr. 5, 1926)
- Severin, Ella Alfrida (Hobcaw Plantation Cemeteries) Archived 2013-04-11 at Archive.today
- Hobcaw Plantation Cemeteries, survey done April 15 2002, this is an earlier Hobcaw citation; retrieved from 404 error from the Wayback Machine March 15, 2017
- The Green Book Magazine, Volume 15 page 321 c.1916; "London's Loveliest Leading Lady Goes Into "The Movies".." by Ada Patterson
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