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Marvel 1602

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Marvel 1602
Cover to 1602 #8, featuring from left to right: Matthew Murdoch, Virginia Dare, Rojhaz, Sir Nicholas Fury, and "John" Grey. The scene was based on a famous sketch of the men involved in the Gunpowder Plot of 1605 against King James.[1]
Publication information
Publisher Marvel Comics
Schedule Monthly
Format Limited series
Publication date November 2003 - June 2004
Number of issues 8
Creative team
Writer(s) Neil Gaiman
Artist(s) Andy Kubert
Scott McKowen (covers)
Colorist(s) Richard Isanove

Marvel 1602 is an eight-issue comic book limited series published in 2003 by Marvel Comics. The limited series was written by Neil Gaiman, penciled by Andy Kubert, and digitally painted by Richard Isanove; Scott McKowen illustrated the distinctive scratchboard covers. The eight-part series takes place in a timeline where Marvel superheroes exist in the Elizabethan era; faced with the destruction of their world by a mysterious force, the heroes must fight to save their universe. Many of the early Marvel superheroes — Nick Fury, the X-Men, the Fantastic Four, and Spider-Man — as well as villains such as Doctor Doom and Magneto appear in various roles.

Neil Gaiman had always been a fan of Marvel, and editor Joe Quesada approached Gaiman to work on a project which eventually evolved into 1602. The success of the comic led to three sequels, entitled 1602: New World, Marvel 1602: Fantastick Four, and Spider-Man: 1602. There is also a short story, "Son of the Dragon", starring the 1602 version of The Hulk in the second issue of Hulk: Broken Worlds.

The pocket reality seen at the end of the limited series in which the continuing Marvel 1602 universe takes place is classified as Earth-311.


Neil Gaiman stated in an afterword to the series that he had always viewed the Marvel universe as "magic".[2] 1602‍ '​s editors Nick Lowe and Joe Quesada approached Gaiman after Quesada became Marvel's Editor in Chief with the intent for Gaiman to work on a project for Marvel. Gaiman eventually agreed to write a Marvel comic in August 2001, although he was not sure what it would contain.[2] When the September 11, 2001 attacks occurred, Gaiman decided that he did not want planes, skyscrapers, bombs or guns in his comic. "I didn't want it to be a war story, and I didn't want to write a story in which might made right – or in which might made anything."[2] On a trip to Venice soon after, Gaiman was struck by how the "past seemed very close at hand"; he returned from the trip knowing the story he wanted to tell.[3] The time was chosen because "it was a nice place to set the story. It gave me America and it gave me a lot of things that I wanted in terms of the way the world was changing. It also gave me the sense of wonder and magic."[4]

Gaiman described writing the series as odd, since he had not written comics in half a decade; the story was trimmed down significantly as the size went from six 36-page chapters to eight 22-page segments. He also wanted to write a comic that was different from The Sandman, his most recognized work. The profits of the series went to help fund his Marvels and Miracles LLC company, which is fighting for the rights to Marvelman.[4]


Kubert's pencils (top) contrasted with the finished panel

Unlike usual penciled pages, Marvel 1602 used a technique called "enhanced pencils", whereby the finished pencil drawings are sent straight to the colorist instead of to an inker first.[5] This technique had been used before on Kubert's Origin, and results in cleaner and more elaborate lines.[5]

Editor Nick Lowe noticed theater posters done by Scott McKowen and decided that the "engraving 'look' of the scratchboard would be interesting for the historical setting of this story."[6] Scratchboard is a technique where a sharp knife is used to scrape through a layer of black ink to a hard chalk surface underneath; in effect, artists draw white lines on an all-black surface. All McKowen's illustrations were done by hand and then colored later in Photoshop.[6] For inspiration, McKowen looked at seventeenth-century engravings. He also added scrolls or flags to the covers for the Marvel 1602 titles, basing the designs on Renaissance paintings where scrolls are used to comment on the scenes depicted.[7]

The hardbound edition features a scratchboard illustration depicting the main characters whispering discreetly to each other on the cover. According to McKowen, the image was inspired by a depiction of the masterminds behind the "Gunpowder Plot", an attempt to blow up Parliament during the reign of King James.[7] Since the characters of the story are all traitors in the eyes of King James, they were drawn in a similar fashion.[7]


In the year 1602 in the Marvel Universe, for an unknown reason, superheroes have appeared about 400 years early,[4] though they were born and bred in this era and some hold important positions in high places. When the characters come to realize that something is wrong with the universe, the heroes must solve the mystery behind their own existence, while dealing with intrigue at the courts of Elizabeth and James.

All over Europe, strange weather is provoking panic. Many believe the unnatural occurrences are the beginning of the Apocalypse. Dr. Stephen Strange, the court magician of Queen Elizabeth I, senses that there are unnatural forces at work. He has also been asked to watch over the secret treasure of the Knights Templar which is being brought over from Jerusalem. Elizabeth tells her head of intelligence, Sir Nicholas Fury, to bring the weapon to England safely. Fury in turn contracts blind minstrel and agent Matthew Murdoch to rendezvous with the Templar guard somewhere in Europe and secure the weapon. Later that evening, Fury and his assistant Peter Parquagh are attacked by an assassin whom Fury disables and locks in the Tower of London.

Meanwhile, the ship Virginia Maid arrives in England from the New World, carrying the young Virginia Dare, the first child born in Roanoke colony, as well as her hulking, fair-skinned, blond Native American bodyguard Rojhaz. They are taken to meet the Queen only for a vulture-like assassin to snatch Virginia. Rojhaz quickly disables the attacker, but Virginia has transformed into a white gryphon. Rojhaz subdues Virginia, and Stephen Strange bespells her to human form before Fury sees her transformed. She has strange shapeshifting powers, and Strange suspects she is the cause of the disastrous weather. Fury interrogates one of the assassins to learn who sent him. He is told that it is Otto von Doom, ruler of Latveria, but Fury is too late to stop one of Doom's machines from killing Elizabeth with a poison gas released by dropping a pill into aqua regia.

With Elizabeth's death, James VI of Scotland becomes ruler of both England and Scotland. James is distrustful of "witchbreed" (people born with magical powers, mutants) and collaborates with Spanish High Inquisitor Enrique to blame the witchbreed of England, headed by Carlos Javier, for Elizabeth's death. Fury, a friend of Carlos and his students, is forced to take the witchbreed to the Tower. Strange, Javier, and Fury meet there and discuss how to save the world — an act which will almost surely lead to them being branded traitors by James. Strange has learned that the treasure of the Templars and its keeper Donal, and Murdoch, have been betrayed and are now in the hands of Doom. Strange also learns that Doom has been holding captive four heroes from the ship Fantastick, including Fury's friend Sir Richard Reed. Knowing that James will never give him an army to march on Latveria, he conspires with the witchbreed, taking a ship levitated by Javier and his page John Grey across the continent.

Strange meanwhile finds himself on the moon where he meets the Watcher Uatu, who tells him that the strange events are due to an anomaly he calls the Forerunner. The Forerunner is from the future and its presence in the past has disrupted reality to the point of impending annihilation of not only Strange's world but all other universes as well. Explaining his theory that the emergence of various superhumans on Stephen's Earth is the result of the universe trying to save itself, the Watcher tells Strange that he will not be able to repeat what he has learned while he is alive.

Fury, Javier and his witchbreed launch a successful attack on Count Doom's fortress. The Fantastick Four are freed, and Doom is horribly scarred by what he believes is the Templar's treasure; in fact, Donal's walking stick is the true treasure, and using it Donal becomes the Norse god Thor. Having nowhere else to go, the ship of fugitives heads for the New World. In Spain, Enrique, the Inquisitor who has killed so many witchbreed, is exposed as a witchbreed himself and sentenced to be burned at the stake with his young acolytes, Petros and Sister Wanda. Enrique breaks their bonds and they escape on a ship of their own, also bound for America.

Sir Stephen Strange is executed by James, and his head put on a pike. With his magic, his spirit can still communicate in a telepathic way, allowing him to explain the warning that he received from Uatu now that he is dead and no longer bound by Uatu's original compulsion. His wife Clea takes his head from the pike and sets off for America with Virginia and Rojhaz. Clea believes that Strange's suspicions were wrong: Virginia is not the Forerunner, it is her blond-haired, blue-eyed "Native American" companion.

Rojhaz is in fact Steve Rogers, the future costumed superhero known as Captain America. After fighting against a future fascist government of the 21st century run by the President-For-Life, Rogers was captured. Wanting to dispose of Rogers so completely that not even his ashes would remain to inspire future rebellion, the President-for-Life had Rogers placed into a machine which should have killed him but instead sent him into the 1602 timeline. His presence not only brought about a rift that will destroy the universe, but it also caused the heroes of the twentieth century to appear centuries earlier to counter the Forerunner's negative effects.

Fury and company arrive at the Roanoke colony, where they discover the rift that is tearing their universe apart. Javier, realizing that his enemy Enrique may be the key to manipulating the rift and thus saving the universe, traps him and his followers in their ship. However, it is the former Inquisitor who dictates terms.

James sends his adviser Banner and Peter Parquagh to America with orders to kill Fury. When they arrive in America, Fury single-handedly kills all the members of their ship aside from Banner and Peter. In spite of this, Fury has almost lost the will to live: he failed to protect his Queen, he has been made a traitor to his country, and all his wealth and property has been seized and taken over by James and his favorites.

Donal meanwhile turns to alcohol, devastated at the fact that he has brought about a god who, according to Donal's religion, should not even exist. However, Reed's analysis leads him to believe that the final component needed to deal with the rift is lightning, and Donal is convinced to turn into the Viking god once more.

Back in England, having just been crowned King, James feels that everything is going his way, but then Murdoch breaks into his chamber and warns him in no uncertain terms of the consequences should anything happen to Fury, or Murdoch's native Ireland.

Rojhaz, looking more like the Captain America of old (or of the future, as the case may be), refuses to go back through the rift: he hopes to build a better America from the beginning. Fury tricks Rojhaz by playing on the trust that Captain America had for the Nick Fury of his own time, knocks him unconscious and carries the body back through the rift, thus going into the future himself.

The rift and the universe restore themselves, meaning the destruction of the alternate timeline; however, Uatu the Watcher is granted a "pocket universe" by his colleagues in which the 1602 timeline remains intact, and where the powered fugitives decide to settle in the Roanoke colony, declaring it a free place for all. Meanwhile, while walking in the woods with Virginia, Peter is bitten by a spider and Banner, who shielded Peter from the energies released when Rojhaz and Fury entered the rift, has changed into a hulking gray monster. Intrigued by the continuing events, Uatu continues to watch the new universe (later designated Earth-311).


1602 features both historical figures and many of the original Marvel superheroes and villains. Some popular characters, such as Wolverine, were not added, because of Gaiman's vision to address the heroes of the 1960s. "The territory doesn't go much further than 1969 in terms of the characters that I picked to use," Gaiman noted. "I couldn't get everybody in because there are an awful lot of Marvel characters."[4]

  • Elizabeth I of England: The aging Queen of England. Already close to death, she is killed by a poisonous gas device constructed by Otto Von Doom.
  • James I of England: Originally King James VI of Scotland, James becomes the monarch over England as well with Elizabeth's death. James maintains an intense hatred of witchbreed and seeks to destroy them along with any who practice sorcery or witchcraft.
  • Virginia Dare: The daughter of Ananias Dare, and the first English child born in the Americas. In this world, the Roanoke Colony did not disappear in the 1580s; when Steve Rogers went into this world he saved the colony, which would have been killed by starvation. Dare touches the rift caused by Roger's arrival. She has the ability to transform into white-furred animals when frightened, which she later learns to control, and appears to be the equivalent to Alpha Flight's Snowbird who has a similar appearance and powers, though Neil Gaiman had denied this.
  • Uatu, the Watcher: A younger member of a race of intelligent beings who have sworn not to interfere in the affairs of lesser races, only to watch and observe. He breaks this oath, however, by explaining the situation to an astral projection of Doctor Stephen Strange.
  • Sir Nicholas Fury: The Queen's intelligence officer (referred to as the "intelligencer") and responsible for foiling many past plots against the monarch. Seemingly killed when he carries an unconscious Rojhaz into the dimensional rift.
  • Doctor Stephen Strange: The Queen's Physician, who is also a magician and alchemist. He allows himself to be beheaded by King James, which subsequently frees him from the restriction placed upon him by Uatu, the Watcher (namely, that he could not reveal what he knows while still living).
  • Peter Parquagh: Sir Nicholas' apprentice; left orphaned and tended to by his aunt and uncle until Fury arrived and took the boy to London.
  • Matthew Murdoch: A blind Irish minstrel who moonlights as a freelance agent. Matthew acquired heightened senses from a mysterious substance he encountered as a child.
  • Clea Strange: Stephen Strange's wife and assistant, Clea actually comes from another dimension. After bringing her husband's severed head to the Roanoke colony - thus fulfilling her last promise to him - she asks the heroes to bury the head with the rest of the body and then returns to her home dimension.
  • Rojhaz: Virginia's blonde-haired, blue-eyed Native American bodyguard, who in fact is a displaced Captain America from a dystopian future. When the government of his time captured him and attempted to execute him using advanced technology, he was accidentally sent back in time - the event which triggered the alternate timeline to begin with - thus forming the paradox of the story.
  • Carlos Javier: A Spaniard living in England, where he runs a "College for the Sons of Gentlefolk", in fact a haven for "witchbreed", or mutants. His students include Roberto Trefusis, Scotius Summerisle, Hal McCoy, Werner, and "John" Grey (who is in fact a young woman with psychic powers rivaling that of his own).
  • The Four from the Fantastick: A band of explorers who gained powers when their ship encountered a strange energy vortex at sea. The four are Captain Benjamin Grimm, Sir Richard Reed, Susan Storm, and John Storm, Their bodies were reshaped into the four elements: Reed's flesh became pliable like water; Grimm's body became solid rock; Susan's body became weightless and invisible like air; and John's body became living fire. They are eventually captured by Doom.
  • Grand Inquisitor Enrique: Born a Jew, a young Enrique was forcibly baptized and seduced by a Catholic priest, and thus inducted into the church. As an adult, he leads the Spanish Inquisition - a position of power through which he can further his own plans. Although ordered to execute the witchbreed, he hides those whom he can pass off as normal. Secretly a witchbreed himself, he uses his activities as a cover to form a "Brotherhood Of Those Who Will Inherit The Earth". He is assisted by Sister Wanda and Petros, who are secretly his children. He is also aided by Toad, despite Toad's betrayal at one point.
  • Banner: An advisor to King James, Banner is sent to Roanoke in order to kill Fury. When the rift is closed at the end of the story, Banner is caught within the backlash and is later seen lurking in the nearby woods as a massive gray-skinned creature (the Hulk).
  • Count Otto von Doom: Doom is the ruler of Latveria, known as Otto the Handsome due to his perfect physique and appearance. He captures the Fantastick Four in order to force Reed's compliance in creating war machines, poisons, and various other inventions. Von Doom is later struck and badly burned by Thor's lightning, although he survives.
  • Donal the Guardian of the Templar Treasure and alter ego to Thor, who is captured by Count Otto von Doom on his way to deliver the treasure of the Templars (the hammer Mjolnir disguised as a simple walking stick) to England. He is rescued by Sir Nicholas Fury and the witchbreed and is taken to the New World along with the Fantastick Four.
  • Natasha: She travels with Matthew while en route to meet Donal, who is bringing the Templar Treasure to England. Natasha is revealed to be working for Count Otto von Doom.

Reception and legacy[edit]

The first issue of 1602 was ranked first in August 2003 period with pre-order sales of 150,569.[8]

1602 received mixed praised upon its release with Comics Bulletin stating "Is 1602 good? Yes, it's damn good. Is it revolutionary or even ground breaking? No. Sorry, but I can't go so far as to call a glorified What If? series anything more than what it is; a well done re-imagination of the Marvel Universe."[9] Entertainment Weekly declared that the combination of writing and moody artwork meant "the Marvel Universe hasn't been this engrossing in ages."[10] noted that fans looking for elements of Gaiman's The Sandman would be disappointed; "It's not a senses-shattering Marvel epic, but then it's not meant to be. It's nothing more or less than a chance to enjoy reinterpretations of some familiar characters."[11] UGO Networks concurred, stating "there doesn't need to be a 'point' in re-imagining familiar icons — it's simply meant to be fun. [...] The result of 1602 is agreeable entertainment."[12] The series won several awards, including the Quill Book Award for Graphic Novels.[13] The first issue was also awarded the 2003 Diamond Distributors Gem Award as "Comic of the Year".[14]

Conversely, Time Magazine listed it as the worst comic of 2003, although the list's composer later stated "he didn't actually mean it was the worst comic of the year."[15] UGO's Darren Latta noted as a downside to the series that "the approach maybe a little too subdued at times." Latta also felt that despite being familiar with the setting, Gaiman never utilized the period to its full potential.[12] Others simply felt that Gaiman's involvement led to inflated expectations; one review noted that while reading "I [...] felt at times like maybe it was all a little bit too cute, a little bit too in-jokey."[16]

1602‍ '​s success lead to three sequels.

  • The first, 1602: New World, takes place shortly after the end of 1602, with the heroes settling down in America. The series was written by Greg Pak and illustrated by Greg Tocchini, and the first issue was published in August 2005. During that time, Lord Iron and Captain Ross had arrived to hunt down David Banner while coming into conflict with the Spider and Virginia Dare. Meanwhile, Master Osborn tries to turn the natives against the settlers.
  • The third sequel Spider-Man: 1602 centers on the continuing adventures of the Spider and features reinterpretations of Doctor Octopus, the Lizard, and Mary Jane Watson. Also appearing are the Beast, Janet and Henry Pym, the Kingpin (reimaged as a pirate named King's Pin), Bullseye (reimaged as an assassin and first mate of the King's Pin), and Steve Rogers.


The Marvel 1602 universe appears in a lead-up to Spider-Verse. Peter Parquagh is on stage at the Globe Theatre with Marion Jane Watsonne's family when Morlun appears. Peter attempts to defend himself, but Morlun proves too powerful. Morlun brings down the Globe Theater around everyone, and absorbs Peter's life essence. Before disappearing into another dimension, Morlun declares that all spiders will die.[17]

Secret Wars (2015)[edit]

Marvel 1602 will appear in Secret Wars where its domain on Battleworld will be referred to as King James' England. It will mostly be featured in the comic 1602: Witch Hunter Angela (which will feature a witch hunter version of Angela).

In the domain of King James' England, King James (a variation of Wolverine) was its ruler until he was discovered to be a Witchbreed (this domain's version of Mutants) who killed various redhaired girls. King James was seemingly killed by Sister Angela of the Holy Order who drowned him. He was succeeded is King Charles the First (who is secretly a Witchbreed leader and a variation of Professor X). With the population of Witchbreed diminished, the Witch Hunters Sister Angela of the Holy Order and her partner Lady Serah Anchorton went on to hunt Faustians, people who made deals with Demons, but, before doing so, they went to the Mermaid Tavern to drink with some friends of theirs. There they attacked Captain James Barnes of Clan Buchanan whom they believed was a Witchbreed, but it revealed itself to be a Faustian after being cut in half by Angela and reanimating its two halves as hideous monsters. Lady Serah killed the upper half. As Angela killed the bottom half, it summoned its "maker" the Enchantress. Angela tried to hit her, but she couldn't do her harm. Then the Enchantress managed to kill Serah before she could kill three more of her Faustians before vanishing in the air, leaving an worried Angela behind.[18]

After telling Serah about Enchantress' menace, Angela and her fellow Witch Hunter departed from London and found a troupe of players called the "Gardiner's Men" (who are this domain's version of the Guardians of the Galaxy) being attacked by beasts in the woods. They aided the troupe members Madam Gomorrah, Peadar O'Cuill, Arthur Dubhghlas, Goodman Root, and Aroughcun the Raccoon to kill the beasts. As the creatures had traces of Enchantress' magic on them indicating she was somewhere nearby, Angela and Serah traveled with the Gardiner's Men to a pagan village in the outskirts of York where a marriage for the town beauty Anne Weying and the young printer's apprentice Edwin Brocc was going to happen. As the festival proceeded, Angela realized young Edwin had enchanted his bride to marry him when she saw him giving her a potion to drink. Edwin noticed Angela was seeing and panicked becoming a venomous monster and attacking her. Angela and her companions engaged him in battle and subdued him, afterwards Angela decapitated him. While leaving the town, Serah told Angela she wasn't afraid of her fate as long as Angela was with her.[19]

Angela and Serah then headed to Castle Caldecote in Cumberland as it was the whereabouts of the third Faustian. Her name was Anna Maria, the natural daughter of a bishop that was kept safe by Master Coulson in one of the castle's room as instructed by her father. However, in the last new moon, she managed to escape the castle and returned somewhat different. Seeing the girl was not mad as Coulson said she was, Serah demanded the girl to be freed from her chains and told Angela to keep an eye on her. As the days passed, Serah, who had been studying about the Faerie, discovered that the Enchantress sends a sliver of herself into each of those with who she strike a deal and that she was using stories, such as that of her victims and Christopher Marlowe's play, to expand her power. Upon figuring it out, Serah started to devise a plan to counter that of Enchantress. Meanwhile, Angela struck a deal with Anna Maria: in exchange for a way to free her, she would tell Angela the truth about herself. The girl then told her she was born Witchbreed and that she eventually learned her touch was death. When the path to the Faerie was open, she took the opportunity to become something other than what she was, willingly struck a deal with the Enchantress and becoming a Faustian. Later that night, Angela heard strange noises coming from Anna Maria's room and went to check if everything was right. There she found the girl crying, frightened by the Enchantress' voice inside her head. The girl asked Angela to tell her a story to calm her down, and so she did, but was in vain as the Enchantress took control of the girl's body and attacked Angela. The girl managed to regain consciousness though and in an attempt to be free again, used Angela's weapon to kill herself. Serah showed up and was able to revive the girl, who was a Faustian no more. As she hasn't died, Serah thought she was safe from the Enchantress' wrath, but she was wrong as the Faerie rose from the blood of her lost Faustian and took Serah's life, fulfilling her menace. With the sun setting, Angela burned her lover's body to the ashes, recovering her skull and singing to it afterwards. Suddenly to Angela's surprise, the skull became animated and started to talk with her.[20]

Academic response[edit]

James Fleming has written about 1602's use of the postmodern tradition, and how this is employed; both to respond to the post-9/11 world in which the comic was written; and to propose a new model of postmodernism better suited to the post-9/11 world. On the one hand, 1602 is clearly postmodern, depending as it does on the mixing of tropes of both Elizabethan fiction and contemporary comics. But Fleming focuses particularly on Gaiman's use of The Watcher as a witness that provides an epistemological grounding to the text - a grounding that, citing Brian McHale, Fleming argues is absent in traditional postmodern writing.[21]

In other media[edit]


Video games[edit]


  1. ^ McKowen, Scott. "Cover Process", from Marvel 1602: page 3.
  2. ^ a b c Gaiman, Neil (30 June 2004). "Afterword", from Marvel 1602: page 1.
  3. ^ Gaiman, Neil (30 June 2004). "Afterword", from Marvel 1602: p.2.
  4. ^ a b c d Weiland, Jonah (2003-06-27). "Marvel's '1602' Press Conference". Comic Book Resources. Retrieved 2008-02-18. 
  5. ^ a b Lowe, Nick. "Pencils", from Marvel 1602.
  6. ^ a b McKowen, Scott. "Cover Process", from Marvel 1602: page 1.
  7. ^ a b c McKowen, Scott. "Cover Process", from Marvel 1602: page 2.
  8. ^ "Top 300 Comics Actual--August 2003". 2004-09-16. Retrieved 2008-07-16. 
  9. ^ Dolan, Cody (2003-08-25). "1602 #1 Review". Comics Bulletin. Retrieved 2008-01-23. [dead link]
  10. ^ Jensen, Jeff (2003-09-05). "Book Capsule Review: 1602 (Summer 2003)". Entertainment Weekly. Retrieved 2008-02-13. 
  11. ^ "The Gentleman" (2005-08-13). "Somewhere in Time". Retrieved 2008-02-20. 
  12. ^ a b Latta, Darren (2004). "Featured Review: 1602 (Marvel Comics)". UGO Networks. Retrieved 2008-02-20. 
  13. ^ Quills Foundation (2005). "The Quill Awards: The 2005 Awards". TheQuills.Org. Archived from the original on December 28, 2007. Retrieved 2008-02-12. 
  14. ^ Brady, Matt (2004-03-31). "Diamond Names 2003 Gem Award Winners". Newsarama. Retrieved 2007-01-31. [dead link]
  15. ^ Arnold, Andrew (2003-12-18). "Time 2003 Best and Worst: Comics". Time Magazine. Archived from the original on 2007-12-17. Retrieved 2008-02-12. 
  16. ^ Lander, Randy (2003-07-10). "Snap Judgements: Marvel 1602". Retrieved 2008-02-12. 
  17. ^ Free Comic Book Day Vol 2014 Guardians
  18. ^ 1602: Witch Hunter Angela #1
  19. ^ 1602: Witch Hunter Angela #2
  20. ^ 1602: Witch Hunter Angela #3
  21. ^ Fleming, James. "Incommensurable Ontologies and the Return of the Witness in Neil Gaiman's 1602." ImageTexT 4.1. [1]

External links[edit]