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For other uses, see Marvels (disambiguation).
Marvels #1. Cover art by Alex Ross
Publication information
Publisher Marvel Comics
Schedule Monthly
Format Limited series
Publication date January – April 1994
Number of issues 4 + #0
Creative team
Writer(s) Kurt Busiek
Artist(s) Alex Ross
Letterer(s) John Gaushell
Richard Starkings
Colorist(s) Alex Ross
Creator(s) Kurt Busiek
Alex Ross
Editor(s) Marcus McLaurin
Collected editions
10th Anniversary Edition ISBN 0-7851-1388-6

Marvels is a four-issue limited series comic book written by Kurt Busiek, painted by Alex Ross and edited by Marcus McLaurin. It was published by Marvel Comics in 1994.

Set from 1939 to 1974, the series examines the Marvel Universe, the collective setting of most of Marvel's superhero series, from the perspective of an Everyman character: news photographer Phil Sheldon. The street-level series portrayed ordinary life in a world full of costumed supermen, with each issue featuring events well known to readers of Marvel comics as well as a variety of minute details and retelling the most famous events in the Marvel universe.

Marvels was a success, winning multiple awards and launching the significant careers of Busiek and Ross, who would both return to the "everyday life in a superhero universe" theme in the Homage Comics series, Astro City.

Warren Ellis' Ruins returned to this theme in 1995, but an actual sequel had to wait until 2008 with the release of Marvels: Eye of the Camera.

Publication history[edit]

Marvels was a four-issue miniseries (cover-dated Jan.-April 1994) by writer Kurt Busiek with painted art by Alex Ross.[1] It was followed by an issue #0 (Aug. 1994) containing a 12-page story of the original 1940s Human Torch by Busiek and Ross; two text articles; and 18 pages of Ross superhero pinups.[2] The series was later collected into a trade paperback edition.


The story begins in early 1939 with the origin of the original Human Torch (Marvel Comics #1) told from his point of view. The android is created by scientist Phineas Horton, and the project is considered a success until the android catches on fire when air is projected into its glass chamber, only to go out when the air is gone. Horton shows his creation to the public, which is met with demands from the terrified civilians to destroy it. Horton decides to bury the android. The android describes himself as "aware of everything, understanding nothing", when he reflects on his "father" (Horton) and the harshness of the public, who saw the Torch for what he was. The chamber cracks, allowing air into the chamber at which point he is once again engulfed in flames, and escapes. The Human Torch describes his appearance as the beginning of a "golden age".

Meanwhile, young Phil Sheldon, an aspiring photographer, and young J. Jonah Jameson are shocked by these "Marvels." But Sheldon is more confused than Jameson by the spectacle and, worried, seeks the support of his fiancée, Doris Jacquet. More costumed avengers begin to appear, notably Namor the Sub-Mariner (Marvel Mystery Comics #4), and fights erupt between him and the Human Torch. Sheldon decides that it would be irresponsible for him to raise children in a world where these Marvels run rampant, and thus he breaks off his engagement with Doris. It is only when Captain America is unveiled to the world (Captain America #1) that Sheldon begins to become less apprehensive about the Marvels. Then, when World War II begins, Namor and the Human Torch join Captain America and the Allied Forces. Sheldon, Doris, and many others see the Marvels joining forces with the Allies on a news reel, they celebrate and all of their fears are put to rest. But, after rekindling his romance with Doris, Sheldon hears that the Human Torch and Namor are fighting again (Human Torch #5), and the battle this time damages New York City's landmarks. During the fight, they come near but do not directly encounter Sheldon, and he is knocked out by a small chunk of masonry and permanently goes blind in his left eye. Still, he has lost all fears of the Marvels and goes on to marry Doris. Later, he is in Europe as a war correspondent, reporting on the Allied Forces and the Marvels as they go up against the Nazis.

Much later, in the mid 1960s, Sheldon is now a husband and father of two; Beth and Jennie, and is preparing to write a book called "Marvels". At this point, New York now has two superhero teams, the Fantastic Four and The Avengers. Sheldon is excited by recent news of the return of Captain America a hero from his youth, but all is not well with the fear of the mutants growing among the public. Mutants, human beings born with superpowers, are the so-called "next stage of human evolution." More importantly, fear is mounting around the mutant team known as The X-Men. He joins a mob and comes face to face with the original incarnation of the X-Men, who the leader, Cyclops, says "they're not worth it" toward a rageful Iceman as they escape. Not knowing what he meant, the words stay on Sheldon's mind. On the bright side; the Marvels are treated as celebrities, as seen by Sheldon at the gala opening of Alicia Masters' sculptures, in which some are of Marvels, and gossip spreads over the upcoming marriage between Reed Richards and Sue Storm. However, Sheldon runs home hearing an anti-mutant mob in the area and finds that his daughters are hiding their friend: a mutant girl with a skull-like head. Sheldon sees the importance of hiding this girl, but is worried for the sake of his family. Following the wedding of Mr. Fantastic and the Invisible Girl, Sentinels are unleashed during a television debate with Professor Xavier but instead malfunction and begin rampaging throughout the city. A mob forms, attacking and destroying everything in sight, with only Sheldon helping the injured. The newly repaired Sentinels stop the mob, but Sheldon runs home to find that the mutant girl is gone. Though Sheldon does not know if she will be alright, he prays for her safety.

As the 1960s continue, Sheldon is preoccupied with his work, to the detriment of his family. But after the news from the Avengers being declared menaces, the law going after Tony Stark, Spider-Man sightings, and possible comings of Judgement Day; the Silver Surfer appears to the world, and defeats the Fantastic Four. This leads to the appearance of a greater threat who plans to consume Earth: Galactus. With the city in panic, Sheldon believes in his heart that Earth will end, and he goes home to be with his family in the final moments. Suddenly, news comes that the Fantastic Four have managed to defeat Galactus, thus saving the Earth. In the wake of the Fantastic Four's victory, Sheldon promises that he will spend more time with his family. However, he is later disgusted by the way the public has again turned on the heroes, with one newspaper claiming that the Galactus threat was a hoax. Sheldon rages at a crowd carrying on an anti-mutant conversation.

Finally in the 1970s, Sheldon releases his book Marvels, an instant bestseller. He is still dismayed at the public's reaction to the Marvels, and is particularly disgusted by J. Jonah Jameson laying into Spider-Man, who has been framed for the death of NYPD Captain George Stacy. He resolves to investigate the murder and clear Spider-Man's name. Whilst talking to a witness with Luke Cage, he learns that not only do the police not suspect Spider-Man for Stacy's death, but that they suspect Doctor Octopus. It is revealed that Spider-Man is being blamed due to Jameson, who reveals the true reason why people hate the Marvels: a mixture of jealousy and insecurity, the belief that humans cannot compete with the selfless heroism and nobility of the Marvels. It is also by befriending Gwen Stacy, Captain Stacy's daughter, that he learns from her, during a brief Atlantean invasion of Manhattan led by Namor, that the Marvels exist to help the innocent, beyond petty human jealousies and spite. This revelation leads to Spider-Man being cleared, but not soon after Gwen is kidnapped by the Green Goblin, and during the chase that leads to the Brooklyn Bridge, where the fight leads to the death of Gwen after the Goblin pushed her over it, despite (or because) of Spider-Man's attempt to save her. The police forensic report reveals that Gwen died from the shock of the fall. Sheldon's faith in the Marvels has been irreparably shattered, as Sheldon cannot reconcile Spider-Man's failure to save Gwen with what he sees as the hero's purpose in life. In the end, he decides that he has had enough, and he plans to retire. Before he can hang up his camera, a final photo is taken of Phil, his wife, and a "nice, normal boy". Unbeknownst to him, the boy is Danny Ketch, who will eventually becomes the demonic hero Ghost Rider.

Collected editions[edit]

In 1995, Marvels was compiled into a trade paperback that featured the Human Torch short story (2003 re-release ISBN 0-7851-0049-0). For the tenth anniversary in 2004 Marvel released a 400-page hardcover (ISBN 0-7851-1388-6). In 2008 the original was reprinted as a hardcover (ISBN 0-7851-2784-4) and softcover volume (by Panini Comics, ISBN 1-905239-97-1) and in 2012 as issue 15 of The Official Marvel Graphic Novel Collection as number 13.


  • 1994:
    • Won "Best Finite Series" Eisner Award[3]
    • Won "Best Painter" Eisner Award, for Alex Ross[3]
    • Won "Best Publication Design" Eisner Award, for Comicraft[3]
    • Nominated for "Best Cover Artist" Eisner Award, for Alex Ross[3]
    • Nominated for "Best Single Issue", for Marvels #2 "Monsters"[3]


Marvel later published similar limited series under the "Marvels" header, with other writers and painters, though none of these titles were as successful as the original.

In 1995, Marvel released the darker Ruins by writer Warren Ellis and painters Cliff and Terese Nielsen, was a two-issue parallel world series in which Sheldon explored a Marvel Universe that had gone terribly wrong.

In 2008, the long promised direct sequel, Marvels: Eye of the Camera, a 6-part limited series, began. It returns to Sheldon's perspective, after his retirement. Alex Ross did not return for this sequel, however Kurt Busiek returned as writer with Roger Stern as co-writer for issues 3–6, with artwork by Jay Anacleto.

Other versions[edit]

Kingdom Come[edit]

Main article: Kingdom Come (comics)

Ross also did the artwork for the DC Comics mini-series Kingdom Come. Phil Sheldon makes a cameo at the superhero press conference held at the UN building in Kingdom Come #2. He also makes an appearance in the last page of the epilogue in the Kingdom Come trade paperback. He is seated next to the Spectre in his civilian guise of Jim Corrigan and Norman McCay.[citation needed]

Spider-Man: Blue[edit]

Main article: Spider-Man: Blue

Phil Sheldon is mentioned in Peter's first scene in the Daily Bugle in Spider-Man: Blue. J. Jonah Jameson requests Sheldon cover the photo op of Harry Osborn in the hospital. He is reminded that "Phil is covering the Tony Stark trial".

In other media[edit]


  • Phil Sheldon makes a cameo appearance on The Super Hero Squad Show episode "This Al Dente Earth!" voiced by Charlie Adler. He takes a picture of Iron Man, Silver Surfer, and Galactus after Silver Surfer convinces Galactus not to devour the Earth.


  1. ^ Marvels at the Grand Comics Database
  2. ^ Marvels #0 at the Grand Comics Database
  3. ^ a b c d e 1994 Will Eisner Comic Industry Award Nominees and Winners, the Comic Book Awards Almanac

External links[edit]