Mary Kathryn Nagle

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Mary Kathryn Nagle
Born Oklahoma City
Occupation lawyer, playwright
Alma mater Georgetown University,
Tulane University
Genre playwright

Mary Kathryn Nagle is a playwright and a partner at Pipestem Law, a firm specializing in tribal sovereignty of Native nations and peoples. She was born in Oklahoma City, OK, and is an enrolled citizen of the Cherokee Nation of Oklahoma.[1] She currently serves as the executive director of the Yale Indigenous Performing Arts Program (YIPAP).[2]

Education and career[edit]

Mary Kathryn Nagle received her bachelor's degree in Justice and Peace Studies from Georgetown University, and later received her degree in law from Tulane University Law School where she graduated summa cum laude. After graduating from law school, Nagle clerked for two federal judges at once in the United States District Court for the District of Nebraska, Senior Judge Joseph F. Bataillon, and Chief Judge Laurie Smith Camp.[3] The majority of her work in court involves fighting for the rights of Native people on and off of reservations.[4] One of the most prominent cases she litigated was Adoptive Couple v Baby Girl (also known as the Baby Veronica case) trial in 2013, held in the US Supreme Court. She wrote a brief which cited the ICWA (Indian Child Welfare Act) to keep a young Native girl from being taken away from her birth-father and being adopted by a white family. It was during law school that Nagle realized she wanted to advocate for Native rights as a playwright.[5]

Nagle is an alumna of the 2013 Emerging Writers Group, a prestigious program supported by The Public Theater for up-and-coming playwrights. During her time in the Emerging Writers Group she wrote Manahatta, a play that received recognition from the groups that give the William Soroyan Prize for Playwriting and the Jane Chambers Playwriting Award.[6][7] Sliver of a Full Moon is one of her most successful works to date, having been performed at the Church Center of the United Nations and various law schools across the country, including Yale,[8] Harvard,[9] NYU,[10] and Stanford.[11] After being commissioned by the Arena Stage to write Sovereignty, she became the first Native American playwright to ever have their work featured in the venue.

Family[edit]

Nagle's grandmother, Frances Polson, was a Cherokee woman, and her grandfather, Dr. Patrick Sarsfield Nagle II, was an Irish man and the son of the leader of the Oklahoma Socialist Party.[12] The couple were forced to elope from Oklahoma to Iowa because Patrick's family opposed the marriage.[12]

Her great-great-great grandfather was John Ridge, a Cherokee politician. Ridge's father, Major Ridge (Nagle's great-great-great-great grandfather), was also a Cherokee politician. They were both involved with the drafting of treaties with the United States in an attempt to protect Cherokee rights in the era of Indian removal.[12]

Plays[edit]

  • Katrina Stories (2008)
  • Welcome to Chalmette (2008)
  • Waaxe's Law (2009)
  • To the 7th Degree (2009)
  • Manahatta (2013) – a young Native American woman with a Stanford MBA rediscovers the history of her homeland, Manahatta.
  • Sliver of a Full Moon (2013) – a group of survivors of domestic violence on Indian reservations tell their stories about how jurisdiction laws have impacted them, while an effort to re-authorize the Violence Against Women Act (VAWA) is pushed in congress.
  • Miss Lead (2013) – a young Native American woman discovers and must acknowledge she has lead poisoning.
  • Fairly Traceable (2013) – set in the aftermath of Hurricanes Katrina and Rita, two young Native American law school students grapple with career ambitions, rights of native communities, and environmental welfare. Staged in March 2017 in the Autry Museum of the American West "Native Voices" series.[13]
  • In My Father's Eyes (2013–14)
  • My Father's Bones (2013–14) – the children of Jim Thorpe, Olympic gold medalist and member of the Sac and Fox Nation, attempt to repatriate their father's remains.
  • Diamonds... Are a Boy's Best Friend (2013–14)
  • Sovereignty (2015) – young Cherokee lawyer Sarah Ridge Polson returns to Oklahoma in order to help restore her Nation's tribal jurisdiction.[14]

References[edit]

  1. ^ "Developing Authenticity — TCG Circle". www.tcgcircle.org. Retrieved 2016-12-17.
  2. ^ "Women's Voices Theater Festival - Play Detail". www.womensvoicestheaterfestival.org. Retrieved 2018-04-01.
  3. ^ OsiyoTV (2017-09-11), Mary Kathryn Nagle, From the Pen to the Stage, retrieved 2018-04-01
  4. ^ "Mary Kathryn Nagle - Pipestem Law". Pipestem Law. Retrieved 2016-12-17.
  5. ^ "Native Voices On the American Stage: A Constitutional Crisis". HowlRound. Retrieved December 17, 2016.
  6. ^ "Mary Kathryn Nagle Joins Yale to Lead Indigenous Performing Arts Program Yale Indigenous Performing Arts Program (YIPAP)". yipap.yale.edu. Retrieved December 17, 2016.
  7. ^ "Powerplays | Arena Stage". www.arenastage.org. Retrieved 2016-12-17.
  8. ^ "Sliver of a Full Moon Production Packs Institute of American Indian Arts (IAIA)". ygsna.sites.yale.edu. Yale Group for the Study of Native America. Retrieved 2018-05-09.
  9. ^ "Sliver of a Full Moon". Radcliffe Institute for Advanced Study at Harvard University. 2015-09-10. Retrieved 2018-05-09.
  10. ^ "Sliver of a Full Moon | NYU School of Law". its.law.nyu.edu. Retrieved 2018-05-09.
  11. ^ School, Stanford Law. "Sliver of a Full Moon – a play about VAWA and Native American Women | Stanford Law School". Stanford Law School. Retrieved 2018-05-09.
  12. ^ a b c "Native Voices On the American Stage: A Constitutional Crisis". HowlRound. Retrieved 2016-12-17.
  13. ^ "Native Voices at the Autry: Past Performances". Autry Museum of the American West. Retrieved 16 August 2017.
  14. ^ "Women's Voices Theater Festival - Play Detail". www.womensvoicestheaterfestival.org. Retrieved 2018-04-01.

External links[edit]