He studied in Bologna and Rome. In Florence he worked with Vincenzo Meucci and Giovanni Domenico Ferretti. He painted altarpieces for San Salvatore: a Deposition (1738; and for Santo Stefano: a Miracle of San Zenobi (1745). Luigi Lanzi describes him as a pupil of Giovanni Camillo Sagrestani or of Sagrestani's mentor, Carlo Cignani.
- Metropolitan Museum, drawing by Soderini.
- Trecanni entry lists death after 1751.
- Encyclopedia Treccani, short entry on Soderini.
- The History of Painting in Italy: The Florentine, Sienese, and Roman schools, by Luigi Lanzi, Thomas Roscoe, page 253.