Max Neuhaus (born 1939 in Beaumont, TX) was a renowned percussionist and interpreter of contemporary music in the 1960s who moved on to pioneer artistic activities with sound. He has created numerous sound works (including sound installations) that have extended sound as a primary medium into the domain of contemporary art.
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Bibliography [ edit ]
Strongin, Theodore (June 3, 1964). "Concert Is Given By Percussionist". New York Times.
Goldstein, Malcolm (June 1964). "Neuhaus Realizations". The Village Voice.
Salzman, Eric (November 1968). "Max Neuhaus' Electronics and Percussion". HiFi Stereo Review.
Johnson, Tom (October 6, 1976). "Creating the Context: Max Neuhaus". The Village Voice.
La Barbara, Joan (October 1977). "Max Neuhaus: new sounds in natural settings". Musical America.
Ammann, Jean-Christophe (1983). "Notes on Max Neuhaus". Max Neuhaus: Sound Installation [German, English]. Kunsthalle Basel.
Rockwell, John (1983). All American Music: Composition in the Late Twentieth Century. New York: Alfred A. Knopf, Inc. pp. 145–53. ISBN 0-394-51163-8.
Tomkins, Calvin (October 24, 1988). "HEAR". The New Yorker.
Danto, Arthur (March 4, 1991). "Max Neuhaus: Sound Works". The Nation.
Tazzi, Pier Luigi (November 1997). "Constructed Sound: Max Neuhaus". Carte d'Arte Internazionale (Messina).
Safran, Yehuda (December 2004). "Shaping Sound". Domus 876.
Loock, Ulrich (2005). "Times Square, Max Neuhaus's Sound Work in New York City". Open: Cahier on Art in the Public Domain.
Loock, Ulrich (2007). "The Time Piece for the Stommeln Synagogue". Max Neuhaus Time Piece Stomme. Pulheim: Der Bürgermeister.