May Ayim

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May Ayim
Born Sylvia Adler
May 3, 1960
Hamburg, Germany
Died August 9, 1996(1996-08-09) (aged 36)
Berlin, Germany
Other names May Opitz
Occupation Poet, writer, educator, activist

May Ayim (3 May 1960 in Hamburg – 9 August 1996 in Berlin) is the pen name of May Opitz (born Sylvia Adler); she was an Afro-German poet, educator, and activist. The child of a German mother and Ghanaian medical student, she was adopted by a white German family when young. After reconnecting with her father and his family in Ghana, in 1992 she took his surname for a pen name.

Opitz wrote a thesis at the University of Regensburg, Afro-Deutsche: Ihre Kultur- und Sozialgeschichte aus dem Hintergrund gesellschaftlicher Veränderungen (Afro-Germans: Their Cultural and Social History on the Background of Social Change), which was the first scholarly study of Afro-German history. Combined with contemporary materials, it was published as the book Farbe Bekennen (1986). This was translated and published in English as Showing Our Colors: Afro-German Women Speak Out (1986). It included accounts by many women of Afro-German descent. Ayim worked as an activist to unite Afro-Germans and combat racism in German society. She co-founded Initiative Schwarze Deutsche (Initiative of Black People in Germany) to that purpose in the late 1980s.

Early life[edit]

Born Sylvia Andler in 1960 in Hamburg, she was the daughter of unmarried parents Ursula Andler and Emmanuel Ayim. Her father, a Ghanaian medical student, wanted to have her raised by his childless sister, but German law made illegitimate children a ward of the state and did not give rights to biological fathers. Her mother placed the girl for adoption.

After a brief time in a children's home, Sylvia was adopted by the Opitz family, who named her May Opitz and raised her with their biological children. She grew up in Westphalia, where she later said that her childhood was unhappy. She considered her adoptive parents to be strict and she said they used physical violence against her. This was one of the issues she explored in her later poetry.[1] She later said that the family threw her out of the family home at the age of nineteen, which the Opitz family denied.[citation needed] She continued to keep in touch with them. That same year she graduated from Friedenschule, the Episcopal School in Münster, and passed her Abitur. She attended teacher training college in Münster, specialising in German language and Social Studies.

Opitz attended the University of Regensburg, majoring in Psychology and Education. During this period she traveled to Israel, Kenya and Ghana. She found her biological father Emmanuel Ayim, then a professor of Medicine, and developed a relationship with him and his family. She used May Ayim as a pen name from 1992 to reflect this connection.

Career[edit]

May Opitz's thesis at the University of Regensburg, Afro-Deutsche: Ihre Kultur- und Sozialgeschichte aus dem Hintergrund gesellschaftlicher Veränderungen (Afro-Germans: Their Cultural and Social History on the Background of Social Change). This was the first scholarly study of Afri-German history, ranging from the Middle Ages to the late 20th-century present.[2] In 1986, it was the foundation of the book, Farbe Bekennen: Afro-deutsche Frauen auf den Spuren ihrer Geschichte. (This book was published in English as Showing Our Colors: Afro-German Women Speak Out, 1986).[2] Opitz edited this with Katharina Oguntoye and Dagmar Schultz, having added many accounts by contemporary Afro-German women. At this time she also co-founded the Initiative Schwarze Deutsche (Initiative of Black People in Germany).

Contemporary Afro-German women discussed their struggles growing up black in Germany, and how individuals explored their homeland and multi-ethnic identity. In some cases, it meant trying to find black fathers; in cases of adoption, they sometimes tried to find both parents.

Opitz, Oguntoye and Schultz decided to allow as many generations as possible to speak in this book. As the editors met with other Afro-German women and became involved with them, they connected with each other in a new way through this shared ancestry. The Afro-Germans began sharing their experiences with each other and contacting other Afro-Germans, as they searched for and discovered their history. The editors and writers said they did not want to have to explain their existence anymore. They wanted to be sure of their identity and able to assert it to others. The editors went public with their experiences in this book, discussing their histories and the prevalence of racism, while sharing their own personal experiences. Opitz, Oguntoye and Schultz felt that as they pushed for Afro-Germans to become more visible, future generations of Afro-Germans would feel less isolated and marginalized. This group identified as Afro-German, in part to prevent being defined by others.

Opitz helped found the Initiative Schwarze Deutsche und Schwarze in Deutschland (Initiative of Black Germans and Black People in Germany). It is known in short as Initiative Schwarze Deutsche (ISD), pushing for Afro-Germans to unite in mutual support. Audre Lorde was a chief leader in founding this group. A film documentary, Audre Lorde: The Berlin Years 1984 to 1992, covers her life and this period of growing Afro-German identity in the culture.[2]

After a visit to Ghana, where she met her paternal family, Opitz returned to Germany and trained as a speech therapist. She wrote a thesis on ethnocentrism in the discipline. After more travels, she settled in Berlin in 1984, lecturing at the Free University of Berlin. She continued to write articles and poetry exploring the issues of multi-ethnic peoples in Germany and personal identity.

In 1992 she took her father's name Ayim, and used May Ayim as her pen name.[2] She was active as an educator and writer, taking part in many conferences and publishing a poetry collection, Blues in schwarz-weiss (Blues in Black and White, 2003 in the US).[3]

Death[edit]

After working strenuously to prepare for Black History Month in 1996, Ayim suffered a mental and physical collapse. She was admitted to the psychiatric ward of the Auguste Viktoria Hospital in Berlin in January 1996. The doctors eventually diagnosed her as having multiple sclerosis. They stopped her medication, which had been based on believing she had severe depression, and discharged her in April 1996. Continuing to struggle with depression, Ayim was readmitted in June following a suicide attempt. Discharged again in July, she killed herself on August 9, by jumping from the thirteenth floor of a Berlin building.[4]

Legacy and honors[edit]

  • The film documentary Hoffnung im Herz (Hope in My Heart: The May Ayim Story) (1997), directed by Maria Binder, was made about her.[5]
  • 2004, the May Ayim Award was founded to honor her. Presented annually, it is the first Black German International Literature Award.
  • 2011, A street in Berlin Kreuzberg, formerly named after a German colonialist, was renamed in her honor as May

Ayim Ufer.[2]

Cultural references[edit]

May Ayim's poem "They're People Like Us" is cited in Paul Beatty's 2008 novel Slumberland.

She is the subject of Linton Kwesi Johnson's elegiac poem "Reggae Fi May Ayim" on his 1999 album More Time.[6]

References[edit]

  1. ^ Margaret MacCarroll, May Ayim: A Woman in the Margin of German Society, thesis, p. 3
  2. ^ a b c d e Marion Gerlind, "May Ayim’s Legacy in World Language Study", FLANC Newsletter, Spring 2012 (published by Foreign Language Association of Northern California Conference), accessed 14 January 2015.
  3. ^ May Ayim, Excerpt of Blues in Black and White, BlackAtlantic.com]
  4. ^ Ayim, May (2007). "The Year 1990: Homeland and Unity From an Afro-German Perspective". In Göktürk, Deniz; Gramling, David; Kaes, Anton. Germany in Transit: Nation and Migration, 1955-2005. Weimar and Now: German Cultural Criticism 40. University of California Press. p. 126. ISBN 978-0-520-24894-6. 
  5. ^ "Hope in My Heart: The May Ayim Story", Third World Newsreel, accessed 14 January 2015
  6. ^ "Linton Kwesi Johnson - Reggae Fi May Ayim". YouTube.