A maypole is a tall wooden pole erected as a part of various European folk festivals, around which a maypole dance often takes place.
The festivals may occur on May Day or Pentecost (Whitsun), although in some countries it is instead erected at Midsummer. In some cases the maypole is a permanent feature that is only utilised during the festival, although in other cases it is erected specifically for the purpose before being taken down again.
Primarily found within the nations of Germanic Europe and the neighbouring areas which they have influenced, its origins remain unknown, although it has been speculated that it originally had some importance in the Germanic paganism of Iron Age and early Medieval cultures, and that the tradition survived Christianisation, albeit losing any original meaning that it had. It has been a recorded practice in many parts of Europe throughout the Medieval and Early Modern periods, although it became less popular in the 18th and 19th centuries. Today, the tradition is still observed in some parts of Europe and among European communities in North America.
The symbolism of the maypole has been continuously debated by folklorists for centuries, although no set conclusion has ever been arrived at. Some scholars classify maypoles as symbols of the world axis (axis mundi). The fact that they were found primarily in areas of Germanic Europe, where, prior to Christianisation, Germanic paganism was followed in various forms, has led to speculation that the maypoles were in some way a continuation of a Germanic pagan tradition. One theory holds that they were a remnant of the Germanic reverence for sacred trees, as there is evidence for various sacred trees and wooden pillars that were venerated by the pagans across much of Germanic Europe, including Thor's Oak and the Irminsul. It is also known that, in Norse paganism, cosmological views held that the universe was a world tree, known as Yggdrasil. There is therefore speculation that the maypole was in some way a continuance of this tradition.
Non-Germanic people have viewed them as having phallic symbolism, an idea which was purported by Thomas Hobbes, who erroneously believed that the poles dated back to the Roman worship of the god Priapus. This notion has been supported by various figures since, including the psychoanalyst Sigmund Freud. Phallic symbolism has been attributed to the maypole in the later Early Modern period, as one sexual reference is in John Cleland's controversial novel Fanny Hill:
- ...and now, disengag'd from the shirt, I saw, with wonder and surprise, what? not the play-thing of a boy, not the weapon of a man, but a maypole of so enormous a standard, that had proportions been observ'd, it must have belong'd to a young giant.
The anthropologist Mircea Eliade theorizes that the maypoles were simply a part of the general rejoicing at the return of summer, and the growth of new vegetation. In this way, they bore similarities with the May Day garlands which were also a common festival practice in Britain and Ireland.
Germany and Austria
In Germany and Austria the maypole (or Maibaum) is a tradition going back to the 16th century. It is a decorated tree or tree trunk that is usually erected either on 1 May – in Baden and Swabia – or on the evening before, for example, in East Frisia. In most areas, especially in Baden-Württemberg, Bavaria and Austria, it is usual to have a ceremony to erect the maypole on the village green. The custom of combining it with a village or town fete, that usually takes place on 30 April, 1 May or at Pentecost (Whitsun), is widespread. This tradition is especially strong in the villages of the Bavarian Alps where the raising of the traditional maypole on 1 May in the village square is a cause for much celebration. The pole is usually painted in the Bavarian colours of white and blue and decorated with emblems depicting local crafts and industry.
Just before the Maibaum is erected, depending on the region, there may be a procession through the village, usually ending up at a central place and/or restaurant and usually watched by crowds of spectators and accompanied by a brass band. The actual installation of the tree then takes place in the afternoon or evening. While the crowds usually while away the time drinking beer and eating sausages, the young men busy themselves with decorating the maypole to get the symbols of various trades representing the region into the right position. While the maypole is traditionally set up with the help of long poles, today it may sometime also be done using tractors, forklifts or even cranes. In Lower Austria ropes and ladders are used.
If the tree is erected on the eve of 1 May, then the event is usually followed by a May dance or Tanz in den Mai.
Depending on local custom, the Maibaum may remain in place until the end of the month and is then taken down, decorations removed and the trunk stored until the following year. In many parts of Bavaria it remains in place all year round.
On the night of the last day of April, many young men erect small decorated "Maibäume" in front of the houses of their sweethearts. Some attach a red heart with the name of the girl written on it to the tree.
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In Denmark the maypole tradition is almost extinct but is still observed on the islands of Avernakø and Strynø south of Funen and in a few villages in southern Himmerland in eastern Jutland. The maypole is generally referred to as a majtræ, "May tree".
In Sweden and Swedish speaking parts of Finland, the maypole is usually called a midsummer pole, midsommarstång, as it appears at the Midsummer celebrations, although the literal translation majstång also occurs, were the word maj refers to the old Swedish word maja which means dress and not to the month of May. The traditions surrounding the maypoles vary locally, as does the design of the poles, although the design featuring a cross and two rings is most common nowadays. A perhaps more original incarnation is the one still in use in the Swedish landscape of Småland where the pole carries a large horizontally suspended ring around it, hanging from ropes attached at the top of the pole. This perhaps more original form of course strongly reinforces the procreation symbolism. The cross-arm may be a latter-day attempt to Christianize the pagan symbol into the semblance of a cross, although not completely successful. Common in all of Sweden are traditional ring dances, mostly in the form of dances where you are alternating dancing and making movements and gestures based on the songs, such as pretending that you are scrubbing laundry while singing about washing, or jumping as frogs during the song Små grodorna ("The little frogs"). The ring dancing is mostly popular with small children. The central part played by young children in the celebration emphasize the procreation aspect of the celebration. Yet another pointer in this direction is the custom that young maidens expect to dream of their future mate if they pick seven different flowers and place them under their pillow when they go to bed on this day only.
In Britain the maypole was found primarily in England and in areas of Wales and Scotland which were under English influence. However, the earliest recorded evidence comes from a Welsh poem written by Gryffydd ap Adda ap Dafydd in the mid-14th century, in which he described how people used a tall birch pole at Llanidloes, central Wales. Literary evidence for maypole use across much of Britain increases in later decades, and "by the period 1350-1400 the custom was well established across southern Britain, in town and country and in both Welsh-speaking and English-speaking areas."
The practice had become increasingly popular throughout the ensuing centuries, with the maypoles becoming "communal symbols" that brought the local community together - in some cases, poorer parishes would join up with neighbouring ones in order to obtain and erect one, whilst in other cases, such as in Hertfordshire in 1602 and Warwickshire in 1639, people stole the poles of neighbouring communities, leading to violence. In some cases the wood for the pole was obtained illegally, for instance in 1603, the earl of Huntingdon was angered when trees were removed from his estates for use as maypoles without his permission.
The rise of Protestantism in the 16th century led to increasing disapproval of maypoles and other May Day practices from various Protestants who viewed them as idolatry and therefore immoral. Under the reign of Edward VI in England and Wales, the Protestant Anglicanism was declared to be the state religion, and under the Reformation many maypoles, such as the famous Cornhill maypole of London, were destroyed; however when Mary I ascended the throne after Edward's death, she reinstated Roman Catholicism as the state faith, and the practice of maypoles was reinstated. Under later English monarchs, the practice was sporadic, being banned in certain areas, such as Doncaster, Canterbury and Bristol, but continuing in many others, according to the wishes of the local governors. In Scotland meanwhile, which at this time was still an independent state, Protestantism, in the form of Presbyterianism, had taken a more powerful hold, and largely wiped out the practice of maypoles across the country.
That royal support contributed to the outlawing of maypole displays and dancing during the English Interregnum. The Long Parliament's ordinance of 1644 described maypoles as "a Heathenish vanity, generally abused to superstition and wickedness." The only recorded breach of the Long Parliament's prohibition was in 1655 in Henley-in-Arden, where local officials stopped the erection of maypoles for traditional games. Scholars suspect, but have no way to prove, that the lack of such records indicates official connivance in flouting of the prohibition. However, they are certain that the prohibition turned maypole dancing into a symbol of resistance to the Long Parliament and to the republic that followed it.
The church of St Andrew Undershaft in the City of London is named after the maypole that was kept under its eaves and set up each spring until 1517 when student riots put an end to the custom. The maypole itself survived until 1547 when a Puritan mob seized and destroyed it as a "pagan idol".
When the Restoration occurred in 1660, common people in London, in particular, put up maypoles "at every crossway," according to John Aubrey. The largest was in the Strand, near the current St Mary-le-Strand church. The maypole there was the tallest by far, reaching over a hundred and thirty feet, and it stood until being blown over by a high wind in 1672, when it was moved to Wansted in Essex and served as a mount for a telescope.
In the countryside, may dances and maypoles appeared sporadically even during the Interregnum, but the practice was revived substantially and joyously after the Restoration. By the 19th century, the maypole had been subsumed into the symbology of "Merry England". The addition of intertwining ribbons seems to have been influenced by a combination of 19th century theatrical fashion and visionary individuals such as John Ruskin in the 19th century. However, the maypole remained an anti-religious symbol to some theologians, as shown by "The Two Babylons", an anti-Catholic conspiracist pamphlet that first appeared in 1853.
As revived, the dance is performed by pairs of boys and girls (or men and women) who stand alternately around the base of the pole, each holding the end of a ribbon. They weave in and around each other, boys going one way and girls going the other and the ribbons are woven together around the pole until the merry-makers meet at the base. There are also more complex dances for set numbers of (practised) dancers, (the May Queen dancing troupes), involving complicated weaves and unweaves, but they are not well known today. However, such dances are performed every Mayday around the permanent Maypole at Offenham, in Worcestershire. Temporary Maypoles are usually erected on village greens and events are often supervised by local Morris dancing groups.
In some regions, a somewhat different Maypole tradition existed: the carrying of highly decorated sticks. The sticks had hoops or cross-sticks or swags attached, covered with flowers, greenery or artificial materials such as crepe paper. Children would take these hand-held poles to school on May Day morning and prizes may be awarded for the most impressive. This tradition is known as garlanding, and was a central feature of Mayday celebrations in central and southern England until the mid-19th century. After that time, it began to be replaced by formally organised school-centred celebrations. It still occurs from place to place but is invariably a reinstatement of a local custom that had lapsed decades earlier.
In 1780, Kilmarnock Council, now in East Ayrshire, paid Robert Fraser 2s. 6d. for dressing a Maypole, one of the last recorded examples of the rural festival of the first of May in Scotland, having been put down by Act of Parliament immediately after the Reformation in 1560.
While not celebrated among the general public in the United States today, a Maypole Dance nearly identical to that celebrated in the United Kingdom is an important part of May Day celebrations in local schools and communities . Often the Maypole dance will be accompanied by other dances as part of a presentation to the public.
The earliest use of the Maypole in America occurred in 1628, where William Bradford, governor of New Plymouth, wrote of an incident where a number of servants, together with the aid of an agent, broke free from their indentured service to create their own colony, setting up a maypole in the center of the settlement, and behaving in such a way as to receive the scorn and disapproval of the nearby colonies, as well as an official officer of the king, bearing patent for the state of Massachusetts. Bradford writes:
"They also set up a May-pole, drinking and dancing about it many days togaether, inviting the Indean women, for their consorts, dancing and frisking togither, (like so many fairies, or furies rather,) and worse practises. As if they had anew revived & celebrated the feasts of the Roman Goddess Flora, or the beasly practieses of the madd Bacchinalians. Morton likwise (to shew his poetrie) composed sundry rimes & verses, some tending to lasciviousnes, and others to the detraction & scandall of some persons, which he affixed to this idle or idoll May-polle. They changed also the name of their place, and instead of calling it Mounte Wollaston, they call it Merie-mounte, as if this joylity would have lasted ever. But this continued not long, for after Morton was sent for England, shortly after came over that worthy gentleman, Mr. John Indecott, who brought a patent under the broad seall, for the governmente of the Massachusets, who visiting those parts caused the May-polle to be cutt downe, and rebuked them for their profannes, and admonished them to looke ther should be better walking; so they now, or others, changed the name of their place againe, and called it Mounte-Dagon."
Maypole traditions can be found in some parts of the country, e.g. in Friuli, Umbria and Marche. In the last of these regions, the tradition dates back to the Napoleonic campaigns, when the arbre de la liberté (Liberty tree), the symbol of the French Revolution, arrived in Italy. Liberty trees were erected in the southern part of the region in Ripatransone and Ascoli Piceno. In 1889, the first congress of the Second International, met in Paris for the centennial of the French Revolution and the Exposition Universelle. A proposal by Raymond Lavigne, called for international demonstrations on the 1890 anniversary of the Chicago protests. After the institution of the International Workers' Day the maypole rite in southern part of the Marche became a socialist ritual. At the top of the tree (poplar) appeared the red flag. In the second half of the 20th century the rite of the maypole around Ascoli remained a rite of celebration of spring but it became also a political symbol of the peasant movement (mezzadri) that struggled against the landowners to have decent living conditions. Every year, even today, on the night of 30 April, in many villages of the zone like Appignano del Tronto, Arquata del Tronto, Ascoli Piceno, Castorano, Castignano, Castel di Lama, Colli del Tronto, Grottammare, Monsampolo del Tronto, Porchia (Montalto Marche), Monteprandone, Offida, Rotella, Spinetoli, San Benedetto del Tronto, citizens cut a poplar on which they put-up a red flag and the tree is erected in village squares or at crossroads.
After we've gone to get the pole in thirty or forty people, we placed it like a six month child. We walked in procession with this tree and not even a single leaf had to touch the ground. We had to raise it without making it touch the ground, holding it in our arms like a child. For us it was the saint of the 1st of May— Quirino Marchetti (ancient peasant of San Benedetto del Tronto), in L'albero di maggio
Deprived of root, and branch, and rind,
Yet flowers I bear of every kind:
And such is my prolific power,
They bloom in less than half an hour;
In popular culture
- The British horror film The Wicker Man uses a pagan sexual interpretation of Maypole traditions as the basis for its story.
- In Mad Men season 3, Don Draper becomes involved with his daughter Sally's elementary school teacher, Suzanne Farrell, whom he first saw leading her students in an outdoor maypole dance (in "Love Among the Ruins").
- In Frozen, a group of people can be seen raising a Maypole as the camera tracks through Arendelle prior to Elsa's coronation.
- Featured in the credits of the popular 1970 series "The Odd Couple"
- A maypole features prominently in the music video to The Safety Dance by new wave band Men Without Hats
- Axis Mundi
- Ceremonial pole
- May Queen
- Mount Wollaston (disambiguation)
- Walpurgis night
- Kolattam similar dance tradition from Tamil Nadu, India.
- A History of Pagan Europe by Prudence Jones and Nigel Pennick, Routledge, 1997, ISBN 0-415-15804-4, ISBN 978-0-415-15804-6, page 119
- 'The London quarterly review, Volumes 113-114', Theodore Foster, 1863, page 117
- 'The History of Religions' By Hopkins Edward Washburn, The McMillan Company 1929, page 166
- European paganism: the realities of cult from antiquity to the Middle Ages by Ken Dowden, Routledge, 2000, ISBN 0-415-12034-9, ISBN 978-0-415-12034-0, page 119
- 'Nart sagas from the Caucasus: myths and legends from the Circassians, Abazas, Abkhaz, and Ubykhs' by John Colarusso, Princeton University Press, 2002, ISBN 0-691-02647-5, ISBN 978-0-691-02647-3, page 102
- 'The early history and antiquities of Freemasonry: as connected with ancient Norse guilds, and the oriental and mediæval building fraternities' by George Franklin Fort, Bradley, 1881, page 361
- Cleland, John (1985). Cleland, John. Fanny Hill, or, Memoirs of a Woman of Pleasure.. New York: Penguin Classics. ISBN 0-14-043249-3.
- Hutton, Ronald (1996). The Stations of the Sun: A History of the Ritual Year in Britain. Oxford: Oxford University Press. Page 234.
- Steves, Rick (2008). Rick Steves' Germany and Austria 2008. Avalon Travel. p. 45. ISBN 1-59880-135-X.
- Hutton, Ronald (1996). The Stations of the Sun: A History of the Ritual Year in Britain. Oxford: Oxford University Press. Page 233.
- Hutton, Ronald (1996). The Stations of the Sun: A History of the Ritual Year in Britain. Oxford: Oxford University Press. Page 235.
- Hutton, Ronald (1996). The Stations of the Sun: A History of the Ritual Year in Britain. Oxford: Oxford University Press. Page 236.
- Ronald Hutton (2001). The Stations of the Sun: a History of the Ritual Year in Britain. Oxford University Press. pp. 235–236. ISBN 0-19-285448-8.
- Harvey, Paul and Dorothy Eagle, ed. (1967). "Maypole in the Strand". The Oxford Companion to English Literature. Oxford: Oxford University Press. pp. 528–529.
- Folklorist D.R.Rowe refers to the practice as starting on 28 November 1836 at the Victoria Theatre, London. The Times (London, England), 4 February 1995, p. 19. A contemporary theatre review refers to the performance on that night, in a melodrama, of 'a novel and excellent dance around the maypole': The Times (London, England), 29 November 1836, p. 3
- Paterson, James (1863–1866). History of the Counties of Ayr and Wigton. Edinburgh: J. Stillie. p. 395.
- Harrogate Borough Council. "Nun Monkton Conservation Area Character Appraisal" (PDF). Harrogate Borough Council. Retrieved 9 December 2009.
- Smith, Harold. "The Maypole". Barwick-in-Elmet Historical Society.
- "A Decade of Maypole Dancing". Hastings, MN, USA. 2002.
- Bradford, William (1856). History of Plymouth. Boston: Little, Brown and Company. pp. 237–238.
- "Festa del Palo di Maggio". http://www.prolocoregionefvg.it/. Regione Friuli Venezia Giulia. Retrieved 3 May 2014. External link in
- "Alzata del palo di Maggio a San Pellegrino". http://www.giraitalia.it/. InItalia.it Srl. Retrieved 3 May 2014. External link in
- Vagnarelli, Gianluca (2012). L'albero di maggio. Memoria e simbolismo politico di un rito laico. ISML Ascoli Piceno.
- "Victoria Day Maypole Dancers". Burnaby Village Museum. Retrieved 11 September 2014.
- A Maypole. Wikisource.
- "The Wicker Man". 1973.
- "Mad Men, "Love Among the Ruins": A change is gonna come". What's Alan Watching?. August 23, 2009.
- "Mad Men, "The Fog": Waiting for my real life to begin". What's Alan Watching?. September 12, 2009.
- "Frozen". 2013.
|Wikimedia Commons has media related to Maypoles.|
- Barwick-in-Elmet Maypole Trust A triennial maypole festival held in the village of Barwick-in-Elmet, West Yorkshire.
- Maypole Dancing FAQ Frequently Asked Questions
- Traditional Maypole music and dances with references
- The tradition of the "red" maypole in Piceno (PDF)
- The fall and rise of the Barwick Maypole (film)