Meet the People
|Meet the People|
|Directed by||Charles Reisner|
|Produced by||Arthur Freed
|Written by||Ben Barzman
|Music by||Lennie Hayton|
|Edited by||Alex Troffey|
Meet the People (1944) is a Metro-Goldwyn-Mayer musical comedy film made during World War II, and starring Lucille Ball and Dick Powell and featuring Virginia O'Brien, Bert Lahr, Rags Ragland and June Allyson. The film takes its title from a successful Los Angeles stage revue, which ran on Broadway from December 25, 1940 to May 10, 1941. Vaughn Monroe and his orchestra, Spike Jones and his City Slickers, and Virginia O'Brien were also in the original stage cast. O'Brien sings the hit song "Say We're Sweethearts Again".
Lucille Ball's singing voice was dubbed by Gloria Grafton.
Welder William "Swanee" Swanson works at a shipyard in Morganville, Delaware. One day he sees the brightly shining Broadway star Julie Hampton speak in front of a crowd of workers at the yard, and he instantly falls in love with her.
Luckily enough, Julie has promised to go on a date with the man who sells the most war bonds within a certain time limit. Swanee lies to Julie and tells her that he has $7,500 in pledges. He also tells the workers that Julie will kiss every worker who makes additional pledges to him. The crowd goes wild with excitement, and Swanee easily wins the prize.
Swanee drives Julie up to the romantic Inspiration Point in his old car, trying to impress her. He also tells her about the musical he has written together with his cousin John, a U.S.M.C. It is about working men, and he even performs the theme love song for her. He calls the musical "Meet the People". She is impressed enough to show the musical screenplay to a Broadway producer, Monte Rowland, and the producer agrees to stage the play on the condition that he can use old costumes from previous shows.
When the show is rehearsed, Swanee discovers that all the roles have glittery showbiz costumes, and don't look the least like working men. He is disappointed, and demands the costumes to be altered. Monte refuses and cancels the show, hoping that Swanee will surrender and give in.
But he doesn't. Instead he leaves New York in anger, denounces Julie and the showbiz industry, and goes back to Morganville. Julie follows him there, determined to make him change his mind. She starts working at the shipyard as a welder, and finds out that she enjoys the work very much. She also makes a lot of new friends among her colleagues, who are eager to get to know the beautiful star.
Julie continues dating Swanee, and she tells him about her motive for coming with him. She wants to change the show, and hire some out-of-work chorus friends of her to be on stage. Swanee likes the idea, and signs a new deal with Monte. But then he sees Julie posing for promotional photographs in her working outfit, and thinks she makes a mockery of him and his co-workers. He calls her egotistic and refuses to go through with the plans.
Julie doesn't give up. During a pep talk speech to her co-workers at the shipyard, she leaves the microphone on behind the stage, and gets Swanee to confess his feelings for her. Everyone at the shipyard hears his words, and he is laughed at and ridiculed by his colleagues. Swanee calls Julie a hypocrite and storms away.
Problem arises when John is on his way home from the service, because Swanee's uncle Felix has told John that the show he helped write is a hit on Broadway. Swanee has to produce the show somehow, and comes up with the idea to make it on the yard's 300th finished ship anniversary. But Julie refuses to take part, since she is determined on doing a show on her own, with the help of her friends from Broadway.
John is disappointed when he arrives and learns the truth about the fate of "Meet the People". When Julie sees the disappointment in his eyes, she changes her mind and starts casting for the musical anyway. She and John stage and rehearse the musical while Swanee, unaware of their preparations, are away looking for funds to back up the musical. When he returns to find the musical is opening, he is delighted and impressed with Julie's work. Julie tells Swanee that she loves him, and they become a couple on stage in time for the musical's grand finale.
- Lucille Ball as Julie Hampton
- Dick Powell as William "Swanee" Swanson
- Virginia O'Brien as "Woodpecker" Peg
- Bert Lahr as The Commander
- Rags Ragland as Mr. Smith (as 'Rags' Ragland)
- June Allyson as Annie
- Vaughn Monroe and His Orchestra as themselves
- Spike Jones and His City Slickers as themselves
- Steven Geray as Uncle Felix (as Steve Geray)
- Paul Regan as "Buck"
- Howard Freeman as Mr. George Peetwick
- Betty Jaynes as Steffi
- John Craven as John Swanson
- Morris Ankrum as Monte Rowland
- Miriam LaVelle as Miriam, acrobatic dancer
1. "I Can't Dance (I Got Ants in My Pants)" - Sung and Danced by Ziggie Talent with Vaughn Monroe and His Orchestra.
2. "In Times Like These" - Sung by Dick Powell and Lucille Ball (dubbed by Gloria Grafton).
3. "Der Fuehrer's Face" - Performed by Spike Jones and His City Slickers.
4. "Meet the People" - Sung by Dick Powell and Chorus in his daydream.
5. "Meet the People" (reprise 1) - Sung by Lucille Ball (dubbed by Gloria Grafton) and Chorus.
6. "Acrobatic Dance Music" - Danced by Miriam LaVelle.
7. "Shicklegruber" - Performed by Spike Jones and His City Slickers.
8. "Piano Instrumental" - Played on piano by Richard Hall.
9. "Heave Ho! ... Let the Wind Blow" - Sung by Bert Lahr and Ensemble.
10. "In Times Like These" (reprise) - Performed by Vaughn Monroe and His Orchestra and sung by Vaughn Monroe.
11. "I Like to Recognize the Tune" - Sung and Danced by June Allyson, Virginia O'Brien, Ziggie Talent, Vaughn Monroe, The King Sisters and others, Played by Vaughn Monroe and His Orchestra.
12. "Oriental Music" - Danced by Mata and Hari.
13. "Say That We're Sweethearts Again" - Sung by Virginia O'Brien.
14. "Smart to Be People" - Sung and Danced by Lucille Ball (dubbed by Gloria Grafton), Dick Powell, Virginia O'Brien, June Allyson and Chorus.
15. "Meet the People" (reprise 2) - Sung by Chorus.
According to MGM records the movie earned $670,000 in the US and Canada and $290,000 elsewhere resulting in a loss of $717,000.
- The Eddie Mannix Ledger, Los Angeles: Margaret Herrick Library, Center for Motion Picture Study.
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