Mel Wesson

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Mel Wesson
Birth name Mel Wesson
Born (1952-02-12) 12 February 1952 (age 65)
Origin United Kingdom London, England
Genres Ambient music design, Film score, Video game score
Occupation(s) Ambient Music Designer, Composer
Instruments Synthesizer
Associated acts Hans Zimmer, Harry Gregson-Williams, James Newton Howard, James Dooley, Remote Control Productions

Mel Wesson (born 12 February 1958) is a British film, TV and video game composer and ambient music designer. He is a highly influential 'musical sound designer' in Hollywood having worked on many blockbuster films, yet his sound is often hard to describe or even identify. He is probably best known for his collaboration work with Hans Zimmer and has contributed with both ambient music design and music to some of last decades biggest Hollywood blockbusters. He has also made numerous production music CDs for Extreme Music which loosely feature some of the atmospheric textures in his world of ambient music design.

On the Inception premiere in Hollywood, Wesson and Zimmer designed an outdoor sound installation using the atmosphere and soundscapes from the movie itself, exclusively for the audience. In Wesson's own words: "Hans wanted the audience to remain within the Inception dreamscape as they left the LA Inception Premiere. In order to achieve this I put together a 40-minute soundscape designed to surround the audience as they followed the mirrored walkway from the Gaumans Chinese Theatre in Hollywood to the nearby after-show reception. The soundscape comprised of ambience from the movie, together with a few well chosen FX from Inception sound designer Richard King."[1]

Early life and career[edit]

Wesson was born and raised in London, England. Despite numerous efforts to persuade him to follow a more conventional musical path he gravitated towards the synthesizer as his instrument of choice.

After leaving art college the formative stages of Wesson's career saw him touring and recording with a number of new wave bands. Wesson also began working out of Hans Zimmers' Lillie Yard Studio where he began to explore the studio and experiment with sound and picture as well working with such artists as Siouxsie and The Banshees, producer Mike Hedges and musician Youth. He received a multi platinum award for his contributions to The Verve's Urban Hymns album and their single "Bitter Sweet Symphony". It was this album Zimmer was listening to in 2000 when he spotted Wesson's credit and invited him to work on the score for Mission: Impossible 2.

Since that time Wesson has created his own niche within the movie score genre as an ambient music designer. This area of atmospheric sound has weaved its way through many of Zimmer's' scores including Ridley Scott's Hannibal and Black Hawk Down. Christopher Nolan's Batman Begins, The Dark Knight, and most recently Inception.

Outside of his feature film work, Wesson composes scores for commercials, television and video games; some of his television scores include work for the BBC, ITV, Discovery, MTV, CNN News broadcasts, Sky.

Ambient Music Design / Additional Music[edit]

Feature films[edit]
















  • Dakota Road


Video games[edit]




Other projects[edit]

Inception Live Premiere Performance[edit]

On the 'Inception Live Premiere Performance' Hans Zimmer invited Mel on synthesizers, Johnny Marr on guitar and a small-piece orchestra to perform the Inception film score exclusively for the Hollywood Premiere audience.


Wesson received a multi-platinum award for his contributions to The Verve's Urban Hymns album and the anthemic single "Bitter Sweet Symphony".

See also[edit]

Ambient music design


External links[edit]