Romeo and Juliet Act III Scene I The Death of Mercutio Romeo's Friend, Edwin Austin Abbey, 1904.
|Play||Romeo and Juliet|
|Family||Valentine (brother) and The Prince|
Mercutio (// mər-KEW-shee-oh) is a fictional character in William Shakespeare's 1597 tragedy, Romeo and Juliet. He is a close friend to Romeo and a blood relative to Prince Escalus and Count Paris. As such, being neither a Montague nor a Capulet, Mercutio is one of the few in Verona with the ability to mingle around those of both houses.
Role in the play
Romeo steals away Juliet, Capulet's daughter, with whom he has fallen in love, and he falls out of love with Rosaline. When Mercutio sees Romeo the next day, he is glad to see that his friend is his old self again, and he encourages Romeo, all the while making bad jokes at the expense of Juliet's Nurse.
After Romeo receives a death threat from Juliet's cousin Tybalt, Mercutio expects Romeo to engage Tybalt in a duel. However, Romeo refuses to fight Tybalt, because Romeo now considers Tybalt to be kin due to his secret marriage to Juliet. Mercutio is incensed at his friend's "calm, dishonorable, vile submission", and decides to fight Tybalt himself, right before which, Mercutio refers to his sword as his "fiddlestick." Romeo, not wanting his friend or his relative to get hurt, intervenes, inadvertently allowing Tybalt to stab and mortally wound Mercutio.
Before he dies, Mercutio curses both the Montagues and Capulets, crying several times, "A plague o' both your houses!" (Act III, Sc. 1, often quoted as "A pox on both your houses"). He makes one final pun before he dies: "Ask for me to-morrow, and you shall find me a grave man." A grief-stricken and enraged Romeo kills Tybalt, resulting in his banishment from Verona and beginning the tragic turn of events that make up the rest of the play.
The name Mercutio was present in Shakespeare's sources for Romeo and Juliet, though his character was not well developed and he was presented as a romantic rival for Juliet. The name is first used in Luigi Da Porto's 1530 "Giulietta e Romeo". Da Porto briefly introduces a character named Marcuccio Guertio, a noble youth "with very cold hands, in July as in January", who makes Giulietta Cappelletti appreciate the warm hands of Romeo Montecchi.
Earlier versions of the story described a different chain of events leading to Tybalt's death, omitting Mercutio completely. Arthur Brooke's The Tragical History of Romeus and Juliet and William Painter's 1567 versions of the story both left the entire episode solely to Romeo and Tybalt. In both stories, Tybalt attacks the pacifist Romeo with such force that Romeo is forced to take up the sword to defend himself. He is then banished rather than executed because the killing was provoked. In 1672, English poet John Dryden wrote, "Shakespeare show'd the best of his skill in his Mercutio, and he said himself, that he was forced to murder him in the third Act, to being killed by him."
The addition of Mercutio into the fray increases the tension, and Tybalt is seen as a slightly more peaceful character than in previous versions, as Mercutio is disgusted by the fact that Tybalt continues to search for a quarrel with Romeo, when Romeo is trying to bring peace between them. Mercutio hurls insults and taunts at Tybalt, and draws the sword first, in reaction to Tybalt's insults, which are directed to Romeo.
Mercutio's death in Act III, scene I is the pivotal point of the play, which up to this point is relatively light-hearted. Mercutio's death is sudden and makes death a dark reality for several characters, causing a domino effect of tragic fate that leads ultimately to the tragic climax.
A number of famous actors have played the role of Mercutio. A small sampling follows.
- In 1935, Laurence Olivier and John Gielgud alternated the roles of Romeo and Mercutio in a London stage production directed by Gielgud.
- In 1945, Ralph Richardson made his Broadway debut as Mercutio opposite the Romeo of Maurice Evans and the Juliet of Katharine Cornell.
- In 1947, Paul Scofield played Mercutio in a production directed by Peter Brook.
- In 1958, Alec McCowen enjoyed a major success as Mercutio in London.
- In 2006, Benjamin Walker portrayed Mercutio during the Williamstown Theater Festival with Emmy Rossum as Juliet and Greg Hildreth as Benvolio.
- Mickey Calin portrayed Riff Lorton, the Mercutio and Lord Montague character, in the stage musical of West Side Story.
- In 2013, Luca Giacomelli Ferrarini played Mercutio in the stage musical of the Italian production "Romeo e Giulietta - Ama e cambia il mondo", directed by Giuliano Peparini.
- In 1936, John Barrymore portrayed Mercutio in George Cukor's film Romeo and Juliet opposite Leslie Howard as Romeo.
- In 1961, Russ Tamblyn played the Mercutio character, Riff Lorton, in the film adaptation of West Side Story, the musical modernized version of "Romeo and Juliet".
- In 1968, John McEnery portrayed Mercutio in Franco Zeffirelli's film Romeo and Juliet.
- In 1976, Robin Nedwell played Mercutio in the Thames Television production directed by Joan Kemp-Welch, with Christopher Neame as Romeo and Ann Hasson as Juliet.
- In 1996, Harold Perrineau Jr. portrayed Mercutio in Baz Luhrmann's modernized version, William Shakespeare's Romeo + Juliet.
- In 1998, Ben Affleck portrayed actor Edward Alleyn in the romantic comedy Shakespeare in Love. In the film, Alleyn serves as history's first Mercutio.
- In 2007, Tetsuya Kakihara and Christopher Bevins voice Mercutio in the anime series Romeo x Juliet.
- In 2011, Hale Appleman portrayed Mercutio in Alan Brown's Private Romeo, a modern-day adaptation set at an all-male military academy.
- In 2013, Christian Cooke played Mercutio in the film adaption directed by Carlo Carlei, starring Douglas Booth as Romeo and Hailee Steinfeld as Juliet.
- In 2013, Ricky McLennan played Mercutio in the film adaption "Romeo and Juliet: A Love Song", directed by Tim Van Dammen, starring Christopher Landon as Romeo and Derya Parlak as Juliet.
- Merriam-Webster's Encyclopedia of Literature. Springfield, Massachusetts: Merriam Webster, Incorporated. 1995. p. 753. ISBN 978-0-87779-042-6. (The pronunciation mər-ˈkyü-shē-ō was transcribed to IPA per Pronunciation respelling for English.)
- Draper, John. W. 1939. "Shakespeare's 'Star-Crossed Lovers' ". The Review of English Studies 15 (57).
- Harold Bloom, Introduction to Romeo and Juliet, Chelsea House Publishers, 2005, p. 15
- Geoffrey Bullough, Narrative and Dramatic Sources of Shakespeare: Early Comedies, Poems, Romeo and Juliet, Routledge and Kegan Paul Lt, London, 1957, p. 270
- Scott, Mark W.; Schoenbaum, S. (1987). Shakespearean Criticism. 5. Detroit: Gale Research Inc. p. 415. ISBN 0-8103-6129-9.
- Maxwell, Jennifer. The Catalytic Function of Mercutio. (doc)