|Genre||Science fiction medical drama|
|Theme music composer||Jon Ehrlich|
|Country of origin||United States|
|No. of seasons||1|
|No. of episodes||7 (list of episodes)|
|Running time||60 minutes|
|Production company(s)||Mandalay Television
Columbia TriStar Television
|Distributor||Sony Pictures Television|
|Picture format||480i/576i (4:3 SDTV)|
|Original release||October 6, 1998 – July 15, 1999|
Mercy Point is an American science fiction medical drama, created by Trey Callaway, David Simkins, and Milo Frank, which originally aired for one season on United Paramount Network (UPN) from October 6, 1998 to July 15, 1999. With an ensemble cast led by Joe Morton, Maria del Mar, Alexandra Wilson, Brian McNamara, Salli Richardson, Julia Pennington, Gay Thomas, Jordan Lund, and Joe Spano, the series revolves a staff of doctors and nurses working in a 23rd century hospital space station located in deep space. The series was produced by Mandalay Television and Columbia TriStar Television. The executive producers were Trey Callaway, Michael Katleman, Lee David Zlotoff, Joe Voci, and Scott Sanders.
Callaway originally developed the series from Frank's script, "Nightingale One", as a concept for a feature film under the working title of the same name. Though picked up by Mandalay Television, the premise was renamed Mercy Point and revised as a television project following the disappointing commercial performance of the 1997 film Starship Troopers. It was filmed in Vancouver to reduce production costs, with the hospital sets constructed on a series of sound stages. Director Joe Napolitano had praised the show for its use of a complete set to allow for more intricate directing. Despite being envisioned as a companion to Star Trek: Voyager, it was paired with Moesha and Clueless as its lead-in on Tuesday nights. Initially focused on ethical and medical cases, the show gradually shifted towards storylines relating to the characters' personal relationships to better fit UPN's primarily teen demographic.
Mercy Point was placed on hiatus after only two episodes were aired, and was replaced by the reality television series America's Greatest Pets and the sitcom Reunited. The show suffered from low viewership, with an average of two million viewers. The final four episodes of the series were broadcast in two two-hour blocks on Thursday nights in July 1999. It was never released on DVD or Blu-ray. Critical responses to Mercy Point were mixed; some television critics praised its characterization and use of science-fiction elements, while others found it to be uninteresting and unoriginal. Several media commentators negatively compared the show to other other television programs. Callaway has stated that he had the potential story arcs for the full first season already planned prior to the show's cancellation.
Set in the year 2249, Mercy Point revolves around the staff of doctors and nurses working in a hospital space station located in deep space. The facility is described as "the last stop for anything going out, the first stop for anything coming back" by one of the show's characters. It is noted for existing on the "fringes of the galaxy", on a colony called Jericho. The "state-of-the-art hospital" includes advanced medical equipment, such as "artificial wombs, holographic three-dimensional X-ray projections [and] zero-gravity operating tables". A talking computer known as Hippocrates, voiced by series co-creator Trey Callaway, is shown as the primary method to monitor a patient's status.
The doctors and nurses work on both human and extraterrestrial patients over the course of the series. In the series, the medical staff are references as "med-nauts". Despite the futuristic setting, the characters' clothing and hairstyles adhere to 1990s fashion trends. In their book Science Fiction Television Series, 1990-2004, Frank Garcia and Mark Phillips compared the concept behind the show to James White's Sector General series, Murray Leinster's stories about a doctor who travels to different planets, and G. Harry Stine's book Space Doctor. Its setting and filming style also received comparisons to the television medical drama ER; the series was promoted as "ER in space".
According to a press release from United Paramount Network (UPN), the series features the characters' attempts to "balanc[e] complicated personal lives with the demands of working in a cutting-edge hospital". Each episode includes story arcs involving personal and professional problems, with the staff's relationships gaining more prominence as the series progressed. Alien physiologist Grote Maxwell (Joe Morton) works as the facility's lead doctor and surgeon. Senior surgeon Haylen Breslauer (Maria del Mar) directs Maxwell's actions as his boss and best friend. Dru Breslaur (Alexandra Wilson) begins working at the hospital in the pilot episode, creating tension due to her strained relationship with her older sister Haylen and her past romance with Dr. C. J. Jurado (Brian McNamara). Jurado is characterized through his high libido. He is involved in a love triangle with Dru and his current girlfriend Lieutenant Kim Salisaw (Salli Richardson). While working as a doctor, Rema Cooke (Gay Thomas) grows more concerned about the rights of her patients.
The android new head nurse ANI (Julia Pennington) and the alien surgeon Dr. Batung (Jordan Lund) also help to combat the frequent medical emergencies taking place at the hospital. ANI (Andrioid Nursing Interface) is represented as "extremely efficient and attractive", with the facility's other nurses disliking her as they feel that she sets an impossible standard for them to match. Throughout the series, ANI develops more emotions, such as crying and laughing, and tries to learn more about them. Batung, who is a part of the slug-like species the Shenn, is portrayed as lacking bedside manners by displaying insensitive behavior to his patients. His negative behavior is attributed to his lack of experience with working with human co-workers and patients. The hospital is run by the Chief of Staff Harris DeMilla (Joe Spano), who is frequently tasked to handle its ethical issues.
Concept and development
Created by Trey Callaway, David Simkins, and Milo Frank, Mercy Point was originally approached as a concept for a feature film. Callaway drew his primary inspiration from a 1997 script written by Frank, entitled "Nightingale One", and attempted to pitch it to Hollywood film studios without any success. While pitching the idea to film executives, Callaway said that he could envision it as the framework for a successful television series in his final comments. "Nightingale One" was eventually picked by by Mandalay Entertainment, a production company headed by Peter Guber, but production was stalled after the disappointing commercial performance of the 1997 film Starship Troopers. A producer who saw Callway's pitch to Mandalay Entertainment's executives decided to reformat "Nightingale One" as a television series based on Callaway's final remarks in the meeting. After the approval of the concept for television, "Nightingale One" was renamed Mercy Point.
During production, the series was imagined as a "companion piece" to Star Trek: Voyager, with the hope that it will have a shared viewership. Even though elements of "Nightingale One" were kept, Callaway said that "[he] really started over again and reconceived it completely as a series from the ground up". Prior to the series being officially green-lit, Callaway collaborated with writer David Simkins to prepare a presentation of a "low-budgeted 30 minute" pilot. While Simkins did not work on the series after his pilot, his contributions earned him a credit as one of its co-creators. John de Lancie, who was noted for acting as Q in Star Trek: The Next Generation, had essayed the role of DeMilla, and Steve Johnson designed the non-humanoid aliens. The pilot presentation was filmed in Los Angeles, but the sets would be completely renovated for the actual series. Three non-humanoid characters, including ANI and Batung, were added to the show following this presentation. UPN executives positively responded to the presentation, and ordered thirteen episodes of the series, which is considered a "half-season's worth". Mercy Point was one of four shows produced by Mandalay Televisions that appeared in the 1998–1999 television season, alongside Cupid, Rude Awakening, and Oh Baby. The show's production was a part of a three million dollar deal with Columbia TriStar Television to produce 200 hours of material; a majority of the content created from this agreement was commercially unsuccessful.
Casting and filming
Callaway said that he did not have any preferences while casting each role. During the casting process, he focused on maintaining the series as a "character-driven plot", with "what is going on with people's hearts and minds" taking more importance than the special effects. Despite auditioning other actors to voice Hippocrates, Callway reprised the role from the pilot; he would later say that he had difficulty with the medical and technical speech required for the character. The show was filmed in Vancouver to reduce production costs, as previously done by other science-fiction television shows The X-Files. Stargate, Battlestar Galactica, and Smallville. A majority of the crew had worked previously on The X-Files. The executive producers were Trey Callaway, Michael Katleman, Lee David Zlotoff, Joe Voci, and Scott Sanders. Jon Ehrlich composed the show's theme.
The entire series was shot on a series of sound stages. Production designers Greg Loewen and Graemay Murray designed the medical facility as a "circular hug with offices and rooms radiating outward", and included a second floor in which DeMilla could oversee the entire hospital's operations. Director Joe Napolitano praised the sets while filming the episode "Last Resort", calling the show "a good candy store for a director" due to the functionality and size of the hospital. He explained that the set enabled him to direct long takes and walk and talk sequences without much difficulty. The series required extensive prosthetic work for Dr. Batung and the non-human patients. According to Napolitano, Lund would have to sit through several hours of prosthetic makeup to get into his characters. Napolitano said that he found this to a challenge to the production schedule, explaining that there would be discussions about the amount of prosthetic work necessary for the character depending on the scene. Batung's prosthetic work included a tail that wrapped around his neck and shoulders; Lund would be pushed around the set on a sled to mimic the character's movements as a slug. Napolitano also specified that the patients required a similar amount of time and work for their prosthetic makeup, such as a man who has gills under his chin.
Cancellation and unproduced episodes
Callaway said he was surprised by UPN's cancellation of Mercy Point due to their previous support of him as a new show runner. He felt the decision was reached partially due to the show's high production costs, which could range over one million per episode. He also concluded that the choice to broadcast the pilot against the World Series resulted in the loss of the series' target audience. To better coordinate with UPN's teen viewers, Callaway reported that he shifted the show's focus from medical and ethical cases to the character's relationships. Despite these revisions, he said that UPN executives preferred to air shows like Moesha over science-fiction programs. When UPN announced the show's cancellation, the eighth episode was in the middle of production. Scenes originally written for the episode were revised and edited into the seventh episode to form a complete series finale. Due to its cancellation, Callaway viewed Mercy Point as a limited-run series.
In an interview about the series, Callaway said that he had developed complete story arcs for each of the characters for the rest of the first season. Hayden would have continued to deal with feelings of "homesickness", which is defined as "a crippling interstellar condition unique to humans that ultimately linked their survival to returning to Earth" in the context of the show. Batung would have suffered consequences for rejecting "the protective fold of his species", and ANI would develop an antidote for a virus that spread from computers to humans in the pilot episode. Callaway described ANI's future character development as "the ultimate clash between the organic and technological worlds". The status of Grote's missing family would eventually be uncovered after he conducts a rescue mission with C. J. into the "Sahartic Divide". Dru would be confronted by his "old addictions" and Cooke would test his theory that the temporal lobe houses a human's soul and is connected with "homesickness".
|No.||Title||Directed by||Written by||Original air date|
|1||"New Arrivals"||Michael Katleman||Trey Callaway||October 6, 1998|
|The medical staff tries to find the cure for a computer virus that has begun to affect humans. An operation involving a mother and her unborn child is conducted in zero gravity. Dru Breslaur joins the hospital as a new resident and is forced to confront her past with her older sister Haylen Breslauer and past romance with C. J. Jurado. She decides to help Jurado in his search for his missing family. ANI is promoted to the position of head nurse.|
|2||"Opposing Views"||D. J. Caruso||Trey Callaway||October 13, 1998|
|A shuttle accident results in an influx of patients sent to Mercy Point. The doctors download the dying co-pilot's memory to investigate the cause of the accident. Dru treats her first patient, and Jurado and Grote Maxwell treat a patient in cryostasis. Dr. Batung performs a surgery to attach two artificial limbs to a world famous gymnast, while also trying to be more empathetic with his patients. ANI begins to feel more emotion, and sheds a tear after her work is praised.|
|3||"Last Resort"||Joe Napolitano||Brent V. Friedman||October 20, 1998|
|Maxwell is forced to perform an experimental surgery on an influential man's dying son that requires an ill alien to be sacrificed for ihs blood. During the surgery, the son saves the alien instead through a reverse blood transfusion. A woman checks herself into Mercy Point after developing webbed feet. Haylen diagnoses an ex-boyfriend with homesickness, while Dru oversleeps during one of her first days of her residency.|
|4||"Second Chances"||Randall Zisk||Gary Glasberg||July 8, 1999|
|A patient is prematurely aging following an illegal operation that transplanted the mind of an old scientist into a younger man's body. Maxwell is conflicted on how to proceed as one of the minds must be sacrificed to save the other. Haylen and Dru argue over the best treatment for a patient who artierties are clogged by synthetic blood, and ANI continues to research human emotions.|
|5||"No Mercy"||Michael Katleman||Deborah Starr Seibel||July 8, 1999|
|Maxwell is placed under high scrutiny once a high proportion of alien death occur at Mercy Point, leading to a team of researchers to arrive at the hospital. A patient requires an eye transplant, but Haylen becomes concerned when discovering the woman has already received several transplants from Jurado in the past.|
|6||"Battle Scars"||Lee Bonner||Jonathan Robert Kaplan||July 15, 1999|
|Jurado is in critical condition after being jettisoned out of an airlock. A miner makes a profitable discover, but contracts an illness that prevents from enjoying it. Dru helps a teenage drug addict detox even though she could not find her mother to get her consent.|
|7||"Persistence of Vision"||Alex Graves||Brent V. Friedman||July 15, 1999|
|The medical crew locate a capsule containing a man who chose to live in exile in space rather than go to prison. He claims that his brain disease is the result of communicating with Good. Rema Cooke tries to help a woman deal with her nightmares, which threaten to drive her insane.|
Following its decision to expand its programming to Thursday and Friday nights, UPN ordered six original series. Mercy Point was one of two science fiction television shows picked up UPN, with the second being the time travel-themed Seven Days. Scott D. Pierce of Deseret News described the network's choice of two science-fiction dramas and two 19th century shows (The Secret Diary of Desmond Pfeiffer and Legacy) as "a definite bent toward the unusual". Prior to its premiere, the show was promoted through its inclusion of Joe Morton in a starring role. While Mercy Point was envisioned as a companion to Star Trek: Voyager, Seven Days was paired with Star Trek installment instead. Mercy Point was initially broadcast on Tuesday nights at 9 pm Eastern Standard Time, following the sitcoms Moesha and Clueless. The Moesha and Clueless block was held over from the previous year. Entertainment Weekly's Dan Snierson reported that Mercy Point faced tough competition from other shows in the same time slot, Just Shoot Me!, Spin City, and Felicity. The series carried a TV-Y parental rating, meaning that it was judged as "unsuitable for young children".
UPN placed Mercy Point on hiatus on October 27, 1998 after averaging a rating of 1.5 million viewers. The announcement occurred ten days following the series premiere, after only two episodes were aired. It was replaced by the reality television series America's Greatest Pets and the sitcom Reunited. The show ranked number 157 from the Nielsen Media Research's survey of programs airing from September 21, 1998 to May 26, 1999, with an average of two million viewers. It tied with America's Greatest Pets and The Love Boat: The Next Wave. Joal Ryan of E! News wrote that the network's decision was not a surprise given that a majority of viewers were unaware of the show's existence. While reporting on the show's status, Ryan questioned the repeated failures of science-fiction medical dramas. In October 1998, media outlets reported that the series may still return to UPN's primetime schedule sometime in the future. The final four episodes of the series were broadcast in two two-hour blocks on Thursday nights in July 1999. Mercy Point was included in the list of failed medical shows by The Blade's Rob Owen, along with MDs and 3 lbs. It was never released on DVD or Blu-ray.
Mercy Point received mixed critical feedback upon its debut. Prior to the show's debut, a writer from SouthCoastToday.com wrote that it would appeal to Star Trek fans through its use of "portentous dialogue and plenty of gross-out imagery". David Bianculli of New York Daily News praised Mercy Point as an improvement over "UPN's watch-me-please gimmick shows", commending its focus on its characters and medical cases while "relegating the futuristic elements to the background". The Milwaukee Journal Sentinel's Joanne Weintraub favorably compared the show to Buffy the Vampire Slayer, writing that "both series take their special effects seriously and their often tongue-in-cheek dialogue lightly". Variety's Laura Fries wrote that the series had potential if it adhered to its own rules and focused on real drama. Fries highlight Michael Katleman's directing as "crisp" and praised the show's technical credits.
Mercy Point also attracted negative reactions from television critics, with GamesRadar's Dave Golder including it in its list of the worst science fiction and fantasy television shows of all time for its "[t]rite, obvious and cheesy" storylines. The Los Angeles Times' Howard Rosenberg criticized the show's reliance on its science-fiction context and technology to distract the viewers from "its mustiness and lack of originality". Even though Rosenberg felt the show's concept had potential and found Batung to an intriguing character, he advised the audience to "change this bedpan fast". The series was heavily panned by Kevin Wagner of the science-fiction online magazine "The Sci-Fi Guys", who found the pilot's story arc to be uninteresting and the use of rubber gloves as a way for advance containment to be unrealistic. Lee Sandlin of the Chicago Reader included Mercy Point in his assessment of the worst television shows in the 1998-1999 season, criticizing its lack of orginiality and poor writing. Hal Boedeker of the Sun-Sentinel cited Mercy Point and The Secret Diary of Desmond Pfeiffer as "misbegotten fare" that alienated its audience, and lowered viewership by forty percent.
Several media commentators made negative comparisons between Mercy Point and other television programs. The show was described as reminiscent a Saturday Night Live skit by "that sounded brighter on paper than it plays on the air" by the Sun-Sentinel's Tom Jicha, who felt it served as a spoof of ER. Caryn James of The New York Times wrote that Mercy Point was the "oddball new series", saying it was not compelling either in a dramatic or campy manner. Editor Jason Snell criticized the show as a retread of Crisis Center and General Hospital, describing it as an "utter waste of an intriguing premise", and the Chicago Tribune's Steve Johnson called it the "'ER'-in-space mess". Both Snell and Johnson encouraged UPN to cancel the series following the announcement of its hiatus.
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