Michael Garrick MBE (30 May 1933 – 11 November 2011) was an English jazz pianist and composer, and a pioneer in mixing jazz with poetry recitations and in the use of jazz in large-scale choral works.
Garrick was born in Enfield, Middlesex, and educated at University College, London, from which he graduated in 1959 with a BA in English literature. As a student there he formed his first quartet, featuring vibraphonist Peter Shade. Recordings of this are on HEP (Chronos and Silhouette, released on Gearbox vinyl). Aside from some lessons at the Ivor Mairants School of Dance Music, Garrick was "an entirely self-taught musician" (he had been expelled from Eleanor B. Franklin-Pike's piano lessons for quoting from "In the Mood" at a pupils' concert), though he attended Berklee College, Boston, as a mature student in the 1970s.
Soon after graduating, Garrick became the musical director of "Poetry & Jazz in Concert", a roadshow devised by poet and publisher Jeremy Robson, and involving writers as diverse as Laurie Lee, Adrian Mitchell, Vernon Scannell, Spike Milligan, Dannie Abse, and John Smith. Garrick's quintet at this time included Joe Harriott and Shake Keane. Garrick came to special prominence in the British contemporary jazz world initially as the pianist with the Don Rendell–Ian Carr quintet from 1965 to 1969, and led his own sextet from 1966.
Garrick is perhaps best known for his jazz-choral works, the first of which he started in 1967. Jazz Praises, an extended religious work for his sextet and a large choir, was performed at St. Paul's Cathedral in London, and elsewhere. With poet John Smith he produced a series of such works, starting in 1969 with Mr Smith's Apocalypse for sextet, speakers, and chorus, which had its premiere at the Farnham Festival. The culmination of this partnership was A Zodiac of Angels, a choral jazz ballet performed opposite Carmina Burana under the innovative baton of Victor Fox in the Opera Theatre Manchester in January 1988 and using symphony orchestra, seven jazz soloists including Norma Winstone, full choir and a dance company. Indian classical music has influenced many of his compositions.
Aside from his performing, recording, and composing, Garrick was heavily involved in jazz education, and held teaching posts at the Royal Academy of Music and at Trinity College of Music, London; he continued to teach at summer schools, both for the Guildhall School of Music and on his own Jazz Academy Vacation Courses, from 1989 at Beechwood in Tunbridge Wells. For many years he took his trio into schools presenting interactive events to introduce children to jazz.
His own record label, Jazz Academy Records, features many albums by his Michael Garrick Jazz Orchestra and has trio, solo, quartet and other small groupings, some including singers Norma Winstone, Anita Wardell and Jacqui Dankworth. In 2010 Garrick began a collaboration with vocalist Nette Robinson. At the time of his death he had also begun to develop work with a quartet including vibraphonist Jim Hart, which would have reworked some of the music of the Modern Jazz Quartet and would have provided an echo of his own first quartet, half a century earlier. That year, he also participated in the release of a 1964 recording, The Girl with Brown Hair, featuring his trio (with Colin Barnes on drums and Dave Green on bass) backing Dick Morrissey.
Garrick died on 11 November 2011 after suffering heart problems for some years.
|1958?||Silhouette||Gearbox||Quartet, with Brian Barnes (drums, vocals), Josephine Stahl (vocals), Peter Shade, Paul Hemmings|
|1959?||Blues for the Lonely||Columbia||With Joe Harriott, Shake Keane, Jeremy Robson; released as an EP|
|1959?||Kronos||Hep||Quartet, with Peter Shade, Paul Hemmings, Brian Barnes|
|1963?||A Case of Jazz|
|1963?||Poetry and Jazz in Concert|
|1965||October Woman||With Shake Keane (trumpet), Joe Harriott (alto sax), Coleridge Goode (bass), Colin Barnes (drums), Elizabethan Singers|
|1966||Black Marigolds||With Ian Carr (trumpet, flugelhorn), Don Rendell (soprano sax, tenor sax), Joe Harriott (alto sax), Tony Coe (tenor sax), Dave Green (bass), Colin Barnes and Trevor Tompkins (drums), John Smith (poetry)|
|1968||Jazz Praises at St Paul's|
|1969?||Poetry and Jazz 250|
|1970||The Heart Is a Lotus||With Ian Carr (trumpet, flugelhorn), Art Themen (soprano sax, tenor sax, clarinet, flute), Don Rendell (soprano sax, tenor sax, flute), Coleridge Goode and Dave Green (bass), Trevor Tompkins (drums), Norma Winstone (vocals)|
|1971||Mr Smith's Apocalypse|
|1972||Home Stretch Blues||With Henry Lowther (trumpet, flugelhorn), Art Themen (soprano sax, tenor sax), Don Rendell (tenor sax, flute), Dave Green (bass), Trevor Tompkins (drums), Norma Winstone (vocals)|
|1972||Cold Mountain||With Dave Green (bass), Trevor Tompkins (drums)|
|1973||Troppo||With Henry Lowther (trumpet, flugelhorn), Art Themen (soprano sax, tenor sax), Don Rendell (tenor sax, flute), Coleridge Goode and Dave Green (bass), Trevor Tompkins (drums), Norma Winstone (vocals)|
|1978?||You've Changed||With Don Weller, Chris Lawrence, Alan Jackson|
|1993||A Lady in Waiting||Jazz Academy||Trio, with Dave Green (bass), Alan Jackson (drums)|
|1994||Meteors Close at Hand||Jazz Academy||With Andy Bush, Mike Diprose, Ollie Preece, Martin Shaw, Steve Waterman and Ian Wood (trumpet, flugelhorn), Brian Archer, Matt Coleman, Pat Hartley, Bill Mee and Mark D'Silva (trombone), Scott Garland, Jimmy Hastings, Mike Hall, Martin Hathaway, Bob McKay, Mike Page, Jim Tomlinson and Matt Wates (sax), Phil Lee and Colin Oxley (guitar), Paul Moylan (bass), Alan Jackson (drums)|
|1995||Parting Is Such||Jazz Academy||With Don Rendell (tenor sax), Chris Garrick (violin), Dave Green (bass), Alan Jackson (drums)|
|1995–96||For Love of Duke... and Ronnie||Jazz Academy||With Gabriel Garrick, Ollie Preece, Steve Waterman and Ian Wood (trumpet), Brian Archer, Bill Mee and Mark D'Silva (trombone), Mike Hall, Martin Hathaway, Bob McKay, Jim Tomlinson and Matt Wates (sax), Dominic Ashworth (guitar), Paul Moylan (bass), Alan Jackson (drums), Jacqui Dankworth (vocals)|
|1999||Down on Your Knees||Jazz Academy||With Mark Armstrong, Gabriel Garrick, Paul Jayasinha, Martin Shaw and Steve Waterman (trumpet), Brian Archer, Matt Coleman, Dave Holt, Bill Mee, Mark Nightingale and Malcolm Earl Smith (trombone), Paul Booth, Ben Castle, Mike Hall, Bob McKay, Jim Tomlinson and Matt Wates (sax), Dominic Ashworth (guitar), Paul Moylan (bass), Alan Jackson (drums), Anita Wardell (vocals)|
|2001||The New Quartet||Jazz Academy||Quartet, with Martin Hathaway (soprano sax, alto sax), Paul Moylan (bass), Alan Jackson (drums)|
|2002||Green and Pleasant Land||Jazz Academy||Quartet, with Dominic Ashworth (guitar), Chris Garrick (violin), Paul Moylan (bass); in concert|
|2003||Peter Pan Jazz Dance Suite||Jazz Academy||With Mark Armstrong, Quentin Collins, Gabriel Garrick, Dave Priseman, and Nick Smart (trumpet), James Adams, Dave Eaglestone, and Mark D'Silva (trombone), Jamie Anderson, Paul Booth, Mick Foster, Martin Hathaway, Bob McKay and Matt Wates (reeds), Dominic Ashworth and Pete Callard (guitar), Paul Moylan (bass), Alan Jackson (drums), Anita Wardell (vocals)|
|2004||Big Band Harriott||Jazz Academy|
|2005||Children of Time||Jazz Academy||With Martin Shaw, Steve Waterman and Gabriel Garrick (trumpet), Mark da Silva, Alastair White and Dave Eaglestone (trombone), Jamie Anderson, Mick Foster, Martin Hathaway, Bob McKay and Matt Wates (sax), Dominic Ashworth (guitar), Paul Moylan (bass), Alan Jackson (drums), Norma Winstone (vocals)|
|2005||Yet Another Spring||Jazz Academy||With Martin Shaw, Steve Waterman and Gabriel Garrick (trumpet), Mark da Silva, Alastair White and Dave Eaglestone (trombone), Jamie Anderson, Mick Foster, Martin Hathaway, Bob McKay and Matt Wates (sax), Dominic Ashworth (guitar), Paul Moylan (bass), Alan Jackson (drums), Norma Winstone (vocals)|
|2007||Inspirations||Jazz Academy||Quartet, with Martin Hathaway (soprano sax, alto sax), Paul Moylan (bass), Alan Jackson (drums)|
|2008?||Introducing Mick Garrett-GIGS|
|2009?||Lady of the Aurian Wood – A Magic Life of Duke|
Almost all of Garrick's early recordings have been reissued on CD, especially through the Vocalion label. Moonscape was reissued in 2007 on Trunk Records. Albums from the 1990s to 2010 appeared mainly on his Jazz Academy label.
With the Rendell–Carr Quintet
- 1965: Dusk Fire
- 1968: Phase III
- 1968: Live
- 1969: Change Is
- Praises: a miscellany of religious texts and images for jazz group, organ, and chorus. Recorded in 1965: Simon Preston (organ), Louis Halsey's Elizabethan Singers, and jazz quintet with Joe Harriott (alto sax) and Shake Keane (trumpet)
- Mr Smith's Apocalypse: cantata (poems by John Smith). Commission from Farnham Festival, 1969. Same forces as Praises, plus readers. Recorded in 1970 with the Garrick septet.
- Judas Kiss: the Passion of Christ. Text compiled from the four gospels. Commission from Nottingham Festival, 1971. Same forces as Mr Smith's Apocalypse, with string orchestra added in 1990. Not commercially recorded.
- A Hobbit Suite or Gemstones: suite based on J. R. R. Tolkien The Hobbit, in nine sections. Commission from Mersey Arts, 1973 for jazz sextet, including the voice of Norma Winstone. Later expanded for jazz orchestra. Recorded in 1994 (selections from expanded version).
- Jazz Portraits: an ongoing project from 1975, depicting fugures from jazz such as Duke Ellington, John Coltrane, Dizzy Gillespie, McCoy Tyner, Thelonious Monk, and Bill Evans; for large and small ensembles.
- Underground Streams: an after-death soliloquy, with interludes from angels and other heavenly beings. Based on Rudolf Steiner's 1912 lecture-cycle Life between Death and Rebirth. Commission from the Jazz Centre Society, London, 1978. Forces: voice, guitar, and piano. First performance at South Bank Centre, June 1978 with Norma Winstone (voice), Phil Lee (guitar), and Garrick (piano). Not commercially recorded; broadcast on BBC Radio 3.
- Hardy Country: suite for small or large ensemble, with or without vocal part; in nine self-contained movements, plus three poem settings for speaker. Commission from South-West Arts and Eldridge Pope, brewers, of Dorchester. First performance June 1990 in the Thomas Hardy Hall by jazz quartet with Norma Winstone. Later expanded for jazz orchestra. Selections of expanded version recorded in 1994.
- A Zodiac of Angels: suite of twelve pieces, depicting the situation and function of twelve heavenly beings as defined in A Dictionary of Angels by Gustav Davidson; selected and turned into verse by John Smith. Commission from Manchester Education Authority for symphony orchestra, six jazz instrumental soloists, jazz singer, chorus, and soloists. First performance at Royal Northern College of Music Opera Theatre, January 1988 in a fully staged (dance) version.
- The Royal Box: suite in nine movements based on phrases connected with royalty (e.g., "The Old Pretender", "The Royal Prerogative", "A Lady in Waiting", etc.). Inspired by the media treatment of the British Royal Family, in particular Prince Charles and Princess Diana. In two versions: piano/bass/drums trio and jazz orchestra. Trio version recorded complete; selections of jazz-orchestra version recorded.
- Bovingdon Poppies: oratorio of poem "Bovingdon Poppies" (a poem by Eva Travers), for chorus, soloists, jazz sextet, and string orchestra. First performance: Remembrance Day, November 1993.
- Michael Garrick, Dusk Fire: Jazz in English Hands (with Trevor Bannister). Earley, Reading: Springdale Publishing, 2010. ISBN 978-0-9564353-0-9
- Coleridge Goode and Roger Cotterrell, Bass Lines: A Life in Jazz. London: Northway Publications, 2002.
- Alan Robertson, Joe Harriott: Fire in His Soul, 2nd edn. London: Northway Publications, 2011.
- Peter Vacher Obituary: Michael Garrick, The Guardian, 15 November 2011
- Gilbert, Mark (2002). "Garrick, Michael". In Barry Kernfeld (ed.). The New Grove Dictionary of Jazz, Vol. 2 (2nd ed.). New York: Grove's Dictionaries Inc. pp. 17–18. ISBN 1561592846.
- "Review", Jazz Journal. Retrieved 7 May 2013.
- "No. 59446". The London Gazette (Supplement). 12 June 2010. p. 16.
- Cook, Richard; Morton, Brian (2008). The Penguin Guide to Jazz Recordings (9th ed.). Penguin. pp. 531–533. ISBN 978-0-141-03401-0.
- Cook, Richard; Morton, Brian (2004). The Penguin Guide to Jazz on CD (7th ed.). Penguin. ISBN 0-141-01416-4.