Michelle Cliff

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Michelle Cliff (born 2 November 1946) is a Jamaican-American author whose notable works include No Telephone to Heaven, Abeng and Free Enterprise.

Cliff also has written short stories, prose poems and works of literary criticism. Her works explore the various, complex identity problems that stem from post-colonialism, as well as the difficulty of establishing an authentic, individual identity despite race and gender constructs. Cliff is a lesbian who grew up in Jamaica.


Cliff was born in Kingston, Jamaica, in 1946 and moved with her family to New York City three years later.[1] She was educated at Wagner College and the Warburg Institute at the University of London. She has held academic positions at several colleges including Trinity College and Emory University.

Cliff was a contributor to the 1983 Black feminist anthology Home Girls.

As of 1999, Cliff was living in Santa Cruz, California,[2] with her partner, poet Adrienne Rich. The two were partners from 1976; Rich died in 2012.[3]



  • 1998: The Store of a Million Items (New York: Houghton Mifflin Company). Short stories
  • 1993: Free Enterprise: A Novel of Mary Ellen Pleasant (New York: Dutton). Novel
  • 1990: Bodies of Water (New York: Dutton). Short stories
  • 1987: No Telephone to Heaven (New York: Dutton). Novel (sequel to Abeng)
  • 1985: Abeng (New York: Penguin). Novel

Prose poetry[edit]

  • 1985: The Land of Look Behind and Claiming (Firebrand Books).
  • 1980: Claiming an Identity They Taught Me to Despise (Persephone Press).


  • 1982: Lillian Smith, The Winner Names the Age: A Collection of Writings (New York: Norton).


Further reading[edit]

  • Cartelli, Thomas (1995), "After the Tempest: Shakespeare, Postcoloniality, and Michelle Cliff's New, New World Miranda," Contemporary Literature 36(1): 82-102.
  • Edmondson, Belinda (1993), "Race, Writing, and the Politics of (Re)Writing History: An Analysis of the Novels of Michelle Cliff," Callaloo 16(1): 180-191.
  • Lima, Maria Helena (1993), "Revolutionary Developments: Michelle Cliff's No Telephone to Heaven and Merle Collins's Angel," Ariel 24(1): 35-56.
  • Lionnet, Francoise (1992), "Of Mangoes and Maroons: Language, History, and the Multicultural Subject of Michelle Cliff's Abeng," in Sidonie Smith and Julia Watson (eds), De/Colonizing the Subject: The Politics of Gender in Women's Autobiography, Minneapolis: University of Minnesota Press, pp. 321–345.
  • Machado Sáez, Elena (2015), "Writing the Reader: Literacy and Contradictory Pedagogies in Julia Alvarez, Michelle Cliff, and Marlon James", Market Aesthetics: The Purchase of the Past in Caribbean Diasporic Fiction, Charlottesville: University of Virginia Press, ISBN 978-0-8139-3705-2 .
  • Raiskin, Judith (1994), "Inverts and Hybrids: Lesbian Rewritings of Sexual and Racial Identities," in Laura Doan, ed. The Lesbian Postmodern, New York: Columbia University Press, pp. 156–172.
  • Raiskin, Judith (1993), "The Art of History: An Interview with Michelle Cliff," Kenyon Review 15(1): 57-71.
  • Schwartz, Meryl F. (1993), "An Interview with Michelle Cliff," Contemporary Literature 34(4): 595-619.


  1. ^ Agatucci, Cora (1999). "Michelle Cliff (1946- )". In Nelson, Emmanuel S. Contemporary African American Novelists: A Bio-Bibliographical Critical Sourcebook. Westport, CT: Greenwood Press. p. 95. ISBN 0-313-30501-3. Retrieved 30 May 2010. 
  2. ^ Lisa Diedrich, "Michelle Cliff", Postcolonial Studies @ Emory University.
  3. ^ "Adrienne Rich, 1929-", a time line, credited as "Page by Chelsea Hoffman, Fall 1999", at the Drew University Women's Studies Program website.

External links[edit]