Florence Owens Thompson
Florence Owens Thompson
Migrant Mother, taken by
Dorothea Lange in 1936
Florence Leona Christie
September 1, 1903
|Died||September 16, 1983 (aged 80)|
|Resting place||Lakewood Memorial Park, Hughson, California|
|Known for||Dorothea Lange's photograph|
|Spouse(s)||Cleo Owens (1921–c. 1931) |
Jim Hill (1933–?)
George B. Thompson (1952–1974)
Florence Owens Thompson (born Florence Leona Christie; September 1, 1903 – September 16, 1983) was the subject of Dorothea Lange's famous photo Migrant Mother (1936), an iconic image of the Great Depression. The Library of Congress titled the image: "Destitute pea pickers in California. Mother of seven children. Age thirty-two. Nipomo, California."
Florence Owens Thompson was born Florence Leona Christie on September 1, 1903, in Indian Territory, present-day Oklahoma. Both her parents were Cherokee. Her father, Jackson Christie, had abandoned her mother, Mary Jane Cobb, before Florence was born, and her mother remarried Charles Akman (of Choctaw descent) in the spring of 1905. The family lived on a small farm in Indian Territory outside of Tahlequah.
Seventeen-year-old Florence married Cleo Owens, a 23-year-old farmer's son from Stone County, Missouri, on February 14, 1921. They soon had their first daughter, Violet, followed by a second daughter, Viola, and a son, Leroy (Troy). The family migrated west with other Owens' relatives to Oroville, California, where they worked in the saw mills and on the farms of the Sacramento Valley. By 1931, Florence was pregnant with her sixth child when her husband Cleo died of tuberculosis. Florence then worked in the fields and in restaurants to support her six children. In 1933 Florence had another child, returned to Oklahoma for a time, and then was joined by her parents as they migrated to Shafter, California, north of Bakersfield. There Florence met Jim Hill, with whom she had three more children. During the 1930s the family worked as migrant farm workers following the crops in California and at times into Arizona. Florence later recalled periods when she picked 400–500 pounds (180–230 kg) of cotton from first daylight until after it was too dark to work. She said: "I worked in hospitals. I tended bar. I cooked. I worked in the fields. I done a little bit of everything to make a living for my kids."
The family settled in Modesto, California, in 1945. Well after World War II, Florence met and married hospital administrator George Thompson. This marriage brought her far greater financial security than she had previously enjoyed.
On March 6, 1936, after picking beets in the Imperial Valley, Florence and her family were traveling on U.S. Highway 101 towards Watsonville "where they had hoped to find work in the lettuce fields of the Pajaro Valley." On the road, the car's timing chain snapped and they coasted to a stop just inside a pea-pickers' camp on Nipomo Mesa. They were shocked to find so many people camping there—as many as 2,500 to 3,500. A notice had been sent out for pickers, but the crops had been destroyed by freezing rain, leaving them without work or pay. Years later Florence told an interviewer that when she cooked food for her children that day, other children appeared from the pea pickers' camp asking, "Can I have a bite?"
While Jim Hill, her partner, and two of Florence's sons went into town to get the car's damaged radiator repaired, Florence and some of the children set up a temporary camp. As Florence waited, photographer Dorothea Lange, working for the Resettlement Administration, drove up and started taking photos of Florence and her family. She took seven images in the course of ten minutes. Lange's field notes for the Resettlement Administration were typically very thorough, but on this particular day she had been rushing to get home after a month on assignment, and the notes she submitted with this batch of negatives do not refer to any of the seven photographs she took of Thompson and her family. It seems that the published newspaper reports about this camp were later distilled into captions for the series, which explains inaccuracies on the file cards in the Library of Congress.
For example, one of the file cards reads:
Destitute peapickers in California; a 32 year old mother of seven children. February [sic: March] 1936.
Twenty-three years later, Lange later wrote of the encounter with Thompson:
I did not ask her name or her history. She told me her age, that she was 32. She said that they had been living on frozen vegetables from the surrounding fields and birds that the children killed. She had just sold the tires from her car to buy food.
Troy Owens, one of Thompson's sons, recounted:
There's no way we sold our tires, because we didn't have any to sell. The only ones we had were on the Hudson and we drove off in them. I don't believe Dorothea Lange was lying, I just think she had one story mixed up with another. Or she was borrowing to fill in what she didn't have.
In many ways, Migrant Mother is not typical of Lange's careful method of interacting with her subject. Exhausted after a long road-trip, she did not speak extensively to the migrant woman, Florence Thompson, and may not have recorded any notes.
According to Thompson, Lange promised the photos would never be published. Lange did send them to the San Francisco News even before sending them to the Resettlement Administration in Washington, D.C. The News ran the pictures almost immediately and reported that 2,500 to 3,500 migrant workers were starving in Nipomo, California. Within days, the pea-picker camp received 20,000 pounds (9,100 kg) of food from the federal government. Thompson and her family had moved on by the time the food arrived and were working near Watsonville, California.
While Thompson's identity was not known for over 40 years after the photos were taken, the images became famous. The image which later became known as Migrant Mother, "achieved near mythical status, symbolizing, if not defining, an entire era in United States history." Roy Stryker called Migrant Mother the "ultimate" photo of the Depression Era: "[Lange] never surpassed it. To me, it was the picture ... . The others were marvelous, but that was special ... . She is immortal." As a whole, the photographs taken for the Resettlement Administration "have been widely heralded as the epitome of documentary photography." Edward Steichen described them as "the most remarkable human documents ever rendered in pictures."
Thompson's identity was discovered in the late 1970s. In 1978, acting on a tip, Modesto Bee reporter Emmett Corrigan located Thompson at her mobile home in Space 24 of the Modesto Mobile Village and recognized her from the 42-year-old photograph. Florence was quoted as saying "I wish she [Lange] hadn't taken my picture. I can't get a penny out of it. She didn't ask my name. She said she wouldn't sell the pictures. She said she'd send me a copy. She never did." Lange was funded by the federal government when she took the picture, so the image was in the public domain and Lange never received any royalties. However, the picture did help make Lange a celebrity and earned her "respect from her colleagues."
Circulation of Migrant Mother
In the late 1960s, Bill Hendrie found the original Migrant Mother photograph along with 31 other unretouched, vintage photos by Dorothea Lange in a dumpster at the San Jose Chamber of Commerce. After the death of Hendrie and his wife, their daughter, Marian Tankersley, rediscovered the photos while emptying her parents' San Jose home. In October 2005, an anonymous buyer paid $296,000 at Sotheby's for the 32 rediscovered Lange photos—nearly six times their pre-bid estimate.
In 1998, the retouched photo of Migrant Mother became a 32-cent U.S. Postal Service stamp in the 1930s portion of the Celebrate the Century series. The stamp printing was unusual since daughters Katherine McIntosh (on the left in the stamp) and Norma Rydlewski (in Thompson's arms in the stamp) were alive at the time of the printing and "It is very uncommon for the Postal Service to print stamps of individuals who have not been dead for at least 10 years."
In the same month the U.S. stamp was issued, a print of the photograph with Lange's handwritten notes and signature sold in 1998 for $244,500 at Sotheby's New York. In November 2002, Dorothea Lange's personal print of Migrant Mother sold at Christie's New York for $141,500.
Later life, death, and aftermath
Thompson was hospitalized and her family appealed for financial help in late August 1983. By September, the family had collected $35,000 in donations to pay for her medical care. Florence died of "stroke, cancer and heart problems" at Scotts Valley, California, on September 16, 1983. She was buried in Lakewood Memorial Park, in Hughson, California, and her gravestone reads: "FLORENCE LEONA THOMPSON Migrant Mother – A Legend of the Strength of American Motherhood."
In a 2008 interview with CNN, Thompson's daughter Katherine McIntosh recalled how her mother was a "very strong lady", and "the backbone of our family". She said: "We never had a lot, but she always made sure we had something. She didn't eat sometimes, but she made sure us children ate. That's one thing she did do."
Son Troy Owens said that more than 2,000 letters received along with donations for his mother's medical fund led to a re-appraisal of the photo: "For Mama and us, the photo had always been a bit of [a] curse. After all those letters came in, I think it gave us a sense of pride."
Other six photographs
Lange took seven photos that day, the last being the famous Migrant Mother. These are the six other photos:
- Library of Congress Prints and Photographs Division. fsa1998021539/PP Accessed July 14, 2008.
- Dunn, Geoffrey (2002). "Photographic license". New Times. Archived from the original Check
|url=value (help) on June 2, 2002.
- "Video featuring interview with Florence Thompson". Archived from the original on March 12, 2013. Retrieved March 10, 2013.
- "Florence Owen Thompson: audio from interview". Archived from the original on December 18, 2007.
- The Tribune (San Luis Obispo) (June 17, 2007) Dorothea Lange captured suffering of itinerant workers near Nipomo.
- Dorothea Lange. "The Assignment I’ll Never Forget". Popular Photography 46, no. 2 (June 1960), pp. 42–43, 126.
- Sarah Meister. Dorothea Lange: Migrant Mother. New York: The Museum of Modern Art, 2019.
- Dorothea Lange. “The Assignment I’ll Never Forget.” Popular Photography 46, no. 2 (June 1960), pp. 42–43, 126.
- Schoettler, Carl (November 12, 2002). "A true picture of hard times. Photo of poverty sells for a stack of riches". Daily Press (Virginia).
- King, Peter H. (October 18, 1998) The Fresno Bee One defiant family escapes poignant portrait of poverty. Section: Vision; Page F1.
- Lucas, Dean. "Famous Pictures Magazine – Depression Mother". Retrieved July 12, 2012.
- James C. Curtis. Dorothea Lange, Migrant Mother, and the Culture of the Great Depression. Winterthur Portfolio, Vol. 21, No. 1. (Spring, 1986), pp. 1–20. (JSTOR). Accessed May 26, 2007.
- "Photo Gallery - Faces of Feminism". Dorothea-Lange.org. September 18, 2003. Archived from the original on November 17, 2007. Retrieved May 26, 2007.
- Neff, Cynthia. (October 20, 2005) The Tribune (San Luis Obispo) Face of hard times has a big payday. Dorothea Lange's famous 'Migrant Mother' Depression photograph, taken in Nipomo, and others collect almost $300,000 at auction.
- Bennett, Lennie. (May 11, 2008) St. Petersburg Times A mother's strength knows no bounds. Archived June 6, 2008, at the Wayback Machine Section: Latitudes; Page 2L.
- Garchik, Leah. (October 6, 1998) San Francisco Chronicle Stamp honors ERA, not the people. Section: Daily datebook; Page B10. Ruby Sprague, who appears on the right in the stamp, had died of cancer before the stamp appeared.
- Yi, Matthew. (November 22, 1998) Tulsa World Girl in famous Depression-era photo piqued. Section: News; page A11.
- "Florence Thompson, 'Migrant Mother,' Dies". Los Angeles Times. September 17, 1983. Florence Thompson, whose pensive, languid face became a symbol of the Great Depression, died Friday - only weeks after her family issued a national plea for money to help defray her mounting medical [costs].
- "An Appeal For A Face From The Depression". Associated Press in New York Times. August 24, 1983. Retrieved July 14, 2008.
Decades after her careworn, resolute face became a symbol of the grinding poverty of the Depression, Florence Thompson's children are asking for help to save their mother's ebbing life. If I needed something for myself, I wouldn't make a public appeal, but this is for my mother, said one ...
- "Florence Thompson, Symbol of Era". United Press International. September 17, 1983.
Florence Thompson, whose face was made famous in a 1936 photograph that became a haunting symbol of the suffering of millions during the Great Depression, died Friday. She was 80. Mrs. Thompson suffered from cancer and heart problems and recently suffered a stroke, said a nurse who helped care for her. Her family last month appealed for financial help to care for their mother, and drew hundreds of donations totalling $35,000.
- "Florence Thompson, 'Migrant Mother,' Dies". Los Angeles Times. September 17, 1983.
Florence Thompson, whose pensive, languid face became a symbol of the Great Depression, died Friday - only weeks after her family issued a national plea for money to help defray her mounting medical [costs].
- Nici, John (2015). Famous Works of Art—And How They Got That Way. Rowman & Littlefield. p. 213. ISBN 9781442249554.
- "Girl from iconic Great Depression photo: 'We were ashamed'". CNN. December 3, 2008. Retrieved December 4, 2008.
|Wikimedia Commons has media related to Florence Owens Thompson.|
- Overview of the Migrant Mother series at the LOC, including the original without the retouch
- Audio of Florence Owens Thompson telling her story
- Video of interview of Florence Owens Thompson
- Interview with Katherine McIntosh and Norma Rydlewski (Katherine is the baby in the photo and Norma was four years-old when the image was taken); 36 minutes - produced by Blackside for The Great Depression. see also :
- Migrant Mother as an iconic image – excerpt from a book
- Article on the photo shoot and reinterpretation of an image
- Florence Owens Thompson at Find a Grave