Minaret of Jam
|UNESCO World Heritage site|
|Official name||Minaret and Archaeological Remains of Jam|
|Location||Shahrak District, Ghor Province, Afghanistan|
|Criteria||Cultural: (ii), (iii), (iv)|
|Inscription||2002 (26th Session)|
|Area||70 ha (170 acres)|
|Buffer zone||600 ha (1,500 acres)|
The Minaret of Jam is a UNESCO World Heritage Site in western Afghanistan. It is located in a remote and nearly inaccessible region of the Shahrak District, Ghor Province, next to the Hari River. The 65-metre (213 ft)  or 62-metre (203 ft) high minaret was built around 1190 entirely of baked bricks and is famous for its intricate brick, stucco and glazed tile decoration, which consists of alternating bands of kufic and naskhi calligraphy, geometric patterns, and verses from the Qur'an. Since 2002, the minaret has remained on the list of World Heritage in Danger, under serious threat of erosion, and has not been actively preserved. In 2014, the BBC reported that the tower was in imminent danger of collapse.
The circular minaret rests on an octagonal base; it had 2 wooden balconies and was topped by a lantern. Its formal presentation has a striking similarity to the minaret built by Masud III in Ghazni. It is thought to have been a direct inspiration for the Qutub Minar in Delhi, India.
The Minaret of Jam belongs to a group of around 60 minarets and towers built between the 11th and the 13th centuries in Central Asia, Iran and Afghanistan, including the Kutlug Timur Minaret in Old Urgench (long considered the tallest of these still in existence). The minarets are thought to have been built as symbols of Islam's victory, while other towers were simply landmarks or watchtowers.
The archaeological landscape around Jam includes the ruins of a 'palace', fortifications, a pottery kiln and a Jewish cemetery, and has been suggested to be the remains of the lost city of Turquoise Mountain.
The archaeological site of Jam was successfully nominated as Afghanistan's first World Heritage site in 2002. It was also inscribed in UNESCO's list of World Heritage in Danger, due to the precarious state of preservation of the minaret, and results of looting at the site. 
The Minaret of Jam is probably located at the site of the Ghurid Dynasty's capital, Firozkoh. During the 12th and 13th century, the Ghurids controlled what is now Afghanistan, but also parts of eastern Iran, Central Asia, Northern India and parts of Pakistan.
The Arabic inscription dating the minaret is unclear – it could read 1193/4 or 1174/5. It could thus commemorate the victory of the Ghurid sultan Ghiyas ud-Din over the Ghaznevids in 1186 in Lahore. However, Dr. Ralph Pinder-Wilson, a British Archeologist and Director of the British Institute of Afghan Studies in the 1970s, wrote a major study of the Minarets of Jam and Ghazni in which he expressed his belief that the minaret was built to commemorate the victory of Mu'izz ad-Din, Ghiyath ud-Din's brother, over Prithviraj Chauhan. This victory allowed Islam to spread into the northern Indian subcontinent. Pinder-Wilson believed that the minaret was built in the style of the time, which included a tradition of early Islamic victory towers proclaiming the conquering power of Islam.
It is assumed that the Minaret was attached to the Friday Mosque of Firozkoh, which the Ghurid chronicler Abu 'Ubayd al-Juzjani states was washed away in a flash flood, some time before the Mongol sieges in the early 13th century. Work at Jam by the Minaret of Jam Archaeological Project has found evidence of a large courtyard building beside the minaret, and evidence of river sediments on top of the baked-brick paving.
The Ghurid Empire's glory waned after the death of Ghiyath ud-Din in 1202, as it was forced to cede territory to the Khwarezm Empire. Juzjani states that Firuzkuh was destroyed by the Mongols in 1222.
The Minaret was little known outside of Afghanistan until Sir Thomas Holdich reported it in 1886 while working for the Afghan Boundary Commission. It did not come to world attention, however, until 1957 through the work of the French archaeologists André Maricq and Gaston Wiet. Later, Werner Herberg conducted limited surveys around the site in the 1970s, and Ralph Pinder-Wilson completed his major study of the site in the same decade, before the Soviet invasion of 1979 once again cut off outside access.
- The uppermost band consists of the Muslim confession of faith, the shahada; "I bear witness there is no god but Allah (and that) Muhammad is the messenger of Allah."
- Below this, are upper two bands that consists of verse 13, surat al-Saff LXI;"Help from Allah and present victory. Give good tidings (O Muhammad) to believers. O ye who believe."
- The band below this consists of names and titles of Ghiyath ad-Din Muhammad bin Sam
- Located below this is a band containing an amplified version of Ghiyath ad-Din Muhammad's names and titles in turquoise mosaic tiles.
- An oblong hexagon with two lines of naskhi underneath, (1)"The work of 'Ali ibn...", (2)undeciphered
- An inscription, "Abu'l-Fath", heavily damaged, due to being made of stucco.
- Interlaced bands consisting of surat Maryam XIX.
- Facing north is a Kufic inscription, "On the date of the year five hundred ninety"(equivalent of 27 December 1193 to 16 December 1194).
The Minaret of Jam is threatened by erosion, water infiltration and floods, due to its proximity to the Hari and Jam rivers. Another threat is the earthquakes that happen frequently in the region. The tower has been tilting, and stabilisation work has been carried out at various times.
On July 21st, 2018 Pajhwok News reported Taliban clashes with local forces at checkpoints near the Minaret of Jam in a 6-hour long skirmish. The militants set the forests surrounding the historic district on fire, subsequently damaging a mosque in the process.
Ghor Director of Culture and Information Fakhruddin Ariapoor expressed concern at the instability in the area, stating that some parts of the green area were damaged; and although the minaret remained intact, warned that if the central government did not pay due attention to the security of the site, the militants would destroy it. 
Minaret of Jam, with design influenced by Karramiyya
- "Afghan historic minaret of Jam 'in danger of collapse'". BBC. BBC News. Retrieved 23 July 2018. Cite error: Invalid
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- Ghaznavid and Ghūrid Minarets, Ralph Pinder-Wilson, Iran, Vol. 39, (2001), 167.
- NATO Channel, Discover Afghanistan – The Minaret of Jam, August 2013, https://www.youtube.com/watch?v=5F8SREfehZ4
- Afghan historic minaret of Jam 'in danger of collapse', although no efforts have yet been made to preserve it, 28 August 2014, By Mohammad Qazizada and Daud Qarizadah, https://www.bbc.com/news/world-asia-28969385
- Ghaznavid and Ghūrid Minarets, Ralph Pinder-Wilson, Iran, Vol. 39, 169-170.
- Ghaznavid and Ghūrid Minarets, Ralph Pinder-Wilson, Iran, Vol. 39, 170.
- backdoorbroadcasting, Warwick Ball: Ralph Pinder-Wilson and Afghanistan, http://backdoorbroadcasting.net/2010/01/warwick-ball-ralph-pinder-wilson-and-afghanistan/
- Minaret of Jam Archaeological Project, http://antiquity.ac.uk/ProjGall/thomas/
- André Maricq, Gaston Wiet, La découverte de la capitale des sultans ghorides : XIIe-XIIIe s., Paris, Klincksieck, 1959 ("Mémoires de la Délégation archéologique française en Afghanistan", 16). Ghaznavid and Ghūrid Minarets, Ralph Pinder-Wilson, Iran, 166.
- Meeting with a minaret Dan Cruickshank relives his epic journey to a threatened wonder in Afghanistan, Dan Cruickshank, The Guardian, Wednesday 23 April 2008, https://www.theguardian.com/artanddesign/2008/apr/23/heritage.architecture
- Ghaznavid and Ghūrid Minarets, Ralph Pinder-Wilson, Iran, 168-169.
- Cruickshank, Dan (23 April 2008). "Meeting with a Minaret". The Guardian.
- Stewart, Rory. 2006. The Places In Between. Harvest Books. ISBN 0-15-603156-6.
- منصور خسرو https://www.pajhwok.com/en/2018/07/21/taliban-storm-checkpoints-near-ancient-ghor-minaret
- Dupree, Nancy Hatch (1977): An Historical Guide to Afghanistan. 1st Edition: 1970. 2nd Edition. Revised and Enlarged. Afghan Tourist Organization
- Sampietro, Albert (July 28, 2003). "The Minaret of Jam in Afghanistan". albertsampietro.com.
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- Dan Cruickshank (ed.), Sir Banister Fletcher's A History of Architecture, Twentieth edition, Architectural Press 1996, ISBN 0-7506-2267-9
- Herberg, W. with D. Davary, 1976. Topographische Feldarbeiten in Ghor: Bericht über Forschungen zum Problem Jam-Ferozkoh. Afghanistan Journal 3/2, 57-69.
- Maricq, A. & G. Wiet, 1959. Le Minaret de Djam: la découverte de la capitale des Sultans Ghurides (XIIe-XIIIe siècles). (Mémoires de la Délégation archéologique française en Afghanistan 16). Paris.
- Sourdel-Thomine, J., 2004. Le minaret Ghouride de Jam. Un chef d'oeuvre du XIIe siècle. Paris: Memoire de l'Academie des Inscriptions et Belles Lettres.
- Stewart, Rory. 2006. The Places In Between. Harvest Books. ISBN 0-15-603156-6.
- Thomas, David, 2004. Looting, heritage management and archaeological strategies at Jam, Afghanistan
- Thomas, D.C., G. Pastori & I. Cucco, 2004. “Excavations at Jam, Afghanistan.” East and West 54 (Nos. 1-4) pp. 87–119.
- Thomas, D.C., G. Pastori & I. Cucco, 2005. The Minaret of Jam Archaeological Project at Antiquity
- Thomas, D.C., & A. Gascoigne, in press. Recent Archaeological Investigations of Looting at Jam, Ghur Province, in J. van Krieken (ed.) Afghanistan’s Cultural Heritage: its Fall and Survival. Leiden: E.J. Brill.
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