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|Typical instruments||Synthesisers, drum machine|
Minimal wave is a broad classification of music that comprises obscure, atypical examples of genres such as new wave, stripped-down electronic or synthesizer music, synth-pop, post-punk, and coldwave. Most of the music tends to focus on electronic, pre-MIDI instrumentation and themes of sincere, rather than ironic, detachment.
The terming of "minimal wave" draws some contention. Although much minimal wave is classified in the late 1970s and early 1980s and subsequently appeared on bootleg and one-off compilations, the genre didn't have a name until a record label of the same name began releasing compilations and reissues in the mid-2000s.
Background and etymology
I had this collection of Dutch magazines from the early ’80s, and they kept using the terms "minimal electronics", "new wave", "coldwave" and a bunch of others. I kind of thought there should be a term that covers all this music, and I thought "minimal wave" could be it. When I registered the website, I was able to register the name.
For a 2009 publicity piece, Vasicka wrote that the music overlaps with several other genres, "The Minimal Wave genre actually formed only several years ago, as a result of a resurgence of interest in the roots of pre-MIDI electronic new wave (1978-1985), mainly from North America, Europe and Japan. This music is sometimes referred to as minimal electronic, minimal synth, coldwave, new wave, technopop, or synthpop, depending on the particular style, year, and location of the band."
In its heyday, the music's demographic had subcultures all over the world, but was most critical in Europe (particularly the UK) and the US, where the machines used to create this type of music were readily available. The fanzine CLEM (Contact List Of Electronic Musicians) helped create a worldwide community of musicians in the genre, prior to the use of the Internet. Many of the musicians in the genre collaborated via mail.[additional citation(s) needed]
According to Vasicka, the genre's hallmarks include minimal musical structures, relatively unpolished production, and the use of analog synthesizers and drum machines manufactured in the 1970s and 1980s. The instrumental arrangements featured "mechanical beats" and "short repetitive patterns", plus "noticeably synthesized drum programming and trebly, thin melodies" which emphasized the artificiality of synthesized sound. Vocal arrangements "acted as a counterpoint to that artificiality." Musicians in the genre were often influenced by avant-garde movements such as futurism and constructivism, and by the literature of science fiction and existentialism.
- Gabriele, Timothy (11 June 2010). "Various Artists: The Minimal Wave Tapes Volume One [review]". PopMatters.com. Retrieved 18 June 2010.
- Vasicka, Veronica (26 January 2010), "20 best: Minimal Wave", FACT magazine, retrieved 18 June 2010
- Tantum, Bruce (1 December 2009). "A synth-obsessed label turns four". Time Out. Retrieved 28 February 2011.
- Minimal Wave Records
- "Minimal Wave, Crate-digging For Obscure Gems To Reissue" Tiny Mix Tapes, September 2008.
- Eye On '09: Minimal Wave,[dead link] by Nik Mercer, 16 January 2009.
- Review of V/A The Found Tapes: A Compilation of Minimal Wave From North America '81-'87, by Franklin Bruno of the Boston Phoenix, 1 April 2008.
- Ripping Vinyl, Part 2, by Jeff Klingman, 28 April 2008.
- Review of Stereo - Somewhere In The Night, Intergalactic FM, 12 February 2009.
- Minimal Wave And The Great Treasures From The Golden 80s, MTN: The Innervisions Dossier, 30 September 2009.
- Veronica Vasicka / Minimal Wave, Revel In New York, January 2010.
- Minimal Wave's Big Splash, by Colleen Nika for Interview Magazine 28 September 2010.