Minoan civilization

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Minoan civilization
Map Minoan Crete-en.svg
Period Bronze Age Europe
Dates circa 2600 BCE — circa 1,450 BCE,
Major sites Knossos, Gortyn
Preceded by Neolithic Greece
Followed by Mycenaean Greece
Part of a series on the
History of Greece
Part of a map of the Mediterranean Sea and adjacent regions by William Faden, March 1785
Greece portal
Bronze Age

Near East (c. 3300–1200 BC)

Anatolia, Caucasus, Elam, Egypt, Levant, Mesopotamia, Sistan
Bronze Age collapse

South Asia (c. 3000–1200 BC)

Ochre Coloured Pottery
Cemetery H

Europe (c. 3200–600 BC)

Aegean, Caucasus, Catacomb culture, Srubna culture, Beaker culture, Unetice culture, Tumulus culture, Urnfield culture, Hallstatt culture, Apennine culture, Canegrate culture, Golasecca culture,
Atlantic Bronze Age, Bronze Age Britain, Nordic Bronze Age

China (c. 2000–700 BC)

Erlitou, Erligang

arsenical bronze
writing, literature
sword, chariot

Iron age
Map of Greece showing major sites that were occupied in the Minoan civilization (clickable map)

The Minoan civilization was an Aegean Bronze Age civilization that arose on the island of Crete and other Aegean islands such as Santorini and flourished from approximately 2600 to 1400 BCE.[1] It was rediscovered at the beginning of the 20th century through the work of British archaeologist Arthur Evans. Will Durant referred to it as "the first link in the European chain."[2]

There is recent stone tool evidence that humans - either prehuman homonids or early modern humans - reached the island of Crete perhaps as late as 130,000 years ago; however, the evidence for the first anatomically modern human presence dates to 10,000-12,000 years ago.[3][4] It was not until 5000 BCE in the Neolithic period that the first signs of advanced agriculture appeared in the Aegean, marking the beginning of civilization.


Palaces (anaktora) are the best-known Minoan building types excavated on Crete. They are monumental buildings serving administrative purposes, as evidenced by the large archives unearthed by archaeologists. Each of the palaces excavated to date has its own unique features, but they also share features that set them apart from other structures. The palaces are often multi-stories, with interior and exterior staircases, light wells, massive columns, storage magazines, and courtyards.


The term "Minoan" refers to the mythic "king" Minos of Knossos; who first coined the term is debated. It is commonly attributed to famed Minoan archeologist Arthur Evans (1851-1941).[5] Minos was associated in Greek myth with the labyrinth, which Evans identified with the site at Knossos. However, Karl Hoeck used the name Das Minoische Kretas in 1825 for Volume II of his major work, Kreta, which would appear to be the first known use of the term Minoan to mean ancient Cretan. Likely, Arthur Evans read the book, continuing the use of the term in his own writings and findings. [6] Evans said:[7]

"To this early civilization of Crete as a whole I have proposed — and the suggestion has been generally adopted by the archaeologists of this and other countries — to apply the name 'Minoan.'"

Evans claims to have applied it, but not to have invented it. Hoeck had in mind the Crete of mythology. He had no idea that the archaeological Crete had existed. Evans' 1931 claim that the term was "unminted" before his use of it has been tagged a "brazen suggestion" by Karadimas and Momigliano.[6] However, Evans' statement applies to archaeological contexts. Since he was the one who discovered the civilization, and the term could not have been in use to mean it previously, he did coin that specific meaning.

Chronology and history[edit]

Further information: Minoan chronology and Minoan pottery

Rather than associate absolute calendar dates for the Minoan period, archaeologists use two systems of relative chronology. The first, created by Evans and modified by later archaeologists, is based on pottery styles and the presence of imported Egyptian artifacts, which can be correlated with the chronology of Ancient Egypt. Evans's scheme divides the Minoan period into three main eras: Early Minoan (EM), Middle Minoan (MM), and Late Minoan (LM). These eras are further subdivided, for instance into Early Minoan I, II, III (EMI, EMII, EMIII).

Another dating system, proposed by the Greek archaeologist Nicolas Platon, is based on the development of the architectural complexes known as "palaces" at Knossos, Phaistos, Malia and Kato Zakros. He divides the Minoan period into Pre-palatial, Proto-palatial, Neo-palatial and Post-palatial subperiods. The relationship between these two systems is given in the accompanying table, with approximate calendar dates drawn from Warren and Hankey (1989).

The Thera eruption occurred during a mature phase of the LM IA period. Efforts to establish the calendar date of the volcanic eruption have been extremely controversial. Radiocarbon dating has indicated a date in the late 17th century BCE;[8][9] those radiocarbon dates, however, conflict with the estimates of archaeologists, who synchronize the eruption with the Conventional Egyptian chronology and obtain a date of around 1525–1500 BCE.[10][11][12] See the article on dating the Thera eruption for more discussion. The eruption often is identified as a natural event catastrophic for the culture, leading to its rapid collapse.


  Minoan chronology
3650–3000 BCE EMI Prepalatial
2900–2300 BCE EMII
2300–2160 BCE EMIII
2160–1900 BCE MMIA
1900–1800 BCE MMIB Protopalatial
(Old Palace Period)
1800–1700 BCE MMII
1700–1640 BCE MMIIIA Neopalatial
(New Palace Period)
1640–1600 BCE MMIIIB
1600–1480 BCE LMIA
1480–1425 BCE LMIB
1425–1390 BCE LMII Postpalatial
(At Knossos, Final Palace Period)
1390–1370 BCE LMIIIA1
1370–1340 BCE LMIIIA2
1340–1190 BCE LMIIIB
1190–1170 BCE LMIIIC
1100 BCE Subminoan

The oldest evidence of inhabitants on Crete are preceramic Neolithic farming community remains that date to approximately 7000 BCE.[13] A comparative study of DNA haplogroups of modern Cretan men showed that a male founder group, from Anatolia or the Levant, is shared with the Greeks.[14] The neolithic population dwelt in open villages. Fishermen's huts were built on the shores, while the fertile Mesara Plain was used for agriculture.[15]

The Bronze Age began in Crete around 2700 BCE.[16] In the late 3rd millennium BCE, several localities on the island developed into centers of commerce and handwork. This enabled the upper classes to continuously practice leadership activities and to expand their influence. It is likely that the original hierarchies of the local elites were replaced by monarchist power structures – a precondition for the creation of the great palaces.[17] From the Early Bronze Age (3500 BCE to 2600 BCE), the Minoan civilization on Crete showed a promise of greatness.[18]

At the end of the MMII period (1700 BCE), there was a large disturbance in Crete, probably an earthquake, or possibly an invasion from Anatolia.[19] The palaces at Knossos, Phaistos, Malia, and Kato Zakros were destroyed. But with the start of the Neopalatial period, population increased again,[20] the palaces were rebuilt on a larger scale and new settlements were built all over the island. This period (the 17th and 16th centuries BCE, MM III / Neopalatial) represents the apex of the Minoan civilization. There was another natural catastrophe around 1600 BCE, possibly an eruption of the Thera volcano. The Minoans rebuilt the palaces, however they drastically changed.[17][21]

The influence of the Minoan civilization outside Crete has been seen in the evidence of valuable Minoan handicraft items on the Greek mainland. It is likely that the ruling house of Mycenae was connected to the Minoan trade network. After around 1700 BCE, the material culture on the Greek mainland achieved a new level due to Minoan influence.[17] Connections between Egypt and Crete are prominent. Minoan ceramics are found in Egyptian cities and the Minoans imported several items from Egypt, especially papyrus, as well as architectural and artistic ideas. The Egyptian hieroglyphs served as a model for the Minoan pictographic writing, from which the famous Linear A and Linear B writing systems later developed.[15] Bengtson has also demonstrated Minoan influence among Canaanite artifacts.

Around 1450 BCE, Minoan culture experienced a turning point due to a natural catastrophe, possibly an earthquake. Another eruption of the Thera volcano has been linked to this downfall, but its dating and implications remain controversial. Several important palaces in locations such as Mallia, Tylissos, Phaistos, Hagia Triade as well as the living quarters of Knossos were destroyed. The palace in Knossos seems to have remained largely intact. This resulted in the Dynasty in Knossos being able to spread its influence over large parts of Crete, until it was overrun by Mycenaean Greeks.[17]

The Minoan palace sites were occupied by the Mycenaeans around 1420 BCE[22] (1375 BCE according to other sources),[17] who adapted the Linear A Minoan script to the needs of their own Mycenaean language. It was a form of Greek, which was written in Linear B. The first such archive anywhere is in the LMII-era "Room of the Chariot Tablets". The Mycenaeans generally tended to adapt, rather than destroy, Minoan culture, religion and art.[23] They continued to operate the economic system and bureaucracy of the Minoans.[17]

During LMIIIA:1, Amenhotep III at Kom el-Hatan took note of k-f-t-w (Kaftor) as one of the "Secret Lands of the North of Asia". Also mentioned are Cretan cities, such as Ἀμνισός (Amnisos), Φαιστός (Phaistos), Κυδωνία (Kydonia) and Kνωσσός (Knossos) and some toponyms reconstructed as belonging to the Cyclades or the Greek mainland. If the values of these Egyptian names are accurate, then this Pharaoh did not privilege LMIII Knossos above the other states in the region.

After about a century of partial recovery, most Cretan cities and palaces went into decline in the 13th century BC (LHIIIB/LMIIIB). The last Linear A archives date to LMIIIA (contemporary with LHIIIA).

Knossos remained an administrative center until 1200 BCE. The last of the Minoan sites was the defensive mountain site of Karfi, a refuge site which displays vestiges of Minoan civilization almost into the Iron Age.[24]


Crete is a mountainous island with natural harbours. There are signs of earthquake damage at many Minoan sites and clear signs of both uplifting of land and submersion of coastal sites due to tectonic processes all along the coasts.[25]

Homer recorded a tradition that Crete had 90 cities.[26] To judge from the palace sites, the island was probably divided into at least eight political units during the height of the Minoan period. The north is thought to have been governed from Knossos, the south from Phaistos, the central eastern part from Malia, the eastern tip from Kato Zakros, and the west from Chania. Smaller palaces have been found in other places.

Some of the major Minoan archaeological sites are:

  • Palaces
    • Knossos – the largest[27] Bronze Age archaeological site on Crete; was purchased for excavations by Evans on March 16, 1900.
    • Phaistos – the second largest[27] palatial building on the island, excavated by the Italian school shortly after Knossos
    • Malia – the subject of French excavations, a palatial centre which affords a look into the development of the palaces in the protopalatial period
    • Kato Zakros – a palatial site excavated by Greek archaeologists in the far east of the island. This is also referred to as "Zakro" in archaeological literature.
    • Galatas – the most recently[when?] confirmed palatial site
  • Agia Triada – an administrative centre close to Phaistos
  • Gournia – a town site excavated in the first quarter of the 20th century by the American School
  • Pyrgos – an early Minoan site on the south of the island
  • Vasiliki – an early Minoan site towards the east of the island which gives its name to a distinctive ceramic ware
  • Pseira – island town with ritual sites
  • Karfi – a refuge site from the late Minoan period, one of the last of the Minoan sites

Minoans beyond Crete[edit]

Minoan copper ingot.

Minoans were traders, and their cultural contacts reached far beyond the island of Crete — to Egypt's Old Kingdom, to copper-bearing Cyprus, Canaan, and the Levantine coasts beyond, and to Anatolia. In late 2009, Minoan-style frescoes and other Minoan-style artifacts were discovered during excavations of the Canaanite palace at Tel Kabri, Israel, leading archaeologists to conclude that the Minoan influence was the strongest foreign influence on that Caananite city state. These are the only Minoan remains ever found in Israel.[28]

Minoan techniques and styles in ceramics also provided models, of fluctuating influence, for Helladic Greece. Along with the familiar example of Thera, Minoan "colonies" can be found first at Kastri on Cythera, an island close to the Greek mainland that came under Minoan influence in the mid-third millennium (EMII) and remained Minoan in culture for a thousand years, until Mycenaean occupation in the 13th century. The use of the term "colony", however, like "thalassocracy", has been criticized in recent years.[29] The Minoan strata there replace a mainland-derived culture in the Early Bronze Age, the earliest Minoan settlement outside Crete.[30]

The Cyclades were in the Minoan cultural orbit, and, closer to Crete, the islands of Karpathos, Saria and Kasos, also contained Minoan colonies, or settlements of Minoan traders, from the Middle Bronze Age (MMI-II). Most of them were abandoned in LMI, but Minoan Karpathos recovered and continued with a Minoan culture until the end of the Bronze Age.[31] Other supposed Minoan colonies, such as that hypothesised by Adolf Furtwängler for Aegina, were later dismissed by scholars.[32] There was a Minoan colony at Ialysos on Rhodes.[33]

Minoan cultural influence indicates an orbit that extended not only throughout the Cyclades (so-called Minoanisation), but in locations such as Egypt and Cyprus. Paintings from the 15th century BCE in Thebes, Egypt depict a number of individuals, who are Minoan in appearance, bearing gifts. Inscriptions record these people as coming from Keftiu, or the "islands in the midst of the sea", and may refer to gift-bringing merchants or officials from Crete.[34]

Certain locations within Crete emphasize it as an "outward looking"[citation needed] society. The Neopalatial site of Kato Zakros, for instance, is located within 100 metres of the modern shore-line, situated within a bay. Its large number of workshops and the richness of its site materials indicate a potential 'entrepôt' for import and export. Such activities are elaborated in artistic representations of the sea, including the 'Flotilla' fresco from room 5, in the west house at Akrotiri.

Settlements of the Minoan civilization[edit]

These are the estimated populations of hamlets, villages, and towns of the Minoan civilization over time. Note that there are several problems with estimating the sizes of individual settlements, and the highest estimates for a given settlements, in a given period, may be several times the lowest.

Table 2: 2500-1200 BCE
City 2500 BCE 2300 BCE 2000 BCE 1800 BCE 1600 BCE 1360 BCE 1200 BCE




18,000 20,000-40,000-100,000 30,000

Society and culture[edit]

Fresco showing three women who were possibly queens.[citation needed]

The Minoans were primarily a mercantile people engaged in overseas trade. Their culture, from 1700 BCE onward, shows a high degree of organization.

The Minoan trade in saffron, the stigma of a mutated crocus which originated in the Aegean basin as a natural chromosome mutation, has left fewer material remains: a fresco of saffron-gatherers at Santorini is well-known. This inherited trade pre-dated Minoan civilization: a sense of its rewards may be gained by comparing its value to frankincense, or later, to pepper. Archaeologists[who?] tend to emphasize the more durable items of trade: ceramics, copper, and tin, and dramatic luxury finds of gold and silver.

Objects of Minoan manufacture suggest there was a network of trade with mainland Greece (notably Mycenae), Cyprus, Syria, Anatolia, Egypt, Mesopotamia, and westward as far as the coast of Spain.

Minoan men wore loincloths and kilts. Women wore robes that had short sleeves and layered flounced skirts. The robes were open to the navel, allowing their breasts to be left exposed.[47] Women also had the option of wearing a strapless fitted bodice. The patterns on clothes emphasized symmetrical geometric designs. Given the fragility of organic materials, other forms of dress may have been worn of which no archeological evidence exists.

The Minoan religion focused on female deities, with females officiating.[48] The frescos include many depictions of people, with the genders distinguished by colour: the men's skin is reddish-brown, the women's white.[49]

Language and writing[edit]

Unknown signs on the Phaistos Disc.

Knowledge of the spoken and written language of the Minoans is scant, due to the small number of records found. Clay tablets dating to around 3000 BCE were found with the various Cretan scripts.[50] Clay tablets seem to have been in use from around 3000 BCE or earlier. Two clay cups from Knossos have been found to have remnants of ink, and inkwells similar to the animal-shaped inkstands from Mesopotamia have also been found.[51]

Sometimes the Minoan language is referred to as Eteocretan, but this confuses the language written in Linear A scripts and the language written in a Euboean-derived alphabet after the Greek Dark Ages. While the Eteocretan language is believed to be a descendant of Minoan, there is not enough source material in either language to allow conclusions to be made.

The earliest dated writing found on Crete is the Cretan hieroglyphs. It is not known whether this language is Minoan or not and its origin is still a topic of debate. These hieroglyphs are often associated with the Egyptians, but they also show relation to several other writings from the region of Mesopotamia.[51] The hieroglyphs came into use from MMI; they were used at the same time as the emerging Linear A from the 18th century BCE (MM II). The hieroglyphs disappeared at some point during the 17th century BCE (MM III).

In the Mycenean period, Linear A was replaced by Linear B, recording a very archaic version of the Greek language. Linear B was successfully deciphered by Michael Ventris in 1952, but the earlier scripts remain a mystery. The overwhelming majority of tablets are written in the Linear B script, apparently being inventories of goods or resources. Others are inscriptions on religious objects associated with a cult.[which?] Because most of these inscriptions are concise economic records rather than dedicatory inscriptions, the translation of Minoan remains a challenge.

Unless Eteocretan truly is its descendant, the Minoan language may have become extinct during the Greek Dark Ages, a time of economic and socio-political collapse.[citation needed]


A fresco found at the Minoan site of Knossos, indicating a sport or ritual of "bull leaping"; the red-skinned figure is a man and the two light-skinned figures are women.

The greatest collection of Minoan art is in the museum at Heraklion, near Knossos on the north shore of Crete. Minoan art, with other remains of material culture, especially the sequence of ceramic styles, has been used by archaeologists to define the three phases of Minoan culture (EM, MM, LM) discussed above.

Since wood and textiles have vanished through decomposition, the best preserved, and so most easily learned from, surviving examples of Minoan art are its pottery, the palace architecture with frescos that include landscapes, stone carvings, and intricately carved seal stones.


Main article: Minoan pottery

In the Early Minoan period ceramics were characterised by linear patterns of spirals, triangles, curved lines, crosses, fish bone motifs, and such. In the Middle Minoan period, naturalistic designs such as fish, squid, birds, and lilies were common. In the Late Minoan period, flowers and animals were still the most characteristic, but the variability had increased. The 'palace style' of the region around Knossos is characterised by a strong geometric simplification of naturalistic shapes and monochromatic paintings. Notable are the similarities between Late Minoan and Mycenaean art. Frescoes were the main form of art during these times of the Minoan culture.

Minoan Decorated Jug, ca. 1575-1500 B.C.E. Brooklyn Museum

This jug on the left is dated from the Late Minoan IB, or sixteenth century B.C.E. On Crete, the Minoans led an apparently peaceful and prosperous existence that thrived on their sea-girt island. That contacts between the island inhabitants and their neighbors in the Eastern Mediterranean were widespread is attested to the fact that this jug was found in Egypt. Minoan knowledge of the sea was continued by the Mycenaeans in their frequent use of marine forms among the many natural motifs employed in the decoration of beautifully designed utilitarian and decorative objects. The four large creatures on this spouted pitcher are nautiluses (sometimes called Argonauts) which jauntily wave their tentacles in a rhythmic in unrealistic fashion. Corals, algae, and other sea life fill every space in an underwater composition bursting with vitality.


Main article: Minoan religion
"Snake Goddess" or a priestess performing a ritual.
The bull leaper from Knossos (Heraklion Archaeological Museum)

The Minoans seem to have worshipped primarily goddesses, and their culture has been described as being based on a "matriarchal religion."[52][53] Professor Nanno Marinatos stated: "The hierarchy and relationship of gods within the pantheon is difficult to decode from the images alone." She denies earlier descriptions of Minoan religion as primitive, saying that it "was the religion of a sophisticated and urbanized palatial culture with a complex social hierarchy. It was not dominated by fertility any more than any religion of the past or present has been, and it addressed gender identity, rites of passage, and death. It is reasonable to assume that both the organization and the rituals, even the mythology, resembled the religions of Near Eastern palatial civilizations."[53] Although there is some evidence of male gods, depictions of Minoan goddesses vastly outnumber depictions of anything that could be considered a Minoan god.[citation needed] While some of these depictions of women may be images of worshippers and priestesses officiating at religious ceremonies, as opposed to deities, several goddesses appear to be portrayed. These include a Mother Goddess of fertility, a Mistress of the Animals, a protectress of cities, the household, the harvest, and the underworld, and more. They are often represented by serpents, birds, poppies, and a somewhat vague shape of an animal upon the head.

A major festive celebration was exemplified in the famous athletic Minoan bull dance, represented at large in the frescoes of Knossos[54] and inscribed in miniature seals.[55]

The Minoan horn-topped altars, conventionally called "Horns of Consecration" ever since Evans coined the term, are represented in seal impressions, and survive in examples as far afield as Cyprus. Minoan sacred symbols include the bull and its horns of consecration, the labrys (double-headed axe), the pillar, the serpent, the sun-disk, and the tree.

Haralampos V. Harissis and Anastasios V. Harissis have suggested a completely different interpretation of these symbols. They argue that they were based on apiculture rather than religion.[56]

Possible evidence of human sacrifice by the Minoans has been found at three sites: (1) Anemospilia, in a MMII building near Mt. Juktas, interpreted as a temple, (2) an EMII sanctuary complex at Fournou Korifi in south central Crete, and (3) Knossos, in an LMIB building known as the "North House." (explanation of abbreviations)

Similar to archaeological finds of the Bronze Age, burial remains constitute much of the material and archaeological evidence for the period. By the end of the Second Palace Period, Minoan burial practice was dominated by two broad forms: 'Circular Tombs', or Tholoi, (located in South Crete) and 'House Tombs', (located in the north and the east). Many trends and patterns within Minoan mortuary practice do not conform to this simple breakdown. Overall, inhumation was the most popular form of burial; cremation does not seem to have been as popular.[57] Throughout this period the trend was towards individual burials, with some distinguished exceptions. These include the much-debated Chrysolakkos complex, Mallia, consisting of a number of buildings forming a complex. This is located in the centre of Mallia's burial area and may have been the focus for burial rituals, or the 'crypt' for a notable family.

Warfare and the "Minoan Peace"[edit]

Children boxing in a fresco on the island of Santorini.

Though the vision created by Arthur Evans of a Pax Minoica, a "Minoan peace", has been criticised in recent years,[58] it is generally assumed there was little internal armed conflict in Minoan Crete itself, until the following Mycenaean period.[59] As with much of Minoan Crete, however, it is hard to draw any obvious conclusions from the evidence. New excavations sustain scholarly interest and document the culture's influence around the Aegean.[60]

Despite having found ruined watchtowers and fortification walls,[61] Evans argued that there was little evidence for ancient Minoan fortifications. But as S. Alexiou has pointed out (in Kretologia 8), a number of sites, especially Early and Middle Minoan sites such as Aghia Photia, are built on hilltops or are otherwise fortified. As Lucia Nixon said, "...we may have been over-influenced by the lack of what we might think of as solid fortifications to assess the archaeological evidence properly. As in so many other instances, we may not have been looking for evidence in the right places, and therefore we may not end with a correct assessment of the Minoans and their ability to avoid war."[62]

Chester Starr points out in "Minoan Flower Lovers" (Hagg-Marinatos eds. Minoan Thalassocracy) that Shang China and the Maya both had unfortified centers and yet engaged in frontier struggles, so the lack of fortifications alone cannot be enough to conclude that the Minoans were a peaceful civilization unparalleled in history.

In 1998, however, when Minoan archaeologists met in a conference in Belgium to discuss the possibility that the idea of Pax Minoica was outdated, the evidence for Minoan war still proved to be scanty. Archaeologist Jan Driessen, for example, said the Minoans frequently show 'weapons' in their art, but only in ritual contexts. He said,

"The construction of fortified sites is often assumed to reflect a threat of warfare, but such fortified centres were multifunctional; they were also often the embodiment or material expression of the central places of the territories at the same time as being monuments glorifying and merging leading power" (Driessen 1999, p. 16).

On the other hand, Stella Chryssoulaki's work on the small outposts or 'guard-houses' in the east of the island represent possible elements of a defensive system. Claims that they produced no weapons are erroneous; type A Minoan swords (as found in palaces of Mallia and Zarkos) were the finest in all of the Aegean (See Sanders, AJA 65, 67, Hoeckmann, JRGZM 27, or Rehak and Younger, AJA 102).

Keith Branigan claimed that 95% of so-called Minoan weapons possessed hafting (hilts, handles) that would have prevented their use as weapons (Branigan, 1999). But, recent experimental testing of accurate replicas has shown this to be incorrect; these weapons were capable of cutting flesh down to the bone (and scoring the bone's surface) without any damage to the weapons themselves.[63] Archaeologist Paul Rehak maintains that Minoan figure-eight shields could not have been used for fighting or hunting, since they were too cumbersome (Rehak, 1999). And archaeologist Jan Driessen says the Minoans frequently show 'weapons' in their art, but only in ritual contexts (Driessen 1999). Finally, archaeologist Cheryl Floyd concludes that Minoan "weapons" were tools used for mundane tasks such as meat-processing (Floyd, 1999). But, this theory is questionable given the evidence of "rapiers nearly three feet in length"[64] dated to the Middle Minoan period.

About Minoan warfare, Branigan concludes that "The quantity of weaponry, the impressive fortifications, and the aggressive looking long-boats all suggested an era of intensified hostilities. But on closer inspection there are grounds for thinking that all three key elements are bound up as much with status statements, display, and fashion as with aggression.... Warfare such as there was in the southern Aegean EBA early Bronze Age was either personalized and perhaps ritualized (in Crete) or small-scale, intermittent and essentially an economic activity (in the Cyclades and the Argolid/Attica) " (1999, p. 92). Archaeologist Krzyszkowska concurs: "The stark fact is that for the prehistoric Aegean we have no direct evidence for war and warfare per se" (Krzyszkowska, 1999).

No evidence has been found of a Minoan army, or for Minoan domination of peoples outside Crete. Few signs of warfare appear in Minoan art. "Although a few archaeologists see war scenes in a few pieces of Minoan art, others interpret even these scenes as festivals, sacred dance, or sports events" (Studebaker, 2004, p. 27). Although armed warriors are depicted being stabbed in the throat with swords, violence may occur in the context of ritual or blood sport.

On the Mainland of Greece at the time of the Shaft Graves at Mycenae, there is little evidence for major fortifications among the Mycenaeans there. (The famous citadels post-date the destruction of almost all Neopalatial Cretan sites.) The constant warmongering of other contemporaries of the ancient Minoans – the Egyptians and Hittites, for example – is well documented.


The Minoan cities were connected with stone-paved roads, formed from blocks cut with bronze saws. Streets were drained and water and sewer facilities were available to the upper class, through clay pipes.[65]

Minoan buildings often had flat tiled roofs; plaster, wood, or flagstone floors, and stood two to three stories high. Typically the lower walls were constructed of stone and rubble, and the upper walls of mudbrick. Ceiling timbers held up the roofs.

The materials used in constructing the villas and palaces varied, and could include sandstone, gypsum, or limestone. Equally, building techniques could also vary between different constructions; some palaces used ashlar masonry while others used roughly hewn megalithic blocks.


Ruins of the palace at Knossos.
Fresco from the "Palace of Minos", Knossos, Crete.
Storage jars in Knossos.

The first palaces were constructed at the end of the Early Minoan period in the third millennium BC (Malia). While it was formerly believed that the foundation of the first palaces was synchronous and dated to the Middle Minoan at around 2000 BC (the date of the first palace at Knossos), scholars now think that palaces were built over a longer period in different locations, in response to local developments. The main older palaces are Knossos, Malia, and Phaistos. Some of the elements recorded in the Middle Minoan 'palaces' (Knossos, Phaistos and Mallia, for example) have precedents in earlier styles of construction in the Early Minoan period.[66] These include the indented western court, and the special treatment given to the western façade. An example of this is seen at the "House on the Hill" at Vasiliki, dated to the Early Minoan II period.

The palaces fulfilled a plethora of functions: they served as centres of government, administrative offices, shrines, workshops, and storage spaces (e.g., for grain). These distinctions might have seemed artificial to Minoans.

The use of the term 'palace' for the older palaces, meaning a dynastic residence and seat of power, has recently come under criticism (see Palace), and the term 'court building' has been proposed instead. However, the original term is probably too well entrenched to be replaced. Architectural features such as ashlar masonry, orthostats, columns, open courts, staircases (implying upper stories), and the presence of diverse basins have been used to define palatial architecture.

Often the conventions of the better-known, younger palaces have been used to reconstruct older ones, but this practice may be obscuring fundamental functional differences. Most older palaces had only one story and no representative facades. They were U-shaped, with a big central court, and generally were smaller than later palaces.

Late palaces are characterised by multi-story buildings. The west facades had sandstone ashlar masonry. Knossos is the best-known example. Further building conventions could include storage magazines, a north-south orientation, a pillar room, a Minoan Hall system, a western court, and pier-and-door entrance ways. Palatial architecture in the First Palace Period is identified by its 'square within a square' style, whilst later, Second Palace Period constructions incorporated more internal divisions and corridors.[67]

A common architectural standard among the Middle Minoan 'palaces' was that they are aligned with their surrounding topography. The MM palatial structure of Phaistos appears to align with Mount Ida, whilst Knossos is aligned with Juktas.[68] These are oriented along a north-south axis. Scholars suggest the alignment was related to the sacred or ritual significance of the mountain, where a number of Peak Sanctuaries (spaces for public ritual) have been excavated (i.e., Petsophas). The material record for these sites show clusters of clay figurines and evidence of animal sacrifice.


One of the most notable contributions of Minoans to architecture is their unique column, which was wider at the top than the bottom. It is called an 'inverted' column because most Greek columns are wider at the bottom, creating an illusion of greater height. The columns were also made of wood as opposed to stone, and were generally painted red. They were mounted on a simple stone base and were topped with a pillow-like, round piece as a capital.[69][70]


A number of compounds interpreted as 'Villas' have been excavated in Crete. These structures share many features with the central Palaces (i.e., a conspicuous western facade, storage facilities, and a 'Minoan Hall') of the Neopalatial era. These features may indicate either that they performed a similar role, or that the structures were artistic imitations, suggesting that their occupants were familiar with palatial culture. These villas are often richly decorated (see the frescos of Haghia Triadha Villa A).

Agriculture and subsistence[edit]

The Minoans raised cattle, sheep, pigs, and goats, and grew wheat, barley, vetch, and chickpeas; they also cultivated grapes, figs, and olives, and grew poppies, for poppyseed and, perhaps, opium. The Minoans also domesticated bees.[71]

Crops including lettuce, celery, asparagus and carrots grow wild in Crete. Pear, quince, and olive trees were also native. The people imported date palm trees, and cats (used for hunting purposes) from Egypt.[72] They adopted pomegranates from the Near East, although not lemons and oranges, as is often thought.

They developed Mediterranean polyculture,[73] the practice of growing more than one crop at a time. Their more varied and healthy diet resulted in the growth of population. Theoretically this method of farming would maintain the fertility of the soil, as well as offer protection against low yields in any single crop. Linear B tablets indicate the importance of orchard farming (i.e., figs, olives and grapes) in processing crops for "secondary products".[74] Olive oil in the Cretan diet (or more widely, the Mediterranean diet) is comparable to butter in the Northern diet.[75] The process of fermenting wine from grapes is likely to have been a concern of the "Palace" economies, whereby such prestige goods would have been both important trade commodities as well as culturally meaningful items of consumption.[76] Equally, it is likely that the consumption of exotic or expensive products would have played a role in the presentation and articulation of political and economic power.

Farmers used wooden plows, bound by leather to wooden handles, and pulled by pairs of donkeys or oxen.

Marine resources were also important in the Cretan diet. The prevalence of edible molluscs in site material,[77] and artistic representations of marine fish and animals, including the distinctive "Octopus" stirrup jar (LM IIIC), indicate an appreciation and occasional use of fish within the economy. But scholars believe these resources were not as significant in relation to grain, olives and animal produce. The intensification of agricultural activity is indicated by the construction of terraces and dams at Pseira in the Late Minoan period.

The Cretan diet included wild game. Cretans hunted and ate wild deer and boar along with the meats made available to them by their livestock. Wild game can no longer be found on Crete.[78]

Not all plants and flora would have a purely functional or economic utility. Artistic depictions often show scenes of lily gathering and performances within 'green' spaces. The fresco known as the Sacred Grove at Knossos, for instance, depicts a number of female figures facing towards the left-hand-side of the scene, flanked by a copse of trees. Some scholars have suggested that these depictions represent the performance of 'harvest festivals' or ceremonies, as a means to honour the continued fertility of the soil. Artistic depictions of farming scenes also appear on the Second Palace Period "Harvester Vase" (an egg-shaped rhyton, or pouring vessel), where 27 male figures, led by another, each carry hoes. This suggests the importance of farming as an artistic motif.

The discovery of storage magazines within the palace compounds has prompted much debate. At the second 'palace' at Phaistos, for instance, a range of rooms in the western side of the structure have been identified as a magazine block. Within these storage areas, numerous jars, jugs and vessels have been recovered, indicating the role of the complex as a potential re-distribution centre of agricultural produce. Several possibilities may be suggested, including a model where all economic and agricultural produce was controlled by the Palace and re-distributed by it. At sites such as Knossos, where the town had developed to a considerable size, there is evidence of craft specialisation, indicating workshops. The Palace of Kato Zakro, for instance, indicates workshops that were integrated into the structure of the palace. Such evidence contributes to the theory that the Minoan palatial system developed through economic intensification, where greater agricultural surplus could support a population of administrators, craftsmen and religious practitioners. The number of domestic, or sleeping, chambers at the Palaces indicate that they could have supported a large population of individuals who were removed from manual labour.

Evolution of agricultural tools in Minoan Crete[edit]

Originally the tools were made of wood or bone, and bound to the handle with leather straps. During the Bronze Age, the tools were upgraded to bronze, with wooden handles. Due to its circular hole, the tool head would spin around on the handle. The Minoans developed oval- shaped holes in their tools to fit oval-shaped handles. This stopped the spinning.[71]

Tools List:

Minoan demise theories[edit]

Main article: Minoan eruption

Between 1935 and 1939, the Greek archaeologist Spyridon Marinatos came up with the theory of the Minoan Eruption. The Minoan eruption on the island of Thera (present-day Santorini about 100 km distant from Crete) occurred during the LM IA period. This eruption was among the largest volcanic explosions in the history of civilization, ejecting approximately 60 km3 of material and rating a 7 on the Volcanic Explosivity Index.[79][80][81] The eruption devastated the nearby Minoan settlement at Akrotiri on Santorini, which was entombed in a layer of pumice.[82] The eruption is believed to have severely affected the Minoan culture on Crete, although the extent of the effects has been debated. Early theories proposed that ashfall from Thera on the eastern half of Crete choked off plant life, causing starvation of the local population.[83] More thorough field examinations have determined that no more than 5 millimetres (0.20 in) of ash fell anywhere on Crete.[84] Based on archaeological evidence found on Crete, 21st century studies indicate that a massive tsunami, generated by the Theran eruption, devastated the coastal areas of Crete and destroyed many Minoan settlements.[85][86][87][88][89]

The LM IIIA (Late Minoan) period is marked by its affluence (i.e., wealthy tombs, burials and art) and the ubiquity of Knossian ceramic styles.[90] But, by LM IIIB the importance of Knossos as a regional centre, and its material 'wealth', seem to have declined.

Significant Minoan remains have been found above the Late Minoan I era Thera ash layer, implying that the Thera eruption did not cause the immediate downfall of the Minoans. As the Minoans were a sea power and depended on naval and merchant ships for their livelihood, the Thera eruption likely caused significant economic hardship to the Minoans. Whether these effects were enough to trigger the downfall of the civilization is intensely debated. The Mycenaean conquest of the Minoans occurred in Late Minoan II period. The Mycenaeans were a military civilization. Using their functional navy and a well-equipped army they were capable of an invasion. Mycenaean weaponry has been found in burials on Crete. This demonstrates Mycenaean military influence not many years after the eruption.[91] Many archaeologists speculate that the eruption caused a crisis in Minoan civilization, making them vulnerable to conquest by the Mycenaeans.[87]

Sinclair Hood writes that the destruction of the Minoans was most likely due to an invading force. Although the demise of the flourishing civilization was aided by the erupting volcano on Thera, the ultimate end came from outside conquerors. Archaeological evidence suggests that the destruction of the island was due to fire damage. Hood notes that the palace at Knossos appears to have experienced less damage than other sites along the island of Crete. As natural disasters do not choose targets, the uneven destruction was likely caused by invaders. They would have seen the usefulness of preserving a palace center like Knossos for their own use.[92]

Several authors have noted evidence that the Minoan civilization had exceeded the environmental carrying capacity. For example, archaeological recovery at Knossos shows deforestation of this part of Crete near the late stages of Minoan development.[93][94]

Population genetics studies[edit]

A 2013 mtDNA study was conducted by a research team that analyzed DNA from ancient Minoan skeletons that were sealed in a cave in Crete's Lassithi Plateau between 3,700 and 4,400 years ago, as well as other Greek, Anatolian, western and northern European samples, while being distant from North African and Egyptian samples.[95][96]

They then compared the skeletal mitochondrial DNA, which is passed on through the maternal line, with that found in a sample of 135 modern and ancient populations from around Europe and Africa. The researchers found that the Minoan skeletons were genetically very similar to modern-day Europeans — and especially close to modern-day Cretans, particularly those from the Lassithi Plateau. They were also genetically similar to Neolithic Europeans, but distinct from Egyptian or Libyan populations.[97] According to the authors, these results are consistent with the hypothesis of an indigenous development of the Minoan civilization from the descendants of the first Neolithic settlers to the island (who arrived from Anatolia, present-day Turkey and Iraq, approximately 9,000 years ago,[98][99]), as opposed to a North African or Egyptian origin, as originally hypothesized by Evans.[95] "We now know that the founders of the first advanced European civilization were European," said study co-author George Stamatoyannopoulos, a human geneticist at the University of Washington. "They were very similar to Neolithic Europeans and very similar to present day-Cretans."[96]

See also[edit]


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  18. ^ Hermann Kinder & Werner Hilgemann, Anchor Atlas of World History, (Anchor Press: New York, 1974) p. 33.
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  20. ^ All estimates have been revised downward by Todd Whitelaw, “Estimating the Population of Neopalatial Knossos,” in G. Cadogan, E. Hatzaki, and A. Vasilakis (eds.), Knossos: Palace, City, State (British School at Athens Studies 12) (London 2004); at Moschlos in eastern Crete, the population expansion was at the end of the Neoplalatial period (Jeffrey S. Soles and Davaras, Moschlos IA 2002: Preface p. xvii).
  21. ^ (Driesson, Jan, and MacDonald, Colin F. 2000)
  22. ^ Carl Roebuck, The World of Ancient Times p. 77.
  23. ^ Ibid. p. 107.
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  54. ^ In the small courtyard of the east wing of the palace of Knossos.
  55. ^ An ivory figure reproduced by Spyridon Marinatos and Max Hirmer, Crete and Mycenae (New York) 1960, fig. 97, also shows the bull dance movement.
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  • Krzszkowska, Olga, 1999. "So Where's the Loot? The Spoils of War and the Archaeological Record," pp. 489–498 In Laffineur, Robert, ed., Polemos: Le Contexte Guerrier en Egee a L'Age du Bronze. Actes de la 7e Rencontre egeenne internationale Universite de Liège, 1998. Université de Liège, Histoire de l'art d'archeologie de la Grece antique.
  • Manning, S.W., 1995. "An approximate Minoan Bronze Age chronology" in A.B. Knapp, ed., The absolute chronology of the Aegean Early Bronze Age: Archaeology, radiocarbon and history (Appendix 8), in series Monographs in Mediterranean Archaeology, Vol. 1 (Sheffield: Sheffield Academic Press) A standard current Minoan chronology.
  • Marinatos, Nanno, 1993. Minoan Religion: Ritual, Image, and Symbol. Columbia, SC: University of South Carolina Press.
  • Marinatos, Spyridon, 1960. Crete and Mycenae (originally published in Greek, 1959), photographs by Max Hirmer.
  • Marinatos, Spyridon, 1972. "Life and Art in Prehistoric Thera," in Proceedings of the British Academy, vol 57.
  • Nixon, L., 1983. "Changing Views of Minoan Society," in L. Nixon, ed. Minoan society: Proceedings of the Cambridge Colloquium, 1981.
  • Pendlebury, J.D.S., 2003. Handbook to the Palace of Minos at Knossos with Its Dependencies, republication of earlier work with contributor Arthur Evans, Kessinger Publishing, 112 pages ISBN 0-7661-3916-6
  • Quigley, Carroll, 1961. The Evolution of Civilizations: An Introduction to Historical Analysis, Indianapolis: Liberty Press.
  • Papadopoulos, John K., "Inventing the Minoans: Archaeology, Modernity and the Quest for European Identity", Journal of Mediterranean Archaeology 18:1:87-149 (June 2005)
  • Preziosi, Donald & Hitchcock, Louise A. (1999) Aegean Art and Architecture, Oxford History of Art series, Oxford University Press.
  • Rehak, Paul, 1999. "The Mycenaean 'Warrior Goddess' Revisited," pp. 227–240, in Laffineur, Robert, ed. Polemos: Le Contexte Guerrier en Egee a L'Age du Bronze. Actes de la 7e Rencontre egeenne internationale Universite de Liège, 1998. Universite de Liège, Histoire de l'art d'archeologie de la Grece antique.
  • Sakellarakis, Y. and E. Sapouna-Sakellarakis (1981). "Drama of Death in a Minoan Temple". National Geographic 159 (2): 205–222. 
  • Schoep, Ilse, 2004. "Assessing the role of architecture in conspicuous consumption in the Middle Minoan I-II Periods." Oxford Journal of Archaeology vol 23/3, pp. 243–269.
  • Soles, Jeffrey S., 1992, The Prepalatial Cemeteries at Mochlos and Gournia and the House Tombs of Bronze Age Crete: And the House Tombs of Bronze Age Crete, Published by ASCSA, 1992.
  • Warren P., Hankey V., 1989. Aegean Bronze Age Chronology (Bristol).
  • Watrous, L. Vance (1991), "The origin and iconography of the Late Minoan painted larnax", Hesperia, 60(3): 285–307; JSTOR 148065.
  • Yule, Paul. Early Cretan Seals: A Study of Chronology. Marburger Studien zur Vor- und Frühgeschichte 4, Mainz 1980 ISBN 3-8053-0490-0

External links[edit]

  • Donald A. MacKenzie, Myths of Crete & Pre-Hellenic Europe, 1917, etext at sacred-texts.com. This is a very thorough text, but given its age and so on, much of its analysis and many of its statements need to be taken with a grain of salt.
  • minoancrete.com, Extensive photos, videos and information on Minoan Crete archaeological sites.
  • matala-holidays.gr, Knossos.
  • fotopedia.com, Selected photos related with the Minoan civilization.