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Modelling clay is any of a group of malleable substances used in building and sculpting. The material compositions and production processes vary considerably.
Ceramic clays are water-based substances made from clay minerals and other raw materials. They are baked at high temperatures in a process known as firing to create ceramics, such as terra cotta, earthenware, stoneware, and porcelain. Paper clay produced by pottery clay manufacturers is a clay body to which a small percentage of processed cellulose fiber has been added. When kiln-fired, the paper burns out, leaving the clay body. Consequently, the firing temperatures and glazes selection should be the same on those used with the clay body.
Oil-based clays are made from various combinations of oils, waxes, and clay minerals. Because the oils do not evaporate like water, oil-based clays remain malleable even when left in dry environments for long periods. Articles made from oil-based clays cannot be fired, and thus are not ceramics. Because rising temperature decreases oil viscosity, the malleability is influenced by heating or cooling the clay. Oil-based clay is not water-soluble. As it can be re-used, it is a popular material for animation artists who need to bend and move their models. It is available in a multitude of colors and is non-toxic.
Oil-based clays are referred to by a number of genericized trademarks. Plastilin (or Plasteline), which was patented in Germany by Franz Kolb in 1880, was developed by Claude Chavant in 1892 and trademarked in 1927. Plasticine was invented in 1897 by William Harbutt of Bathampton, England. Plastilina is trademarked as Roma Plastilina by Sculpture House, Inc. According to their website, their formula is 100 years old. Roma Plastilina contains sulfur, and since certain moldmaking compounds do not set in sulfur's presence, making molds of items made of industrial plasticine is difficult.
Readily worked in fine detail, oil-based clays are also suitable for the creation of detailed sculptures from which molds can be made. Castings and reproductions can then be produced from much more durable materials. Cars and airplanes may be created using industrial design-grade modelling clay.
Polymer clay is a modelling material that cures when heated from 265 °F (129 °C) to 275 °F (135 °C) for 15 minutes per 1⁄4 inch (6.4 mm) of thickness, and does not significantly shrink or change shape during the process. Despite being called "clay", it generally contains no clay minerals. Polymer clay is sold in craft, hobby, and art stores, and is used by artists, hobbyists, and children. Polymer clay is also popular in animation, since it allows static forms to be manipulated frame after frame. Leading brands of polymer clay include Fimo, Kato Polyclay, Sculpey, and Modello.
Paper clay is handmade or commercially available clay to which a small percentage of processed cellulose fiber is added. The fiber increases the tensile strength of the dry clay and enables dry-to-dry and wet-to-dry joins. Commercial paper clays air-dry to a firm, lightweight sculpture, with minimal shrinking during the drying process.
Paper clay can be used as an unfired body in craft and doll-making. It is used in ceramic art studios as sculptural and functional studio pottery.
- Papier-mâché (papier-mâché), construction material made of paper and a wet paste.
- Salt dough, used for modelling (such as Play-Doh).
- Clay (industrial plasticine)
- Paper clay
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- Putman, Brenda, ‘’The Sculptor’s Way: A Guide to Modelling and Sculpture’’, Farrar & Rinehart, Inc, New York, 1939 p.8
- "Plasteline". sculpturetools.com. Archived from the original on August 20, 2008.
- ""A Paperclay Update" by Graham Hay". Ceramics Technical. 2006. Retrieved 2007-12-14. Article hosted by grahamhay.com.au
- Hay, G. (2006) "A Paperclay Update", Ceramics Technical, 22, 39-40