|Born||Moses Harry Horwitz
June 19, 1897
Bensonhurst, Brooklyn, New York, U.S.
|Died||May 4, 1975
Los Angeles, California, U.S.
|Cause of death||Lung cancer|
|Resting place||Hillside Memorial Park Cemetery|
|Other names||Harry Howard|
(m. 1925–1975; his death)
|Children||Joan (b. 1927)
Paul (b. 1935)
|Relatives||Curly Howard (brother)
Shemp Howard (brother)
Moses Harry Horwitz (June 19, 1897 – May 4, 1975), known professionally as Moe Howard, was an American actor and comedian best known as the de facto leader of the Three Stooges, the farce comedy team who starred in motion pictures and television for four decades. That group originally started out as Ted Healy and His Stooges, an act that toured the vaudeville circuit. Moe's distinctive hairstyle came about when he was a boy and cut off his curls with a pair of scissors, producing a ragged shape approximating a bowl cut.
Horwitz was born on June 19, 1897 in the Brooklyn, New York neighborhood of Bensonhurst to Solomon Horwitz and Jennie Gorovitz, the fourth-born of five brothers of Lithuanian Jewish ancestry. He was named Moe when still very young and later called himself Harry. His parents were not involved in show business, but Moe, older brother Shemp Howard, and younger brother Curly Howard all eventually became known as members of The Three Stooges. He loved to read as older brother Jack recalled: "I had many Horatio Alger books, and it was Moe's greatest pleasure to read them. They started his imaginative mind working and gave him ideas by the dozen. I think they were instrumental in putting thoughts into his head to become a person of good character and to become successful." This helped him in his acting career in later years, such as in memorizing his lines quickly and easily.
His "bowl cut" hairstyle became his trademark, but Moe's mother refused to cut his hair in childhood, letting it grow to shoulder length. Finally he could not take his classmates' years of teasing any longer, sneaked off to a shed in the back yard and cut his own hair. He was so afraid that his mother would be upset (she enjoyed curling his hair) that he hid under the house for several hours while causing a panic. He finally came out, and his mother was so glad to see him that she did not even mention the haircut.
Moe began to develop an interest in acting to the point where his schoolwork suffered. He began playing hookey from school and going to the theater. He said, "I used to stand outside the theater knowing the truant officer was looking for me. I would stand there 'til someone came along, and then ask them to buy my ticket. It was necessary for an adult to accompany a juvenile into the theater. When I succeeded I'd give him my ten cents — that's all it cost — and I'd go up to the top of the balcony where I'd put my chin on the rail and watch, spellbound, from the first act to the last. I would usually select the actor I liked the most and follow his performance throughout the play."
Despite his waning attendance, Horwitz graduated from P.S. 163 in Brooklyn but dropped out of Erasmus Hall High School after only two months, ending his formal education. To please his parents, he took an electric shop course but quit after a few months to pursue a career in show business.
He started off running unpaid errands at the Vitagraph Studios in Midwood, Brooklyn and was rewarded at first with bit parts in movies in production there, until a 1910 fire destroyed the films done there, and with it, most of Horwitz's work. But already in 1909, he had met a young man named Ernest Lea Nash (later known as Ted Healy), who was later to provide a significant boost for his career aspirations. In 1912, they both held a summer job working in Annette Kellerman's aquatic act as diving "girls."
Moe continued his attempts at gaining show business experience by singing in a bar with his older brother Shemp until their father put a stop to it, and in 1914, by joining a performing troupe on a Mississippi River showboat for the next two summers. In 1921, he joined Ernest Lea Nash, now firmly established in show business as Ted Healy, in a vaudeville routine. In 1923, he caught sight of Shemp in the audience and yelled at him from the stage. The two brothers heckled each other, garnering a great response from the audience, and Healy immediately hired Shemp as a permanent part of the act. Moe retired in June 1925 after his marriage to Helen and went into real estate with his mother Jennie. Meanwhile, Ted's act with frequent stooge Shemp went on to national fame in the Shubert Brothers' A Night in Spain (Jan. 1927 - Nov. 1928), which enjoyed a nice Broadway run as well as a long national tour. It was during A Night in Spain, and the end of a 4-month run in Chicago, ILL., that Healy recruited vaudeville violinist Larry Fine to join the troupe in March 1928. After the show ended in late November, Ted signed for the Shuberts' new revue A Night in Venice, recruited Moe out of retirement to rejoin the act in December 1928, and, in early 1929's rehearsals, Moe, Larry, and Shemp came together for the first time as a trio. When A Night in Venice closed in March 1930, Ted and his boys toured for a while as "Ted Healy and His Racketeers" (later changed to Ted Healy and His Stooges).
Ted Healy and His Stooges were on the verge of hitting the big time and made their first movie, Soup to Nuts (1930)—featuring Healy and his four Stooges: Moe (billed as "Harry Howard"), Shemp, Larry, and Fred Sanborn (Sanborn had been with Healy's troupe since January 1929, as one of the stooges in "A Night in Venice")— for Fox Films (later 20th Century Fox). A disagreement with Healy led Moe, Larry and Shemp to strike out on their own as "Howard, Fine & Howard," and on August 28, 1930 they premiered that act at L.A.'s Paramount Theatre. Joining the RKO vaudeville circuit they toured for almost two years, eventually dubbing themselves as "Three Lost Soles" and taking on Jack Walsh as their straight man.
In July 1932, Moe, Larry and Shemp were approached by Healy to rejoin him for the new Shubert Broadway revue "Passing Show of 1932," and the three accepted the offer. August 16, 1932, during "Passing" rehearsals in New York, Ted walked out on the Shuberts over a contract dispute. August 19, 1932, Shemp gave his notice having not seen eye-to-eye with the hard-drinking and sometimes belligerent Healy, and decided to remain with "Passing," which unfortunately closed in September after pan reviews of its first roadshow performances in Detroit and Cincinnati; May 1933, Shemp landed at Vitaphone Studios in Brooklyn, where he stayed for almost four years. Immediately on August 20, 1932, Moe Howard suggested his youngest brother Jerome ("Babe" to Moe and Shemp); contrary to some sources, there was no search for a replacement. Healy originally passed on Jerry, but Jerry was so eager to join the act that he shaved off his luxuriant auburn mustache and hair and ran on stage during Healy's routine. That finally got Healy to hire Jerry, who took the stage name of "Curly." The new lineup of Moe, Larry and Curly premiered with Ted on stage at Cleveland's RKO Palace on August 27, 1932.
Early 1933 during appearances in Los Angeles, Healy and the Stooges were hired by Metro-Goldwyn-Mayer as "nut" comics to liven up feature films and short subjects with their antics. After a number of appearances in MGM films, Healy was being groomed as a solo character comedian. With Healy pursuing his own career in 1934, his Stooges (now renamed The Three Stooges) signed with Columbia Pictures, where they stayed until December 1957, making 190 comedy shorts.
With Healy's departure, Moe Howard assumed Healy's prior role as the aggressive, take-charge leader of the Three Stooges: a short-tempered bully, prone to slapstick violence against the other two Stooges. But despite his outwardly rather cruel demeanor towards his pals, Moe was also very loyal and protective of the other Stooges on film, keeping them from harm and, should it befall them, doing whatever it took to save them. He emphasized in his 1977 book, however, that the ill-tempered aspects of his on-screen persona did not reflect his real personality. He also boasted of being a shrewd businessman by wisely investing the money made from his film career. But the Stooges received no subsequent royalties (i.e., residuals) from any of their many shorts; they were paid a flat amount for each one, and Columbia owned the rights (and profits) thereafter. However, according to Larry Fine in the 1970s, Columbia allowed the Stooges to do live tours when they were not filming in exchange for half-salary during those months. Fine indicated that the profits from the tours substantially increased their yearly take.
Columbia released its first Three Stooges short, Woman Haters (1934), where their stooge characters were not quite fully formed. It was not a Stooge comedy in the classic sense but rather a romantic farce; Columbia was then making a series of two-reel "Musical Novelties" with the dialogue spoken in rhyme, and the Stooges were recruited to support comedian Marjorie White. Only after the Stooges became established as short-subject stars were the main titles changed to give the Stooges top billing. The version seen on TV and video today is this reissue print.
Their next film, Punch Drunks (1934), was the only short film written entirely by the Three Stooges, with Curly as a reluctant boxer who goes ballistic every time he hears "Pop Goes the Weasel." Their next short, Men in Black (also 1934), a parody of the contemporary hospital drama Men in White, was their first and only film to be nominated for an Academy Award (with the classic catchphrases "Calling Dr. Howard, Dr. Fine, Dr. Howard" followed by their reiterated unison declaration as young doctors, "For Duty and Humanity!!"). They continued making short films at a steady pace of eight per year, such as Three Little Pigskins (also 1934) with a young Lucille Ball), Pop Goes the Easel (1935), Hoi Polloi (also 1935) where two professors make a bet trying to turn the Three Stooges into gentlemen.
In the 1940s the Three Stooges became topical, making several anti-Nazi short films, including You Nazty Spy! (1940) Moe's favorite Three Stooges film, I'll Never Heil Again (1941), and They Stooge to Conga (1943). Moe's impersonation of Adolf Hitler highlighted these shorts, the first of which preceded Charlie Chaplin's film satire The Great Dictator by months.
On May 6, 1946, during the filming of Half-Wits Holiday (1947), brother Curly suffered a stroke. He had already suffered a series of them prior to the filming of Beer Barrel Polecats (1946) and was replaced by Shemp who agreed to return to the group, but only until Curly would be well enough to rejoin. Although Curly recovered enough to appear in Hold That Lion! (1947) in a cameo appearance (the only Three Stooges film to contain all three Howard brothers; Moe, Curly and Shemp), he soon suffered a second series of strokes which led to his death at age 48 on January 18, 1952.
After Shemp rejoined the act, Moe, Shemp, and Larry shot a television pilot for ABC called Jerks of All Trades (1949), apparently intended to lead to a weekly sitcom series on the premise that the Stooges would try a different job or business every week, hoping that eventually one of their attempts would be successful. Anything they tried turned out to be a fiasco, which was the source of the comedy. The pilot took a single day to film and was never aired. It was actually a kinescope film of a three camera television production, most likely to replicate a proposed live broadcast. B.B. Kahane, Columbia Pictures' Vice-President of Business Affairs, stopped the show from being broadcast. Kahane warned the Stooges that a contract stipulation restricted them from performing in a TV series that might compete with their two-reel comedies. Columbia further threatened to cancel the boys' contract and take them to court if they tried to sell the series. To avert a legal hassle, the pilot was shelved and the project abandoned. The kinescope film is now in the public domain and widely available.
The Three Stooges' series of shorts continued to be popular through the 1950s; Shemp co-starred in 73 comedies. The Stooges also co-starred in a George O'Brien western, Gold Raiders (1951.) Moe also co-produced occasional western and musical films in the 1950s.
On November 22, 1955, Shemp died of a heart attack at age 60, necessitating the need for another Stooge. Producer Jules White used old footage of Shemp to complete four more films, with Columbia regular Joe Palma filling in for Shemp (thus creating the Fake Shemp phenomenon), until Columbia head Harry Cohn hired Joe Besser in 1956. According to Moe's autobiography, Howard wanted a "two-stooge" act, and it was Cohn's idea, not Howard's, to replace Shemp as part of the act. The Stooges replaced Shemp with Joe Besser, already an established Columbia comedy shorts star in his own right and frequent movie supporting player. Joe, Larry, and Moe filmed 16 shorts through December 1957. Shortly before Cohn's death in February 1958, the making of short subjects came to an end. Keeping himself busy, Moe was hired by Harry Romm as associate producer. According to Moe, stories (and later, scenes in a 2000 made-for-TV biopic) that he was forced to take a job as a gofer at Columbia are completely false.
Fortunately for the Stooges, Columbia sold the Three Stooges' library of short films to television under the Screen Gems name. With this, the Three Stooges quickly gained a new audience of young fans. Ever the businessman, Moe Howard put together a new Stooges act, with burlesque and screen comic Joe DeRita (dubbed "Curly Joe" because of his vague resemblance to Curly Howard and to differentiate him from Joe Besser) as the new "third Stooge". DeRita, like both Shemp Howard and Joe Besser, had also starred in a series of his own comedy shorts. The revitalized trio starred in six feature-length movies: Have Rocket, Will Travel (1959); Snow White and the Three Stooges (1961); The Three Stooges Meet Hercules; The Three Stooges in Orbit (both 1962); The Three Stooges Go Around the World in a Daze (1963); and The Outlaws Is Coming (1965).
Howard, Larry, and Curly Joe continued to make live appearances, many notable "guest appearances", particularly in It's a Mad, Mad, Mad, Mad World (1963) as three firemen who appear for only a few seconds, and a longer appearance in 4 for Texas (also 1963) starring Frank Sinatra and Dean Martin. The men tried their hand at a children's cartoon show titled The New Three Stooges, with the cartoons sandwiched between live action segments of the boys. But by 1965, they all near or over retirement age and could no longer risk serious injury while performing slapstick comedy. The men were paid residually for their later efforts and continued to receive the bulk of the profits from sales of Stooges merchandise.
Moe sold real estate when his show-business life slowed down, although he still did minor roles and walk-on bits in movies, such as Don't Worry, We'll Think of a Title (1966) and Doctor Death: Seeker of Souls (1973) and in television appearances (Here's Hollywood, Toast of the Town, Masquerade Party, Truth or Consequences, and several appearances on The Mike Douglas Show). In one of Douglas' episodes, Moe, his hair in a style popular at the time, made a surprise appearance during an interview of the writer of a "where-are-they-now" book. When the audience was given the chance to ask the writer about famous people, Howard asked "What ever happened to the Three Stooges?" Finally recognized by Douglas, he then combed his hair into his trademark style.[episode needed] The Stooges also made several appearances on late night television, particularly The Tonight Show.[episode needed]
The Stooges attempted to make a final film in 1969, Kook's Tour, which was essentially a documentary of Howard, Larry, and Curly-Joe out of character, touring the US, and meeting with fans. But production abruptly halted when on January 8, 1970, Larry suffered a major stroke during filming, paralyzing the left side of his body. He died on January 24, 1975 at age 72. Enough footage of Larry was shot so that Kook's Tour was eventually released in a 52-minute version to home video. After Fine's stroke, Howard asked longtime Three Stooges supporting actor Emil Sitka to replace Larry, but this final lineup never shot any material.
On June 7, 1925, Moe Howard married Helen Schonberger, a cousin of magician Harry Houdini. The next year, Helen pressured Moe to leave the stage since she was pregnant and wanted Moe nearer to home. Moe attempted to earn a living in a succession of "normal" jobs, none of which was very successful, and he soon returned to working with Ted Healy.
Howard died of lung cancer at age 77 on May 4, 1975 at Cedars-Sinai Medical Center in Los Angeles, where he had been admitted a week earlier in April, just over three months after Larry Fine's death. He was a heavy smoker for much of his adult life. He was interred in an outdoor crypt at Culver City's Hillside Memorial Park Cemetery. Helen died of a heart attack later that year on October 31, 1975 at age 75 and was interred in the crypt next to him on the right. At the time of his death, Moe was working on his autobiography titled I Stooged to Conquer. It was released in 1977 as Moe Howard and the Three Stooges.
- Moe and the Three Stooges received a Star on the Hollywood Walk of Fame on August 30, 1983 at 1560 Vine Street.
- Bette Midler's character in Disney's Hocus Pocus, Winifred Sanderson, was inspired by Moe, especially the bossiness.
- Moe was portrayed by Paul Ben-Victor in The Three Stooges, a 2000 made-for-TV biopic that focused on the trio's years in show business and their off-screen lives.
- In the 2012 Farrelly brothers' film The Three Stooges, Chris Diamantopoulos portrays Moe. Skyler Gisondo portrays Young Moe.
- In the Pixar Studios movie WALL-E, a small cleaning robot with a visibly short temper is named “Mo.”
- Howard, Moe (1979) . Moe Howard and the Three Stooges (revised ed.). Broadway Publishing. ISBN 978-0-8065-0723-1.
- "Caricatures by Paul" - website
- Greene, Rick (Spring 1975). "I Stooged to Conquer: The Forthcoming Autobiography of Moe Howard". Three Stooges Fan Club Journal.
- Stroke of Luck; by James Carone, as told by Larry Fine (Siena Publishing, Hollywood, 1973.)