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The Fortunes and Misfortunes of the Famous Moll Flanders (commonly known simply as Moll Flanders) is a novel by Daniel Defoe, first published in 1722. It purports to be the true account of the life of the eponymous Moll, detailing her exploits from birth until old age.
By 1721, Defoe had become a recognised novelist, with the success of Robinson Crusoe in 1719. His political work was tapering off at this point, due to the fall of both Whig and Tory party leaders with whom he had been associated; Robert Walpole was beginning his rise, and Defoe was never fully at home with the Walpole group. Defoe's Whig views are nevertheless evident in the story of Moll, and the novel's full title gives some insight into this and the outline of the plot:
The Fortunes and Misfortunes of the Famous Moll Flanders, &c. Who was Born in Newgate, and during a Life of continu'd Variety for Threescore Years, besides her Childhood, was Twelve Year a Whore, five times a Wife (whereof once to her own Brother), Twelve Year a Thief, Eight Year a Transported Felon in Virginia, at last grew Rich, liv'd Honest, and died a Penitent. Written from her own Memorandums.
It is usually assumed that the novel was written by Daniel Defoe, and his name is commonly given as the author in modern printings of the novel. However, the original printing did not have an author, as it was an apparent autobiography. The attribution of Moll Flanders to Defoe was made by bookseller Francis Noble in 1770, after Defoe's death in 1731.
Moll's mother is a convict in Newgate Prison in London who is given a reprieve by "pleading her belly," a reference to the custom of staying the executions of pregnant criminals. Her mother is eventually transported to America, and Moll Flanders (not her birth name, she emphasises, taking care not to reveal it) is raised until adolescence by a goodly foster mother. Thereafter she gets attached to a household as a servant where she is loved by both sons, the elder of whom convinces her to "act like they were married" in bed. Unwilling to marry her, he persuades her to marry his younger brother. After five years of marriage, she then is widowed, leaves her children in the care of in-laws, and begins honing the skill of passing herself off as a fortuned widow to attract a man who will marry her and provide her with security.
The first time she does this, her "gentleman-tradesman" spendthrift husband goes bankrupt and flees to the Continent, leaving her on her own with his blessing to do the best she can to forget him. (They had one child together, but he died.) The second time, she makes a match that leads her to Virginia with a kindly man who introduces her to his mother. After three children (one dies), Moll learns that her mother-in-law is actually her biological mother, which makes her husband her half-brother. She dissolves their marriage and after continuing to live with her brother for three years, travels back to England, leaving her two children behind, and goes to live in Bath to seek a new husband.
Again she returns to her con skills and develops a relationship with a man in Bath whose wife is elsewhere confined due to insanity. Their relationship is at first platonic, but eventually develops into Moll becoming something of a "kept woman" in Hammersmith, London. They have three children (one lives), but after a severe illness he repents, breaks off the arrangement, and commits to his wife.
Moll, now 42, resorts to another beau, a banker Callum Murray, who while still married to an adulterous wife (a "whore"), proposes to Moll after she entrusts him with her herd of cattle. While waiting for Callum to divorce, Moll pretends to have a great fortune to attract another wealthy husband Samuel. She becomes involved with some Roman Catholics in Lancashire that try to convert her, and she marries one of them, a supposedly rich man Bretton. She soon realises he expected to receive a great herd of cattle which she denies having, leading him to admit that he has cheated her into marriage, having himself lied about having money that he does not possess. He is in fact a ruined gentleman and discharges her from the marriage, telling her nevertheless that she should inherit any money he might ever get (finally, she mentions his name). Although now pregnant again, Moll lets the banker believe she is available, hoping he returns. She gives birth and the midwife gives a tripartite scale of the costs of bearing a child, with one value level per social class.
Moll's son is born when the banker's wife commits suicide following their divorce, and Moll leaves her newborn in the care of a countrywoman in exchange for the sum of £5 a year. Moll marries the banker now, but realises "what an abominable creature I am! and how this innocent gentleman is going to be abused by me!" They live in happiness for five years before he becomes bankrupt and dies of despair, the fate of their two children left unstated.
Truly desperate now, Moll begins a career of artful thievery, which, by employing her wits, beauty, charm, and femininity, as well as hard-heartedness and wickedness, brings her the financial security she has always sought. She assumes the name Moll Flanders and is known thereby. She is helped throughout her career as a thief by her Governess, who also acts as receiver. During this time she briefly becomes the mistress of a man she robbed, and is finally caught by two maids whilst trying to steal from a house.
In Newgate she is led to her repentance. At the same time, she reunites with her soulmate, her "Lancashire husband", who is also jailed for his robberies (before and after they first met, he acknowledges). Moll is found guilty of felony, but not burglary, the second charge; still, the sentence is death in any case. Yet Moll convinces a minister of her repentance, and together with her Lancashire husband is sent to the Colonies to avoid hanging, where they live happily together (she even talks the ship's captain into not being with the convicts sold upon arrival, but instead in the captain's quarters). Once in the colonies, Moll learns her mother has left her a plantation and that her own son (by her brother) is alive, as is her brother/husband.
Moll carefully introduces herself to her brother and their son, in disguise. With the help of a Quaker, the two found a farm with 50 servants in Maryland. Moll reveals herself now to her son in Virginia and he gives her her mother's inheritance, a farm for which he will now be her steward, providing £100 a year income for her. In turn, she makes him her heir and gives him a (stolen) gold watch.
At last, her life of conniving and desperation seems to be over. When her brother/husband is dead, Moll tells her (Lancashire) husband the entire story and he is "perfectly easy on that account... For, said he, it was no fault of yours, nor of his; it was a mistake impossible to be prevented". Aged 69 (in 1683), the two return to England to live "in sincere penitence for the wicked lives we have lived".
Film, TV, or theatrical adaptations
- A 1965 film adaptation titled The Amorous Adventures of Moll Flanders starred Kim Novak as Moll Flanders and Richard Johnson as Jemmy with Angela Lansbury as Lady Blystone, with George Sanders as the banker, and Lilli Palmer as Dutchy. Some of the scenes were shot in Castle Lodge, a Tudor house in the centre of Ludlow, Shropshire.
- A 1975 two-part BBC TV adaptation, Moll Flanders, adapted by Hugh Whitemore, directed by Donald McWhinnie, and starring Julia Foster as Moll and Kenneth Haigh as Jemmy.
- A musical adaptation was recorded in 1993 starring Josie Lawrence as Moll Flanders, with Musical Direction by Tony Castro.
- A later American adaptation, Moll Flanders (1996) starred Robin Wright Penn as Moll Flanders and Morgan Freeman as Hibble, with Stockard Channing as Mrs. Allworthy. This adaptation took many liberties with the original plot, and most elements of the original novel are missing.
- A second British television adaptation, broadcast by ITV in 1996, titled The Fortunes and Misfortunes of Moll Flanders, with Alex Kingston starring as Moll and Daniel Craig as Jemmy. This film is one of the closest adaptations to the novel, though it ends when she is still a relatively young woman.
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- Furbank and Owens "The Canonisation of Daniel Defoe" (1988); "Defoe De-Attributions" (1994) and "A Critical Bibliography of Daniel Defoe" (1998)
- Defoe, Daniel Moll Flanders (New York: W. W. Norton & Co., 2004) [ISBN 9780393978629]. Edited with an introduction and notes by Albert J. Rivero. Contains a selection of essays and contextual material.
Works of criticism
- Richetti, John Daniel Defoe (Boston: G. K. Hall, 1987).
- Shinagel, Michael Daniel Defoe and Middle-Class Gentility (Cambridge: Harvard University Press, 1968).
- Watt, Ian The Rise of the Novel: Studies in Defoe, Richardson and Fielding (London: Pimlico, 2000) [ISBN 9780712664271]. Includes a chapter on Moll Flanders.
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