Monsters (2010 film)
Theatrical release poster
|Directed by||Gareth Edwards|
|Written by||Gareth Edwards|
|Music by||Jon Hopkins|
|Edited by||Colin Goudie|
|Distributed by||Vertigo Films|
|Box office||$4.2 million|
Monsters is a 2010 British science fiction monster film written and directed by Gareth Edwards in his feature film directorial debut. Edwards also served as the cinematographer, production designer, and visual effects artist. Monsters takes place years after a NASA probe crash in Mexico which led to the sudden appearance of giant tentacled monsters. It follows Andrew Kaulder (Scoot McNairy), an American photojournalist tasked with escorting his employer's daughter Samantha Wynden (Whitney Able) back to the US by crossing through Mexico's "Infected Zone" where the creatures reside.
Edwards conceived the idea for the film after seeing fishermen attempt to bring a creature in with a net, and imagining a monster inside. He pitched the idea to Vertigo Films, who suggested he watch In Search of a Midnight Kiss, a low-budget film starring Scoot McNairy. Edwards cast McNairy and Whitney Able in the lead roles. Principal photography lasted three weeks and had a production crew of six people. Filming took place in five countries, and many locations were used without permission. Most of the extras were people who were at these locations during filming and were persuaded to act in it; all of their dialogue was improvised, and Edwards provided outlines of the primary plot points.
Monsters premiered at South by Southwest on 13 March 2010. Hours later, Magnet Releasing acquired the rights to distribute it in North America. It had a limited release there, beginning on 29 October 2010, followed by a theatrical release in the United Kingdom on 3 December 2010. The film received generally positive reviews and was a box office success, grossing US$ 4.2 million against a budget of less than $500,000. Monsters: Dark Continent, a sequel, was released in the UK on 1 May 2015.
After a NASA deep-space probe (sent to verify the existence of extraterrestrial life within the solar system) crash lands in Mexico, extraterrestrial life forms spread throughout the Mexico–United States border region, leading to the quarantine of the northern half of Mexico. US and Mexican troops battle to contain the creatures, and a huge wall stretching along the border ostensibly keeps the US protected.
American photojournalist Andrew Kaulder (Scoot McNairy) receives a call from his employer, who tasks Andrew with finding his daughter, Samantha Wynden (Whitney Able), and escorting her back to the US. Andrew locates Samantha in a Mexican hospital and the pair board a train, until learning the tracks ahead have been damaged. They discover that if they do not leave the country within a few days, sea and air travel will be blocked for six months. Andrew and Samantha decide to hitchhike their way to the coast.
Andrew buys Samantha an expensive ferry ticket for the next morning. After enjoying the local nightlife together, Andrew sleeps with a local woman who steals their passports. Unable to board the ferry, Samantha is forced to barter her engagement ring for passage through the quarantine zone.
They travel by riverboat until being transferred to a group of armed escorts who are to lead them overland to the Mexico–US border. The convoy is attacked by the creatures. Andrew and Samantha escape, but none of the guards survive. Continuing on, they discover the bodies of dead travellers and bond at the top of an ancient pyramid in sight of the US border wall. By the time they reach the border, the creatures have crossed into the United States. Andrew and Samantha travel through a severely damaged, evacuated town in Texas, find an abandoned gas station with power and call the army for help.
While waiting for help to arrive, they make phone calls to their respective families. A lone creature silently approaches the station. Hiding, Samantha observes several tentacles exploring the inside of the store, seemingly soaking up a television's light. Samantha quickly unplugs the television and the creature loses interest. Another creature appears, and they communicate with one another and possibly mate via light impulses. The creatures leave as the military arrives. Samantha and Andrew kiss before they are rushed into different vehicles. The chronological ending takes place at the beginning of the film, filmed in green night vision sight, when the military rescue team is attacked by a single creature.
While attending university in 1996, Edwards made a short monster movie set in suburbia. He initially wanted to expand on that idea, but after the release of War of the Worlds, he believed it was "not going to be special anymore". Considering that the film would have to be low-budget, Edwards decided to embrace the found footage style of The Blair Witch Project, and mix that element with his original concept. After learning about Cloverfield's similar premise, he abandoned this idea and moved on to a concept where a "war [is] going on somewhere on the other side of the world, and no one cares".
Edwards conceived the film while watching some fishermen struggling to haul in their net and imagining a monster inside of it. He had the idea to make a monster movie set "years after most other monster movies end, when people aren't running and screaming, but life is going on" and "where a giant, dead sea monster is considered completely normal".
Edwards pitched his idea to Vertigo Films, where producer James Richardson asked him to watch In Search of a Midnight Kiss for an example of low-budget filmmaking. It starred Scoot McNairy and had been made for $15,000. Edwards was impressed by McNairy but wanted a real couple to portray the lead characters. McNairy sent Edwards a picture of his then-girlfriend, actress Whitney Able, who Edwards initially thought was "too good-looking". He changed his mind after meeting them and cast them both.
The film was written and directed by Gareth Edwards, while Allan Niblo and James Richardson of Vertigo Films served as producers. Edwards did not storyboard or script the film, but wrote a treatment of the story and outlines that detailed specifics points that needed to be hit in dialogue. The filming equipment cost approximately $15,000, and the production budget came in "way under" $500,000. The film was able to be made on such a low budget largely due to the production using consumer grade prosumer level equipment instead of professional paraphernalia. For instance, the film was shot using digital video cameras rather than the more expensive 35mm film and was edited on a laptop computer. Many of the locations in the film were used without permission, and most of the extras were people who were already at the locations. As the extras were non-actors who were persuaded to be in the film, their actions were improvised.
The film was shot in Belize, Mexico, Guatemala, Costa Rica, and the United States over three weeks. For about 90% of the principal photography, the crew consisted of seven people transported in one van: Edwards, Able, McNairy, sound operator Ian Maclagan, line producer Jim Spencer, Mexican fixer Verity Oswin, and a driver.
Editing and effects
Every night after shooting, editor Colin Goudie and his assistant Justin Hall would download the footage so the memory sticks could be cleared and ready for the next day. While new footage was being captured, the previously filmed footage was edited at the production team's hotel. After filming concluded, the crew had over 100 hours of footage. The original cut was over four hours long but was trimmed to 94 minutes after eight months of editing. Edwards originally had the ending of the film both at the beginning and the end. He and the film's producers disagreed about the placement, so he decided to put the chronological ending of the film at the beginning and end the film immediately after Andrew and Samantha kiss.
Edwards created the visual effects himself using off-the-shelf Adobe software, ZBrush, and Autodesk 3ds Max. He had five months to create all 250 visual effects shots, a process he undertook in his bedroom. He produced two shots a day until he reached the first creature shot, when "suddenly two months went by and [he] still hadn't finished a single creature shot"; Edwards stated that the creatures' visual effects were the most challenging element of production. Due to time constraints, the sound effects had to be produced before the visual effects.
Monsters premiered at the South by Southwest Film Festival on 13 March 2010. In May, the film was screened at the Cannes Film Market. It also screened as part of the 64th Edinburgh International Film Festival on 18 June 2010, and screened twice at the Los Angeles Film Festival on 23 and 26 June. The film was first released in Russia on 30 September 2010. Monsters later released in the United States on 29 October, in Canada on 5 November, and the United Kingdom on 3 December. In the weeks leading up to the UK release, a marketing campaign using social network Foursquare was announced. Vue Entertainment and Cineworld Cinemas set up 'infected locations' which gave users access to exclusive Monsters content and the chance to win random on-the-spot prizes.
Hours after the film's screening at South by Southwest, Magnet Releasing acquired the distribution rights in the United States. Tom Quinn, an executive at Magnet, stated that they "were blown away by Monsters" and were "thrilled to bring his vision to American audiences." Shortly after, D Films acquired the rights to distribute the film in Canada. Monsters was released in 19 countries between September 2010 and December 2011. It grossed $4.2 million from worldwide ticket sales, earning over $1 million in the United Kingdom and Russia and over $100,000 in Mexico, France, the United States, Australia, Germany, Spain, Poland, and Turkey.
The film was released in the United Kingdom on 3 December 2010. On its opening weekend, Monsters grossed $550,110 in 164 theatres, averaging $3,354 per theatre. The following weekend, the film dropped to 153 and grossed $244,607, a 55.5% decrease, averaging $1,599. Over its three subsequent weekends, the film grossed $99,891. The film concluded its five-week run on 2 January 2011; the gross was $1,442,633.
The film was released in North America on 29 October 2010. On its opening weekend, Monsters grossed $20,508 in three theatres, for an average of $6,836 per theatre. The following weekend, the film screened in 13 theatres and grossed an additional $28,590. In its third weekend, the film expanded to 25 theatres and grossed $48,680, averaging $1,947 per theatre. Over its six subsequent weekends, the film grossed an additional $60,141. On 26 December 2010, the film concluded its nine-week run with a gross of $237,301.
Monsters received generally positive reviews from critics. The review aggregator website Rotten Tomatoes reported a 72% approval rating and an average rating of 7.1/10 based on 147 reviews. The site's consensus states: "It doesn't quite live up to its intriguing premise, but Monsters is a surprising blend of alien-invasion tropes, political themes, and relationship drama." On Metacritic, which assigns a normalised rating out of 100 based on reviews from critics, the film has a score of 63 based on 26 reviews, which is considered to be "generally favorable reviews".
Roger Ebert awarded the film three and a half out of four stars, praising its focus on "characters, relationships, fear and mostly unseen menace" rather than its visual effects, as well as the acting. He also commended Edwards for "evoking ... awe and beauty" and for the creature designs. Peter Bradshaw, writing for The Guardian, gave it four stars out of five, described the film as a "terrifically exciting sci-fi movie" and concluded that Edwards "channels the upriver nightmares of [Werner] Herzog and [Francis Ford] Coppola, with a strong streak of Spielbergian wonder at the sight of two aliens apparently dancing". Michael Phillips of the Chicago Tribune was critical of the performances but praised the film's "considerable, crafty virtues", its premise, and its ending. Jeanette Catsoulis of The New York Times called the film "wondrously atmospheric" and "effortlessly compel[ling]", and praised Edwards' "beautiful, otherworldly" visual effects. Dan Jolin of Empire echoed the comparison to Herzog, opining that the film "exhibits the lyrical surrealism of [his] jungle excursions". He also praised the visual effects, Edwards' cinematography, and the "simmering" chemistry between McNairy and Able, concluding that the film was "both shoestring and sci-fi filmmaking at its best". Michael Rechtshaffen of the Associated Press praised Edwards for "add[ing] original touches to the genre" and for his production design. He criticised the "tentative" and "alienating" performances of McNairy and Able, but stated that "the overall picture still impresses". Jennie Punter of The Globe and Mail disagreed, comparing the lead actors' chemistry to Ethan Hawke and Julie Delpy in Before Sunrise and praising the pacing. Clark Collis of Entertainment Weekly gave the film a B+, also praising the performances of McNairy and Able and commending Edwards' work.
Conversely, Ty Burr of the Boston Globe gave the film a mixed review, granting it two and a half stars out of five. Though he praised the score, he stated that it is "more fascinating for its ambitions than for what it accomplishes" and criticised the main characters for being "too shallow" and unengaging. Robert Abele of the Los Angeles Times criticised the "weak plot, forgettable dialogue and sloppy politics" and called the lead characters "empty-headed blanks". Amy Biancolli of the San Francisco Chronicle called McNairy and Able a "semi-interesting" pair, but disliked the lack of monsters in the film, the dialogue, and the familiarity of the story. Michael O'Sullivan of The Washington Post called the film "a less-than-compelling relationship drama", criticising it for being unoriginal and predictable, and that hiding the monsters made them less frightening.
At the 13th British Independent Film Awards, Monsters was nominated in six categories including Best Picture, Best Director for Edwards, and Best Actor for McNairy. The film won for Best Director, Best Technical Achievement, and Best Achievement in Production. At the 64th British Academy Film Awards, Edwards was nominated for Outstanding Debut by a British Director, but lost to Chris Morris for Four Lions. It won Best Independent Movie at the 2011 Scream Awards, and was nominated for Best Science Fiction Movie. The film also won Best International Film at the 37th Saturn Awards. The National Board of Review named the film one of the top ten independent films of 2010, and it placed third on Moviefone's Top 10 Sci-Fi Movies of 2010 list.
A sequel, Monsters: Dark Continent, started filming in March 2013 in Jordan and Detroit, with Tom Green directing and Jay Basu writing. Gareth Edwards and Scoot McNairy served as executive producers. Johnny Harris, Sam Keeley, and Joe Dempsie starred in the film. Originally scheduled to be released on 28 November 2014, the film's release date was then moved to 27 February 2015, and was eventually released by Vertigo on 1 May 2015. In contrast to Monsters, Monsters: Dark Continent was not well received by critics, with a 18% score on review aggregator Rotten Tomatoes based on 34 reviews.
- Bradshaw, Peter (2 December 2010). "Monsters – review". The Guardian. Archived from the original on 6 August 2014. Retrieved 17 November 2011.
- Lambie, Ryan (29 November 2010). "Gareth Edwards interview: on making Monsters, meeting Quentin Tarantino and more". Den of Geek. Archived from the original on 6 August 2014. Retrieved 6 August 2014.
- Edwards, Gareth (November 2010). "Adventures in the Infected Zone". Empire (257): 100–106. Archived from the original on 6 August 2014. Retrieved 5 August 2014.
- "Magnet Releasing Takes U.S. Rights to Monsters". ComingSoon.net. 16 March 2010. Archived from the original on 6 August 2014. Retrieved 27 November 2010.
- Groizard, Matthew. "Interview: Gareth Edwards, director of 'Monsters'". CineVue. Archived from the original on 6 August 2014. Retrieved 6 August 2014.
- "'Monsters' and Metaphors With Writer-Director Gareth Edwards". MSN. 19 October 2010. Archived from the original on 6 August 2014. Retrieved 27 November 2010.
- "Monsters Best Buy Featurette". Trailer Addict. 10 October 2010. Archived from the original on 6 August 2014. Retrieved 27 November 2010.
- Rose, Steve (27 November 2010). "Monsters: the bedroom blockbuster that's the anti-Avatar". The Guardian. Archived from the original on 6 August 2014. Retrieved 17 November 2011.
- Clarke, Cath (23 September 2010). "First sight: Gareth Edwards". The Guardian. Archived from the original on 6 August 2014. Retrieved 27 November 2010.
- Miller, Neil (10 March 2010). "SX Fantastic Preview: Monsters". Film School Rejects. Archived from the original on 6 August 2014. Retrieved 24 October 2010.
- "Cannes: The Film Market, Monsters, The Housemaid". /Film. 13 May 2010. Archived from the original on 6 August 2014. Retrieved 27 November 2010.
- Solomons, Jason (3 June 2010). "Film Weekly previews Edinburgh and meets the stars of Kicks". The Guardian. Archived from the original on 6 August 2014. Retrieved 27 November 2010.
- "Monsters Screening Schedule". Los Angeles Film Festival. Archived from the original on 6 August 2014. Retrieved 24 October 2010.
- "Мировая премьера "Монстров" в российских кинотеатрах 30 сентября (Monsters world premiere will happen in Russia)" (in Russian). LiveJournal. 18 August 2010. Archived from the original on 6 August 2014. Retrieved 27 November 2010.
- Barton, Steve (30 June 2010). "Gareth Edwards' Monsters Come Home for Halloween". Dread Central. Archived from the original on 6 August 2014. Retrieved 27 November 2010.
- Strauss, Marice (26 May 2010). "D Films Takes Monsters". Playback. Archived from the original on 6 August 2014. Retrieved 6 August 2014.
- "Monsters (12A)". British Board of Film Classification. Archived from the original on 6 August 2014. Retrieved 6 August 2010.
- Cooper, Sarah (1 December 2010). "Vertigo plans Foursquare promotion for Monsters". Screen International. Archived from the original on 6 August 2014. Retrieved 2 December 2010. (subscription required (. ))
- "Monsters (2010)". Box Office Mojo. Archived from the original on 6 August 2014. Retrieved 24 July 2014.
- "Monsters (2010) – International Box Office Results". Box Office Mojo. Archived from the original on 6 August 2014. Retrieved 6 August 2014.
- "Monsters (2010) – United Kingdom Weekend Box Office Results". Box Office Mojo. Archived from the original on 6 August 2014. Retrieved 6 August 2014.
- "Monsters (2010) – Weekend Box Office Results". Box Office Mojo. Archived from the original on 6 August 2014. Retrieved 6 August 2014.
- "Monsters Movie Reviews". Rotten Tomatoes. Retrieved 30 April 2011.
- "Monsters Reviews". Metacritic. Retrieved 7 August 2014.
- Ebert, Roger (17 November 2010). "Monsters". Chicago Sun-Times. Archived from the original on 6 August 2014. Retrieved 27 November 2010.
- Phillips, Michael (18 November 2010). "More monstrous in title than in scale, but entertaining nonetheless". Chicago Tribune. Archived from the original on 8 August 2014. Retrieved 7 August 2014.
- Catsoulis, Jeannette (28 October 2010). "'Monsters' Creates Human Love Among Alien Invaders". The New York Times. Archived from the original on 8 August 2014. Retrieved 7 August 2014.
- Jolin, Dan. "Empire's Monsters Movie Review". Empire. Archived from the original on 8 August 2014. Retrieved 7 August 2014.
- Rechtshaffen, Michael (14 October 2010). "Monsters – Film Review". The Hollywood Reporter. Archived from the original on 8 August 2014. Retrieved 7 August 2014.
- Punter, Jennie (12 November 2010). "Monsters: Alien adventures in the (infected) zone". The Globe and Mail. Retrieved 7 August 2014.
- Collis, Clark (17 November 2010). "Monsters Review". Entertainment Weekly. Archived from the original on 8 August 2014. Retrieved 7 August 2014.
- Burr, Ty (5 November 2010). "Monsters movie review". Boston Globe. Archived from the original on 8 August 2014. Retrieved 7 August 2014.
- Abele, Robert (29 October 2010). "Movie review: 'Monsters'". Los Angeles Times. Archived from the original on 8 August 2014. Retrieved 7 August 2014.
- Biancolli, Amy (5 November 2010). "'Monsters' review: So where are they?". San Francisco Chronicle. Archived from the original on 8 August 2014. Retrieved 7 August 2014.
- O'Sullivan, Michael (5 November 2010). "Young love, tired old tale". The Washington Post. Archived from the original on 8 August 2014. Retrieved 7 August 2014.
- Knegt, Peter (1 November 2010). ""King's Speech" Leads British Independent Film Award Nominations". Indiewire. Archived from the original on 6 August 2014. Retrieved 4 August 2014.
- Scott, Andrew (5 December 2010). "British Independent Film Awards Winners 2010: 'The King's Speech' Sweeps". Moviefone. Retrieved 4 August 2014.
- "Baftas nominations 2011: full list". The Guardian. 18 January 2011. Archived from the original on 6 August 2014. Retrieved 4 August 2014.
- Ford, Rebecca (16 October 2011). "Scream Awards Winners: 'Harry Potter' Takes Home Top Honor, Most Awards". Associated Press via The Hollywood Reporter. Archived from the original on 6 August 2014. Retrieved 4 August 2014.
- "Spike TV Announces 'SCREAM Awards 2011' Nominees". Spike. 7 September 2011. Archived from the original on 6 August 2014. Retrieved 4 August 2014.
- Chitwood, Adam (26 June 2011). "Inception Wins Big at the 2011 Saturn Awards". Collider. Archived from the original on 6 August 2014. Retrieved 5 August 2014.
- Pond, Steve (2 December 2010). "'The Social Network' Sweeps National Board of Review". The Wrap. Archived from the original on 6 August 2014. Retrieved 5 August 2014.
- "Top 10 Sci-Fi Movies of 2010". Moviefone. 28 December 2010. Retrieved 31 December 2010.
- Wiseman, Andreas (25 March 2013). "Monsters sequel shoot underway". Screen International. Archived from the original on 6 August 2014. Retrieved 6 August 2014. (subscription required (. ))
- Jolin, Dan (22 August 2013). "Exclusive First Look at Monsters: Dark Continent". Empire. Archived from the original on 6 August 2014. Retrieved 6 August 2014.
- "Monsters: Dark Continent". Vertigo Films. Retrieved 20 December 2014.
- Lloyd, Kenji. "Monsters: Dark Continent UK Release Date Finally Confirmed for May 2015". Final Reel. Retrieved 2 March 2015.
- "Monsters: Dark Continent (2015)". Rotten Tomatoes. Retrieved 28 May 2016.